Selected Materials on Korean from the Siebold Archive in Bochum – Preceded by Some General Remarks Regarding Siebold’S Study of Korean
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Of Mice and Maidens: Ideologies of Interspecies Romance in Late Medieval and Early Modern Japan
University of Pennsylvania ScholarlyCommons Publicly Accessible Penn Dissertations 2014 Of Mice and Maidens: Ideologies of Interspecies Romance in Late Medieval and Early Modern Japan Laura Nuffer University of Pennsylvania, [email protected] Follow this and additional works at: https://repository.upenn.edu/edissertations Part of the Asian Studies Commons, and the Medieval Studies Commons Recommended Citation Nuffer, Laura, "Of Mice and Maidens: Ideologies of Interspecies Romance in Late Medieval and Early Modern Japan" (2014). Publicly Accessible Penn Dissertations. 1389. https://repository.upenn.edu/edissertations/1389 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/edissertations/1389 For more information, please contact [email protected]. Of Mice and Maidens: Ideologies of Interspecies Romance in Late Medieval and Early Modern Japan Abstract Interspecies marriage (irui kon'in) has long been a central theme in Japanese literature and folklore. Frequently dismissed as fairytales, stories of interspecies marriage illuminate contemporaneous conceptions of the animal-human boundary and the anxieties surrounding it. This dissertation contributes to the emerging field of animal studies yb examining otogizoshi (Muromachi/early Edo illustrated narrative fiction) concerning elationshipsr between human women and male mice. The earliest of these is Nezumi no soshi ("The Tale of the Mouse"), a fifteenth century ko-e ("small scroll") attributed to court painter Tosa Mitsunobu. Nezumi no soshi was followed roughly a century later by a group of tales collectively named after their protagonist, the mouse Gon no Kami. Unlike Nezumi no soshi, which focuses on the grief of the woman who has unwittingly married a mouse, the Gon no Kami tales contain pronounced comic elements and devote attention to the mouse-groom's perspective. -
Filatelicfiesta.Org Program WPL Auction Bonin Islands Mail Call
Whole number 181 May 2013 WPL Auction Program he Sequoia Stamp Club will host d Laveroni will speak at the May T the Western Philatelic Library’s E 1st meeting on the South Pacific auction in an effort to help raise funds for Coast Railroad, its philatelic importance the library’s move scheduled for this and its economic importance to the 9 - 11 ̴ WE WILL NEVER FORGET summer. The library must vacate the Santa Clara Valley. 2013 Club Officers Raynor facility by June 30th, 2013. We Ed is a seasoned exhibitor who researches President understand a building is being purchased his subjects extensively and can convey up the peninsula but have no details. the story with élan. Brian Jones. 408.927.6861 [email protected] The auction will take place May 14 at Munchies and coffee will be available, Vice President the Community Activities Building, so mark your calendar and look forward David Occhipinti . 408.723.0122 1400 Roosevelt Avenue, Redwood City. to a fun event. Doors open at 7:05 pm. Some 50 to 60 Secretary lots are expected and there are normally Bonin Islands David Gilman . .408.264.1953 [email protected] many good values that can be had at WPL n page four is a short history of the Treasurer auctions and this auction should prove to Bonin Islands found on the internet. be more of the same. O Richard Clever . 408.238.0893 The main island in this group is Chichi-jima [email protected] which, in WWII, was the scene of a Mail Call Newsletter Editor number of horrors, including cannibalism James Sauer . -
'Catastrophe of This New Chinese Mission': the Amherst Embassy To
