Byzantine Influence on Russia Through the Ages", Culture & Memory
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Atlas of American Orthodox Christian Monasteries
Atlas of American Orthodox Christian Monasteries Atlas of Whether used as a scholarly introduction into Eastern Christian monasticism or researcher’s directory or a travel guide, Alexei Krindatch brings together a fascinating collection of articles, facts, and statistics to comprehensively describe Orthodox Christian Monasteries in the United States. The careful examina- Atlas of American Orthodox tion of the key features of Orthodox monasteries provides solid academic frame for this book. With enticing verbal and photographic renderings, twenty-three Orthodox monastic communities scattered throughout the United States are brought to life for the reader. This is an essential book for anyone seeking to sample, explore or just better understand Orthodox Christian monastic life. Christian Monasteries Scott Thumma, Ph.D. Director Hartford Institute for Religion Research A truly delightful insight into Orthodox monasticism in the United States. The chapters on the history and tradition of Orthodox monasticism are carefully written to provide the reader with a solid theological understanding. They are then followed by a very human and personal description of the individual US Orthodox monasteries. A good resource for scholars, but also an excellent ‘tour guide’ for those seeking a more personal and intimate experience of monasticism. Thomas Gaunt, S.J., Ph.D. Executive Director Center for Applied Research in the Apostolate (CARA) This is a fascinating and comprehensive guide to a small but important sector of American religious life. Whether you want to know about the history and theology of Orthodox monasticism or you just want to know what to expect if you visit, the stories, maps, and directories here are invaluable. -
Religion, State and 'Sovereign Democracy' in Putin's Russia
Religion, state and ‘sovereign democracy’ in Putin’s Russia John Anderson School of International Relations University of St Andrews, Fife, Scotland KY16 8EB (01334 462931; [email protected]) John Anderson is Professor of International Relations at the University of St Andrews. He has published widely on religion and politics in the Soviet Union and post-Soviet states, on religion and democratisation, on Christianity and politics in Russia, Europe and the USA, and on the politics of Central Asia. His most recent book is Conservative Christian Politics in Russia and the United States (Manchester University Press, 2015). 1 Abstract This article explores the role of the dominant Russian Orthodox Church in the evolution of the post-communist Russian Federation. This is not a classic case where religion may have contributed to the democratisation of society because this has not been a primary goal of political elites, and the regime that has emerged might best be described as ‘hybrid’ with growing authoritarian tendencies. Having played little role in the ending of communism, having little historical experience of working within a democracy, suspicious of liberal- individualist visions of public life and committed to a vision of its role as the hegemonic religious institution, the promotion of democratic governance has not been a priority of church leaders. At the same time the political structures created by the Kremlin encourage a degree of conformity and support for the regime by key social actors, and in the wake of the political crisis of 2011-12 there have been further incentives for church and state to work more closely together. -
Christian Mission in a Russian Orthodox Context
