DOCSLIB.ORG

CD´S Mit Werken Von Und Mit Xaver, Philipp U. Walter Scharwenka

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

Scharwenka Stiftung Die Tonträger können nach Voranmeldung Bestandsverzeichnis abgehört bzw. ausgeliehen werden CD´s mit Werken von & mit Xaver, Philipp und Walter Scharwenka Scharwenka Bearbeiter: Stand: 30.09.2019 Verleger Xaver Scharwenka Unterhaltsame Klaviermusik CD 1 „Gärten im Frühling“: Volkmar Schwerdtner/ Hans- Polnische Nationaltänze op.3 Nr.1 bis 5 Georg Schwerdtner Weitere Kompositionen von Carl Czerny, Jean Philippe Ramenau, Walter Eigenverlag Niemann, Hans-Willy Bergen Interpret am Klavier: Hans-Georg Schwerdtner Aufn.-dat. 1957 - 1963 CD 2 „Concertino“: Kompositionen von Albrecht Rosenstengel, Karl-Heinz Köper, Ernst Fischer/ H.-G. Schwerdtner, Julius Jacobsen, Lothar Mikuliez, Fried Walter Interpreten: Sabine Schwerdtner und Hans-Georg Schwerdtner Verleger Xaver Scharwenka Pianowerke 4: Polnische Tänze op. 47 Nr. 1 bis 4, Zwei Klavierstücke op. 65, Hyperion London 1975/ 2003 Six Waltzes op. 28, Variationen über ein Thema von C. H. Nr. 1 bis 13 op.57, LC 7533 CDH 55134 Drei Klavierstücke op. 86, Zwei Erzählungen am Klavier op. 5 Interpret: Seta Tanyel Aufn.-dat. 1975 Diese CD gibt es auch in einer anderen Cover- Version. Verleger Philipp Scharwenka Sonate op. 106; Carillion LC 8233 Außerdem: Robert Fuchs: Sechs Phantasiestücke op. 117, Sonate für Violine und Piano op. 86, Interpreten: Joachim Krist (viola), Michael Krist (piano) Aufn.-dat. 1988 Diese CD ist in zwei verschiedenen Cover- Versionen im Bestand vorhanden Verleger Xaver Scharwenka Polish Dance op.3 No.1; Lyrita SRCD.216 Weiterhin Johann Sebastian Bach: Toccata and Fugue d-moll (BWV 565); Frédéric Chopin: Marche funèbre (from Piano Sonata No.2 b-moll); Enrique Granados: Spanish Dance (No.5 Andaluza); Edvard Grieg: Funeral March; Claude Debussy: La Cathédrale engloutie (Preludes, Book 1 No.10); Aufn.-dat. 1990 Sergei W. Rachmaninov: Prelude in c-moll op.3 No.2; Modest Petrowitsch Moussorgsky: Pictures at an Exhibition(Nr.1–11). Für Orchester bearbeitet: Sir Henry Wood (1869-1944) London Philharmonic Orchestra Leitung: Nicholas Braithwaite Verleger Xaver Scharwenka Concerto for Piano & Orchestra No. 1 b-Moll, op.32; Collins Classic 12632 Außerdem: Frederik Chopin: Piano Concerto No. 1 e-Moll, op.11. Interpret am Piano: Seta Tanyel The Philharmonia Orchestra, Leitung Jury Simonow and Carlo Rizzi Aufn.-dat. 1991 Verleger Xaver Scharwenka Pianowerke 3: Vier polnische Tänze op. 58, Scherzo op. 4, Barcarolle op. 14, Hyperion London 1992/2002 Novelette op. 22, Nr. 1, Melodie op. 22 Nr. 2, Thema und Variationen op. 48 LC 7533, CDH 5513 Interpret: Seta Tanyel Dies CD ist auch in einem anderen Cover mit großem Fotoporträt von Seta Aufn.-dat. 1992 Tanyel erschienen bei Collins erschienen. Verleger Xaver Scharwenka Pianowerke 1: Piano Sonate Nr.1 op. 6, Impromtu op. 17, Fünf polnische Collins Classics Nr.13252 Nationaltänze op. 3 Nr.1 bis 5, Eglantine Waltz op. 84, Polonaise op. 42, Valse Caprice op. 31. Interpret: Seta Tanyel Aufn.-dat. 1992 Es gibt hiervon weitere verschiedene Cover- Versionen Verleger Xaver Scharwenka Konzert für Piano und Orchester Nr.4 in f-Moll, op. 82; Hyperion, London CDA66790 Außerdem Emil von Sauer: Piano Konzert Nr. 1 in e-Moll Solist: Stephen Hough City of Birmingham Symphony Orchester, Dirigent: Lawrence Foster Aufn.