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How Modern India Reinvented Classical Dance
ESSAY espite considerable material progress, they have had to dispense with many aspects of the the world still views India as an glorious tradition that had been built up over several ancient land steeped in spirituality, centuries. The arrival of the Western proscenium stage with a culture that stretches back to in India and the setting up of modern auditoria altered a hoary, unfathomable past. Indians, the landscape of the performing arts so radically that too, subscribe to this glorification of all forms had to revamp their presentation protocols to its timelessness and have been encouraged, especially survive. The stone or tiled floor of temples and palaces Din the last few years, to take an obsessive pride in this was, for instance, replaced by the wooden floor of tryst with eternity. Thus, we can hardly be faulted in the proscenium stage, and those that had an element subscribing to very marketable propositions, like the of cushioning gave an ‘extra bounce’, which dancers one that claims our classical dance forms represent learnt to utilise. Dancers also had to reorient their steps an unbroken tradition for several millennia and all of and postures as their audience was no more seated all them go back to the venerable sage, Bharata Muni, who around them, as in temples or palaces of the past, but in composed Natyashastra. No one, however, is sure when front, in much larger numbers than ever before. Similarly, he lived or wrote this treatise on dance and theatre. while microphones and better acoustics management, Estimates range from 500 BC to 500 AD, which is a coupled with new lighting technologies, did help rather long stretch of time, though pragmatists often classical music and dance a lot, they also demanded re- settle for a shorter time band, 200 BC to 200 AD. -
Rukmini Devi Arundale
Rukmini Devi Arundale January 6, 2021 Rukmini Devi Arundale(1904 – 1986) “I was very intuitive from an early age. I responded to people just as I responded to art – through an inner feeling which is difficult to explain. I just felt some things were right and some were not…” Rukmini Devi was born on 29 February 1904 in Madurai of Tamilnadu. She was the first woman in Indian history to be nominated a member of the Rajya Sabha. Rukmini Devi Arundale was an Indian theosophist, dancer, and choreographer of the Indian classical dance form of Bharatnatyam, and an activist for Animal welfare. The most important revivalist of Bharatanatyam from its original ‘sadhir’ style prevalent amongst the temple dancers, the Devadasis, she also worked for the re- establishment of traditional Indian arts and crafts. She was awarded the Padma Bhushan in 1956 and the Sangeet Natak Akademi Fellowship in 1967. In January 1936, she along with her husband established Kalakshetra, an academy of dance and music, built around the ancient Indian Gurukul system, at Adyar, at Chennai. Today the academy is a deemed university under the Kalakshetra Foundation. She also became very close to Annie Besant and helped her with her work. She went on to become the President of the Theosophical Society after Dr. Besant’s passing and Rukmini Devi herself was an active member of the Theosophical movement. She gave her first performance at the Diamond Jubilee celebrations of the Theosophical Society in 1935. Theosophists hailed her as the World Mother, to her family in Kalakshetra she is Athai (paternal aunt). -
Sanjay Subrahmanyan……………………………Revathi Subramony & Sanjana Narayanan
