Makams – Rhythmic Cycles and Usûls
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ARTES. JOURNAL of MUSICOLOGY Vol
“GEORGE ENESCU” NATIONAL UNIVERSITY OF ARTS IAŞI FACULTY OF PERFORMANCE, COMPOSITION AND MUSIC THEORY STUDIES RESEARCH CENTER “THE SCIENCE OF MUSIC” DOCTORAL SCHOOL – MUSIC FIELD ARTES. JOURNAL OF MUSICOLOGY vol. 23-24 ARTES 2021 RESEARCH CENTER “THE SCIENCE OF MUSIC” ARTES. JOURNAL OF MUSICOLOGY Editor-in-chief – Prof. PhD Laura Vasiliu, “George Enescu” National University of Arts, Iași, Romania Senior editor – Prof. PhD Liliana Gherman, “George Enescu” National University of Arts, Iași, Romania SCIENTIFIC COMMITTEE Prof. PhD Gheorghe Duțică, “George Enescu” National University of Arts, Iași, Romania Prof. PhD Maria Alexandru, “Aristotle” University of Thessaloniki, Greece Prof. PhD Valentina Sandu-Dediu, National University of Music Bucharest, Romania Prof. PhD Pavel Pușcaș, “Gheorghe Dima” National Music Academy, Cluj-Napoca, Romania Prof. PhD Mirjana Veselinović-Hofman, University of Arts in Belgrade, Serbia Prof. PhD Victoria Melnic, Academy of Music, Theatre and Fine Arts, Chișinău, Republic of Moldova Prof. PhD Violeta Dinescu, “Carl von Ossietzky” Universität Oldenburg, Germany Prof. PhD Nikos Maliaras, National and Kapodistrian University of Athens, Greece Lect. PhD Emmanouil Giannopoulos, “Aristotle” University of Thessaloniki, Greece EDITORS Assoc. Prof. PhD Irina Zamfira Dănilă, “George Enescu” National University of Arts, Iași, Romania Assoc. Prof. PhD Diana-Beatrice Andron, “George Enescu” National University of Arts, Iași, Romania Lect. PhD Rosina Caterina Filimon, “George Enescu” National University of Arts, Iași, Romania Assoc. Prof. PhD Gabriela Vlahopol, “George Enescu” National University of Arts, Iași, Romania Assist. Prof. PhD Mihaela-Georgiana Balan, “George Enescu” National University of Arts, Iași, Romania ISSN 2344-3871 ISSN-L 2344-3871 Translators: PhD Emanuel Vasiliu Assist. Prof. Maria Cristina Misievici DTP Ing. -
Oktoechos and Multipart Modality. Oral Traditions of Italo-Albanian Communities in Sicily and Calabria by Oliver Gerlach
IMS-RASMB, Series Musicologica Balcanica 1.1, 2020. e-ISSN: 2654-248X Oktoechos and Multipart Modality. Oral Traditions of Italo-Albanian Communities in Sicily and Calabria by Oliver Gerlach Click here for musical examples or see the online Abstract page of the article → left column, Article Tools → Supplementary files DOI: https://doi.org/10.26262/smb.v1i1.7758 ©2020 The Author. This is an open access article under the terms and conditions of the Creative Commons Attribution Non- Commercial NoDerivatives International 4.0 License https://creativecommons.org/licenses/by-nc-nd/4.0/ (CC BY-NC-ND 4.0), which permits use, distribution and reproduction in any medium, provided that the articles is properly cited, the use is non- commercial and no modifications or adaptations are made. The copyright for eventually included manuscripts belongs to the manuscript holders. Gerlach, Oktoechos and Multipart Modality… Oktoechos and Multipart Modality. Oral Traditions of Italo-Albanian Communities in Sicily and Calabria1 Oliver Gerlach Abstract: The main difference with respect to the Balkans is that Italo-Greek as well as Arbëresh communities had been rural throughout the centuries. Hence, the community itself did the job of the choir during Orthodox celebrations, which became only possible in certain communities belonging to two Archdioceses of the Byzantine rite: Lungro in Calabria and Piana degli Albanesi on Sicily. Within the catholic church they were allowed to celebrate the Greek rite, but this became possible due to a new law in church administration which existed since the 18th century. The question if there did really exist a continuous oral transmission since the arrival of Albanian emigrants during the last decades of the 15th century, and in as far they adapted to local customs of the Italo-Byzantine tradition which had survived around the Archimandritates in Italy, has not been an issue of historical research yet. -
National Inventory of Intangible Cultural Heritage of Greece
