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Arab Idol": a Palestinian Victory, at Last*
Volume 11, Number 7 April 30, 2017 "Arab Idol": A Palestinian Victory, At Last* Ronni Shaked and Itamar Radai From the left: Mohammed Assaf, Yacoub Shahin, and Ameer Dandan in "Arab Idol" finale, 25.2.2017. Source: "Arab Idol" website: http://www.mbc.net/ar/programs/arab-idol-s4.html On February 27, 2017, Palestinians in the West Bank, the Gaza Strip and the diaspora, as well as the Palestinian citizens of the State of Israel, sat captivated by the broadcast of the finale of the fourth season of the reality television show, "Arab Idol." Held in Beirut, the final round of the Arab Idol competition featured two Palestinian contestants, Yacoub Shahin of Bethlehem in the Palestinian Authority and Ameer Dandan from the Galilee town of Majd al-Krum in Israel, along with a third finalist from Yemen.1 1 The Israeli Hebrew press portrayed the Arab Idol finals as "a competition between an Israeli and a Palestinian," however Dandan was enlisted to the program and presented himself during 1 When Shahin was declared the winner, widely known as "Mahbub al-ʿArab" ("Darling of the Arabs/Beloved one of the Arabs"), it touched off a celebration in Bethlehem’s Manger Square. Thousands of the city's residents had gathered in the plaza outside of the Church of the Nativity, with Palestinian pennants in their hands and the distinct Palestinian symbol, the black and white checkered Palestinian kufiyya (headdress/scarf), on their shoulders. On the east side of Manger Square, the municipality had set-up a big screen for a public viewing of the show's finale. -
Christians and Jews in Muslim Societies
Arabic and its Alternatives Christians and Jews in Muslim Societies Editorial Board Phillip Ackerman-Lieberman (Vanderbilt University, Nashville, USA) Bernard Heyberger (EHESS, Paris, France) VOLUME 5 The titles published in this series are listed at brill.com/cjms Arabic and its Alternatives Religious Minorities and Their Languages in the Emerging Nation States of the Middle East (1920–1950) Edited by Heleen Murre-van den Berg Karène Sanchez Summerer Tijmen C. Baarda LEIDEN | BOSTON Cover illustration: Assyrian School of Mosul, 1920s–1930s; courtesy Dr. Robin Beth Shamuel, Iraq. This is an open access title distributed under the terms of the CC BY-NC 4.0 license, which permits any non-commercial use, distribution, and reproduction in any medium, provided no alterations are made and the original author(s) and source are credited. Further information and the complete license text can be found at https://creativecommons.org/licenses/by-nc/4.0/ The terms of the CC license apply only to the original material. The use of material from other sources (indicated by a reference) such as diagrams, illustrations, photos and text samples may require further permission from the respective copyright holder. Library of Congress Cataloging-in-Publication Data Names: Murre-van den Berg, H. L. (Hendrika Lena), 1964– illustrator. | Sanchez-Summerer, Karene, editor. | Baarda, Tijmen C., editor. Title: Arabic and its alternatives : religious minorities and their languages in the emerging nation states of the Middle East (1920–1950) / edited by Heleen Murre-van den Berg, Karène Sanchez, Tijmen C. Baarda. Description: Leiden ; Boston : Brill, 2020. | Series: Christians and Jews in Muslim societies, 2212–5523 ; vol. -
Zhang, Qian and Negus, Keith. 2020. East Asian Pop Music Idol Production and the Emergence of Data Fandom in China
CORE Metadata, citation and similar papers at core.ac.uk Provided by Goldsmiths Research Online Zhang, Qian and Negus, Keith. 2020. East Asian pop music idol production and the emergence of data fandom in China. International Journal of Cultural Studies, ISSN 1367-8779 [Article] (In Press) http://research.gold.ac.uk/28064/ The version presented here may differ from the published, performed or presented work. Please go to the persistent GRO record above for more information. If you believe that any material held in the repository infringes copyright law, please contact the Repository Team at Goldsmiths, University of London via the following email address: [email protected]. The item will be removed from the repository while any claim is being investigated. For more information, please contact the GRO team: [email