-dat. 1996 Es sind weitere verschiedene Cover Versionen bekannt Verleger Xaver Scharwenka Konzert f. Piano u. Orchester Nr.1 b-Moll, op.32; ELAN Recordings Maryland, Außerdem M. Balakirev: Reminicences of Glinka Opera “Leben für den CD 82266 Zaren”; I. J. Paderewski: Piano Konzert op.17. Solist: Earl Wild (1915-2010) London Symphony Orchestra, Leitung: Arthur Fiedler Aufn.-dat. 1995 Nov. Auch in Box “RCA-Kollektion” mit anderem Cover und weiteren Earl Wild Aufnahmen anderer Komponisten enthalten: RCA Nr.7549405 Verleger Xaver Scharwenka Konzert für Klavier und Orchester Nr .2 c-Moll, op.56, Konzert für Klavier Collins Classics Nr.14852 und Orchester Nr. 3 op. 80. Hyyperion CDA67365 Interpret: Seta Tanyel Rundfunksinfonieorchester des NDR Hannover Leitung Tadeusz Strugala. Lombourne London Aufn.-dat. 1996 Diese CD ist in zwei verschiedenen Cover- Versionen im Bestand vorhanden Verleger Philipp Scharwenka „Romantische Klaviermusik zu vier Händen“: Koch- Schwann Classics, Nr. Stimmungsbilder op. 57, Lieder und Tanzweisen op. 54, Herbstbilder op. 29; 3- 1575-2 Xaver Scharwenka Zwei Walzer op. 44. Aufn.-dat. 1997 Coproduktion mit Deutschland Radio Berlin, Kölner Klavierduo Verleger Philipp Scharwenka “Chamber Music”: Elegie & Caprice Slave op. 98 Nr.1 + 2, Piano-Trio op. 100, Olympia OCD 655 Abendstimmungen for Piano op. 107 Nr.1 bis 3, Sonate für Viola mit Klavier op. 110 The Romantik Chamber Group of London: Paul Barritt (violin), Charles Mediam (cello), James Lisney (piano) Aufn.-dat. 1998 Verleger Xaver Scharwenka ELAN CD 82284 CD1: Concerto for piano & orchestra No. 2 c-Moll, op 56; Außerdem Anton Rubinstein: Piano Concerto No. 4, d-Moll, op. 70; Adolf Henselt: Concerto for Piano & Orchestra, f-Moll, op. 16; CD2: Franz Liszt: Totentanz, for Piano & Orchestra; Charles-Valentin Alkan: Sonatine, for Piano, a-Moll, op. 61. Aufn.-dat. 1999 Sept. Solist: Raymond Lewenthal London Symphony Orchestra, Ltg. Eleazar de Carvalho Verleger Xaver Scharwenka spielt als Pianist selbst seinen polnischen Nationaltanz op.3 Nr.1. Naxos Historical, Kanada, Piano Rolls Nr.3 (1905-1926) auf Steinway- Welte Reproduktionsklavier mit LC5537 weitere Komponisten (Pianisten): Schubert: op.77 (Artur Schnabel); Paganini: Etude Nr.3 (Feruccio Busoni); Rubinstein: German Waltz (Josef Hofmann); Donizetti: Fantasia (Carl Schmidt); Liszt: Mignon’s Song (Rudolph Ganz); Prod..-dat. 2000 Heymann: Elfenspiel (Yolanda Mero); Chopin: op.20 Nr.1 (Fanni Blomfield- Zeisler), Schumann: op.15 Nr.1 bis 6 (Fanny Davies); Sibelius: Valse triste( W. Krowsky); Reger: Sonatine, Minuett (Wera Schapira) Verleger Philipp Scharwenka Xaver & Philipp Scharwenka Klavierquintet h- Moll op.118 von 1911. Gesellschaft e.V, Lübeck Live recording – 11. Lübecker Kammermusikfest 2001 Interpreten : Rachmaninoff Quintet & Evelinde Trenkner (piano) Aufn.-dat. 2001, 25.05. Verleger Xaver Scharwenka Pianowerke 2: Romanzero op. 33, Sonatine Nr.1 op. 52, Zwei polnische Tänze Helios London LC 7533, CDH op. 29, Piano Sonate Nr. 2 op. 36. 55132 Interpret: Seta Tanyel Diese CD ist es auch in anderen Cover- Versionen bekannt Aufn.