Newsletter 01/2013 (July)
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Arab Idol": a Palestinian Victory, at Last*
Volume 11, Number 7 April 30, 2017 "Arab Idol": A Palestinian Victory, At Last* Ronni Shaked and Itamar Radai From the left: Mohammed Assaf, Yacoub Shahin, and Ameer Dandan in "Arab Idol" finale, 25.2.2017. Source: "Arab Idol" website: http://www.mbc.net/ar/programs/arab-idol-s4.html On February 27, 2017, Palestinians in the West Bank, the Gaza Strip and the diaspora, as well as the Palestinian citizens of the State of Israel, sat captivated by the broadcast of the finale of the fourth season of the reality television show, "Arab Idol." Held in Beirut, the final round of the Arab Idol competition featured two Palestinian contestants, Yacoub Shahin of Bethlehem in the Palestinian Authority and Ameer Dandan from the Galilee town of Majd al-Krum in Israel, along with a third finalist from Yemen.1 1 The Israeli Hebrew press portrayed the Arab Idol finals as "a competition between an Israeli and a Palestinian," however Dandan was enlisted to the program and presented himself during 1 When Shahin was declared the winner, widely known as "Mahbub al-ʿArab" ("Darling of the Arabs/Beloved one of the Arabs"), it touched off a celebration in Bethlehem’s Manger Square. Thousands of the city's residents had gathered in the plaza outside of the Church of the Nativity, with Palestinian pennants in their hands and the distinct Palestinian symbol, the black and white checkered Palestinian kufiyya (headdress/scarf), on their shoulders. On the east side of Manger Square, the municipality had set-up a big screen for a public viewing of the show's finale. -
Christians and Jews in Muslim Societies
Arabic and its Alternatives Christians and Jews in Muslim Societies Editorial Board Phillip Ackerman-Lieberman (Vanderbilt University, Nashville, USA) Bernard Heyberger (EHESS, Paris, France) VOLUME 5 The titles published in this series are listed at brill.com/cjms Arabic and its Alternatives Religious Minorities and Their Languages in the Emerging Nation States of the Middle East (1920–1950) Edited by Heleen Murre-van den Berg Karène Sanchez Summerer Tijmen C. Baarda LEIDEN | BOSTON Cover illustration: Assyrian School of Mosul, 1920s–1930s; courtesy Dr. Robin Beth Shamuel, Iraq. This is an open access title distributed under the terms of the CC BY-NC 4.0 license, which permits any non-commercial use, distribution, and reproduction in any medium, provided no alterations are made and the original author(s) and source are credited. Further information and the complete license text can be found at https://creativecommons.org/licenses/by-nc/4.0/ The terms of the CC license apply only to the original material. The use of material from other sources (indicated by a reference) such as diagrams, illustrations, photos and text samples may require further permission from the respective copyright holder. Library of Congress Cataloging-in-Publication Data Names: Murre-van den Berg, H. L. (Hendrika Lena), 1964– illustrator. | Sanchez-Summerer, Karene, editor. | Baarda, Tijmen C., editor. Title: Arabic and its alternatives : religious minorities and their languages in the emerging nation states of the Middle East (1920–1950) / edited by Heleen Murre-van den Berg, Karène Sanchez, Tijmen C. Baarda. Description: Leiden ; Boston : Brill, 2020. | Series: Christians and Jews in Muslim societies, 2212–5523 ; vol. -
Song, State, Sawa Music and Political Radio Between the US and Syria
Song, State, Sawa Music and Political Radio between the US and Syria Beau Bothwell Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2013 © 2013 Beau Bothwell All rights reserved ABSTRACT Song, State, Sawa: Music and Political Radio between the US and Syria Beau Bothwell This dissertation is a study of popular music and state-controlled radio broadcasting in the Arabic-speaking world, focusing on Syria and the Syrian radioscape, and a set of American stations named Radio Sawa. I examine American and Syrian politically directed broadcasts as multi-faceted objects around which broadcasters and listeners often differ not only in goals, operating assumptions, and political beliefs, but also in how they fundamentally conceptualize the practice