protected] East Asian pop music idol production and the emergence of data fandom in China International Journal of Cultural Studies Accepted for publication 12 January 2020. FINAL VERSION January 2020 Qian Zhang School of Music and Recording Arts Communication University of China Beijing, PR China [email protected] Keith Negus Music Department Goldsmiths, University of London London,UK [email protected] Abstract This article traces the formation of popular music idol industries in China and the emergence of data fandom. It charts the growth of digital platforms and historicizes the commercial and geopolitical itinerations linking cultural production in Japan, South Korea, and China. It locates data fandom as an integral part of the popular music industries reconfigured by digital social media platforms; a structural change from the production-to-consumption ‘supply chain’ model of the recording era towards emergent circuits of content that integrate industries and audiences. -
FACULTY SCHOLARSHIP 2008 Kasper, Hirschel Kasper, Hirschel and Frank A
OBERLIN COLLEGE OF ARTS & SCIENCES FACULTY SCHOLARSHIP 2008 Prepared by the Office of the Dean of Arts and Sciences Books Brooks, Pamela Brooks, Pamela E. 2008. Boycotts, Buses, and Passes: Black Women’s Resistance in the U. S. South and South Africa. University of Massachusetts Press. Bryan, Jennifer Bryan, Jennifer. 2008. Devotional Reading And the Private Self in Late Medieval England. University of Pennsylvania Press. Christensen, Julia Christensen, Julia. 2008. Big Box Reuse. MIT Press. Cooper, Jan Cooper, Jan and Mary C. Garvin, eds. 2008. “Living in the Vermilion River Watershed.” Oberlin, Ohio : Western Reserve Land Conservancy, Firelands Chapter: Oberlin College. Deppman, Jed Deppman, Jed and Joy Ladin, eds. 2008. Emily Dickinson and Contemporary Poetics. Special issue of The Emily Dickinson Journal. Deppman, Jed. 2008. Trying to Think with Emily Dickinson. University of Massachusetts Press. 278 p. [ Reprinted in 2010 in paperback] Faber, Sebastiaan Faber, Sebastiaan. 2008. Anglo-American Hispanists and the Spanish Civil War: Hispanophilia, Commitment, and Discipline. New York: Palgrave Macmillan. Hamilton, Elizabeth Hamilton, Elizabeth C. 2008. Worlds Apart? Disability and Foreign Language Learning, edited by Tammy Berberi, Elizabeth Hamilton, and Ian Sutherland. New Haven: Yale University Press. Inglis, Erik Inglis, Erik. 2008. Faces of Power and Piety. J. Paul Getty Museum, Los Angeles, CA. Kamitsuka, David Kamitsuka, David G. 2008. Theology and Contemporary Culture: Liberation, Postliberal and Revisionary Perspectives. Reprint paperback edition. Cambridge: Cambridge University Press. 2 OBERLIN COLLEGE A&S FACULTY SCHOLARSHIP 2008 Kasper, Hirschel Kasper, Hirschel and Frank A. Sloan, eds. 2008. Incentives and Choice in Health Care. Cambridge, MA: MIT Press. Garvin, Mary Cooper, Jan and Mary C. -
Song, State, Sawa Music and Political Radio Between the US and Syria
Song, State, Sawa Music and Political Radio between the US and Syria Beau Bothwell Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2013 © 2013 Beau Bothwell All rights reserved ABSTRACT Song, State, Sawa: Music and Political Radio between the US and Syria Beau Bothwell This dissertation is a study of popular music and state-controlled radio broadcasting in the Arabic-speaking world, focusing on Syria and the Syrian radioscape, and a set of American stations named Radio Sawa. I examine American and Syrian politically directed broadcasts as multi-faceted objects around which broadcasters and listeners often differ not only in goals, operating assumptions, and political beliefs, but also in how they fundamentally conceptualize the practice of listening to the radio. Beginning with the history of international broadcasting in the Middle East, I analyze the institutional theories under which music is employed as a tool of American and Syrian policy, the imagined youths to whom the musical messages are addressed, and the actual sonic content tasked with political persuasion. At the reception side of the broadcaster-listener interaction, this dissertation addresses the auditory practices, histories of radio, and theories of music through which listeners in the sonic environment of Damascus, Syria create locally relevant meaning out of music and radio. Drawing on theories of listening and communication developed in historical musicology and ethnomusicology, science and technology studies, and recent transnational ethnographic and media studies, as well as on theories of listening developed in the Arabic public discourse about popular music, my dissertation outlines the intersection of the hypothetical listeners defined by the US and Syrian governments in their efforts to use music for political ends, and the actual people who turn on the radio to hear the music. -