-dat. 2002 Verleger Xaver Scharwenka Pianowerke 1 (Neuaufnahmen) Helios London 2002 LC Piano Sonate Nr.1 op. 6, Impromtu op. 17, Fünf polnische Nationaltänze 9451,CDH 55131/ TDK op. 3 Nr.1 bis 5, Eglantine Waltz op. 84, Polonaise op. 42, Valse Caprice op. 31. Interpret: Seta Tanyel Aufn.-dat. 2002 Diese CD ist auch in anderen Cover- Versionen bekannt Verleger Xaver Scharwenka Bilder aus dem Süden "Te voglio bene assaje" op.39 No. 2 Md&g (Dabringhaus & CD-Titel "Escapades - Overtures and Variations for piano for 4 Hands“ Grimm), MDG 330 1134-2 Werke von- Gioacchino Rossini: Barbier von Sivilia, Overture; Albert Lortzing: Der Waffenschmied, Overture; Otto Nicolai: Die lustigen Weiber von Windsor, Overture; Max Reger: Eine vaterländische Ouvertüre op. 140; Aufn.-dat. 2002, 26.11. Wolfgang Amadeus Mozart: Die Zauberflöte, Overtüre ; Karl Hermann Pillney: Musikalische Eulenspiegeleien. Klavierduo Evelinde Trenkner & Sontraud Speidel Verleger Xaver Scharwenka Klavierkonzert Nr. 1 in b-Moll op. 32; Hyperion CDA67508 Außerdem: Anton Rubinstein Klavierkonzert Nr. 4 in d-Moll op. 70 Solist: Marc-André Hamelin (Klavier) BBC Scottish Symphony Orchestra, Michael Stern (Dirigent) Aufn.-dat. 2005 Feb. Verleger Philipp Scharwenka Frühlingswogen op. 87, Fantasiestück Liebesnacht op. 40, Sterling CDS 1071-2 Arkadische Suite für Orchester op. 76 Nr. 1 bis 4. Gävle Symphonie Orchestra Leitung: Christopher Fifield Aufn.-dat. 2007 Verleger Xaver Scharwenka Lieder "Nun die Schatten dunkeln", op. 88 Nr. 1, "Siehst Du das Meer", MusikPlant 2008501-03, op. 88 Nr. 3 LC00782 CD Nr. 3 des Lübecker Geibel- Projekts "O Laßt mir meine Stille" - Romantische Lieder aus Deutschland und Österreich nach Gedichten von Emanuel Geibel (1815-1884) 38 Lieder von insgesamt 11 Komponisten u.a. Aufn.-dat. 2008 Xaver Scharwenka. Operette in Lübeck e.V. Interpret: Wenke Messmer Verleger Philipp Scharwenka „Wald- und Bergegeister“ Sterling CDS 1079-2 Polnische Volkstänze op. 20 Nr. 1 und 2, Intermezzo op. 37, Dramatische Phantasie op. 108 Nr. 1 bis 4 Philharmonisches Orchester Altenburg-Gera Aufn.-dat. 2008 Verleger Philipp Scharwenka Abendfeier in Venedig op. 89; Musik Plant 2008501-05, LC00782 Walter Scharwenka Wächterlied (Abendlied) op. 37. "Weit, weit aus der Ferne" Ensembles und Chorwerke nach Texten von Aufn.-dat. 2008 Emanuel Geibel (1815-1884) von insgesamt 9 Komponisten. Lübecker Knabenkantorei an St. Marien, Chor der Musikhochschule Lübeck und Kammerchor St. Marien. Operette in Lübeck e.V. Xaver Scharwenka Verleger Konzert für Klavier und Orchester Nr. 4 f-Moll op. 82, Cellosonate op. 46, NAXOS 8.572637 Overtüre zur Oper Mataswintha WoO, Polnische National-Tänze op. 3 Nr 1, op. 9 Nr. 3 und op. 66 Nr. 2 Piano: F. Xaver Poizat, Lukasz Borowicz Aufn.-dat. 2009 Poznan Philharmonic Orchestra, Poznan Diese CD gibt es auch in anderer Cover- Version Xaver Scharwenka Verleger Konzert für Klavier und Orchester Nr.2 c-Moll op.56 ADD MCPS LC 094421 Pianist: Michael Ponti In BOX: “The golden Age of the Romantik Piano Concerto” insgesamt Als Einzel-CD bei Vox Nr.9737771 Werke von 45 Komponisten. Enthält als Solisten u.a. die Pianisten Maria mit anderem Cover erhältlich Littmann, Michael Ponti, Jerome Rose. Aufn. -dat.
Recommended publications
  • Marquetry on Drawer-Model Marionette Duo-Art