1 The ‘catastrophe of this new Chinese mission’: the Amherst Embassy to China of 1816. PETER J. KITSON Amherst’s Embassy and Early Nineteenth-Century Sino-British Relations Two hundred years ago in the early hours of the morning 29 August 1816 (Jiaqing 21), William Pitt, Lord Amherst, unrested after travelling overnight, was unceremoniously manhandled in an attempt to usher him physically with his two deputies, George Thomas Staunton and Henry Ellis, into the presence of the Jiaqing Emperor at the Summer Palace of Yuanming Yuan. Exhausted, dirty after a very uncomfortable overnight journey and separated from his diplomatic credentials and ambassadorial robes, Amherst and his two deputies resisted, leaving the palace in anger. It was reported to the emperor that Amherst’s inability to attend the audience was occasioned by an indisposition, as was that of his deputies. The emperor, when discovering the diplomatic nature of this evasion, immediately and perhaps impulsively, dismissed the embassy without granting it an imperial audience and rejected its ‘tribute’ of gifts. Amherst’s party then began their long, overland journey south to Canton (Guangzhou) where the group embarked for home. British accounts, of which they were several, laid this ostensible ‘failure’ of the embassy to secure an imperial audience not on the Jiaqing Emperor, but on the scheming of certain senior court officials who had unwisely assured him that Amherst had practiced and was prepared to perform the ceremony of the full imperial koutou (or ketou both Mandarin) or ‘kowtow’ (anglicised) with three kneelings accompanied by three knockings of the forehead for each prostration. -
The Durability of the Bakuhan Taisei Is Stunning
Tokugawa Yoshimune versus Tokugawa Muneharu: Rival Visions of Benevolent Rule by Tim Ervin Cooper III A dissertation submitted in partial satisfaction of the Requirements for the degree of Doctor of Philosophy in History in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Mary Elizabeth Berry, Chair Professor Irwin Scheiner Professor Susan Matisoff Fall 2010 Abstract Tokugawa Yoshimune versus Tokugawa Muneharu: Rival Visions of Benevolent Rule by Tim Ervin Cooper III Doctor of Philosophy in History University of California, Berkeley Professor Mary Elizabeth Berry, Chair This dissertation examines the political rivalry between the eighth Tokugawa shogun, Yoshimune (1684‐1751, r. 1716‐45), and his cousin, the daimyo lord of Owari domain, Tokugawa Muneharu (1696‐1764, r. 1730‐39). For nearly a decade, Muneharu ruled Owari domain in a manner that directly contravened the policies and edicts of his cousin, the shogun. Muneharu ignored admonishments of his behavior, and he openly criticized the shogun’s Kyōhō era (1716‐36) reforms for the hardship that they brought people throughout Japan. Muneharu’s flamboyance and visibility transgressed traditional status boundaries between rulers and their subjects, and his lenient economic and social policies allowed commoners to enjoy the pleasures and profits of Nagoya entertainment districts that were expanding in response to the Owari lord’s personal fondness for the floating world. Ultimately, Muneharu’s fiscal extravagance and moral lenience—benevolent rule (jinsei), as he defined it—bankrupted domain coffers and led to his removal from office by Yoshimune. Although Muneharu’s challenge to Yoshimune’s political authority ended in failure, it nevertheless reveals the important role that competing notions of benevolence (jin) were coming to play in the rhetoric of Tokugawa rulership. -
Social Decorating: Dutch Salons in Early Modern Japan
SOCIAL DECORATING: DUTCH SALONS IN EARLY MODERN JAPAN TERRENCE JACKSON Adrian College Seated Intellect, Performative Intellect Cultural salons proliferated during the last half of the eighteenth century in Japan, accommodating a growing interest in the za arts and literature (za-bungei 座文芸). The literal meaning of za 座 was “seat,” and the za arts (visual and literary) were performed within groups, which were presumably “seated” together. Za culture first appeared as early as the thirteenth century when the Emperor Go-Toba 後鳥羽 held poetry gatherings in his salon (zashiki 座敷). In practice, za also referred to the physical space where these individuals gathered, and it is from that that the related term zashiki, or “sitting room” was derived.1 Zashiki served a function similar to the salons of Europe in the early modern period—as a semi-private space to entertain guests and enjoy cultural interaction. Za arts gatherings met within the homes of participants or patrons, but also in rented zashiki at temples and teahouses. During their meetings, professionals and amateurs interacted and cooperated to produce culture. The epitome of this was renga 連歌 poetry in which groups created linked-verses. However, other types of cultural groups met in salons to design such items as woodblock prints and playful calendars, to debate flower arranging, or to discuss the latest bestsellers. Within these spaces, the emphasis was on group production and on the rights of all attendees to participate, regardless of social background. The atmosphere of zashiki gatherings combined civility, curiosity, playfulness, and camaraderie. The distinction between artistic and intellectual pursuits had fuzzy boundaries during the Tokugawa period, and scholars largely operated within a social world similar to artists, poets, and fiction writers . -
