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Media Guide 2
MEDIA GUIDE 2 The ICC would like to thank all its Commercial Partners for their support of the ICC Women’s World Cup England and Wales 2017 3 WELCOME ICC CHIEF EXECUTIVE I extend a warm welcome to members of the As we look forward to a world-class event in world-class media who are in England and Wales to cover conditions, I take this opportunity to thank the England and Wales Cricket Board, its staff, ground authorities the ICC Women’s World Cup 2017, the third and volunteers in helping us organize this mega event. time the pinnacle 50-over event for women has My colleagues at the ICC too deserve appreciation for been staged here. striving hard to ensure a special event. Women, of course, have been the torch-bearers in relation I would also like to thank our commercial and broadcast to the World Cup because they organized their first one in partners for their support, without which the event would 1973, two years before men played their first World Cup, not have been on this large scale. also in England. This fact definitely adds credence to our As for the media, our thanks are due to each one of you tag line for the event – “Who Runs the World?” whether you’re reporting from the games or enabling fans The tournament brings together the top eight teams, who around the world to engage in our sport from the confines fight it out in a grueling round-robin format with every of your newsroom. The growth of the women’s game is in team playing each other. -
PART 1 of Volume 13:6 June 2013
LANGUAGE IN INDIA Strength for Today and Bright Hope for Tomorrow Volume 13:6 June 2013 ISSN 1930-2940 Managing Editor: M. S. Thirumalai, Ph.D. Editors: B. Mallikarjun, Ph.D. Sam Mohanlal, Ph.D. B. A. Sharada, Ph.D. A. R. Fatihi, Ph.D. Lakhan Gusain, Ph.D. Jennifer Marie Bayer, Ph.D. S. M. Ravichandran, Ph.D. G. Baskaran, Ph.D. L. Ramamoorthy, Ph.D. Assistant Managing Editor: Swarna Thirumalai, M.A. Contents Drama in Indian Writing in English - Tradition and Modernity ... 1-101 Dr. (Mrs.) N. Velmani Reflection of the Struggle for a Just Society in Selected Poems of Niyi Osundare and Mildred Kiconco Barya ... Febisola Olowolayemo Bright, M.A. 102-119 Identity Crisis in Jhumpa Lahiri’s The Namesake ... Anita Sharma, M.Phil., NET, Ph.D. Research Scholar 120-125 A Textual Study of Context of Personal Pronouns and Adverbs in Samuel Taylor Coleridge’s “The Rime of the Ancient Mariner” ... Fadi Butrus K Habash, M.A. 126-146 Crude Oil Price Behavior and Its Impact on Macroeconomic Variable: A Case of Inflation ... M. Anandan, S. Ramaswamy and S. Sridhar 147-161 Using Exact Formant Structure of Persian Vowels as a Cue for Forensic Speaker Recognition ... Mojtaba Namvar Fargi, Shahla Sharifi, Mohammad Reza Pahlavan-Nezhad, Azam Estaji, and Mehi Meshkat Aldini Ferdowsi University of Mashhad 162-181 Language in India www.languageinindia.com ISSN 1930-2940 13:6 June 2013 Contents List i Simplification of CC Sequence of Loan Words in Sylheti Bangla ... Arpita Goswami, Ph.D. Research Scholar 182-191 Impact of Class on Life A Marxist Study of Thomas Hardy’s Novel Tess of the D’Urbervilles .. -
Highlights of Union Budget 2019-20
www.gradeup.co w 1 www.gradeup.co Highlights of Union Budget 2019-20 Dear readers, This PDF is a compilation of important highlights of Union Budget 2019-20 presented by Finance Minister Nirmala Sitharaman on July 05, 2019. This file is important and relevant for all competitive exams like Banking & Insurance, SSC, Railway, UPSC, State and other Govt. Exams. Union Budget 2019-20 Finance Minister Nirmala Sitharaman presented the Union Budget 2019-20 in the Parliament on July 05, 2019. This was the maiden Budget speech of the Finance Minister Nirmala Sitharaman. Finance Minister Nirmala Sitharaman became only the second woman in the history of independent India to present the Union Budget. About budget: • A government budget is an annual financial statement which outlines the estimated government expenditure and expected government receipts or revenues for the forthcoming fiscal year. • Union Budget is defined under the Article 