EAST -WE ST CHUR C H MINISTRY RE PORT &FALL 2014 Vol. 22, No. 4 Christian Mission in a Russian Orthodox Context Walter Sawatsky Christian mission in Orthodox lands is a 2000- significantly different church-state experiences of year-old story, generally unknown in the West Orthodox and evangelicals during the Soviet era. and still unexplored sufficiently for the purpose of Perhaps the most profound difference was that Contributing Editors Christian mission in post-Communist states. Because following the October Revolution, the first action Canon Michael Bourdeaux of Orthodox repression under Islamic and Soviet of Soviet authorities was to declare the separation Keston Institute, overlords, and a stifling tsarist bear hug in between, of the churches from the state. The new regime also Oxford public perception has not yet perceived Orthodoxy as refused the legal right of juridical personhood to all a missionary church. religious bodies, including the newly established Dr. Anita Deyneka Russian Patriarchate, calling into question the future Peter Deyneka Russian The Babylonian Captivity Even if the Russian Orthodox Mission Society, of all organized religious life. Orthodox experienced Ministries, the first decade of Soviet power as an outright Wheaton, Illinois founded in 1865, achieved impressive results in the spread of Christianity across major tribal peoples of war on the church, specifically the destruction of Father Georgi Edelstein Siberia and in East Asia, Russian Orthodox leadership Orthodox institutions, until in 1927 acting patriarch Russian Orthodox Church, came to refer to the period from 1721 to 1917 as the Sergei declared full loyalty to Soviet power without Kostroma Diocese era of the “Babylonian Captivity.” As a modernizing reservation. -
ESEJ Social and Cultural Aspects of Self-Appointment in Russia*
■ ESEJ Social and Cultural Aspects of Self-appointment in Russia* BOHUSLAV ŠALANDA** Sociální a kulturní aspekty ruského samozvanectví Abstract: This essay is a study of self-appointed Czars, which is closely related to Russian polit- ical and historical traditions. In Russia, unique traditions of government existed, specific due to their use of historical references, as well as different utopias and ideals (for example a returning Czar-liberator). These are, in fact, particular symbols of power that were also present in the peas- ant uprisings of the Cossacks (led by Ivan Bolotnikov, Stenka Razin, Jemeljan Pugatshov and other lesser-known historical figures). On a social level, the Czar’s self-appointment is one of the established forms of antifeudal protest. On a political level, it represents a struggle for power. Its religious significance must also be emphasized. The behaviour of the self-appointed Czar also contains strong elements of carnival behaviour and is thus related to fictitious emperors in folk rituals and costumes. There were several waves of Czar appointments in Russian history, as repre- sented by Dimitri (died in 1591) and Peter III. Part of the essay focuses on a self-appointed Czar from Montenegro, the adventurer Stepan the Small, who ruled succesfully between 1767–1773. He claimed to be Czar Peter III who in actual fact had been deposed and killed in 1762 on the orders of his wife Catherine II. The following is a part of larger research project about the reception of authority and power, from a transcultural point of view. Keywords: Self-appointed czar; Stenka Razin; Jemeljan Pugatshov; Cossaks revolted; Stepan the Small DOI: 10.14712/23363525.2017.42 Introduction Apart from other features Russian history is also interesting for the phenomenon of self-appointed Czars. -
On the Good Faith
On the Good Faith Zoroastrianism is ascribed to the teachings of the legendary prophet Zarathustra and originated in ancient times. It was developed within the area populated by the Iranian peoples, and following the Arab conquest, it formed into a diaspora. In modern Russia it has evolved since the end of the Soviet era. It has become an attractive object of cultural produc- tion due to its association with Oriental philosophies and religions and its rearticulation since the modern era in Europe. The lasting appeal of Zoroastrianism evidenced by centuries of book pub- lishing in Russia was enlivened in the 1990s. A new, religious, and even occult dimension was introduced with the appearance of neo-Zoroastrian groups with their own publications and online websites (dedicated to Zoroastrianism). This study focuses on the intersectional relationships and topical analysis of different Zoroastrian themes in modern Russia. On the Good Faith A Fourfold Discursive Construction of Zoroastrianism in Contemporary Russia Anna Tessmann Anna Tessmann Södertörns högskola SE-141 89 Huddinge [email protected] www.sh.se/publications On the Good Faith A Fourfold Discursive Construction of Zoroastrianism in Contemporary Russia Anna Tessmann Södertörns högskola 2012 Södertörns högskola SE-141 89 Huddinge www.sh.se/publications Cover Image: Anna Tessmann Cover Design: Jonathan Robson Layout: Jonathan Robson & Per Lindblom Printed by E-print, Stockholm 2012 Södertörn Doctoral Dissertations 68 ISSN 1652-7399 ISBN 978-91-86069-50-6 Avhandlingar utgivna vid -