Table of Contents From the Publications & Outreach Committee ..................................... Lakshmi Radhakrishnan ............ 1 From the President’s Desk ...................................................................... Balaji Raghothaman .................. 2 Connect with SRUTI ............................................................................................................................ 4 SRUTI at 30 – Some reflections…………………………………. ........... Mani, Dinakar, Uma & Balaji .. 5 A Mellifluous Ode to Devi by Sikkil Gurucharan & Anil Srinivasan… .. Kamakshi Mallikarjun ............. 11 Concert – Sanjay Subrahmanyan……………………………Revathi Subramony & Sanjana Narayanan ..... 14 A Grand Violin Trio Concert ................................................................... Sneha Ramesh Mani ................ 16 What is in a raga’s identity – label or the notes?? ................................... P. Swaminathan ...................... 18 Saayujya by T.M.Krishna & Priyadarsini Govind ................................... Toni Shapiro-Phim .................. 20 And the Oscar goes to …… Kaapi – Bombay Jayashree Concert .......... P. Sivakumar ......................... 24 Saarangi – Harsh Narayan ...................................................................... Allyn Miner ........................... 26 Lec-Dem on Bharat Ratna MS Subbulakshmi by RK Shriramkumar .... Prabhakar Chitrapu ................ 28 Bala Bhavam – Bharatanatyam by Rumya Venkateshwaran ................. Roopa Nayak ......................... 33 Dr. M. Balamurali -
Name of the Artist & Contact Details Links Grading
MINISTRY OF CULTURE FESTIVAL OF INDIA CELL PANEL OF ARTISTS/GROUPS FOR PARTICIPATION IN FESTIVALS OF INDIA ABROAD (O - OUTSTANDING, P- PROMISING, W- WAITING) Kathak S.NO Name of the Artist & contact Details Links Grading 1. Arijeet Mukherjee Business Development and Events Coordinator https://vimeo.com/151495589 Aditi Mangaldas Dance Company - The Drishtikon Dance Foundation Password: within123 O ADD: N-75/4/2, Sainik Farms South Lane - W 17 (Main) New Delhi-110080 MOB: 0 93111 57771 | 0 98105 66044 http://vimeo.com/aditimangaldasdance/ WEB: www.aditimangaldasdance.com Email: unchartedseas [email protected] Password: AMDC-US 2 Shovana Narayan IA&AS retd https://www.youtube.com/watch?v=Hha O Kathak Guru(Padmashri& central Sangeet Natak Akademi awardee) Mq0Nxg5s T2-LL-103, Commonwealth Games Village, Delhi-110092 https://www.youtube.com/watch?v=eOD Cell:+919811173734+919810725340 RnwLc9Mg Email:[email protected] or [email protected] https://www.youtube.com/watch?v=KAw Padmashree Awardee (1996) jM9ggTh8 SNA Awardee (1999-2000) https://www.youtube.com/watch?v=lsUd IJI0yn8 https://www.youtube.com/watch?v=aR W89rFJ6dc https://www.youtube.com/watch?v=KAw jM9ggTh8 https://www.youtube.com/watch?v=UN A_4Cf1taQ https://www.youtube.com/watch?v=4Ax MxNkuxvw https://www.youtube.com/watch?v=RhL 6wQ1Y-WA https://www.youtube.com/watch?v=7A3 dh8pBElg https://www.youtube.com/watch?v=8Xe RJqb65e4 https://www.youtube.com/watch?v=xjsl5 Rq3HVo https://www.youtube.com/watch?v=RJQ pWVKMTJI https://www.youtube.com/watch?v=xjsl5 Rq3HVo https://www.youtube.com/watch?v=5Uf sLeqIYhY https://www.youtube.com/watch?v=o- ftl8rIjnc https://www.youtube.com/watch?v=Jrnt MQy2320 https://i.ytimg.com/vi/IMKCvbQ7cUk/mq default.jpg https://www.youtube.com/watch?v=MS wixkNxubg https://www.youtube.com/watch?v=oO1 -WsLotZg https://www.youtube.com/watch?v=gZrd 14SjJkA https://www.youtube.com/watch?v=RJq PTQTD-Zs https://www.youtube.com/watch?v=PG5 -DTTykdk https://www.youtube.com/watch?v=VW Fuv9mBUQI https://www.youtube.com/watch?v=1UY NfMqZ9aQ https://www.youtube.com/watch?v=SDq xUHbTLHw 3. -
List of Empanelled Artist
INDIAN COUNCIL FOR CULTURAL RELATIONS EMPANELMENT ARTISTS S.No. Name of Artist/Group State Date of Genre Contact Details Year of Current Last Cooling off Social Media Presence Birth Empanelment Category/ Sponsorsred Over Level by ICCR Yes/No 1 Ananda Shankar Jayant Telangana 27-09-1961 Bharatanatyam Tel: +91-40-23548384 2007 Outstanding Yes https://www.youtube.com/watch?v=vwH8YJH4iVY Cell: +91-9848016039 September 2004- https://www.youtube.com/watch?v=Vrts4yX0NOQ [email protected] San Jose, Panama, https://www.youtube.com/watch?v=YDwKHb4F4tk [email protected] Tegucigalpa, https://www.youtube.com/watch?v=SIh4lOqFa7o Guatemala City, https://www.youtube.com/watch?v=MiOhl5brqYc Quito & Argentina https://www.youtube.com/watch?v=COv7medCkW8 2 Bali Vyjayantimala Tamilnadu 13-08-1936 Bharatanatyam Tel: +91-44-24993433 Outstanding No Yes https://www.youtube.com/watch?v=wbT7vkbpkx4 +91-44-24992667 https://www.youtube.com/watch?v=zKvILzX5mX4 [email protected] https://www.youtube.com/watch?v=kyQAisJKlVs https://www.youtube.com/watch?v=q6S7GLiZtYQ https://www.youtube.com/watch?v=WBPKiWdEtHI 3 Sucheta Bhide Maharashtra 06-12-1948 Bharatanatyam Cell: +91-8605953615 Outstanding 24 June – 18 July, Yes https://www.youtube.com/watch?v=WTj_D-q-oGM suchetachapekar@hotmail 2015 Brazil (TG) https://www.youtube.com/watch?v=UOhzx_npilY .com https://www.youtube.com/watch?v=SgXsRIOFIQ0 https://www.youtube.com/watch?v=lSepFLNVelI 4 C.V.Chandershekar Tamilnadu 12-05-1935 Bharatanatyam Tel: +91-44- 24522797 1998 Outstanding 13 – 17 July 2017- No https://www.youtube.com/watch?v=Ec4OrzIwnWQ -