112 of the Indian Constitution. It is also referred to as the annual financial statement (AFS). Note: • Former Prime Minister Indira Gandhi was the first and only woman till now to have presented the Union Budget. In 1970, she presented the Union Budget of India for 1970-71, after she took over the finance portfolio following the resignation of Morarji Desai as finance minister. Key highlights – Following are the highlights of 'Mrs Sitharaman' Budget speech: • The principles — reform, perform and transform — can work, says the Finance Minister. • The people of India have validated their two goals for our country's future: national security and economic growth. • It took us over 55 years to reach $1 trillion-dollar economy, but we added $1 trillion in just 5 years. -
ICICI Bank Launches 'Social Pay'
VOL-14 ISSUE -6 CONTENTS Editor 2018 Commonwealth Games Ayushman Bharat : National Health Protection Mission N.K. Jain Advisors Neeraj Chabra K.C.Gupta Registered Office Mahendra Publication Pvt. Ltd. 103, Pragatideep Building, Padma Awards 2018 Pulitzer Prize 2018 Plot No. 08, Laxminagar, District Centre, New Delhi - 110092 TIN-09350038898 w.e.f. 12-06-2014 Branch Office Mahendra Publication Pvt. Ltd. E-42,43,44, Sector-7, Noida (U.P.) Interview 5 For queries regarding Current Affairs - One Liner 6-9 promotion, distribution & Spotlight 10 advertisement, contact:- [email protected] The People 11-16 Ph.: 09208037962 News Bites 18-56 Owned, printed & published by World of English - Etymology 57 N.K. Jain Designation : Who's Who 61 103, Pragatideep Building, 2018 Commonwealth Games 63-65 Plot No. 08, Laxminagar, District Centre, New Delhi - 110092 Ayushman Bharat : National Health Protection Mission 66-67 Please send your suggestions and Padma Awards 2018 68-70 grievances to:- Mahendra Publication Pvt. Ltd. Pulitzer Prize 2018 71-72 CP-9, Vijayant Khand, Que Tm - General Awareness 74-84 Gomti Nagar Lucknow - 226010 E-mail:[email protected] RO/ARO 2018 : UPPSC - Solved Paper 2018 85-102 © Copyright Reserved SBI Clerk Pre - Model Paper 2018 103-114 # No part of this issue can be printed in whole or in part without the written permission of the publishers. # All the disputes are subject to Delhi jurisdiction only. Mahendra Publication Pvt. Ltd. Editorial "Courage is what it takes to stand up and speak; courage is also what it takes to sit down and listen." - Winston Churchill Dear Aspirants, Once again we are pleased to present you the 'June 2018' Edition of our very own 'Masters in Current Affairs'. -
E-Newsletter
DELHI Bhasha Samman Presentation hasha Samman for 2012 were presidential address. Ampareen Lyngdoh, Bconferred upon Narayan Chandra Hon’ble Miniser, was the chief guest and Goswami and Hasu Yasnik for Classical Sylvanus Lamare, as the guest of honour. and Medieval Literature, Sondar Sing K Sreenivasarao in in his welcome Majaw for Khasi literature, Addanda C address stated that Sahitya Akademi is Cariappa and late Mandeera Jaya committed to literatures of officially Appanna for Kodava and Tabu Ram recognized languages has realized that Taid for Mising. the literary treasures outside these Akademi felt that while The Sahitya Akademi Bhasha languages are no less invaluable and no it was necessary to Samman Presentation Ceremony and less worthy of celebration. Hence Bhasha continue to encourage Awardees’ Meet were held on 13 May Samman award was instituted to honour writers and scholars in 2013 at the Soso Tham Auditorium, writers and scholars. Sahitya Akademi languages not formally Shillong wherein the Meghalaya Minister has already published quite a number recognised by the of Urban Affairs, Ampareen Lyngdoh of translations of classics from our Akademi, it therefore, was the chief guest. K Sreenivasarao, bhashas. instituted Bhasha Secretary, Sahitya Akademi delivered the He further said, besides the Samman in 1996 to welcome address. President of Sahitya conferment of sammans every year for be given to writers, Akademi, Vishwanath Prasad Tiwari scholars who have explored enduring scholars, editors, presented the Samman and delivered his significance of medieval literatures to lexicographers, collectors, performers or translators. This Samman include scholars who have done valuable contribution in the field of classical and medieval literature. -