Understanding the Roots of Collectivism and Individualism in Russia Through an Exploration of Selected Russian Literature - and - Spiritual Exercises Through Art
Understanding the Roots of Collectivism and Individualism in Russia through an Exploration of Selected Russian Literature - and - Spiritual Exercises through Art. Understanding Reverse Perspective in Old Russian Iconography by Ihar Maslenikau B.A., Minsk, 1991 Extended Essays Submitted in Partial Fulfilment of the Requirements for the Degree of Master of Arts in the Graduate Liberal Studies Program Faculty of Arts and Social Sciences © Ihar Maslenikau 2015 SIMON FRASER UNIVERSITY Fall 2015 Approval Name: Ihar Maslenikau Degree: Master of Arts Title: Understanding the Roots of Collectivism and Individualism in Russia through an Exploration of Selected Russian Literature - and - Spiritual Exercises through Art. Understanding of Reverse Perspective in Old Russian Iconography Examining Committee: Chair: Gary McCarron Associate Professor, Dept. of Communication Graduate Chair, Graduate Liberal Studies Program Jerry Zaslove Senior Supervisor Professor Emeritus Humanities and English Heesoon Bai Supervisor Professor Faculty of Education Paul Crowe External Examiner Associate Professor Humanities and Asia-Canada Program Date Defended/Approved: November 25, 2015 ii Abstract The first essay is a sustained reflection on and response to the question of why the notion of collectivism and collective coexistence has been so deeply entrenched in the Russian society and in the Russian psyche and is still pervasive in today's Russia, a quarter of a century after the fall of communism. It examines the development of ideas of collectivism and individualism in Russian society, focusing on the cultural aspects based on the examples of selected works from Russian literature. It also searches for the answers in the philosophical works of Vladimir Solovyov, Nicolas Berdyaev and Vladimir Lossky. -
Ivan Vladislavovich Zholtovskii and His Influence on the Soviet Avant-Gavde
87T" ACSA ANNUAL MEETING 125 Ivan Vladislavovich Zholtovskii and His Influence on the Soviet Avant-Gavde ELIZABETH C. ENGLISH University of Pennsylvania THE CONTEXT OF THE DEBATES BETWEEN Gogol and Nikolai Nadezhdin looked for ways for architecture to THE WESTERNIZERS AND THE SLAVOPHILES achieve unity out of diverse elements, such that it expressed the character of the nation and the spirit of its people (nnrodnost'). In the teaching of Modernism in architecture schools in the West, the Theories of art became inseparably linked to the hotly-debated historical canon has tended to ignore the influence ofprerevolutionary socio-political issues of nationalism, ethnicity and class in Russia. Russian culture on Soviet avant-garde architecture in favor of a "The history of any nation's architecture is tied in the closest manner heroic-reductionist perspective which attributes Russian theories to to the history of their own philosophy," wrote Mikhail Bykovskii, the reworking of western European precedents. In their written and Nikolai Dmitriev propounded Russia's equivalent of Laugier's manifestos, didn't the avantgarde artists and architects acknowledge primitive hut theory based on the izba, the Russian peasant's log hut. the influence of Italian Futurism and French Cubism? Imbued with Such writers as Apollinari Krasovskii, Pave1 Salmanovich and "revolutionary" fervor, hadn't they publicly rejected both the bour- Nikolai Sultanov called for "the transformation. of the useful into geois values of their predecessors and their own bourgeois pasts? the beautiful" in ways which could serve as a vehicle for social Until recently, such writings have beenacceptedlargelyat face value progress as well as satisfy a society's "spiritual requirements".' by Western architectural historians and theorists. -