A Complete Free Hub for All Government
Monthly Bulletin Feb – March 2018 | Sankalp Education Ahmednagar 8975830101 | 8975930101 INDEX RBI CURRENT RATES UNION BUDGET 2018 – 19 9 NEW SCHEMES ANNOUNCED IN UNION BUDGET 2018 – 19 EXPECTED QUESTION ON UNION BUDGET 2018 – 19 45 ( 1 Feb to 15 March 2018) Days Highlights LIST OF APPOINTMENTS 2018 CURRENT CABINET MINISTERS & CHIEF MINISTERS OF STATE (INDEPENDENT CHARGE) TIME & WORK SHORT TRICKS & TIPS WITH PRACTICE SETS EXAMS UP2DATE MINIPRACTICE PROBLEMS ON TIME AND WORK “a Magazine to Enlighten Your Career” ALL ABOUT INDIAN RAILWAYS ( IMPORTANT FOR Volume : 1 Month : Feb – March 2018 RAILWAY EXAMS ) DIFFERENCE BETWEEN NATIONALISED, PUBLIC AND PRIVATE SECTOR BANK RBI CURRENT RATES CONCEPT OF NATIONAL INCOME GDP, NDP, GNP, NNP AWARDS AND HONOURS IN 2018 100 IMPORTANT RULES FOR GRAMMER 500+ CURRENT AFFAIRS AND GENERAL AWARENESS QUESTIONS ASKED IN EXAM QUESTIONS ASKED IN SYNDICATE BANK PO 2018 490 GENERAL AWARENESS QUESTIONS 2017 - 18 STE 1 Daily Visit : http://www.GovernmentAdda.com & http://www.CurrentAffairsOnly.com a complete hub for education Monthly Bulletin Feb – March 2018 | Sankalp Education Ahmednagar 8975830101 | 8975930101 • The book sold 10 million copies and was translated into 40 different languages. It even made it into the Guinness Book of Records after it stayed on the Sunday Times bestsellers list for an unprecedented 237 ALL ABOUT STEPHEN HAWKING weeks. • The book was also the subject of the Oscar-winning film ‘The Theory of Everything’ in 2014. • Besides this, Hawking wrote many books and won a string of awards throughout an illustrious career. • He was known as one of the most brilliant theoretical physicists since Albert Einstein. Medical Marvel Renowned physicist and modern cosmology patron, Stephen Hawking, passed away on March 14, 2018 at his home in Cambridge. -
One 1 Mark Question. One 4 Mark Question. One 6 Mark Question
10. Rukmini Devi Arundale. One 1 mark question. One 4 mark question. One 6 mark question. Content analysis About Rukmini Devi Arundale. Born on 29‐02‐1904 Father Neelakantha StiSastri Rukmini Devi Arundale Rukmini Devi Liberator of classical dance. India’s cultural queen. Rukmini Devi Fearless crusader for socilial c hange. Champion of vegetarianism. Andhra art of vegetable-dyed Kalmakari Textile crafts like weaving silk an d cotton a la (as prepared in) Kanchipuram Banyan tree at Adyar Rukmini Devi The force that shaped the future of Rukmini Devi Anna Pavlova Anna Pavlova Wraith-like ballerina (Wraith-like =otherworldly) Her meeting with Pavlova. First meeting : In 1924, in London at the Covent Gardens. Her meeting with Pavlova. Second meeting: Time : At the time of annual Theosophical Convention at Banaras. Place : Bombay - India. The warm tribute of Pavlova Rukmini Devi: I wish I could dance like you, but I know I never can. The warm tribute of Pavlova Anna Pavlova:NonoYoumust: No, no. You must never say that. You don’t have to dance, for if you just walk across the stage, it will be enouggph. People will come to watch you do just that. Learning Sadir. She learnt Sadir, the art of Devadasis . Hereditary guru : Meenakshisundaram Pillai. Duration: Two years. First performance At the International Theosophical Conference Under a banyan tree In 1935. reaction Orthodox India was shocked . The first audience adored her revelatory debut. The Bishop of Madras confessed that he felt like he had attended a benediction. Liberating the Classical dance. Changes made to Sadir. Costume and jewellery were of good taste. -
Visionary Craft