Masterarbeit / Master's Thesis
MASTERARBEIT / MASTER’S THESIS Titel der Masterarbeit / Title of the Master’s Thesis “Dating the split of the Japonic language family. The Pre-Old Japanese corpus” verfasst von / submitted by Patrick Elmer, BA MA angestrebter akademischer Grad / in partial fulfilment of the requirements for the degree of Master of Arts (MA) Wien, 2019 / Vienna 2019 Studienkennzahl lt. Studienblatt / A 066 599 degree programme code as it appears on the student record sheet: Studienrichtung lt. Studienblatt / Masterstudium Indogermanistik und historische degree programme as it appears on Sprachwissenschaft UG2002 the student record sheet: Betreut von / Supervisor: Univ.-Prof. Mag. Dr. Melanie Malzahn, Privatdoz. Table of contents Part 1: Introduction ..................................................................................................... 8 1.1 The Japonic language family .............................................................................................. 9 1.2 Previous research: When did Japonic split into Japanese and Ryūkyūan .......................... 11 1.3 Research question and scope of study .............................................................................. 15 1.4 Methodology ................................................................................................................... 16 Part 2: Language data ................................................................................................ 19 2.1 Old Japanese ................................................................................................................... -
RD 055 510 DOCUMENT RESUME FL 002 641 Jorden, Eleanor H
DOCUMENT RESUME RD 055 510 48 FL 002 641 AUTHOR Jorden, Eleanor H. TITLE Joint Japanese-American Conference on Sociolinguistics. Final Report. INSTITUTION Cornell Univ., Ithaca, N.Y. SPONS AGENCY Institute of International Studies (DHEW/OE), Washington, D.C. PUB DATE Dec 70 CONTRACT oEc-0-71-0367(823) NOTE 102p.; Conference held at the East-VestCenter, University of Hawaii, August 24-28, 1970 EDRS PRICE MF-$0.65 HC-$6.58 DESCRIPTORS *American English; Communication (ThoughtTransfer); Comparative Analysis; *Conference Reports; Conferences; Contrastive Linguistics; CrossCultural Studies; Cultural Differences; Culture Contact; Ethnology; *Japanese; Japanese Americans;Language Development; Language Research; Second Language Learning; Social Change; *SocioculturalPatterns; *Sociolinguistics; Vocabulary ABSTRACT This final substantive reportincludes the working papers presented by theAmerican and Japanese participants, notes on discussions, a s;2mmary of an address byWilliam Labov, and draft proposals for joint sociolinguisticresearch. The working papers involve several sociolinguisticissues ia Japanese-American and Japanese culture. The American papersconcern lexical borrowing by Japanese Americans in Hawaii,phonological reduction rules for evaluation in sociolinguistic analysis,sociolinguistic factors inhibiting Japanese-Americancommunication, language and social change, and mutual understandingbetween Japanese and Americanr. The Japanese papers treat culturalcomparisonz, language behavior and cultural patterns, the ethnography ofself-reference and address in Japanese, approaches to studyingcontrasting cultures, and the use of Japanese invective words or curses.References and notes are included with the papers along with a summaryof the discussions that followed the presentation of each paper, (TM) Final Substantive Report Contract No. OEC-0-71-0367 (823) U.S. OEPARTMENT OF HEALTH.EOUCAT1ON lb WELFARE OFFICE OF EDUCATION THIS DOCUMENT HAS BEENREPROOUCEO EXACTLY AS RECEIVEO FROM THE PERSONOR ORGANIZATION ORIGINATING IT. -
Displaying Authority: Guns, Political Legitimacy, and Martial Pageantry in Tokugawa Japan, 1600-1868