Khamis-Lina-Edward-Social-Media-And-Palestinian-Youth
The Journal of Development Communication SOCIAL MEDIA AND PALESTINIAN YOUTH CULTURE: THE IMPACT OF NEW INFORMATION AND MEDIA TECHNOLOGIES ON CULTURAL AND POLITICAL DEVELOPMENT IN PALESTINE Lina Edward Khamis n the last decades Palestinians witnessed a failure to reactivate the peace Iprocess, coupled with the expansionist policies of the current Israeli government, the quest of a two-state solution, is fast disappearing. Barriers to development imposed by the continuing occupation and the separation wall. The consequences of the Palestinian condition as a stateless nation, and nonexistence were evidenced in the lack of communication among people, the distance from places of leisure, culture and social disintegration with all the limitations of life that are accompanied with it. The Palestinians had to invent and create an immediate solution to come alive and adapt to the current situation or else run the risk of engendering a well known form of social pathology. In a country were institutional forms of government are lacking; ‘popular culture has developed on social media platforms free from the governmental authority and power. Facebook provides a free space for self-expression, creativity, civic initiative, anti-politics and the freedom of communication with international society.’ Recent statistics indicate that Palestinian youth are one of the largest users of social media in the Arab World, mainly Facebook (PCBS, 2015). The onset of the use of social media heralded an interest, by scholars in re-defining the lynchpins of democracy in Palestine and the importance of social media in that equation. The effect of new media on emotional life, empathy, political participation, and social mobilisation had a major impact on these deliberations. -
Reality TV in Bulgaria: Social and Cultural Models and National Peculiarities
International Web Journal Revue internationale www.sens-public.org Reality TV in Bulgaria: Social and Cultural Models and National Peculiarities MARIA POPOVA Abstract: The Reality TV appearance results from the media content changes, the infotainment development, the media use enlargement, the creation of quality, mass, thematic universal media products, sold at for low costs and for big profits. The Reality TV significant contribution is the discrepancy between public and private, the viewers’ possibility to see themselves and their problems into participants’ behavior. Although the Reality TV shows present voyeurism, scandal and conflict, media audience may control the program narrative. These programs are entertainment form, but they engage the society with charity, define the media agenda setting, and present definitive socio-cultural models, national peculiarities, which answer to the media audience needs, which are general as cultural sense and social behavior. There are different Reality TV forms worldwide. Most of them represent local edition for the local media audience. In Bulgaria the Reality TV started in 2004 and it has had significant influence of the media content ever since. The Reality TV places substantial problems at the media sphere, connected with media reliability, media post-colonialism, media manipulation, and media pluralism. Keywords: media – Reality TV – media content – media audience – Bulgarian television Contact : [email protected] Reality TV in Bulgaria: Social and Cultural Models and National Peculiarities Maria Popova Media content – between media audience interest and social needs The changes in European media environment have been flowing in parallel directions in the last years. On one hand, the media fragmentarization increases in accordance with primarily declared and explored target media audience needs. -
Wikkedwillissaga : the Nine Lives of Wicked William Ebook