    Marquetry on Drawer-Model Marionette Duo-Art

    Marquetry on Drawer-Model Marionette Duo-Art This piano began life as a brown Recordo. The sound board was re-engineered, as the original ribs tapered so soon that the bass bridges pushed through. The strings were the wrong weight, and were re-scaled using computer technology. Six more wound-strings were added, and the weights of the steel strings were changed. A 14-inch Duo-Art pump, a fan-expression system, and an expression-valve-size Duo-Art stack with a soft-pedal compensation lift were all built for it. The Marquetry on the side of the piano was inspired by the pictures on the Arto-Roll boxes. The fallboard was inspired by a picture on the Rhythmodic roll box. A new bench was built, modeled after the bench originally available, but veneered to go with the rest of the piano. The AMICA BULLETIN AUTOMATIC MUSICAL INSTRUMENT COLLECTORS’ ASSOCIATION SEPTEMBER/OCTOBER 2005 VOLUME 42, NUMBER 5 Teresa Carreno (1853-1917) ISSN #1533-9726 THE AMICA BULLETIN AUTOMATIC MUSICAL INSTRUMENT COLLECTORS' ASSOCIATION Published by the Automatic Musical Instrument Collectors’ Association, a non-profit, tax exempt group devoted to the restoration, distribution and enjoyment of musical instruments using perforated paper music rolls and perforated music books. AMICA was founded in San Francisco, California in 1963. PROFESSOR MICHAEL A. KUKRAL, PUBLISHER, 216 MADISON BLVD., TERRE HAUTE, IN 47803-1912 -- Phone 812-238-9656, E-mail: [email protected] Visit the AMICA Web page at: http://www.amica.org Associate Editor: Mr. Larry Givens VOLUME 42, Number
  • Rehearing Beethoven Festival Program, Complete, November-December 2020

    Rehearing Beethoven Festival Program, Complete, November-December 2020

    CONCERTS FROM THE LIBRARY OF CONGRESS 2020-2021 Friends of Music The Da Capo Fund in the Library of Congress The Anne Adlum Hull and William Remsen Strickland Fund in the Library of Congress (RE)HEARING BEETHOVEN FESTIVAL November 20 - December 17, 2020 The Library of Congress Virtual Events We are grateful to the thoughtful FRIENDS OF MUSIC donors who have made the (Re)Hearing Beethoven festival possible. Our warm thanks go to Allan Reiter and to two anonymous benefactors for their generous gifts supporting this project. The DA CAPO FUND, established by an anonymous donor in 1978, supports concerts, lectures, publications, seminars and other activities which enrich scholarly research in music using items from the collections of the Music Division. The Anne Adlum Hull and William Remsen Strickland Fund in the Library of Congress was created in 1992 by William Remsen Strickland, noted American conductor, for the promotion and advancement of American music through lectures, publications, commissions, concerts of chamber music, radio broadcasts, and recordings, Mr. Strickland taught at the Juilliard School of Music and served as music director of the Oratorio Society of New York, which he conducted at the inaugural concert to raise funds for saving Carnegie Hall. A friend of Mr. Strickland and a piano teacher, Ms. Hull studied at the Peabody Conservatory and was best known for her duets with Mary Howe. Interviews, Curator Talks, Lectures and More Resources Dig deeper into Beethoven's music by exploring our series of interviews, lectures, curator talks, finding guides and extra resources by visiting https://loc.gov/concerts/beethoven.html How to Watch Concerts from the Library of Congress Virtual Events 1) See each individual event page at loc.gov/concerts 2) Watch on the Library's YouTube channel: youtube.com/loc Some videos will only be accessible for a limited period of time.
  • Usos Do Disco, Do Rádio E Da História Da Música Como Instrumentos De Educação E Divulgação Musicais

    Usos Do Disco, Do Rádio E Da História Da Música Como Instrumentos De Educação E Divulgação Musicais