of listening to the radio. Beginning with the history of international broadcasting in the Middle East, I analyze the institutional theories under which music is employed as a tool of American and Syrian policy, the imagined youths to whom the musical messages are addressed, and the actual sonic content tasked with political persuasion. At the reception side of the broadcaster-listener interaction, this dissertation addresses the auditory practices, histories of radio, and theories of music through which listeners in the sonic environment of Damascus, Syria create locally relevant meaning out of music and radio. Drawing on theories of listening and communication developed in historical musicology and ethnomusicology, science and technology studies, and recent transnational ethnographic and media studies, as well as on theories of listening developed in the Arabic public discourse about popular music, my dissertation outlines the intersection of the hypothetical listeners defined by the US and Syrian governments in their efforts to use music for political ends, and the actual people who turn on the radio to hear the music. -
Khamis-Lina-Edward-Social-Media-And-Palestinian-Youth
The Journal of Development Communication SOCIAL MEDIA AND PALESTINIAN YOUTH CULTURE: THE IMPACT OF NEW INFORMATION AND MEDIA TECHNOLOGIES ON CULTURAL AND POLITICAL DEVELOPMENT IN PALESTINE Lina Edward Khamis n the last decades Palestinians witnessed a failure to reactivate the peace Iprocess, coupled with the expansionist policies of the current Israeli government, the quest of a two-state solution, is fast disappearing. Barriers to development imposed by the continuing occupation and the separation wall. The consequences of the Palestinian condition as a stateless nation, and nonexistence were evidenced in the lack of communication among people, the distance from places of leisure, culture and social disintegration with all the limitations of life that are accompanied with it. The Palestinians had to invent and create an immediate solution to come alive and adapt to the current situation or else run the risk of engendering a well known form of social pathology. In a country were institutional forms of government are lacking; ‘popular culture has developed on social media platforms free from the governmental authority and power. Facebook provides a free space for self-expression, creativity, civic initiative, anti-politics and the freedom of communication with international society.’ Recent statistics indicate that Palestinian youth are one of the largest users of social media in the Arab World, mainly Facebook (PCBS, 2015). The onset of the use of social media heralded an interest, by scholars in re-defining the lynchpins of democracy in Palestine and the importance of social media in that equation. The effect of new media on emotional life, empathy, political participation, and social mobilisation had a major impact on these deliberations. -
Wikkedwillissaga : the Nine Lives of Wicked William Ebook
WIKKEDWILLISSAGA : THE NINE LIVES OF WICKED WILLIAM PDF, EPUB, EBOOK John Lorna Campbell | 120 pages | 19 Jun 2015 | Grace Note Publications | 9781907676635 | English | Edinburgh, United Kingdom Wikkedwillissaga : The Nine Lives of Wicked William PDF Book Sarpy Moses F. Where do you think the characters in your book -- or rather the people they represent -- will be 20 years from now? We could ask there, we said. There are few points which author should have ore explored that Islam doesn't prohibit aesthetic pleasures or sense of beauty but it prevents from it because several reasons acts of anti-Islamic customs like idol-worship or in context of prophet's PCBUH times when there were munafiqin Arab idol worshipers who pretended to be Muslims. About Turkey she says, "Life here is very hard. Nature, art, foraging, craft, heritage, bread-making, RSPB guided walks, textile workshops, basket-making , drystone walling, island history lectures and local music are some of the 60 events planned. I felt that Islam was a much more familiar culture -- theologically, textually and artistically. It has gone from playing on a rocky pitch in its early days to competing in international tournaments. See All - Shop by Topic. All teaching was in mandarin, and the uigur students were taught to despite their tongue and Islamic culture. In other words, the focus on the heroic, personalized aspects of travel conceals the fact that it is a class activity, enabled by financial status and cultural knowledge. Available on. Log discs and short lengths of branches made the hob and cooker knobs. Bernhard Eder. -