An Old Believer ―Holy Moscow‖ in Imperial Russia: Community and Identity in the History of the Rogozhskoe Cemetery Old Believers, 1771 - 1917
An Old Believer ―Holy Moscow‖ in Imperial Russia: Community and Identity in the History of the Rogozhskoe Cemetery Old Believers, 1771 - 1917 Dissertation Presented in Partial Fulfillment of the Requirements for the Doctoral Degree of Philosophy in the Graduate School of The Ohio State University By Peter Thomas De Simone, B.A., M.A Graduate Program in History The Ohio State University 2012 Dissertation Committee: Nicholas Breyfogle, Advisor David Hoffmann Robin Judd Predrag Matejic Copyright by Peter T. De Simone 2012 Abstract In the mid-seventeenth century Nikon, Patriarch of Moscow, introduced a number of reforms to bring the Russian Orthodox Church into ritualistic and liturgical conformity with the Greek Orthodox Church. However, Nikon‘s reforms met staunch resistance from a number of clergy, led by figures such as the archpriest Avvakum and Bishop Pavel of Kolomna, as well as large portions of the general Russian population. Nikon‘s critics rejected the reforms on two key principles: that conformity with the Greek Church corrupted Russian Orthodoxy‘s spiritual purity and negated Russia‘s historical and Christian destiny as the Third Rome – the final capital of all Christendom before the End Times. Developed in the early sixteenth century, what became the Third Rome Doctrine proclaimed that Muscovite Russia inherited the political and spiritual legacy of the Roman Empire as passed from Constantinople. In the mind of Nikon‘s critics, the Doctrine proclaimed that Constantinople fell in 1453 due to God‘s displeasure with the Greeks. Therefore, to Nikon‘s critics introducing Greek rituals and liturgical reform was to invite the same heresies that led to the Greeks‘ downfall. -
The Inextricable Link Between Literature and Music in 19Th
COMPOSERS AS STORYTELLERS: THE INEXTRICABLE LINK BETWEEN LITERATURE AND MUSIC IN 19TH CENTURY RUSSIA A Thesis Presented to The Graduate Faculty of The University of Akron In Partial Fulfillment Of the Requirements for the Degree Master of Music Ashley Shank December 2010 COMPOSERS AS STORYTELLERS: THE INEXTRICABLE LINK BETWEEN LITERATURE AND MUSIC IN 19TH CENTURY RUSSIA Ashley Shank Thesis Approved: Accepted: _______________________________ _______________________________ Advisor Interim Dean of the College Dr. Brooks Toliver Dr. Dudley Turner _______________________________ _______________________________ Faculty Reader Dean of the Graduate School Mr. George Pope Dr. George R. Newkome _______________________________ _______________________________ School Director Date Dr. William Guegold ii TABLE OF CONTENTS Page CHAPTER I. OVERVIEW OF THE DEVELOPMENT OF SECULAR ART MUSIC IN RUSSIA……..………………………………………………..……………….1 Introduction……………………..…………………………………………………1 The Introduction of Secular High Art………………………………………..……3 Nicholas I and the Rise of the Noble Dilettantes…………………..………….....10 The Rise of the Russian School and Musical Professionalism……..……………19 Nationalism…………………………..………………………………………..…23 Arts Policies and Censorship………………………..…………………………...25 II. MUSIC AND LITERATURE AS A CULTURAL DUET………………..…32 Cross-Pollination……………………………………………………………...…32 The Russian Soul in Literature and Music………………..……………………...38 Music in Poetry: Sound and Form…………………………..……………...……44 III. STORIES IN MUSIC…………………………………………………… ….51 iii Opera……………………………………………………………………………..57 -
Black Sea-Caspian Steppe: Natural Conditions 20 1.1 the Great Steppe
The Pechenegs: Nomads in the Political and Cultural Landscape of Medieval Europe East Central and Eastern Europe in the Middle Ages, 450–1450 General Editors Florin Curta and Dušan Zupka volume 74 The titles published in this series are listed at brill.com/ecee The Pechenegs: Nomads in the Political and Cultural Landscape of Medieval Europe By Aleksander Paroń Translated by Thomas Anessi LEIDEN | BOSTON This is an open access title distributed under the terms of the CC BY-NC-ND 4.0 license, which permits any non-commercial use, distribution, and reproduction in any medium, provided no alterations are made and the original author(s) and source are credited. Further information and