DISPLAYING AUTHORITY: GUNS, POLITICAL LEGITIMACY, AND MARTIAL PAGEANTRY IN TOKUGAWA JAPAN, 1600-1868. Daniele Lauro A thesis submitted to the faculty of the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Master of Arts in the Department of History Chapel Hill 2012 Approved by: Dr. Morgan Pitelka Dr. William M. Fletcher Dr. Wayne Lee © 2012 Daniele Lauro ALL RIGHTS RESERVED ii ABSTRACT DANIELE LAURO: Displaying authority: guns, political legitimacy, and martial pageantry in Tokugawa Japan, 1600-1868. (Under the direction of Morgan Pitelka) From the end of the sixteenth century on, firearms in Japan are increasingly found in contexts other than the battlefield. A perusal of the Records of the Tokugawa Family (Tokugawa Jikki) - the military clan that ruled Japan from 1603 to 1868 - reveals, for instance, that guns were often involved in ritual practices performed by the warrior elite, such as weddings, funerals, hunting parades, and celebrations of the New Year. Moreover, it was common for both the shogun and the domainal lords (daimyô) to display firearms and other weapons during public audiences and military parades. By considering different ritual practices that involved the display of military power such as daimyo processions to Edo, shogunal pilgrimages to Nikko, military reviews, large-scale hunts and other pageants, this paper argues that during the Tokugawa period guns were often used by the warrior elite as tools to shore up authority, legitimize the political order, and reinforce ideals of warrior identity. iii TABLE OF CONTENTS Introduction……………………………………………………………………………..1 Chapter I. Local authority on the move: daimyo processions (daimyô gyôretsu) and the system of alternate attendance (sankin kôtai)……………………………….11 II. -
Lenguas Fuyu-Han
LENGUAS FUYU-HAN Clasificación Filogenética de las Lenguas Fuyu-Han Proyecto de Organización Filogenética de las Lenguas del Mundo http://lenguas.giusseppe.net Giusseppe Domínguez 2016 Propuesta de clasificación filogenética de las lenguas fuyu-han, consideradas una de las ramas de la macrofamilia de lenguas altaicas. Las lenguas fuyu-han incluirían todas las lenguas coreánicas y japónicas así como las lenguas han de las que se tiene constancia, como el idioma del Reino de Silla que evolucionaría hasta ser el coreano. Índice General Consideraciones a Modo de Prólogo.......................................................9 Sobre el proyecto...........................................................................11 Advertencias.................................................................................17 Clasificación de las lenguas.............................................................21 Bibliografía Básica General..............................................................27 Mapas Mundiales de Familias Lingüísticas..........................................29 Plantillas.......................................................................................31 Descripción general de la macrofamilia Fuyu-Han..................................35 Lenguas de la macrofamilia Fuyu-Han..................................................53 Rama de Lenguas Fuyu...................................................................55 Lenguas Buyeo - Yemaek............................................................57 Idioma Buyeo........................................................................59 -
Sino-Japanese Relations in the Edo Period
Sino-Japanese Relations in Edo the 1 Period Oba Osamu K6gakkan University by Fogel Translated Joshua A. Eight. of Elephants Part Travels The Delivery day Elephant The of of Cubs. On the third the the sixth lunar month of Ky6h6 thirteenth reign (1728), of monkey, the the Number of the Nineteen year year yearl ship, &that Vessel carrying freight pair elephants, Chinese entered of port a as one a J•, • • shipmaster male and Zheng female. The Dawei and the of port one was J-• •, embarcation Guangnan known city present-day the time of the port at was as near a Haiphong Vietnam; in it thus Guangnan Number Nineteen called Vessel in the of year was monkey. later, As the Zheng describe shall Zheng I Dawei member of the in group a was the Vietnam Zheng which active in trade. did Japan the have Dawei not area was a •'•or shinpai trading license. policy known that the well without such that It was was a shmpai clearly could trade. in he absolute self-confidence. The had But not engage one elephants. basis for the is, this elephants purely carrying That Japan he the not to was was guesswork them, that placed by would basis but the of order want on someone on an Sh6gun •] •J, )• they Yoshimune. words, provided other In 6goy6mono items to were sh6gun the in official order. to response an genesis The promise this of earlier twelfth made the in story two years was a Ky6h6 Ziming by =•:--• I•j•, of month shipmaster Thirty- 11 Number of Wu Tonkin Vessel Eight the in horse, the of day elephants 29th Japan. -