Shabab Live Bridging the Gap Youth and Broadcasters in Arab Countries
Shabab Live www.shabablive.com Bridging the gap Youth and Broadcasters in Arab countries A focus group survey in Morocco, Algeria, Tunisia, Lebanon, Jordan and Palestine Conducted by Commissioned under Arab World for Research Shabab Live and Development A joint project of DW Akademie, Al Khatt and AL-JANA, funded by the European Union and supported by Germany’s Federal Foreign Office A joint project of Funded by the Supported by European Union Imprint PUBLISHER Deutsche Welle 53110 Bonn, Germany RESPONSIBLE Carsten von Nahmen, Head of DW Akademie AUTHOR Arab World for Research and Development (AWRAD) DESIGN Al Khatt PUBLISHED March 2019 © 2019/DW Akademie All rights reserved. Licensed to the European Union under conditions. Disclaimer This publication was produced with the financial support of the European Union and the Federal Foreign Office. Its contents are the sole responsibility of Arab World for Research and Development (AWRAD) and do not necessarily reflect the views of the donors or the project partners. Executive summary This study serves as the corner stone for Shabab Live, a joint project of DW Akademie, Al Khatt, and AL-JANA, funded by the EU and supported by the Federal Foreign Office. Shabab Live aims to strengthen youth participation in broadcasting media in six countries of the Arab region – Morocco, Algeria, Tunisia, Lebanon, Palestine and Jordan. The project connects youth with NGOs and various TV and radio broadcasters. With the support of the project, young people, supported by NGOs, may produce content, voice their concerns and reach a wider audience via established broadcasters, who will give youth a say in designing their television and radio programs targeting youth. -
Sprungbrett Oder Krise? Das Erlebnis Castingshow-Teilnahme
Sprungbrett oder Krise? 48 Maya Götz, Christine Bulla, Caroline Mendel Sprungbrett oder Krise? Das Erlebnis Castingshow-Teilnahme Landesanstalt für Medien Nordrhein-Westfalen (LfM) Zollhof 2 40221 Düsseldorf Postfach 103443 40025 Düsseldorf Telefon V 021 1/77007-0 Telefax V 021 1/72 71 70 E-Mail V [email protected] LfM-Dokumentation Internet V http://www.lfm-nrw.de ISBN 978-3-940929-28-0 Band 48 Sprungbrett oder Krise? Das Erlebnis Castingshow-Teilnahme Sprungbrett oder Krise? Das Erlebnis Castingshow-Teilnahme Eine Befragung von ehemaligen TeilnehmerInnen an Musik-Castingshows Maya Götz, Christine Bulla, Caroline Mendel Ein Kooperationsprojekt des Internationalen Zentralinstituts für das Jugend- und Bildungsfernsehen (IZI) und der Landesanstalt für Medien Nordrhein-Westfalen (LfM) Impressum Herausgeber: Landesanstalt für Medien Nordrhein-Westfalen (LfM) Zollhof 2, 40221 Düsseldorf www.lfm-nrw.de ISBN 978-3-940929-28-0 Bereich Kommunikation Verantwortlich: Dr. Peter Widlok Redaktion: Regina Großefeste Bereich Medienkompetenz und Bürgermedien Verantwortlich: Mechthild Appelhoff Redaktion: Dr. Meike Isenberg Titelbild: Collage © Wild GbR Lektorat: Viola Rohmann M. A. Gestaltung: disegno visuelle kommunikation, Wuppertal Druck: Börje Halm, Wuppertal April 2013, Auflage: 1.000 Exemplare Nichtkommerzielle Vervielfältigung und Verbreitung ist ausdrücklich erlaubt unter Angabe der Quelle Landesanstalt für Medien Nordrhein-Westfalen (LfM) und der Webseite www.lfm-nrw.de Inhaltsverzeichnis Vorwort 8 Zusammenfassung 9 Einleitung 11 1 Das System Castingshow -
A Third "Cultural" Intifada? Written by Dasha Tanner