NATIONAL INVENTORY OF INTANGIBLE CULTURAL HERITAGE OF GREECE I. BRIEF PRESENTATION OF THE ELEMENT OF INTANGIBLE CULTURAL HERITAGE (ICH) 1. Name : Chant. Other names : Byzantine Music, Eastern Orthodox Church Music, Art of Chanting, Chant of Constantinople, Psaltic Art, Psalmody, Hymnody 2. Identification : The mnemotechnics of the rendering of chants in Church services (practitioners, Liturgical Typikon, planning of concerts, resources, manuals, training and its characteristic cultural constitutive elements and idioms). 3. Domain represented by the element • Oral traditions and expressions. The fundamental subject of chanting is bound by specific techniques and theoretical knowledge on many levels provided exclusively in church staged rites. These components require long studies and systematic exercise in church choirs, where trainees specialize in specific levels and areas of expertise (rising from the lower roles of Anagnostis [Reader], Canonarch [who intones the verses of the hymns], Isokratis [who holds the fundamental note of a given melodic section] or Melodist, to the higher offices of Domestikos B and Domestikos A [Assistants to the Leaders of the Left and Right Choirs, respectively], Lampadarios [Leader of the Left Choir] or Protopsaltis [First Cantor, Leader of the Right Choir]). In this manner, the knowledge of chanting is transmitted orally from the older masters to the younger. Moreover, mnemonic, practical methods and insignificant phrases or words or even mnemonic verses capture and summarize the basic practical knowledge (interpretations, “ananes” for an intonation, or “neanes”, “nana”, “agia” etc.). • Liturgical arts as cultural means of self-determination. In conjunction with church poetry (psalms, hymns), chant is the liturgical art par excellence within the framework of Holy Services in Orthodox churches. -
A Primeira Guerra Mundial E Outros Ensaios
14 2014/1520152017 A PRIMEIRA GUERRA MUNDIAL E OUTROS ENSAIOS RESPUBLICA Revista de Ciência Política, Segurança e Relações Internacionais FICHA TÉCNICA Órgão do CICPRIS – Centro de Inves- Conselho Editorial tigação em Ciência Política, Relações Internacionais e Segurança (ULHT e ULP) Adelino Torres (Professor Emérito do ISEG) Adriano Moreira (Professor Emérito da Universidade Diretor de Lisboa) João de Almeida Santos Alberto Pena Subdiretor (Universidade de Vigo) José Filipe Pinto António Bento (Universidade da Beira Interior) Coordenador Editorial Sérgio Vieira da Silva António Fidalgo (Universidade da Beira Interior) Assessoras da Direção Enrique Bustamante Teresa Candeias (Universidade Complutense Elisabete Pinto da Costa de Madrid) Gianluca Passarelli Conselho de Redação (Universidade de Roma “La Sapienza”) Diogo Pires Aurélio, Elisabete Costa, Fer- nanda Neutel, Fernando Campos, João de Guilherme d’Oliveira Martins Almeida Santos, José Filipe Pinto, Manuel (Administrador da Fundação Calouste Gonçalves Martins, Paulo Mendes Pinto e Gulbenkian) Sérgio Vieira da Silva Javier Roca García (Universidade Complutense Colaboradores Permanentes de Madrid) Todos os membros do CICPRIS Jesús Timoteo Álvarez (Universidade Complutense de Madrid) João Cardoso Rosas Paulo Ferreira da Cunha (Universidade do Minho) (Universidade do Porto) John Loughlin Pierre Musso (Universidade de Cambridge) (Universidade de Rennes 2) José Bragança de Miranda Rafael Calduch (Universidade Nova de Lisboa e ULHT) (Universidade Complutense José Lamego de Madrid) (Universidade -
Publications Monographs and Books 1
ANASTASIA SIOPSI [email protected] Anastasia Siopsi is Professor in “Aesthetics of Music”, Music Department, Ionian University; she is also tutor of a course entitled “History of the Arts in Europe” (degree in “European Culture”), Greek Open University (since 2004). Apart from her studies in music, she has studied architecture (Aristotle University of Thessaloniki, Department of Architecture, Thessaloniki, 1989). Her PhD dissertation is entitled Richard Wagner’s «Der Ring des Nibelungen»: The Reforging of the Sword or, Towards a Reconstruction of the People’s Consciousness, U.E.A., U.K., 1996); supervisors: Professor David Charlton, Professor John Deathridge. She is co-editor of an electronic international journal entitled Hellenic Journal of Music, Education and Culture (HeJMEC), with Prof. G. Welsh (Univ. of London). She is also member of the editorial team of the musicological journal entitled Mousikos Logos [Greek], published by the Music Department of Ionian University. She has been a reviewer for the musicological journal entitled Nineteenth-century Music Review. She is a peer