Chennai • CITY EDITION • FEBRUARY 28, 2020 Arts | Dance | Music | Movies www.thehindu.com/FridayReview Theatre | Review | History & Culture | Faith Lakshmi Viswanathan CCCCCCCCCCCCCCC of the soul to the Highest. It needs the sential feature of India’s art is that it is same devotion, the same great flights A leap year child, founded on a spiritual outlook,” she et me begin by paying my of imagination that produces reli Rukmini Devi said. She often emphasised that “ homage to the founder of gious feeling. Added to these are the spirituality” was above religion. “In Kalakshetra, Rukmini De creative spirit which, blossoming out Arundale was also a India there is no religion apart from vi Arundale. I knew her, of the artist produces great works of nonpolitical activist our daily lives.” interacted with her, and art. Think of some of the great tem in my own modest way, ples and the bronze images of South and a woman known Path-breaking experiments Lhelped her with some of her thought India. These were not made by so for her refined Such clear thinking moulded her ful ventures like the Kalakshetra Jour- phisticated people… they may not vision for dance and thus was born nal. I admired her as a leader of In even be able to speak to us about ab aesthetic sense the institution Kalakshetra. She was dian culture, a thinker and a creative stract philosophy… nevertheless they the first to understand the value of a artiste. She knew that the arts have to were the people who created master school for dance. -
June 2017.Pmd
Torch Bearers Padma Sharma: CONTENTSCONTENTS An Exceptional Guru Cover 10 18 Story Rays of Kumari Kamala: 34 Hope A True Inspiration Dr Dwaram Tyagaraj: A Musician with a Big Heart Cultural Beyond RaysBulletin of Hope Borders The Thread of • Expressions34 of Continuity06 Love by Sri Krishna - Viraha Reviews • Jai Ho Russia! Reports • 4th Debadhara 52 Dance Festival • 5 Art Forms under One Roof 58 • 'Bodhisattva' steals the show • Resonating Naatya Tarang • Promoting Unity, Peace and Indian Culture • Tyagaraja's In Sight 250th Jayanthi • Simhapuri Dance Festival: A Celebrations Classical Feast • Odissi Workshop with Guru Debi Basu 42 64 • The Art of Journalistic Writing Tributes Beacons of light Frozen Mandakini Trivedi: -in-Time An Artiste Rooted in 63 Yogic Principles 28 61 ‘The Dance India’- a monthly cultural magazine in "If the art is poor, English is our humble attempt to capture the spirit and culture of art in all its diversity. the nation is sick." Editor-in-Chief International Coordinators BR Vikram Kumar Haimanti Basu, Tennessee Executive Editor Mallika Jayanti, Nebrasaka Paul Spurgeon Nicodemus Associate Editor Coordinators RMK Sharma (News, Advertisements & Subscriptions) Editorial Advisor Sai Venkatesh, Karnataka B Ratan Raju Kashmira Trivedi, Thane Alaknanda, Noida Contributions by Lakshmi Thomas, Chennai Padma Shri Sunil Kothari (Cultural Critic) Parinithi Gopal, Sagar Avinash Pasricha (Photographer) PSB Nambiar Sooryavamsham, Kerala Administration Manager Anurekha Gosh, Kolkata KV Lakshmi GV Chari, New Delhi Dr. Kshithija Barve, Goa and Kolhapur Circulation Manager V Srinivas Technical Advise and Graphic Design Communications Incharge K Bhanuji Rao Articles may be submitted for possible publication in the magazine in the following manner. -
FINE ARTS ART and CULTURE ‡ Bhangra (Punjab) - Folk Dance of Harvest Season, Coinciding with the Festival of Baisakhi
78 FINE ARTS ART AND CULTURE ‡ Bhangra (Punjab) - folk dance of harvest season, coinciding with the festival of Baisakhi. ‡ Lalit Kala Academy was set up in 1954 at New Delhi. ‡ Tamasha (Maharashtra) - Nautanki (U.P.), Garba ‡ Sangeet natak Academy was established in 1953 at (Gujarat), Chhow (Orissa, Bihar). New Delhi. Its function is to conduct survey ‡ There are two forms of music in India - Carnatic and research of different art forms in India. Hindustani. ‡ Sahitya Academy was established in 1954 at New ‡ Sama Veda deals with music. Delhi. Its aim is to encourage production of high ‡ Purandaradas gave shape and form to Carnatic class literature in several languages of India. music. ‡ The National Book Trust of India was set up in ‡ The trinity of Carnatic music is Thyagaraja, Syama 1957. Shastri and Muthuswami Dikshitar. ‡ ASI - Archaeological