A Third "Cultural" Intifada? Written by Dasha Tanner Conflict is understood and experienced through both the head and the heart. The head translates conflict in a logical manner: statistics, dates, important people, important places, and important battles. However, logic and reason only take a person so far; the heart must compensate for the rest. What cannot be understood through books and facts must instead be communicated through truths and emotions. The Israeli- Palestinian conflict is a daily struggle of resilience now manifesting itself in a third intifada, a struggle that is emerging as a cultural movement. and Learning from the first and second intifadas, which were characterized by politics and violence, this current movement is about rebuilding homes, lives, villages, families, international and individual identities. Most importantly, it is highlighted through various art movements. Art is a way to connect with Palestinian identity, to nonviolently channel frustrations, and to individually and collectively resist the Israeli occupation of Palestine. Art is a way to cope with past trauma, almost therapeutically. Art is a nonviolent umbrella tool for action. It challenges the foundations of oppression, and power hierarchies. It is a language spoken beyond borders and boundaries. Art engages the heart, and expresses the human side of conflict. Art challenges the stifling silence. However, before understanding the specifics of a possible third “cultural” intifada in Palestine, the power of culture must first be adequately understood within the context of conflict. Then, coupled with the general emerging themes of such a resistance movement, one can finally begin to roughly sketch the outline for what exactly a “cultural” intifada would entail. -
Religion and Violence
Religion and Violence Edited by John L. Esposito Printed Edition of the Special Issue Published in Religions www.mdpi.com/journal/religions John L. Esposito (Ed.) Religion and Violence This book is a reprint of the special issue that appeared in the online open access journal Religions (ISSN 2077-1444) in 2015 (available at: http://www.mdpi.com/journal/religions/special_issues/ReligionViolence). Guest Editor John L. Esposito Georgetown University Washington Editorial Office MDPI AG Klybeckstrasse 64 Basel, Switzerland Publisher Shu-Kun Lin Assistant Editor Jie Gu 1. Edition 2016 MDPI • Basel • Beijing • Wuhan ISBN 978-3-03842-143-6 (Hbk) ISBN 978-3-03842-144-3 (PDF) © 2016 by the authors; licensee MDPI, Basel, Switzerland. All articles in this volume are Open Access distributed under the Creative Commons Attribution license (CC-BY), which allows users to download, copy and build upon published articles even for commercial purposes, as long as the author and publisher are properly credited, which ensures maximum dissemination and a wider impact of our publications. However, the dissemination and distribution of physical copies of this book as a whole is restricted to MDPI, Basel, Switzerland. III Table of Contents List of Contributors ............................................................................................................... V Preface ............................................................................................................................... VII Jocelyne Cesari Religion and Politics: What Does God Have To Do with It? Reprinted from: Religions 2015, 6(4), 1330-1344 http://www.mdpi.com/2077-1444/6/4/1330 ............................................................................ 1 Mark LeVine When Art Is the Weapon: Culture and Resistance Confronting Violence in the Post-Uprisings Arab World Reprinted from: Religions 2015, 6(4), 1277-1313 http://www.mdpi.com/2077-1444/6/4/1277 ......................................................................... -
Film Review: Popstar: Never Stop Never Stopping
Womanimation! Returns to Providence On Saturday, June 25, Merging Arts will present the 8th annual Womanimation Film Festival in Providence, and if you’re not quite sure what it is, their slogan says it all, “It’s women…It’s animation…It’s Womanimation!” The Womanimation Film Festival will take place at AS220 and will feature 11 short films from around the world. The films will showcase a wide range of animation styles from stop motion to painting on glass, and the films will represent an even wider global cross section as the festival features shorts from Belgium, Israel, the Czech Republic and more. With selections just being locked in and schedules announced, I was able to ask co-founder and co- programmer Toni Pennacchia a few questions about this year’s festival. Josh Gravel: Can you give me a brief