WIKKEDWILLISSAGA : THE NINE LIVES OF WICKED WILLIAM PDF, EPUB, EBOOK John Lorna Campbell | 120 pages | 19 Jun 2015 | Grace Note Publications | 9781907676635 | English | Edinburgh, United Kingdom Wikkedwillissaga : The Nine Lives of Wicked William PDF Book Sarpy Moses F. Where do you think the characters in your book -- or rather the people they represent -- will be 20 years from now? We could ask there, we said. There are few points which author should have ore explored that Islam doesn't prohibit aesthetic pleasures or sense of beauty but it prevents from it because several reasons acts of anti-Islamic customs like idol-worship or in context of prophet's PCBUH times when there were munafiqin Arab idol worshipers who pretended to be Muslims. About Turkey she says, "Life here is very hard. Nature, art, foraging, craft, heritage, bread-making, RSPB guided walks, textile workshops, basket-making , drystone walling, island history lectures and local music are some of the 60 events planned. I felt that Islam was a much more familiar culture -- theologically, textually and artistically. It has gone from playing on a rocky pitch in its early days to competing in international tournaments. See All - Shop by Topic. All teaching was in mandarin, and the uigur students were taught to despite their tongue and Islamic culture. In other words, the focus on the heroic, personalized aspects of travel conceals the fact that it is a class activity, enabled by financial status and cultural knowledge. Available on. Log discs and short lengths of branches made the hob and cooker knobs. Bernhard Eder. -
La Construcción Discursiva Del Espectador En Los Reality Shows. El Caso De Gran Hermano Del Pacífico
FACULTAD DE CIENCIAS Y ARTES DE LA COMUNICACIÓN La construcción discursiva del espectador en los reality shows. El caso de Gran Hermano del Pacífico. Tesis para optar el Título de LICENCIADA EN PUBLICIDAD Presentada por CYNTHIA INGRID CABREJOS CALIENES Lima 2007 INTRODUCCIÓN El presente trabajo de investigación lleva como título: “La construcción discursiva del espectador en los reality shows. El caso de Gran Hermano del Pacífico”. Partiendo de las repercusiones sociales que este formato ha tenido en el plano social e individual, me interesa centrar mi análisis en esta nueva forma de hacer televisión que explota día a día la publicidad de la intimidad y el entretenimiento como recursos válidos para ganar audiencias. Todos sabemos que la televisión ejerce una fuerte influencia en sus televidentes, especialmente en la forma en la que estos se relacionan con su entorno. Sin duda, las imágenes de la televisión de hoy representan a su espectador, en la forma en que este concibe su sociedad y además, en cuáles son sus hábitos de consumo. Por otro lado, tenemos que la forma en la que estos reality shows presentan los objetos que exhiben y cuánto exhiben de ellos, es muestra de su papel por construir a un tipo de espectador ideal. Como un libro que ha sido escrito para un lector que idealmente interpreta y comprende los contenidos de la forma que lo ha concebido el autor, los reality shows establecen marcas enunciativas para atribuirle a su espectador diferentes competencias que finalmente terminen por fidelizarlo y engancharlo al drama. Precisamente la pregunta que esta investigación pretende responder es cómo el discurso de los realities (concentrándose particularmente en el de Gran Hermano) construye a un espectador ideal omnisciente y omnividente. -
Shabab Live Bridging the Gap Youth and Broadcasters in Arab Countries
Shabab Live www.shabablive.com Bridging the gap Youth and Broadcasters in Arab countries A focus group survey in Morocco, Algeria, Tunisia, Lebanon, Jordan and Palestine Conducted by Commissioned under Arab World for Research Shabab Live and Development A joint project of DW Akademie, Al Khatt and AL-JANA, funded by the European Union and supported by Germany’s Federal Foreign Office A joint project of Funded by the Supported by European Union Imprint PUBLISHER Deutsche Welle 53110 Bonn, Germany RESPONSIBLE Carsten von Nahmen, Head of DW Akademie AUTHOR Arab World for Research and Development (AWRAD) DESIGN Al Khatt PUBLISHED March 2019 © 2019/DW Akademie All rights reserved. Licensed to the European Union under conditions. Disclaimer This publication was produced with the financial support of the European