Share to Stay Number One the RTL Group Finance Meeting 2012

Total Page:16

File Type:pdf, Size:1020Kb

Share to Stay Number One the RTL Group Finance Meeting 2012 28 June 2012 week 26 Share to stay number one The RTL Group Finance Meeting 2012 Luxembourg France / Spain IP Network publishes Fun Radio International Television expands to Spain Key Facts Germany Spain A new jury for Antena 3 is Spain’s most Das Supertalent responsible TV channel week 26 Cover: Elmar Heggen, Chief Financial Offi cer of RTL Group 2 week 26 Shared finance, fun and strategy Around 100 fi nance executives from across RTL Group met in Jodoigne, Belgium, for the Finance Meeting 2012, hosted by Elmar Heggen, CFO and Head of the Corporate Centre of RTL Group. Over two days, the participants shared fi nance-related experience and know-how, networked and gained insights into the review of RTL Group’s corporate strategy, which was presented by the Group’s Co-CEOs Anke Schäferkordt and Guillaume de Posch. Luxembourg - 28 June 2012 Elmar Heggen kicking off the Finance Meeting 2012 in Jodoigne, Belgium After a welcome dinner with speeches from The leitmotif of the meeting clearly extended Elmar Heggen and Philippe Delusinne, CEO beyond the various presentations: networking of RTL Belgium, the packed agenda began and enjoying time together was never easier with a series of presentations on topics such than at the meeting’s impressive venue, the as investment decision processes, risk Grande Abbaye de La Ramée, situated in the management, incentive systems, compliance idyllic Belgian countryside. The site provided lots policies and future challenges in connection of cozy sitting rooms and living areas for informal with the International Financial Reporting exchanges and plenty of opportunities for joint Standards (IFRS). “The ‘strapline’ for the 2012 outdoor activities, from table tennis to football. Finance Meeting was ‘Share to stay number Clearly inspired by the European football one’,” explains Elmar Heggen. “All the championship, some participants even presentations were based around this theme, organised nightly football matches with the following our belief that we as a Group will be Belgian ‘red devils’ beating their French even stronger if we can share our experience colleagues in one of these late night games. and know-how, whether at business unit level or Group level.” RTL Group CFO Elmar Heggen kicked off the fi rst day of the meeting by reviewing the Group’s fi nancial development over the past 3 week 26 Anke Schäferkordt – © Bob Karman ten years. While the years 2002 to 2006 were content business; develop new growth engines; characterised by strong revenue and EBITA and continue the digital transformation of the TV growth, the period from 2007 to 2011 was and radio business. marked by overall stagnating revenue in a diffi cult macro-economic environment. Schäferkordt began by focussing on the However, the Group’s EBITA continued to development of RTL Group’s existing core grow by a compound annual growth rate of broadcasting businesses. She said: “Yes, the 6.0 per cent from 2007 to 2011. “This growth broadcasting business is fairly mature. But there in profi tability came from two key factors: fi rst, advertising market share gains in our core markets Germany, France and the Netherlands – driven by our strong audience performance – and second increased effi ciency through cost control,” explained Heggen. With profi t margins at record highs at most of RTL Group’s families of channels, and volatile, largely mature TV and radio advertising markets, Heggen stressed the importance of fi nding the next growth drivers for the Group. “Continued cost control and a higher profi le for our Synergy Committees – with concrete results expected – will help, no doubt. But this will not be enough. The outlook for our current portfolio remains stable, but transformational growth is unlikely within the existing scope.” The responses to this challenge were presented during the morning of the second day, when Heggen welcomed RTL Group’s Co-CEOs Anke Schäferkordt and Guillaume de Posch. In a two-hour session, they shared insights into the strategic review they have initiated since they took over in mid-April 2012. The Co-CEOs took turns talking about seven strategic themes with a focus on four strategic goals: to optimise the Group’s existing core business; grow the Guillaume de Posch – © Bob Karman 4 week 26 are several opportunities for growth as well as for further optimisation. This includes launching new channels such as RTL Nitro in Germany and Groupe M6’s planned new DTT free-to-air channel 6ter in France, but also the opportunity to develop platform revenues in certain countries.” Guillaume de Posch went on to speak about growth plans for FremantleMedia: “FremantleMedia is another jewel in our portfolio. The company has a tremendous reputation among all players in the production business, and all major competitors are trying to copy FremantleMedia’s