Name of the Artist & Contact Details Links Grading
MINISTRY OF CULTURE FESTIVAL OF INDIA CELL PANEL OF ARTISTS/GROUPS FOR PARTICIPATION IN FESTIVALS OF INDIA ABROAD (O - OUTSTANDING, P- PROMISING, W- WAITING) Kathak S.NO Name of the Artist & contact Details Links Grading 1. Arijeet Mukherjee Business Development and Events Coordinator https://vimeo.com/151495589 Aditi Mangaldas Dance Company - The Drishtikon Dance Foundation Password: within123 O ADD: N-75/4/2, Sainik Farms South Lane - W 17 (Main) New Delhi-110080 MOB: 0 93111 57771 | 0 98105 66044 http://vimeo.com/aditimangaldasdance/ WEB: www.aditimangaldasdance.com Email: unchartedseas [email protected] Password: AMDC-US 2 Shovana Narayan IA&AS retd https://www.youtube.com/watch?v=Hha O Kathak Guru(Padmashri& central Sangeet Natak Akademi awardee) Mq0Nxg5s T2-LL-103, Commonwealth Games Village, Delhi-110092 https://www.youtube.com/watch?v=eOD Cell:+919811173734+919810725340 RnwLc9Mg Email:[email protected] or [email protected] https://www.youtube.com/watch?v=KAw Padmashree Awardee (1996) jM9ggTh8 SNA Awardee (1999-2000) https://www.youtube.com/watch?v=lsUd IJI0yn8 https://www.youtube.com/watch?v=aR W89rFJ6dc https://www.youtube.com/watch?v=KAw jM9ggTh8 https://www.youtube.com/watch?v=UN A_4Cf1taQ https://www.youtube.com/watch?v=4Ax MxNkuxvw https://www.youtube.com/watch?v=RhL 6wQ1Y-WA https://www.youtube.com/watch?v=7A3 dh8pBElg https://www.youtube.com/watch?v=8Xe RJqb65e4 https://www.youtube.com/watch?v=xjsl5 Rq3HVo https://www.youtube.com/watch?v=RJQ pWVKMTJI https://www.youtube.com/watch?v=xjsl5 Rq3HVo https://www.youtube.com/watch?v=5Uf sLeqIYhY https://www.youtube.com/watch?v=o- ftl8rIjnc https://www.youtube.com/watch?v=Jrnt MQy2320 https://i.ytimg.com/vi/IMKCvbQ7cUk/mq default.jpg https://www.youtube.com/watch?v=MS wixkNxubg https://www.youtube.com/watch?v=oO1 -WsLotZg https://www.youtube.com/watch?v=gZrd 14SjJkA https://www.youtube.com/watch?v=RJq PTQTD-Zs https://www.youtube.com/watch?v=PG5 -DTTykdk https://www.youtube.com/watch?v=VW Fuv9mBUQI https://www.youtube.com/watch?v=1UY NfMqZ9aQ https://www.youtube.com/watch?v=SDq xUHbTLHw 3. -
List of Empanelled Artist
INDIAN COUNCIL FOR CULTURAL RELATIONS EMPANELMENT ARTISTS S.No. Name of Artist/Group State Date of Genre Contact Details Year of Current Last Cooling off Social Media Presence Birth Empanelment Category/ Sponsorsred Over Level by ICCR Yes/No 1 Ananda Shankar Jayant Telangana 27-09-1961 Bharatanatyam Tel: +91-40-23548384 2007 Outstanding Yes https://www.youtube.com/watch?v=vwH8YJH4iVY Cell: +91-9848016039 September 2004- https://www.youtube.com/watch?v=Vrts4yX0NOQ [email protected] San Jose, Panama, https://www.youtube.com/watch?v=YDwKHb4F4tk [email protected] Tegucigalpa, https://www.youtube.com/watch?v=SIh4lOqFa7o Guatemala City, https://www.youtube.com/watch?v=MiOhl5brqYc Quito & Argentina https://www.youtube.com/watch?v=COv7medCkW8 2 Bali Vyjayantimala Tamilnadu 13-08-1936 Bharatanatyam Tel: +91-44-24993433 Outstanding No Yes https://www.youtube.com/watch?v=wbT7vkbpkx4 +91-44-24992667 https://www.youtube.com/watch?v=zKvILzX5mX4 [email protected] https://www.youtube.com/watch?v=kyQAisJKlVs https://www.youtube.com/watch?v=q6S7GLiZtYQ https://www.youtube.com/watch?v=WBPKiWdEtHI 3 Sucheta Bhide Maharashtra 06-12-1948 Bharatanatyam Cell: +91-8605953615 Outstanding 24 June – 18 July, Yes https://www.youtube.com/watch?v=WTj_D-q-oGM suchetachapekar@hotmail 2015 Brazil (TG) https://www.youtube.com/watch?v=UOhzx_npilY .com https://www.youtube.com/watch?v=SgXsRIOFIQ0 https://www.youtube.com/watch?v=lSepFLNVelI 4 C.V.Chandershekar Tamilnadu 12-05-1935 Bharatanatyam Tel: +91-44- 24522797 1998 Outstanding 13 – 17 July 2017- No https://www.youtube.com/watch?v=Ec4OrzIwnWQ -
Lets Talk About Budget
