Studies in 20th Century Literature Volume 9 Issue 1 Special Issue on Mikhail Bakhtin Article 11 9-1-1984 Bakhtin and Intergeneric Shift: The Case of Boris Godunov Caryl Emerson Cornell University Follow this and additional works at: https://newprairiepress.org/sttcl Part of the Modern Literature Commons, and the Russian Literature Commons This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. Recommended Citation Emerson, Caryl (1984) "Bakhtin and Intergeneric Shift: The Case of Boris Godunov," Studies in 20th Century Literature: Vol. 9: Iss. 1, Article 11. https://doi.org/10.4148/2334-4415.1157 This Article is brought to you for free and open access by New Prairie Press. It has been accepted for inclusion in Studies in 20th Century Literature by an authorized administrator of New Prairie Press. For more information, please contact
[email protected]. Bakhtin and Intergeneric Shift: The Case of Boris Godunov Abstract This essay draws on the historical and artistic image of Boris Godunov to illustrate Bakhtin's concept of "re-accentuation," or the transfer of literary images to new contexts. Russia of the 19th century was particularly well served by the Boris Tale. It inspired her first great popular historian, her greatest poet, and one of her greatest composers. Nikolai Karamzin's History of the Russian State (1816-29) ended with the Time of Troubles, and Karamzin's treatment of Boris Godunov became a model for biography in this new "romantic-national" type of history. Out of Karamzin's portrait Alexander Pushkin created his "romantic tragedy" Boris Godunov (1825), intended as a specifically national, Russian esponser to imported neoclassical norms in drama.