business model – to create blockbuster formats, to roll them out across a global network, and to create and grow brand value.” Structural changes in the TV industry – above all the proliferation of new digital distribution platforms – represent mid-term growth opportunities for RTL Group’s content arm as they drive up the importance of owning and controlling rights. De Posch emphasised: “As a consequence, FremantleMedia will focus its investments on two goals: fuelling its pipeline of intellectual property and serving new digital audiences, for example with online verticals, Youtube channels or gaming.” After analysing RTL Group’s core business of broadcasting and content production, Participants during the team-building ‘rally’, Schäferkordt and de Posch turned to the featuring Citroën 2CVs – © Bob Karman overall topic of how the transformation to The Finance Meeting 2012 was complemented digital will affect the TV business – with by a popular team-building exercise – a ‘rally’ assessments of trends in non-linear video, online featuring iconic Citroën 2CVs in which the and mobile advertising. “Why is this important competing teams had to master various for us? Simply because we have to follow our navigation and know-how challenges – and viewers,” explained Schäferkordt. “For the time two presentations by external speakers. being, the growing non-linear viewing comes Ralf Hoffmann from Deutsche Bank gave an on top of linear usage and therefore does not instructive analysis about the Euro crisis, while cannibalise linear TV viewing. However, we have the former investment banker Rudolf Wötzel to actively shape this business and leverage our reported about his journey to a new life: how he strong brands.” left his banking job, at the pinnacle of his career, to cross the Alps by foot, from east to west, Securing rights; being available on all from Salzburg to Nice. “Being in a landscape screens and measuring all forms of viewing; on which you have zero infl uence is a formative establishing both paid-for and advertising- experience – it’s the best way to recalibrate your fi nanced on-demand models – these are some ego.” of the responses the management teams from Corporate and the business units are currently The RTL Group Finance Meeting 2012 was discussing and working on. “You start to under- organised by Josée Klein and Esther Pierard stand why two CEOs are needed – there are from HR Communications & Event Services so many themes to work upon,” summarised with help from Andrew Buckhurst and Carole Guillaume de Posch with a smile. Buttignol. 5 week 26 Television Key Facts 2012 confirms world’s passion for TV IP Network and RTL Group present their 2012 edition of International Television Key Facts, the key source of information on European television. Cover of the Key Facts study Luxembourg - 27 June 2012 For its 19th edition, the study produced with the aid of media experts across Europe, analyses emerging trends and issues in television in 2012, covering top programmes, equipment, audiences, and the advertising market in thirty-fi ve European countries, as well as the United States and Japan. People are spending more and more time in front of their televisions. Viewing time increased by two minutes per EU citizen per day to 230 minutes in 2011. France saw the Order biggest rise in viewing time per day in the full study at 2011 – plus 15 minutes – followed by Ireland at plus 13 minutes. The USA is still one IPNetwork.com of the countries where TV is watched most, at 290 minutes per person per day, but Serbia remains the leading country in the survey with 308 minutes. This rise is largely due to the increase in penetration of high-quality TV equipment as well as the increase in audiences for time-shifted viewing. 62.5 per cent of EU households have a HD TV set, while 9.9 per cent of households have a TV set with internet connectivity. More than 60 per cent of EU households own more than one TV set. Inside the booklet For the 2012 report, IP Network recruited David broadcasters), and Philippe Delusinne Brennan, an expert on European television, (CEO of RTL Belgium and President of as its editor-in-chief. Other experts involved in the Association of Commercial Television). compiling the report include Horst Stipp The report focuses on thefuture of television; (Vice President of the Advertising Research the impact and return on investment of Foundation), Patrick Barwise (President of TV advertising; new ways of calculating Which, the UK consumer rights organisation), audience share; young people and television; Tess Alps (chief executive of Thinkbox, new trends in programming and the impact of the UK’s marketing body for commercial social networking sites, among other issues. 6 week 26 A new jury for Das Supertalent Thomas Gottschalk will join pop titan Dieter Bohlen on the judging panel in the sixth season of RTL Television’s hit show series Das Supertalent (Got Talent). Michelle Hunziker has been named as the third judge.