reviewer for the international Journal of History Research (ISSN 2159-550X) (David publishing company). Scholarships Academy of Athens, scholarship for postgraduate studies abroad in the field of Musicology and History of Music (duration: 3 years). Main research interests ♪ Issues on aesthetics of music, focused on 19th-century aesthetic theories. ♪ German romantic music, especially Richard Wagner’s music dramas. ♪ Greek art music, especially Manolis Kalomiris’s work and aesthetic and ideological issues in the era of the National School of Music. ♪ Music in productions of ancient Greek drama in modern Greece. ♪ Greek women composers. PUBLICATIONS MONOGRAPHS AND BOOKS 1. -
A Byzantine Christmas
VOCAL ENSEMBLE 26th Annual Season October 2017 Tchaikovsky: All-Night Vigil October 2017 CR Presents: The Byrd Ensemble November 2017 Arctic Light II: Northern Exposure December 2017 A Byzantine Christmas January 2018 The 12 Days of Christmas in the East February 2018 Machaut Mass with Marcel Pérès March 2018 CR Presents: The Tudor Choir March 2018 Ivan Moody: The Akáthistos Hymn April 2018 Venice in the East A Byzantine Christmas: Sun of Justice 1 What a city! Here are just some of the classical music performances you can find around Portland, coming up soon! JAN 11 | 12 FEB 10 | 11 A FAMILY AFFAIR SOLO: LUKÁŠ VONDRÁCˇEK, pianist Spotlight on cellist Marilyn de Oliveira Chopin, Smetana, Brahms, Scriabin, Liszt with special family guests! PORTLANDPIANO.ORG | 503-228-1388 THIRDANGLE.ORG | 503-331-0301 FEB 16 | 17 | 18 JAN 13 | 14 IL FAVORITO SOLO: SUNWOOK KIM, pianist Violinist Ricardo Minasi directs a We Love Our Volunteers! Bach, Beethoven, Schumann, Schubert program of Italy’s finest composers. n tns to our lol volunteers o serve s users ste re o oe ersonnel osts PORTLANDPIANO.ORG | 503-228-1388 PBO.ORG | 503-222-6000 or our usns or n ottee eers n oe ssstnts Weter ou re ne to JAN 15 | 16 FEB 21 us or ou ve een nvolve sne te ennn tn ou or our otent n nness TAKÁCS QUARTET MIRÓ QUARTET WITH JEFFREY KAHANE “The consummate artistry of the Takács is Co-presented by Chamber Music Northwest ou re vlue rt o te O l n e re rteul simply breathtaking” The Guardian and Portland’5 Centers for the Arts FOCM.ORG | 503-224-9842 CMNW.ORG | 503-294-6400 JAN 26-29 FEB 21 WINTER FESTIVAL: CONCERTOS MOZART WITH MONICA Celebrating Mozart’s 262nd birthday, Baroque Mozart and Michael Haydn string quartets DEC 20 concertos, and modern concertos performed by Monica Huggett and other PDX VIVALDI’S MAGNIFICAT AND GLORIA CMNW.ORG | 503-294-6400 favorites. -
Hybrid Winds
Hybrid Winds Linsey Pollak When I was about fifteen I had a dream that featured a wind instrument lives on the Sunshine Coast in whose sound I remembered clearly on Queensland and is a renowned waking. It reminded me of a somewhat community music facilitator, mellow crumhorn (Renaissance wind- composer and musical director who capped double reed pipe) or a sort of has built instruments for over 20 high-pitched baritone sax. That sound Figure 1: Gaidanet. years, specialising in aerophones eludes me now, for I have always been chasing that elusive, dreamt, wind- a semitone when it is opened. In fact it from Eastern Europe. He has a instrument sound. only works for the top half of the octave reputation for making and playing I started my instrument making in Macedonian gaidas, but for the full instruments made from rubber journey 25 years ago making bamboo range in Bulgarian gaidas which have a gloves, carrots, watering cans, flutes. That quickly led to a longer stint more conical bore. This enables a unique chairs, brooms, bins and other found of making wooden renaissance flutes, style of playing and ornamentation. objects. His ongoing obsession and an interest in other Renaissance and What I wanted to do was to have combines much of this: making medieval winds. But the real love affair access to the gaida style of playing and ornamentation while playing a lip-blown music more accessible to began 20 years ago with the Macedonian instrument like a clarinet. I experimented communities through instrument gaida (bagpipes), and so I travelled to Macedonia for eight months over three first with a clarinet mouthpiece and a building and playing workshops. -
2011 Joint Conference