    SAID TUMA “Elevar o nível” e “frear” a decadência do gosto: usos do disco, do rádio e da história da música como instrumentos de educação e divulgação musicais SÃO PAULO 2017 2 SAID TUMA “Elevar o nível” e “frear” a decadência do gosto: usos do disco, do rádio e da história da música como instrumentos de educação e divulgação musicais Versão Corrigida Tese apresentada ao Programa de Pós- Graduação em Música, Área de Concentração Musicologia, Linha de Pesquisa Musicologia e Etnomusicologia da Escola de Comunicações e Artes da Universidade de São Paulo, como exigência parcial para obtenção do título de Doutor em Música, sob orientação do prof. Dr. Mário Rodrigues Videira Júnior SÃO PAULO 2017 3 Autorizo a reprodução e divulgação total ou parcial deste trabalho, por qualquer meio convencional ou eletrônico, para fins de estudo e pesquisa, desde que citada a fonte. 4 TUMA, Said. “Elevar o nível” e “frear” a decadência do gosto: usos do disco, do rádio e da história da música como instrumentos de educação e divulgação musicais. 2017. 217 f. Tese (Doutorado em Música) – Escola de Comunicações e Artes, Universidade de São Paulo, São Paulo, 2017. Aprovado em: Banca Examinadora Prof. Dr. _____________________________________________________ Instituição: _____________________________________________________ Julgamento: _____________________________________________________ Prof. Dr. _____________________________________________________ Instituição: _____________________________________________________ Julgamento: _____________________________________________________
  • Neue Cds: Vorgestellt Von Doris Blaich

    Neue Cds: Vorgestellt Von Doris Blaich

    Freitag, 08.04.2016 SWR2 Treffpunkt Klassik – Neue CDs: Vorgestellt von Doris Blaich Esprit, Leidenschaft und Ernsthaftigkeit „Conversations“ Ensemble Nevermind Quartette von Jean-Baptiste Quentin und Louis-Gabriel Guillemain ALPHA 235 Sprudelnde Energie Robert Schumann: Cellokonzert a-Moll op. 129 Klaviertrio Nr. 1 d-Moll op. 63 Jean-Guihen Queyras, Violoncello Isabelle Faust, Violine Alexander Melnikov, Fortepiano Freiburger Barockorchester Pablo Heras-Casado HMC 902197 Großer Atembogen Johann Sebastian Bach: Lass, Fürstin, lass noch einen Strahl BWV 198 Tilge, Höchster, meine Sünden BWV 1083 Bach Collegium Japan Leitung: Masaaki Suzuki BIS 2181 Unglaubliche Virtuosität Philipp Scharwenka: Werke für Violine und Klaiver Sonate h-Moll op. 110 Sonate e-Moll op. 114 Suite op. 99 für Violine und Klavier Natalia Prischepenko, Violine Oliver Triendl, Klavier TYX Art 16075 Freude und Sorgfalt am Detail Antonín Dvořák: Sinfonien Nr. 7 und 8 Houston Symphony Andrés Orozco-Estrada PENTATONE PTC 5186 578 Signet Treffpunkt Klassik – neue CDs ... mit Doris Blaich, herzlich willkommen! Ein Befreiungschlag! – sagt der Cellist Jean-Guihen Queyras über sein Erlebnis, das Cellokonzert von Robert Schumann zusammen mit einem Orchester zu spielen, das auf historischen Instrumenten musiziert. Plötzlich lösen sich alle Schwerfälligkeiten wie von selbst. Die CD mit Queyras und dem Freiburger Barockorchester erscheint nächste Woche, heute können Sie hier schon mal reinhören. 1 Und ich habe noch vier weitere CDs dabei: Barocke Kammermusik aus Frankreich, die von der Idee einer geistreichen und kultivierten Unterhaltung lebt – eine Art musikalischer Gesprächsknigge also; dann Bachs Trauerode auf die sächsische Kurfürstin Christiane Eberhardine, aufgenommen vom Bach-Collegium Japan und Masaaki Suzuki, Violinsonaten von Philipp Scharwenka, ein Komponist der Romantik, den heute praktisch keiner mehr kennt, der aber eine Entdeckung lohnt.
  • AMICA New S Bulle Ti N of the a UTOM ATIC MUSICAL INSTRUMENT C O LLECTORS' ASSOCIATION