Recommended publications
  • Ofcom Complaint Assessment
    OfcomOfcom Broadcast Preliminary and On Demand View Bulletin Published 17 September 2020 Britain’s Got Talent Type of case Broadcast Standards Outcome Not Pursued Service ITV Date & time 5 September 2020, 20:00 Category Protection of children/generally accepted standards/dangerous behaviour/due impartiality Summary This programme included a performance by the British dance group Diversity which represented the events of 2020, including the Coronavirus pandemic and global anti-racism protests. We concluded that the programme did not raise issues which warranted investigation under the Broadcasting Code. Ofcom received approximately 24,5001 complaints about the above programme. Complainants outlined a range of concerns about Diversity’s performance, including that the themes of violence and racism were inappropriate for family viewing, that it expressed support for the political organisation ‘Black Lives Matter’ and that it was racist towards White people. Ofcom also received a number of messages of support and praise for the performance. Ofcom has assessed this programme against the relevant rules in the Broadcasting Code (“the Code”). Our assessment is that this programme did not raise any issues which warranted investigation. In our view, Diversity’s performance was an artistic expression of topical social issues and did not contain any content which was racist, unsuitably violent or otherwise inappropriate in the context of this programme. Given the significant publicity surrounding this case and the high volume of complaints received, we have decided to publish our reasons for this assessment. 1 As of 09:00 on 17 September 2020. 1 Introduction Britain’s Got Talent is a talent programme broadcast on ITV, which aims to find a new act from the general public to perform at the annual Royal Variety Performance and win a prize of £250,000.
    [Show full text]
  • Social TV Fernsehprogramm Und Online-Interaktion- Was Steckt Wirklich Hinter Dem Social TV Boom
    Social TV Fernsehprogramm und Online-Interaktion- was steckt wirklich hinter dem Social TV Boom Berlin, 21. Februar 2013 Goldmedia Custom Research GmbH Dr. Florian Kerkau Oranienburger Str. 27, 10117 Berlin, Germany Tel. +49 30-246 266-0, Fax +49 30-246 266-66 [email protected] Was ist dran, am „New TV“? Revolution oder Ritual 2 20.521.618 TV-Sendungen im deutschen Fernsehen 1.240.945 Follower deutscher Fernsehsender Basis: 145 offizielle deutsche Sendungsprofile und alle deutschen Fernsehsenderaccounts bei Twitter 3 Social TV: Motivation der Nutzer Zuschauer nutzen Social Media beim Fernsehen, um… …die Aufmerksamkeit von anderen Menschen zu erlangen …sich selbst gegenüber Anderen aufzuwerten …nach ergänzenden Informationen zu suchen …TV - Inhalte zu beeinflussen …weiter zu diskutieren, zu analysieren oder etwas Kurioses zu lesen Quelle: Goldmedia 2012 / Ericsson Consumer Lab August 2012 4 Social TV: Bedeutung für das Fernsehen? Besonders 15-17jährige sind im Social TV aktiv Age 15-17 Age 18-34 Research Services 2012,Services Durch Social Media macht Fernsehen 20% and mehr Spaß Multicultural 14% Content 28% Durch Social Media vergesse ich nicht Market Inc. & , Multiplatform meine Lieblingsshow zu schauen 19% Asociates Durch Social Media entdecke ich 30% Horowitz neue TV-Sendungen 24% aus AuszugQuelle: 0% 5% 10% 15% 20% 25% 30% 35% Weltweit nutzen 62% aller 16-59-jährigen Internetnutzer TV und Social Media Quelle: Ericsson Consumer Lab August 2012 5 77 Prozent der Onliner nutzen das Internet während des Fernsehens Welcher der
    [Show full text]
  • Sprungbrett Oder Krise? Das Erlebnis Castingshow-Teilnahme