Anywhere out of the World Translating Décadence in Japanese Literature, 1885-1925 Isabelle Lavelle 5615D011-9 January 24, 2018
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by DSpace at Waseda University Anywhere Out of the World Translating Décadence in Japanese Literature, 1885-1925 Isabelle Lavelle 5615D011-9 January 24, 2018 A doctoral dissertation submitted to the Graduate School of International Culture and Communication Studies Waseda University in partial fulfillment of the requirements for the degree of Doctor of Philosophy ACKNOWLEDGEMENTS I would like to express my sincere gratitude to my advisor Professor Adrian Pinnington for the continuous support, for his patience, motivation, and immense knowledge. His guidance and passion helped me in all the steps of this research. I would like to thank my sub-advisors, Professor Graham Law and Professor Morita Norimasa, for their insightful comments and encouragement, which incentivized me to widen my research from various perspectives. I am also grateful to Professor Asō Takashi for his careful reading and numerous helpful comments. This research was made possible thanks to the generous funding of the Japanese Ministry of Education. I also thank my fellow Ph.D. candidates Paula Martínez and Hayakawa Yumiko for the stimulating discussions and for the friendship we have had in the last three years. Finally, I would like to thank my husband, Dr. Tarek Katramiz, for proofreading and formatting the thesis, and for contributing to my foray into Decadence. TABLE OF CONTENTS LIST OF ABBREVIATIONS INTRODUCTION------------------------------------------------------------------------------- 1 PART ONE. THE DECADENT MILIEU --------------------------------------------------23 CHAPTER ONE TRANSLATION AS A CREATIVE ART. THE LANGUAGE OF DECADENCE ----------------28 1. Introducing Symbolism: Ueda Bin’s Linguistic Revolution --------------------29 2. -
The University of Sydney
THE UNIVERSITY OF SYDNEY FACULTY OF ARTS SCHOOL OF LANGUAGES AND CULTURES DEPARTMENT OF JAPANESE AND KOREAN STUDIES DISSERTATION: Autonomy In Modern Japanese Literature Submitted by: Masahito Takayashiki In Fulfilment of the Requirements for the Degree of Doctor of Philosophy (Ph.D). DECEMBER 2007 PhD Dissertation: Autonomy in Modern Japanese Literature ABSTRACT This dissertation aims to examine the manner in which the concept of autonomy (jiritsu) is treated in modern and contemporary Japanese literature. This examination will be performed by analysing the autonomous attitude of a contemporary Japanese writer Nakagami Kenji (1946–1992). This dissertation focuses on examining Nakagami Kenji’s ambivalent attitude towards his act of writing. We will explore the manner in which his act of writing appears to be a paradox between self-identification and the integration into the collective. Then, we will observe the possibility in which Nakagami’s ambivalent attitude is extended to cover Maruyama Masao’s relative definition of autonomy and Karatani Kōjin’s interpretation of Immanuel Kant’s notion of freedom and responsibility. Nakagami’s attempt is certainly not confined to only his works. The notion of autonomy may be applied to perceive a similar thought that was represented by previous writers. We will also examine various never-ending autonomous attempts expressed by Sakaguchi Ango, Miyazawa Kenji and Nakahara Chūya. Moreover, we will analyse how Nakagami’s distrust of the modern Japanese language and his admiration of the body as an undeniable object are reflected in his major novels in detail and attempt to extend this observation into the works of the theatrical artists in the 1960s such as Betsuyaku Minoru, Kara Jūrō, Hijikata Tatsumi and Terayama Shūji and contemporary women writers such as Tsushima Yūko, Takamura Kaoru, Tawada Yōko and Yoshimoto Banana.