introduction and overview of the festival? Toni Pennacchia: The purpose of the festival is to highlight women’s contributions to the animated short film art form. Back in 2008, we started highlighting women’s films (both live-action and animation) as part of SWAN Day (Support Women Artists Now). Eventually, we sort of did our own thing and decided to highlight animated films for a couple of reasons. One, as we did with SWAN Day, to highlight women’s contributions, which often get lost in the mix. But more broadly, to emphasize the importance of storytelling in animation. Often animation is thought of as either just for kids or generally wacky or experimental. Our mission is to demonstrate that there is some serious (yet entertaining) storytelling possible within the animated short film format. -
Sufi Shrines Still Play Role in Tunisia
June 26, 2015 23 Culture Sufi shrines still play role in Tunisia Roua Khlifi in the country. These places are deemed sacred due to the sanctity of these Sufis,” said Lotfi Aissa, a Tunis historian specialising in the history of Sufi saints in the Maghreb. t the Sufi shrine of Sidi Al Chedhly ventured on a trip Mehrez in the old city of across the Maghreb from his home Tunis, the hall is marked in Morocco to retreat to a cave in a by a serene silence as hill in Tunis. Sidi Bou Said el-Beji visitors cross the thresh- found retreat in a mosque near Beb old.A Some stop to drink from the Bhar where he devoted his time to shrine’s well, believed to bring prayer and contemplation before he blessings. Others, inside the mau- moved with his disciples to contem- soleum, read verses from the Quran plate at a minaret in Carthage. and pay their respects to the saint. Women holding candles sit near a In 2012, Islamist fence surrounding the tomb praying radicals destroyed to God and asking for the blessings of the saint. more than 40 Sufi “Sidi Mehrez is the saint protector shrines of the Medina. He is called the ‘Sul- tan of the Medina’. I cannot possi- “A Sufi is, by definition, some- bly pass by this street and not visit one who leads a hermit life where his tomb and read Al-Fatiha on his they often retreat from public life to soul,” said Naima, a visitor at the meditate on the teachings of their shrine. -
Vamping the Archive: Approaching Aesthetics in Global Media
University of Pennsylvania ScholarlyCommons Center for Advanced Research in Global CARGC Papers Communication (CARGC) Spring 2018 Vamping the Archive: Approaching Aesthetics in Global Media Rayya El Zein University of Pennsylvania Follow this and additional works at: https://repository.upenn.edu/cargc_papers Part of the Communication Commons Recommended Citation El Zein, Rayya, "Vamping the Archive: Approaching Aesthetics in Global Media" (2018). CARGC Papers. 8. https://repository.upenn.edu/cargc_papers/8 CARGC Paper 8 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/cargc_papers/8 For more information, please contact [email protected]. Vamping the Archive: Approaching Aesthetics in Global Media Description CARGC Paper 8, “Vamping the Archive: Approaching Aesthetics in Global Media,” by CARGC Postdoctoral Fellow, Rayya El Zein, is based on El Zein’s CARGC Colloquium and draws its inspiration from Metro al- Madina's Hishik Bishik Show in Beirut. CARGC Paper 8 weaves assessments of local and regional contexts, aesthetic and performance theory, thick description, participant observation, and interview to develop an approach to aesthetics in cultural production from the vantage of global media studies that she calls “vamping the archive.” Disciplines Communication Comments CARGC Paper 8 Creative Commons License This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. This report is available at ScholarlyCommons: https://repository.upenn.edu/cargc_papers/8 CARGC PAPER 8 Vamping the Archive: Approaching 2018 Aesthetics in Global Media Yasmina Fayyed sings “Sona, oh Sonson,” in the Hishik Bishik Show. Photo by @foodartconcept, August 16, 2016. Vamping the Archive: Approaching Aesthetics in Global Media CARGC PAPER 8 2018 I am very proud to share CARGC been fully explored and that we feel Paper 8, “Vamping the Archive: are important for the development of Approaching Aesthetics in Glob- global media studies.