    Sprungbrett oder Krise? 48 Maya Götz, Christine Bulla, Caroline Mendel Sprungbrett oder Krise? Das Erlebnis Castingshow-Teilnahme Landesanstalt für Medien Nordrhein-Westfalen (LfM) Zollhof 2 40221 Düsseldorf Postfach 103443 40025 Düsseldorf Telefon V 021 1/77007-0 Telefax V 021 1/72 71 70 E-Mail V [email protected] LfM-Dokumentation Internet V http://www.lfm-nrw.de ISBN 978-3-940929-28-0 Band 48 Sprungbrett oder Krise? Das Erlebnis Castingshow-Teilnahme Sprungbrett oder Krise? Das Erlebnis Castingshow-Teilnahme Eine Befragung von ehemaligen TeilnehmerInnen an Musik-Castingshows Maya Götz, Christine Bulla, Caroline Mendel Ein Kooperationsprojekt des Internationalen Zentralinstituts für das Jugend- und Bildungsfernsehen (IZI) und der Landesanstalt für Medien Nordrhein-Westfalen (LfM) Impressum Herausgeber: Landesanstalt für Medien Nordrhein-Westfalen (LfM) Zollhof 2, 40221 Düsseldorf www.lfm-nrw.de ISBN 978-3-940929-28-0 Bereich Kommunikation Verantwortlich: Dr. Peter Widlok Redaktion: Regina Großefeste Bereich Medienkompetenz und Bürgermedien Verantwortlich: Mechthild Appelhoff Redaktion: Dr. Meike Isenberg Titelbild: Collage © Wild GbR Lektorat: Viola Rohmann M. A. Gestaltung: disegno visuelle kommunikation, Wuppertal Druck: Börje Halm, Wuppertal April 2013, Auflage: 1.000 Exemplare Nichtkommerzielle Vervielfältigung und Verbreitung ist ausdrücklich erlaubt unter Angabe der Quelle Landesanstalt für Medien Nordrhein-Westfalen (LfM) und der Webseite www.lfm-nrw.de Inhaltsverzeichnis Vorwort 8 Zusammenfassung 9 Einleitung 11 1 Das System Castingshow
    [Show full text]
  • Britain's Got Talent Video Activity
    Britain’s Got Talent Match the words with the definitions: 1. people who watch a TV show or play d a. stage 2. someone who enters a competition i b. judge 3. the person who chooses the winner in a competition b c. take part 4. the person who comes first in a competition e d. audience 5. something you want to happen very much g e. winner 6. a performance on tv or in the theatre h f. talent 7. an activity you do in your spare time j g. dream 8. something you are good at f h. show 9. participate in an activity c i. contestant 10. the place where you perform a j. hobby Complete the sentences with one of the words above: 1. I don’t want to be second – I want to be the winner. 2. John’s a fantastic singer and takes part in all the school shows. 3. There’s a new TV show called “Top Talent”. It’s on every Monday at 9 o’clock. 4. It’s my dream to become a famous pop star like Rihanna. 5. My cousin has a lot of talent. She sings and plays the piano. 6. Justin is always nervous before he goes on stage to perform. 7. The audience screamed and clapped when One Direction finished singing. 8. Sometimes it’s hard for the judges to decide the winner. 9. My hobbies are collecting stamps and playing football. 10. Simon Cowell judges the contestants on “The X Factor” and “Britain’s Got Talent”.
    [Show full text]
  • A Great Year How Many RTL Group’S Channels Increased Their Market Position in 2011
    12 January 2012 week 02 A great year How many RTL Group’s channels increased their market position in 2011 Luxembourg Germany RTL Group to exit Greek RTL Television presents broadcasting market fi fth ‘Commit Award’ France United States Nicolas de Tavernost on M6’s Melanie Amaro wins performance in 2011 The X Factor US week 02 the RTL Group intranet Cover: Montage with channels’ ratings increases year-on-year (in per cent). 2 week 02 the RTL Group intranet Winner of the year RTL Group’s fl agship channels in Germany and the Netherlands increased their audience shares once more in 2011. Other profi t centres recorded strong performances as well. Luxembourg - 12 January 2012 In 2011, almost all of RTL Group’s families of channels and fl agship channels were once again able to increase their – already good – ratings. RTL Television in Germany recorded its best yearly average since 1997. M6 was the only major channel in France to increase its audience shares year-on-year. In the Netherlands, RTL 4 had its best ratings in 14 years, while RTL Belgium remained the leading family of channels in the country with audience shares stable at 35 per cent. Despite the ongoing fragmentation in Croatia, RTL Hrvatska was able to increase its combined audience share both in prime time and all day. In Hungary, RTL Klub not only was the leading channel but also broadcast all of the 100 most-watched programmes in 2011. Alpha in Ich bin ein Star – Holt mich hier raus! Greece continued to increase audience shares, Vox closed the year 2011 with an average while Grupo Antena 3 in Spain increased its market share of 7.3 per cent in its target combined audience share by 1.5 percentage audience of 14- to 49-year-old viewers.