Joint ConferenceConference:: Hellenic Observatory,The British SchoolLondon at School Athens of & Economics & British School at Athens Hellenic Observatory, London School of Economics Changing Conceptions of “Europe” in Modern Greece: Identities, Meanings, and Legitimation 28 & 29 January 2011 British School at Athens, Upper House, entrance from 52 Souedias, 10676, Athens PROGRAMME Friday, 28 th January 2011 9:00 Registration & Coffee 9:30 Welcome : Professor Catherine Morgan , Director, British School at Athens 9:45 Introduction : Imagining ‘Europe’. Professor Kevin Featherstone , LSE 10:15 Session One : Greece and Europe – Progress and Civilisation, 1890s-1920s. Sir Michael Llewellyn-Smith 11:15 Coffee Break 11:30 Session Two : Versions of Europe in the Greek literary imagination (1929- 1961). Professor Roderick Beaton , King’s College London 12:30 Lunch Break 13:30 Session Three : 'Europe', 'Turkey' and Greek self-identity: The antinomies of ‘mutual perceptions'. Professor Stefanos Pesmazoglou , Panteion University Athens 14:30 Coffee Break 14:45 Session Four : The European Union and the Political Economy of the Greek State. Professor Georgios Pagoulatos , Athens University of Economics & Business 15:45 Coffee Break 16:00 Session Five : Contesting Greek Exceptionalism: the political economy of the current crisis. Professor Euclid Tsakalotos , Athens University Of Economics & Business 17:00 Close 19:00 Lecture : British Ambassador’s Residence, 2 Loukianou, 10675, Athens Former Prime Minister Costas Simitis on ‘European challenges in a time of crisis’ with a comment by Professor Kevin Featherstone 20:30 Reception 21:00 Private Dinner: British Ambassador’s Residence, 2 Loukianou, 10675, Athens - By Invitation Only - Saturday, 29 th January 2011 10:00 Session Six : Time and Modernity: Changing Greek Perceptions of Personal Identity in the Context of Europe. -
Palaeography
Maria Alexandru (Th essaloniki) SOME THOUGHTS ON THE DIDACTICS OF BYZANTINE MUSIC PALAEOGRAPHY Th e discipline of Palaeography of Byzantine Music holds a crucial position with- in the curriculum of contemporary Byzantine Musical Studies. Th is presentation comprises a brief introduction, followed by thoughts concerning • the teaching of music in Byzantium and during post-Byzantine times, • the emergence of the discipline of Palaeography of Byzantine music and classical manuals of the subject: an incomplete journal, • a new manual online, • conclusions.1 Hymno 1. Introduction History graphic of B.M. and music Most of the themes in the repertories realm of Byzantine mu- Morphology Textüber- sic history, analysis, music and analysis lieferung theory a.o. would remain History unexplored if Palaeogra- Meta- of performance phy would not substan- aesthetics O practices tially contribute in their Palaeography Development investigation (fi g. 1). Oriental of musical classical theoretical music thought History Greek Fig. 1. Palaeography as a key of liturgy, music in the investigation Heortology of diverse thematic cycles Radiance of B.M. in Byzantine Musical Studies.2 1 In support of the English writing of this article, the New Shorter Oxford English Dictio nary on historical principles, edited by Lesley Brown, 2 vols., 3rd ed. repr. (Oxford: Clarendon Press, 1993) has been used, together with several on-line lexica. 2 Fig. 1 is based on: Μαρία Αλεξάνδρου, Παλαιογραφία Βυζαντινής Μουσικής. Επιστημονι- κές και καλλιτεχνικές αναζητήσεις, πρώτη αναθεωρημένη έκδοση (Αθήνα: Ελληνικά Ακαδημαϊ- κά Ηλεκτρονικά Συγγράμματα και Βοηθήματα, 2017), p. 17: https://repository.kallipos.gr/handle/ 11419/6487 (10.3.2018). 18 Maria Alexandru 2. -
The Genesis Discography
TTHHEE GGEENNEESSIISS DDIISSCCOOGGRRAAPPHHYY “The scattered pages of a book by the sea…” 1967-1996 Page 2 The Genesis Discography The Genesis Discography January 1998 Edition Copyright © 1998 Scott McMahan, All Rights Reserved The Genesis Discography Page 3 THE EXODUS ENDS “And then there was the time she sang her song, and nobody cried for more…” “I think that in the end, if all else is conqured, Bombadil will fall, Last as he was First, and then Night will come.” … from the Council of Elrond, in Lord of the Rings Indeed, since its beginning in 1993, The Genesis Discography has been a fixture on the Internet much like Tom Bombadil was in Middle Earth. It has endured in the face of the changing times, without itself changing much, isolated off in its own world. Glorfindel had the