    AMICA New S Bulle Ti N of the a UTOM ATIC MUSICAL INSTRUMENT C O LLECTORS' ASSOCIATION

    CC;~e AMICA New s Bulle ti n of the A UTOM ATIC MUSICAL INSTRUMENT C O LLECTORS' ASSOCIATION ARENT ORGANIZATION ACTIVITIES • •••••••••••••P. 1 1OGRAPHI CAL SKETCHES •• ••••••••• •• ••• •••••• •P. 4 OUTHERN CALI FORNI A CHAPTER • ••••••• ••••••• ••P. 10 NSTRUMENTS • ••••• • • • ••••••••••••• ••••••••• ••·P. 12 oLLS & MUSic P. 15 rECHNICALI 'TIES ••••••• ••••••••••••• •• • •••••••F. 19 AMICA BOARD MEMBERS: F rank L o ob, Pre siden t Roger Jo hnso n, Vice President G in ny B il l in gs, Publisher 1971 Nick Jarr ett, Treasurer A ober ta Ch erney, Re co rd i ng Secretary Dick Re u t linger, Me m b er sh ip Secretary M el L u ch et t i , Adver t isi ng Secretary THE Al\tICA NEWS BULLETIN 1__---------------------------The AMICA News Bulletin .......----..... Published by the Automatic Musical Instrument Collectors' Association, a non-profit club devoted to the restoration, distribution and enjoyment of musical instruments using perforated paper music rolls. Contributions: All subjects of interest to readersof the bulletin are encouraged and invited by the publisher. All articles must be received by the first of the month. Every attempt will be made to publish all articles of general interest to AMICA members at the earliest possible time and at the discretion of the Publisher, in the following areas: * Letters to the Publisher * Research Findings *Questions and Answers * Biographical Sketches of Artists and Composers *Photographs, Old Advertisements *Technical Information * Anything elseof general interest to AMICA . Advertisements: Personal ads are accepted by the AMICA Bulletin Board. Businesses which are interested in placing ads must follow these rules: - Each ad will consist of one full standard page in the bulletin.
  • July 1918) James Francis Cooke

    July 1918) James Francis Cooke

    Gardner-Webb University Digital Commons @ Gardner-Webb University The tudeE Magazine: 1883-1957 John R. Dover Memorial Library 7-1-1918 Volume 36, Number 07 (July 1918) James Francis Cooke Follow this and additional works at: https://digitalcommons.gardner-webb.edu/etude Part of the Composition Commons, Ethnomusicology Commons, Fine Arts Commons, History Commons, Liturgy and Worship Commons, Music Education Commons, Musicology Commons, Music Pedagogy Commons, Music Performance Commons, Music Practice Commons, and the Music Theory Commons Recommended Citation Cooke, James Francis. "Volume 36, Number 07 (July 1918)." , (1918). https://digitalcommons.gardner-webb.edu/etude/648 This Book is brought to you for free and open access by the John R. Dover Memorial Library at Digital Commons @ Gardner-Webb University. It has been accepted for inclusion in The tudeE Magazine: 1883-1957 by an authorized administrator of Digital Commons @ Gardner-Webb University. For more information, please contact [email protected]. n£ ETUDE .ivs musical magazine 41.50 . HikY - 1918 A YEAR MUSICAL EMBLEM THE ETUDE Page 1,29 rLY 19 8 __ Material for Summer Holiday Music Classes^ Prepare Now Half of the success of Summer Music classes depends upon the selection of material so interesting that the hot weather is forgottefi and so rapid that FOR NEXT SEASON fine results show at the end of the eight or nine weeks of study Order Teaching Material Early ■ Primers The Standard Graded Why Primers? Because a good drill in Successful First Instruction Books the elements of music is the foundation for Course Abundant Reasons and Convincing Argu¬ . all future musical work.
  • W Illem M Engelberg En Zijn Tijd