    [Show full text]
  • Simon Cowell's Compliments on Spectacular Performances On
    LEARN Journal: Language Education and Acquisition Research Network (ISSN: 2630-0672 (Print) | ISSN: 2672-9431 (Online) Volume: 14, No: 2, July – December 2021 Language Institute, Thammasat University https://so04.tci-thaijo.org/index.php/LEARN/index “I’m Going to Remember this Audition for a Long, Long Time!”: Simon Cowell’s Compliments on Spectacular Performances on America’s Got Talent and Britain’s Got Talent Pattrawut Charoenroop [email protected], School of Language and Communication, National Institute of Development Administration, Thailand APA Citation: Charoenroop, P. (2021). “I’m going to remember this audition for a long, long time!”: Simon Cowell’s compliments on spectacular performances on America’s Got Talent and Britain’s Got Talent. LEARN Journal: Language Education and Acquisition Research Network, 14(2), 88-114. Received Abstract 24/11/2020 Received in Most studies on talent competition shows (e.g., Culpeper & revised form Holmes, 2013; Garces-Conejos Blitvich et al., 2013; Tang, 12/01/2021 2016) do not delve into the role of judges giving positive Accepted comments to contestants. This paper investigates Simon 08/02/2021 Cowell’s compliments given to Golden Buzzer winners on America’s Got Talent (henceforth AGT) and Britain’s Got Keywords Talent (henceforth BGT) between 2016 and 2020. Apart compliment; compliment from the studies on compliments being scarce, the existing strategies; talent coding schemes are not fine-grained. This paper improves competition the coding schemes. Moreover, previous studies on shows; pragmatic compliments (e.g., Chen & Rau, 2015; Lin, 2020) compared variation judges’ pragmatic variations cross-culturally, but none of them compared the pragmatic variations of an individual judge.
    [Show full text]
  • Billy & Emily England
    BILLY & EMILY ENGLAND Extreme Roller-Skating Duo BILLY & EMILY ENGLAND America’s Got Talent Semi-Finalists / Extreme Roller-Skating Duo Billy & Emily England are a brother and sister duo who loves the grace and elegance of roller-skating. Originally from Birmingham, England, they now live in Las Vegas, Nevada. Billy & Emily are seventh generation circus performers who have been roller-skating since they were six years old. They were always skating; even when it was raining their mother would take the furniture out of their kitchen so they could use it as a skating rink. They practiced every day - even on the kitchen table - and began to perform at school and in churches around England. As they perfected their skills, local TV stations and newspapers began to notice and they soon became local stars. They competed on Season 9 of Britain's Got Talent, where they made it all the way to the Semi Finals. In 2008, Emily was a contestant on Big Brother: Celebrity Hijackalong (with her brother Billy); she finished in second place. In 2010, Emily competed in Season 4 of Das Supertalent, where she was, again, a Semifinalist. Billy & Emily competed in America's Got Talent on Season 12. They were fan favorites and finished in the top 10. They are currently the star attraction in Absinthe Las Vegas. Absinthe is the critically acclaimed acro-cabaret variety show featuring world-class artists performing amazing feats of strength, balance, danger and unfathomable flexibility. VIDEO LINKS 1. Clips from Ellen and America's Got Talent! http://youtu.be/x-i4pAvr7v0 2.
    [Show full text]
  • Press Kit (PDF, 2,2
    UFA Film Nights 2019 1 Bertelsmann and UFA presents August 21 to 23, 2019 Kolonnadenhof on Museum Island Presented by UFA Film Nights 2019 2 Table of Contents Introduction 2 Program 3 The Movies EINE TOLLE NACHT – A CRAZY NIGHT (1926/27) 4 FRAU IM MOND – WOMAN IN THE MOON (1929) 5 MADAME DUBARRY (1919) 6 The Musicians 7 The Venue 10 About UFA 11 About Bertelsmann 12 Press Enquiries 13 Partners 14 UFA Film Nights 2019 3 Introduction Pure movie magic on Berlin’s Museum Island: Bertelsmann and UFA present the ninth UFA Film Nights from August 21 to 23, 2019. On three evenings, early masterpieces of cinema history will be screened in the open air, against a spectacular backdrop and accompanied by live music. The UFA Film Nights have become a cinematic-musical highlight of Berlin’s cultural summer, with a dedicated stage orchestra and big screen erected for the occasion in the Kolonnadenhof on Museum Island, a World Cultural Heritage site. Each evening, close to 1,000 guests will get to enjoy select cinematic art from the Weimar period, with live musical accompaniment and in a unique, historic architectural setting. Following a reception at Bertelsmann Unter den Linden 1, Berlin, the silent film festival begins on Wednesday, August 21, with Richard Oswald’s A CRAZY NIGHT (German: Eine tolle Nacht). The movie from 1926/27, long believed lost and re- discovered in the Gosfilmofond Russian state film archive, was digitally restored this year. It will now be screened for the first time in its revised version. Another premiere at the UFA Film Nights 2019 will be the new score by Frido ter Beek and the inter- nationally renowned Dutch pianist Maud Nelissen, commissioned by ZDF/ARTE.