Union and the Federal Foreign Office. Its contents are the sole responsibility of Arab World for Research and Development (AWRAD) and do not necessarily reflect the views of the donors or the project partners. Executive summary This study serves as the corner stone for Shabab Live, a joint project of DW Akademie, Al Khatt, and AL-JANA, funded by the EU and supported by the Federal Foreign Office. Shabab Live aims to strengthen youth participation in broadcasting media in six countries of the Arab region – Morocco, Algeria, Tunisia, Lebanon, Palestine and Jordan. The project connects youth with NGOs and various TV and radio broadcasters. With the support of the project, young people, supported by NGOs, may produce content, voice their concerns and reach a wider audience via established broadcasters, who will give youth a say in designing their television and radio programs targeting youth. -
Social TV Fernsehprogramm Und Online-Interaktion- Was Steckt Wirklich Hinter Dem Social TV Boom
Social TV Fernsehprogramm und Online-Interaktion- was steckt wirklich hinter dem Social TV Boom Berlin, 21. Februar 2013 Goldmedia Custom Research GmbH Dr. Florian Kerkau Oranienburger Str. 27, 10117 Berlin, Germany Tel. +49 30-246 266-0, Fax +49 30-246 266-66 [email protected] Was ist dran, am „New TV“? Revolution oder Ritual 2 20.521.618 TV-Sendungen im deutschen Fernsehen 1.240.945 Follower deutscher Fernsehsender Basis: 145 offizielle deutsche Sendungsprofile und alle deutschen Fernsehsenderaccounts bei Twitter 3 Social TV: Motivation der Nutzer Zuschauer nutzen Social Media beim Fernsehen, um… …die Aufmerksamkeit von anderen Menschen zu erlangen …sich selbst gegenüber Anderen aufzuwerten …nach ergänzenden Informationen zu suchen …TV - Inhalte zu beeinflussen …weiter zu diskutieren, zu analysieren oder etwas Kurioses zu lesen Quelle: Goldmedia 2012 / Ericsson Consumer Lab August 2012 4 Social TV: Bedeutung für das Fernsehen? Besonders 15-17jährige sind im Social TV aktiv Age 15-17 Age 18-34 Research Services 2012,Services Durch Social Media macht Fernsehen 20% and mehr Spaß Multicultural 14% Content 28% Durch Social Media vergesse ich nicht Market Inc. & , Multiplatform meine Lieblingsshow zu schauen 19% Asociates Durch Social Media entdecke ich 30% Horowitz neue TV-Sendungen 24% aus AuszugQuelle: 0% 5% 10% 15% 20% 25% 30% 35% Weltweit nutzen 62% aller 16-59-jährigen Internetnutzer TV und Social Media Quelle: Ericsson Consumer Lab August 2012 5 77 Prozent der Onliner nutzen das Internet während des Fernsehens Welcher der -
A Great Year How Many RTL Group’S Channels Increased Their Market Position in 2011
12 January 2012 week 02 A great year How many RTL Group’s channels increased their market position in 2011 Luxembourg Germany RTL Group to exit Greek RTL Television presents broadcasting market fi fth ‘Commit Award’ France United States Nicolas de Tavernost on M6’s Melanie Amaro wins performance in 2011 The X Factor US week 02 the RTL Group intranet Cover: Montage with channels’ ratings increases year-on-year (in per cent). 2 week 02 the RTL Group intranet Winner of the year RTL Group’s fl agship channels in Germany and the Netherlands increased their audience shares once more in 2011. Other profi t centres recorded strong performances as well. Luxembourg - 12 January 2012 In 2011, almost all of RTL Group’s families of channels and fl agship channels were once again able to increase their – already good – ratings. RTL Television in Germany recorded its best yearly average since 1997. M6 was the only major channel in France to increase its audience shares year-on-year. In the Netherlands, RTL 4 had its best ratings in 14 years, while RTL Belgium remained the leading family of channels in the country with audience shares stable at 35 per cent. Despite the ongoing fragmentation in Croatia, RTL Hrvatska was able to increase its combined audience share both in prime time and all day. In Hungary, RTL Klub not only was the leading channel but also broadcast all of the 100 most-watched programmes in 2011. Alpha in Ich bin ein Star – Holt mich hier raus! Greece continued to increase audience shares, Vox closed the year 2011 with an average while Grupo Antena 3 in Spain increased its market share of 7.3 per cent in its target combined audience share by 1.5 percentage audience of 14- to 49-year-old viewers.