LET’S TALK ABOUT BUDGET By Subrat Das 2007 Centre for Budget and Governance Accountability (www.cbgaindia.org) 89 Copyright @ 2007 Centre for Budget and Governance Accountability Reproduction of this publication for educational or other non-commercial purposes is authorized, without prior written permission, provided the source is fully acknowledged. Prepared by: Subrat Das Editorial Inputs: Praveen Jha, Yamini Mishra Designing and Printing : Kriti Creative Studio, 9873249374 Centre for Budget and Governance Accountability A-11, Second Floor, Niti Bagh, Khel Gaon Marg, New Delhi - 110 049, INDIA Phone: +91-11-4174 1285 / 86 / 87 Email: [email protected] www.cbgaindia.org 90 1 ACKNOWLEDGEMENTS This booklet is meant to help the interested but uninitiated reader in comprehending some of the important aspects of Government Budgeting in India. This is a vast subject and its depth has increased over the years. At Centre for Budget and Governance Accountability (CBGA), we have been grappling with the details of Union Budgets since early 2003. Starting from 2006, we have also delved into State Budgets. I have benefited greatly from the collective experience of working on Budgets at CBGA. However, I would like to name, in particular, Mr. Siba Sankar Mohanty, Mr. Nandan Jha, Mr. Deepak Xavier and Mr. Nesar Ahmad for their valuable contribution towards CBGA Team’s comprehension of Budgets. Among the founders of CBGA, Mr. John Samuel has had a profound influence on the Team at CBGA, especially in our efforts to ‘demystify’ the Budget. Fr. Manu Alphonse and Dr. Vinod Vyasulu have played an important role in building the capacity of the Team at CBGA to comprehend and analyse Budgets. -
Additional Estimates 2010-11
Dinner on the occasion of the First Meeting of the International Commission on Nuclear Non-proliferation and Disarmament Kirribilli House, Kirribilli, Sydney Sunday, 19 October 2008 Host Mr Francois Heisbourg The Honourable Kevin Rudd MP Commissioner (France) Prime Minister Chairman of the International Institute for Strategic Studies and Geneva Centre for Official Party Security Policy, Special Adviser at the The Honourable Gareth Evans AO QC Foundation pour la Recherche Strategique Co-Chair International Commission on Nuclear Non- General (Ret'd) Jehangir Karamat proliferation and Disarmament Commissioner (Pakistan) and President of the International Crisis Director, Spearhead Research Group Mrs Nilofar Karamat Ms Yoriko Kawaguchi General ((Ret'd) Klaus Naumann Co-Chair Commissioner (Germany) International Commission on Nuclear Non- Member of the International Advisory Board proliferation and Disarmament and member of the World Security Network Foundation of the House of Councillors and Chair of the Liberal Democratic Party Research Dr William Perry Commission on the Environment Commissioner (United States) Professor of Stanford University School of Mr Ali Alatas Engineering and Institute of International Commissioner (Indonesia) Studies Adviser and Special Envoy of the President of the Republic of Indonesia Ambassador Wang Yingfan Mrs Junisa Alatas Commissioner (China) Formerly China's Vice Foreign Minister Dr Alexei Arbatov (1995-2000), China's Ambassador and Commissioner (Russia) Permanent Representative to the United Scholar-in-residence -
June 2017.Pmd
Torch Bearers Padma Sharma: CONTENTSCONTENTS An Exceptional Guru Cover 10 18 Story Rays of Kumari Kamala: 34 Hope A True Inspiration Dr Dwaram Tyagaraj: A Musician with a Big Heart Cultural Beyond RaysBulletin of Hope Borders The Thread of • Expressions34 of Continuity06 Love by Sri Krishna - Viraha Reviews • Jai Ho Russia! Reports • 4th Debadhara 52 Dance Festival • 5 Art Forms under One Roof 58 • 'Bodhisattva' steals the show • Resonating Naatya Tarang • Promoting Unity, Peace and Indian Culture • Tyagaraja's In Sight 250th Jayanthi • Simhapuri Dance Festival: A Celebrations Classical Feast • Odissi Workshop with Guru Debi Basu 42 64 • The Art of Journalistic Writing Tributes Beacons of light Frozen Mandakini Trivedi: -in-Time An Artiste Rooted in 63 Yogic Principles 28 61 ‘The Dance India’- a monthly cultural magazine in "If the art is poor, English is our humble attempt to capture the spirit and culture of art in all its diversity. the nation is sick." Editor-in-Chief International Coordinators BR Vikram Kumar Haimanti