    W Illem M Engelberg En Zijn Tijd

    11 3 Juni 2015 WM Willem Mengelberg en zijn tijd De Symfonie van César Franck Paul van Kempen W Dimitri Mitropoulos M Inhoud Van het bestuur en van de redactie 1 Kees de Leeuw Paul van Kempen 2 Programmatoelichting bij de Symfonie van Franck 13 Johan Maarsingh Mengelbergs herontdekking van een symfonie 18 Simon van Milligen De Symphonie van César Franck (1902) 21 Concertrecensies van de Symfonie van Franck 23 Francisco Joffily D. Mitropoulos – Two Concerts Not to Be Forgotten 33 Concertrecensies Tsjaikovski 39 Het Concertgebouworkest in Luik 47 Concertstatistiek Symfonie van Franck 49 Afbeelding v oorzijde Paul van Kempen getekend door Emil Stumpp, 1931 Colofon WM is een kwartaaluitgave van de Stichting Willem Mengelberg Society (WMS). Net als zijn voorganger, de Willem Mengelberg Vereniging, wil de WMS wereldwijd zoveel mogelijk men- sen in aanraking brengen met de muzikale nalatenschap van de dirigent Willem Mengelberg. Redactie Johan Maarsingh, Ronald de Vet Bestuur Voorzitter Frederik Heemskerk Vice -voorzitter Eveline Nikkels Secretaris Olga de Kort Penningmeester Jan Reinoud Lid Frits Zwart Website www.willemmengelberg.nl Erevoorzitter Riccardo Chailly Don aties: minimaal € 30 indien u woont binnen Europa, € 35 daarbuiten. Voor dat bedrag ontvangt u viermaal per jaar WM en krijgt u reductie op de entreeprijs van onze bijeenkom- sten. Gaarne overmaking naar NL36 INGB 0006 1486 87 t.n.v. stichting Willem Mengel- berg Society o.v.v. ‘donatie WMS’. Overname van de redactionele inhoud is alleen toegestaan na schriftelijke toestemming van de redactie. Aanleveren kopij voor WM 114 uiterlijk 15 augustus 2015. 28e jaargang, nummer 113. © 2015. ISSN 2213-9036. Van het bestuur Mengelberg en Van Kempen Op 9 mei jongstleden wijdde de Willem die van Mengelberg.
  • An Identification of Past Influences and Current Trends in Australian Piano Pedagogy

    An Identification of Past Influences and Current Trends in Australian Piano Pedagogy

    An Identification of Past Influences and Current Trends in Australian Piano Pedagogy Monika Rutkowska BMus (Hons)(Newcastle) A thesis submitted in fulfilment of the requirements for the degree of Master of Philosophy (Music) June 2018 This research was supported by an Australian Government Research Training Program (RTP) Scholarship Master of Philosophy (Music) The University of Newcastle (Australia) Statement of Originality I hereby certify that the work embodied in the thesis is my own work, conducted under normal supervision. The thesis contains no material which has been accepted, or is being examined, for the award of any other degree or diploma in any university or other tertiary institution and, to the best of my knowledge and belief, contains no material previously published or written by another person, except where due reference has been made in the text. I give consent to the final version of my thesis being made available worldwide when deposited in the University’s Digital Repository, subject to the provisions of the Copyright Act 1968 and any approved embargo. Monika Rutkowska June 2018 Monika Rutkowska - 3145630 ii Master of Philosophy (Music) The University of Newcastle (Australia) Acknowledgements I would sincerely like to thank my principal supervisor Conjoint Associate Professor Rosalind Halton and co-supervisor Nathan Scott for their valuable insights, guidance and willingness in helping me to grow both as a researcher and a writer. I would like to extend thanks to Dr Gian-Franco Ricci, who was the inspiration for studying this topic, and also my principal supervisor for the first half of this research project. A warm thank you to the survey and interview participants in this study, who generously gave their time, their reminiscences, and thoughts on teaching to this project.
  • Boston Symphony Orchestra Concert Programs, Season 10, 1890-1891, Subscription

    Boston Symphony Orchestra Concert Programs, Season 10, 1890-1891, Subscription

    MUSIC HALL, BOSTON. BOSTON SYMPHONY ORCHESTRA. ARTHUR NIKISCH, Conductor. Tenth Season, 1890-91. PROGRAMME OF THE Fifteenth Rehearsal ana Concert FRIDAY AFTERNOON, FEBRUARY 6, AT 2.30. SATURDAY EVENING, FEBRUARY 7, AT 8.00, WITH HISTORICAL AND DESCRIPTIVE NOTES PREPARED BY G. H. WILSON. PUBLISHED BY C. A. ELLIS, Manager. (449) PSALTERY. CLAVICEMBALO. VIRGINAL. SPINET. HARPSICHORD. CLAVICHORD. PIANOFORTE. One of the greatest steps in the history of the Pianoforte is the Screw-stringer, an improved method of holding the strings, invented and pat- ented in 1883 by Mason & Hamlin, and which has proved so successful that the MASON & HAMLIN PIANOFORTE Is fast becoming as famous as the Mason & Hamlin Organ. Mason & Hamlin Organ and Piano Company, 154 and 155 TREMONT STREET. (450) FIFTEENTH REHEARSAL and CONCERT Friday Afternoon, February 6, at 2.30. Saturday Evening, February 7, at 8.00. PROGRAMME. Saint-Saens - - Symphonic Poem, "The Youth of Hercules" Scharwenka - Concerto for Piano, No. 1, in B-flat minor, Op. 32 Allegro patetico ; Adagio; Allegro animato. Scherzo (Allegro assai)-. Allegro non tanto, quasi adagio; allegro molto e passionate Wagner ------ Waldweben from "Siegfried" Chadwick ----- Symphony No. in B-flat, Op. 21 2, Andante non troppo ; Allegro con brio. Allegretto scherzando. Largo e maestoso. Finale. Soloist, Mr. XAVER SCHARWENKA. THE PIANOFORTE USED IS A BEHR BROS. The Programme for the next Public Rehearsal and Concert will be found on page 475. (451) : SHORE LINE BOSTON jn NEW YORK NEW YORK I U BOSTON Trains leave either city, week-days, as follows, except as noted DAY EXPRESS at 10.00 a.m. Arrive at 4.30 p.m.
  • (Franz) Xaver Scharwenka (1850-1924) Michael P. Mihalyo Jr