Survey of India - was established in 1861. Its headquarters is in New Names Associated with Indian Music: Delhi. ‡ Ustad Alla Rakha - A master of the Tabla. ‡ Indian Council for Cultural Relations was established ‡ Bala Murali Krishna - A singer of Carnatic music. in 1950, and it strives to promote and to strengthen cultural relations and mutual understanding between ‡ Bhim Sen Joshi - A Hindustani singer. India and other countries. The Council administers ‡ Pt. Hari Prasad Chaurasya - Flute player. the Jawaharlal Nehru Award for the promotion of ‡ Pt. Jasraj - Famous singer of Hindustani music. peace and international understanding. ‡ Parveen Sulthana - Hindustan style singer. ‡ NSD - National School of Drama - was set up in 1959 in Delhi. ‡ Neralathu Ramapothuval - Sopanam. ‡ Dances : There are two main branches of Indian ‡ M.S.Subha Lakshmi - Carnatic music. -
Hindu Temple of Rochester Newsletter
Hindu Temple of Rochester 120 Pinnacle Road, Pittsford, NY 14534-1008 http://www.hindutempleofrochester.com Telephone: (585) 427- 8091 Jul, Aug, Sep 2015 Newsletter #3 President’s Column! The temple has switched from Quicken to QuickBooks EXECUTIVE effective this year, in order to simplify the Namaste! maintenance of member/donor database and COUNCIL Dear Fellow Devotee: financial records. The donor database has been President In the first few months of the year we all have had opportunity updated through the year 2014. to enjoy the festivities of Holi, Ugadi, Ram Navmi and prana Local media has covered our yoga and meditation Sanjay Mathur prathishtapana of our Sri Krishanji and Devi Mata utsava classes, holi function as well as our Nepal appeal for 585-666-0608 murthis. As we come near completion of the first half of 2015, Prayer and Donation. They will also publicize I would like to share with you all some of our awareness of Upcoming World Yoga day on June 21st accomplishments. 2015. Vice President Special General Body Meeting - Phase IV approved: The Om P. Gupta Board of Trustees are always guiding us in long term The Mandala Puja for Sri Krishna and Sri Durga Utsav 585-385-1020 vision and planning teams, one each for Shikhar, Kitchen Murthis on Friday, 19th and Saturday, 20th June 2015 and and Facility Improvement (internal and external) have World Yoga Day on Sunday, 21st June 2015 was successful been constituted. and without volunteer support, we would not have been Secretary Membership Satisfaction Survey: We have already able to do these events. -
Chapter 1 Uday Shankar and Locating Modernity
CHAPTER 1 UDAY SHANKAR AND LOCATING MODERNITY In 1920, a twenty year old, handsome Indian student arrived in London to study painting at the Royal College of Art. Three years later, he made his debut at Covent Garden alongside the legendary Russian ballet dancer, Anna Pavlova, although—quite remarkably—until a few months earlier, he had little to no dance experience. His audiences in England, France, and the United States nevertheless thought he was very talented at what he did. The dancer invented a new style of dance, which purportedly represented Indian culture; his dance looked “foreign” enough that nobody doubted his claim. In the late 1920s, the dancer returned to India, and demonstrated his new style to his fellow compatriots. Most of his compatriots did not care for this new style, but a few prominent figures encouraged him to continue with what he was doing. His family and friends also supported him; some of them even joined his dance troupe as dancers and musicians, including his youngest brother, twenty years his junior. The troupe then returned to Paris. Meanwhile, India was nearing the end of its dramatic transition from a British imperial colony to a newly independent nation. When the dancer returned to settle in India in the late 1930s, he immersed himself in the current debates over India’s future identity and culture. Most people, who believed the essence of Indian culture could be found in its ancient traditions, were looking to the past for the “real” definition of national culture and identity. The dancer, however, proposed that his invented style and eclectic approach to art defined India’s culture instead.