the complete license text can be found at https://creativecommons.org/licenses/by-nc-nd/4.0/ The terms of the CC license apply only to the original material. The use of material from other sources (indicated by a reference) such as diagrams, illustrations, photos and text samples may require further permission from the respective copyright holder. Publication of the presented monograph has been subsidized by the Polish Ministry of Science and Higher Education within the National Programme for the Development of Humanities, Modul Universalia 2.1. Research grant no. 0046/NPRH/H21/84/2017. National Programme for the Development of Humanities Cover illustration: Pechenegs slaughter prince Sviatoslav Igorevich and his “Scythians”. The Madrid manuscript of the Synopsis of Histories by John Skylitzes. Miniature 445, 175r, top. From Wikimedia Commons, the free media repository. Proofreading by Philip E. Steele The Library of Congress Cataloging-in-Publication Data is available online at http://catalog.loc.gov LC record available at http://catalog.loc.gov/2021015848 Typeface for the Latin, Greek, and Cyrillic scripts: “Brill”. -
A MAN INA PANTHER SKIN GAEL ELTON MAYO a MAN in a PANTHER SKIN the Life of Prince Dimitri Djordjadze by Gael Elton Mayo
GAEL ELTON MAYO A MAN INA PANTHER SKIN GAEL ELTON MAYO A MAN IN A PANTHER SKIN The Life of Prince Dimitri Djordjadze by Gael Elton Mayo ¡5 o 50 g b .» JoAcr»gj)(rr! gAb o» ognb^^Jgnn boJ¿Acr>gg(mml* 26 3 6 0 b 0 1984 © Gael Elton Mayo 1985 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of The Kensal Press. British Library Cataloguing in Publication Data. Mayo, Gael Elton A man in a panther skin. 1. Djordjadze, Dimitri 2. Soviet Union— Princes and princesses—Biography I. Title 947.08'092'4 GT1218.D5/ ISBN 0-946041-36-9 Published by The Kensal Press Kensal House, Abbotsbrook, Bourne End, Buckinghamshire. Printed and bound in Great Britain by Butler & Tanner Ltd, Frome and London. Contents List of Illustrations.............................................................................................. iv Acknowledgements...................................................................... v Prologue ................................................................................................................ 1 Chapter 1 ............................................................................................................. 5 Chapter 2 ............................................................................................................. 18 Chapter 3 ............................................................................................................ -
Commemorative Coins Issued in 2019
Commemorative Coins Issued in 2019 Banknotes and Сoins of Ukraine 164 OUTSTANDING PERSONALITIES OF UKRAINE SERIES 2019 Bohdan Khanenko Put into circulation 17 January 2019 Face value, hryvnias 2 Metal Nickel silver Weight, g 12.8 Diameter, mm 31.0 Quality Special uncirculated Edge Grooved Mintage, units 35,000 Designer Engravers Maryna Kuts Volodymyr Atamanchuk, Anatolii Demianenko The commemorative coin is dedicated to Bohdan Obverse: at the top is Ukraine’s small coat of arms; Khanenko, a representative of a senior cossack dynasty, the circular legends read 2019 УКРАЇНА (2019 Ukraine) collector, patron of the arts, entrepreneur, and a public (top left), ДВІ ГРИВНІ (two hryvnias) (top right), БОГДАН figure, who was reputable in the financial and industrial ХАНЕНКО 1849–1917 (Bohdan Khanenko 1849–1917) circles and distinguished in the business and public life (at the bottom); the center of the coin shows a portrait of Kyiv. of Bohdan Khanenko in the foreground and a portrait of Varvara Khanenko in the background. On the right Collecting items was life’s work for Bohdan Khanenko. is the mint mark of the NBU’s Banknote Printing Together with his wife Varvara Khanenko, he made and Minting Works against the smooth background. a significant contribution to the cultural heritage of Ukraine: for over 40 years, Bohdan and Varvara Reverse: a symbolic composition depicting hands Khanenko collected unique pieces of art from all that hold a stylized colored picture (pad-printed). over the world, and founded the museum that currently bears their names.