    [Show full text]
  • With the Broadest Appeal Ute Biernat on Being One of Germany’S Leading Producers
    week 27 the RTL Group intranet Newsletter 3 July 2008 With the broadest appeal Ute Biernat on being one of Germany’s leading producers United Kingdom FremantleMedia’s digital strategy explained Germany Spendenmarathon funds children daycare centre Euro 2008 on private radio France Nicolas de Tavernost on the French media reform With the broadest appeal Ute Biernat on being one of Germany’s leading producers COVER: Ute Biernat Managing Director of Grundy Light Entertainment United Kingdom FremantleMedia’s digital strategy explained Germany Spendenmarathon funds children daycare centre Euro 2008 on private radio France Nicolas de Tavernost on the French media reform 2 week 27 the RTL Group intranet “Motivated employees, creative potential, pro- fessional methods and teamwork” The 2007/2008 annual review (Saisoncheck) published by Kress, a service provider to the media and communication sector, lists the Top 100 regular programmes broadcast during the TV season. Grundy Light Entertainment reaches larger audiences than any other producer in Germany, attracting an average of 3.05 million viewers aged 14 to 49. Thomas Godoj Germany - 26 June 2008 According to Kress, no other production com- Top 100, crowning us the most successful TV pany managed to exceed the 3-million mark. producers. This year we came out top again, The UFA subsidiary owes its success primarily with our programmes drawing an average of to season five of the vastly popular casting over 3 million viewers and thus generating lar- show Deutschland sucht den Superstar (Idols), ger audiences than our rivals. As we all know, whose auditions and live shows were included all good things come in threes, so we’ll defini- in the tally along with the result shows.
    [Show full text]
  • The Voice of Germany and Deutschland Sucht Den Superstar – an Analysis of Staging and Recipes for Success
    BACHELORARBEIT Frau Julia Raguse Wer macht wirklich Stars: The Voice of Germany und Deutschland sucht den Superstar – eine Analyse der Inszenierungsmechanismen und Erfolgsrezepte 2012 Fakultät Medien BACHELORARBEIT Wer macht wirklich Stars: The Voice of Germany und Deutschland sucht den Superstar – eine Analyse der Inszenierungsmechanismen und Erfolgsrezepte Autor: Frau Julia Raguse Studiengang: Angewandte Medienwirtschaft Seminargruppe: AM09wT1-B Erstprüfer: Prof. Dr. phil. Ludwig Hilmer Zweitprüfer: Katrin Kramer Einreichung: Mittweida, 16.09.2012 Faculty of Media BACHELOR THESIS What show produces the real stars: The Voice of Germany and Deutschland sucht den Superstar – An analysis of staging and recipes for success author: Ms. Julia Raguse course of studies: Applied Media Economics seminar group: AM09wT1-B first examiner: Prof. Dr. phil. Ludwig Hilmer second examiner: Katrin Kramer submission: Mittweida, 16.09.2012 IV Bibliografische Angaben: Raguse, Julia: Wer macht wirklich Stars: The Voice of Germany und Deutschland sucht den Superstar im Vergleich – Eine Analyse der Inszenierungsme- chanismen und Erfolgsrezepte What show produces the real stars: The Voice of Germany and Deutschland sucht den Superstar – An analysis of staging and recipes for success 2012 - 60 Seiten Mittweida, Hochschule Mittweida (FH), University of Applied Sciences, Fakultät Medien, Bachelorarbeit, 2012 Abstract In der Bachelorarbeit wird dargestellt, warum Castingshows zu dem Genre des Reality- TV gehören. Um festzustellen, welches Format wirklich Stars macht, werden Deutsch- land sucht den Superstar und The Voice of Germany gegenübergestellt. Im Verlauf der Arbeit stellt sich raus, dass nur The Voice of Germany dem musikali- schen Anspruch gerecht wird. Die Gewinner von Deutschland sucht den Superstar werden lediglich für einen einmaligen Hype benutzt.