opinion that Bombadil would be the last to fall, after all else was lost, last as he was first. In Tolkien’s story, that opinion was never tested. Good triumphed over evil, and everyone lived happily ever after. Not true on the Internet. Since 1993, the forces of evil have created a desolation and oppression that Sauron even with the help of his ruling ring could not imagine perpetrating. From the days of the Internet as an academic research network until today’s Internet I have witnessed ruination unbelieveable. The decay, corruption, and runiation of the Internet boggles my mind. Like Tom Bombadil in his carefully demarcated borders, The Genesis Discography has been an island in the storm, surrounded on all sides but never giving in. -
Gennadeion Newsnews a NEWSLETTER of the AMERICAN SCHOOL of CLASSICAL STUDIES at ATHENS
S P R I N G e 2 0 1 3 GennadeionGennadeion NewsNews A NEWSLETTER OF THE AMERICAN SCHOOL OF CLASSICAL STUDIES AT ATHENS Novelist Elias Venezis Remembered n April 9 large crowds books about Asia Minor, Number flocked into Cotsen 31328, Serenity, and Aeolic Earth OHall to celebrate the (or Beyond the Aegean), remind- completion of the cataloguing ing the audience that Venezis’s of the Elias Venezis Papers, writings never conveyed nos- which were donated to the Gen- talgia for the lost fatherland or nadius Archives in 2010 by the hatred for the conquerors; on author’s daughter, Anna Venezi the contrary, his pain appears Kosmetatou. The well-known as a constructive force. Demetra writer and member of the Acad- Papaconstantinou (Demos Fel- emy of Athens, Elias Venezis low for 2012) drew the author’s (1904–1973), wrote novels and portrait through her study of his short stories that reflect his personal correspondence, while horrible experiences of cruelty Natalia Vogeikoff-Brogan (Do- before and after the Asia Minor reen Canaday Spitzer Archivist) Disaster (1922). In his first presented a lesser known work Papers of Venezis on display in Cotsen Hall. Photo: H. Akriviadis book, Number 31328 (1931), he of Venezis, the American Earth, a recounts the fourteen months chronicle of his trip to America he spent as a “slave laborer” in childhood in his native Aeolia. shared rare photographs from the in 1949, showcasing the fact that Anatolia, rebuilding what had A small exhibition of Vene- family’s archive and her personal Venezis was the first in a long list been destroyed during the war zis’s manuscripts, books, private memories of her father focusing of intellectuals from Europe to between the Greeks and the correspondence, and printed on her parents’ loving relation- visit the United States with the Turks. -
93323765-Mack-Ridge-Language-And
Language and National Identity in Greece 1766–1976 This page intentionally left blank Language and National Identity in Greece 1766–1976 PETER MACKRIDGE 1 3 Great Clarendon Street, Oxford ox2 6DP Oxford University Press is a department of the University of Oxford. It furthers the University’s objective of excellence in research, scholarship, and education by publishing worldwide in Oxford New York Auckland Cape Town Dar es Salaam Hong Kong Karachi Kuala Lumpur Madrid Melbourne Mexico City Nairobi New Delhi Shanghai Taipei Toronto With offices in Argentina Austria Brazil Chile Czech Republic France Greece Guatemala Hungary Italy Japan Poland Portugal Singapore South Korea Switzerland Thailand Turkey Ukraine Vietnam Oxford is a registered trade mark of Oxford University Press in the UK and in certain other countries Published in the United States by Oxford University Press Inc., New York © Peter Mackridge 2009 The moral rights of the author have been asserted Database right Oxford University Press (maker) First published 2009 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, without the prior permission in writing of Oxford University Press, or as expressly permitted by law, or under terms agreed with the appropriate reprographics rights organization. Enquiries concerning reproduction outside the scope of the above should be sent to the Rights Department, Oxford University Press, at the address above You must not circulate this book in any other binding or cover and you must impose the same condition on any acquirer British Library Cataloguing in Publication Data Data available Library of Congress Cataloging-in-Publication Data Mackridge, Peter.