Basu, Tennessee Executive Editor Mallika Jayanti, Nebrasaka Paul Spurgeon Nicodemus Associate Editor Coordinators RMK Sharma (News, Advertisements & Subscriptions) Editorial Advisor Sai Venkatesh, Karnataka B Ratan Raju Kashmira Trivedi, Thane Alaknanda, Noida Contributions by Lakshmi Thomas, Chennai Padma Shri Sunil Kothari (Cultural Critic) Parinithi Gopal, Sagar Avinash Pasricha (Photographer) PSB Nambiar Sooryavamsham, Kerala Administration Manager Anurekha Gosh, Kolkata KV Lakshmi GV Chari, New Delhi Dr. Kshithija Barve, Goa and Kolhapur Circulation Manager V Srinivas Technical Advise and Graphic Design Communications Incharge K Bhanuji Rao Articles may be submitted for possible publication in the magazine in the following manner. -
Building Bridges and Promoting People to People Interaction in South Asia
Building Bridges and Promoting People to People Interaction in South Asia EDITORS Nishchal N. Pandey Kumar Shrestha 2012 I Published by Centre for South Asian Studies, Kathmandu www.csas.org.np ©Publisher Year of Publication 2012 ISBN 978-9973-2-5165-6 Printed at Jagadamba Press Hattiban Lalitpur, 5250017-19 Email: [email protected] II PREFACE This publication is an outcome of a regional conference on “Building Bridges and Promoting People to People Interaction in South Asia” jointly organized in Kathmandu by the Centre for South Asian Studies (CSAS), the Global Partnership for the Prevention of Armed Confl ict (GPPAC) and the Regional Centre for Strategic Studies (RCSS) in October 2011. South Asia is one of the least connected regions. Political and security cruxes have for long impacted on regional cooperation endeavors even as trade, connectivity and travel have become helpless victims in the face of bilateral problems. Despite these hurdles, the civil society of South Asia has continued not only to advocate for peace and amity in the region, but also to recommend measures to strengthen SAARC, taking cue from the success story of ASEAN and the European Union. The South Asian civil society is a robust and enthusiastic group of people from every profession that has time and again demanded that SAARC must become a fl exible alliance that is effective and effi cient. While SAARC is an inter- governmental association, successive Summits have emphasized on the importance of promoting people-to-people contacts at all levels outside the State sector. The community of academics, CSOs, women leaders, NGO representatives and media persons that participated in this roundtable turned out to be an illustrious community with shared values championing peace, freedom and greater economic integration. -
Living Traditions Tribal and Folk Paintings of India
Figure 1.1 Madhubani painting, Bihar Source: CCRT Archives, New Delhi LIVING TRADITIONS Tribal and Folk Paintings of India RESO RAL UR U CE LT S U A C N D R O T R F A E I N R T I N N G E C lk aL—f z rd lzksr ,oa izf’k{k.k dsUn Centre for Cultural Resources and Training Ministry of Culture, Government of India New Delhi AL RESOUR UR CE LT S U A C N D R O T R F A E I N R T I N N G E C lk aL—f z rd lzksr ,oa izf’k{k.k dsUn Centre for Cultural Resources and Training Ministry of Culture, Government of India New Delhi Published 2017 by Director Centre for Cultural Resources and Training 15A, Sector 7, Dwarka, New Delhi 110075 INDIA Phone : +91 11 25309300 Fax : +91 11 25088637 Website : http://www.ccrtindia.gov.in Email : [email protected] © 2017 CENTRE FOR CULTURAL RESOURCES AND TRAINING Front Cover: Pithora Painting (detail) by Rathwas of Gujarat Artist unknown Design, processed and printed at Archana Advertising Pvt. Ltd. www.archanapress.com All Rights Reserved No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior written permission of the Director, CCRT. Photo Credits Most of the photographs used in this publication are from CCRT Archives. We also thank National Museum, New Delhi; National Handicrafts & Handlooms Museum (Crafts Museum), New Delhi; North Zone Cultural Centre (NZCC), Patiala; South Central Zone Cultural Centre (SCZCC), Nagpur; Craft Revival Trust, New Delhi and Sanskriti Museum, New Delhi for lending valuable resources.