    [Show full text]
  • Mccain-Theatre-Brochure.Pdf
    2018 – 2019 2018 – 2019 Chick Corea: Vigilette with The Mavericks: 7:30 p.m. Thursday, Feb. 21 Carlitos Del Puerto and Hey! Merry Christmas! ........ 16 7:30 p.m. Friday, Feb. 22 Marcus Gilmore ......................... 4 7:30 p.m. Monday, Nov. 26 2:30 and 7:30 p.m. Saturday, Feb. 23 7:30 p.m. Thursday, Sept. 13 Judy Collins: Sir James Galway, Flute ..... 28 Trevor Noah ................................ 5 Holiday & Hits ............................17 7:30 p.m. Friday, March 8 7:30 p.m. Friday, Sept. 21 7:30 p.m. Friday, Dec. 7 Switchback The Fabulous Thunderbirds STOMP ......................................... 18 (Wareham Opera House) ........... 28 Featuring Kim Wilson ........... 6 7:30 p.m. Tuesday, Jan. 15 7 and 9:30 p.m. Saturday, March 9 7:30 p.m. Thursday, Sept. 27 The Hot Sardines Storm Large & Le Bonheur Black Violin ................................. 7 (Wareham Opera House) ........... 19 (Wareham Opera House) ............29 7:30 p.m. Tuesday, Oct. 2 7 and 9:30 p.m. Friday, Jan. 18 7 and 9:30 p.m. Saturday, March 23 iLuminate ..................................... 8 imPerfect Dancers Company: The Manhattan Transfer 7:30 p.m. Tuesday, Oct. 9 Anne Frank — Words From meets Take 6 — The Summit .............................. 30 Emmylou Harris ........................ 9 the Shadow .......................................22 7:30 p.m. Sunday, March 31 7:30 p.m. Friday, Oct. 12 7:30 p.m. Tuesday, Jan. 29 Diana Krall ................................ 31 DHOAD Gypsies of Legally Blonde — 7:30 p.m. Tuesday, April 2 Rajasthan ................................... 10 The Musical ............................... 23 7:30 p.m. Tuesday, Oct. 16 7:30 p.m. Saturday, Feb. 2 The King and I ........................
    [Show full text]
  • Tailys Poncione (+33) 6 72 63 38 87 [email protected] Alter Ego / North Artist Management / Rising Stars / Barcino Management
    Tailys Poncione (+33) 6 72 63 38 87 [email protected] www.tailysponcione.com Alter Ego / North Artist Management / Rising Stars / Barcino Management Professional experiences ◾ Concert de Paris July 14th - Effeil Tower by Gautier Capuçon & Sebastien Bertaud - France 2 TV ◾ Société Générale video advertising ◾ Cookoon video advertising - Basilic Paris & Beaux Arts magazine ◾ « La Fête » music video clip by AMIR ◾ Bad Boys of Ballet / SweetBird Production - International tours ◾ Jimmy Sunflower - music video clips ◾ « Jiffy-Mix » by Mitzi Adams at the Triskelion Arts ◾ Adams Company Dance ◾ Encounters Dance ◾ « Essence of a Swing » by Amy Hall Garner at the Ailey City Group Theatre ◾ « Up Close, Volume II » by Eryn Renee ◾ XAOC Contemporary Ballet ◾ 25th anniversary Gala of Complexions Contemporary Ballet at the Joyce Theater - World Premiere « Switch Phrase » by Dwight Rhoden and Desmond Richardson ◾ « Quédate » music video clip by Yoyo Ibarra ◾ DAS SuperTalent semifinalist - RTL TV ◾ « Story of a hat » by Brawhaus organization and Lesly Lynch ◾ « Carmen » by Carmen Rozenstraten ◾ « Darley Awards » - Sultan of Abu Dhabi private ceremony at the Dolby theater, Hollywood - YAS TV ◾ VOGUE collection video clip by Danielle Polanco ◾ B.B.Ballet ◾ « Orao » by Benjamin Briones at Steps On Broadway Theater ◾ Sophie Reyes High fashion show ◾ VM Ballet - National tours Dance training ◾ Full scholarship - Complexions Contemporary Ballet summer intensive ◾ Full scholarship - Alonzo King Lines Ballet summer intensive ◾ Full scholarship - Complexions
    [Show full text]