    (Franz) Xaver Scharwenka (1850-1924) Michael P. Mihalyo Jr

    The Life and Keyboard Works of (Franz) Xaver Scharwenka (1850-1924) Michael P. Mihalyo Jr. Research Project Submitted to the College of Creative Arts at West Virginia University in Partial Fulfillment of the Requirements for the Degree of Doctor of Musical Arts DMA Committee Christine Kefferstan, D.M.A., chair Mary Ferer, Ph.D. James Miltenberger, D.M.A. Rosemary Srebalus, Ed.D. David Taddie, Ph.D. Virginia Thompson, D.M.A. Morgantown, West Virginia 2002 Keywords: Scharwenka, Romantic, Polish, Piano Copyright 2002 Michael P. Mihalyo Jr. ABSTRACT 4. THE KEYBOARD WORKS OF XAVER SCHARWENKA 25 The Life and Works of (Franz) Xaver Scharwenka The Polish Dances 27 (1850 – 1924) The Solo Keyboard Sonatas 60 Michael P. Mihalyo Jr. The Concertos for Piano and Orchestra 83 (Franz) Xaver Scharwenka (1850-1924) was a highly acclaimed performer, Other Character Pieces 105 teacher, editor, and composer of international fame during the late Romantic 5. CONCLUSIONS 112 period. APPENDIX Overshadowed by the innovative styles of a number of contemporaneous A. List of Works 118 composers B. Discography 127 including Ravel, Debussy, and Scriabin, Scharwenka’s works gradually BIBLIOGRAPHY 129 disappeared from iv the teaching studio and the concert hall. Regrettably, his compositions, although ACKNOWLEDGEMENTS critically acclaimed in his lifetime, are now for the most part out of print and rarely I would like to express my gratitude to Dr. Mary Ferer for her patient and performed. This study explores Scharwenka’s works as a significant addition to consistent help throughout this project. I would also like to thank Dr. David Taddie the for repertory of the late Romantic literature for study and performance.
  • Volume 42, Number 10 (October 1924) James Francis Cooke

    Volume 42, Number 10 (October 1924) James Francis Cooke

    Gardner-Webb University Digital Commons @ Gardner-Webb University The tudeE Magazine: 1883-1957 John R. Dover Memorial Library 10-1-1924 Volume 42, Number 10 (October 1924) James Francis Cooke Follow this and additional works at: https://digitalcommons.gardner-webb.edu/etude Part of the Composition Commons, Ethnomusicology Commons, Fine Arts Commons, History Commons, Liturgy and Worship Commons, Music Education Commons, Musicology Commons, Music Pedagogy Commons, Music Performance Commons, Music Practice Commons, and the Music Theory Commons Recommended Citation Cooke, James Francis. "Volume 42, Number 10 (October 1924)." , (1924). https://digitalcommons.gardner-webb.edu/etude/717 This Book is brought to you for free and open access by the John R. Dover Memorial Library at Digital Commons @ Gardner-Webb University. It has been accepted for inclusion in The tudeE Magazine: 1883-1957 by an authorized administrator of Digital Commons @ Gardner-Webb University. For more information, please contact [email protected]. PRESSER’S MUSICAL MAGAZINE L-..- .J iTrmr Xlie Greatest Collection of Piano ]Vfusic in ttie World! hmm Be Sure to Read This Complete Contents of 218 Musical Masterpiece e Op.' 8'.'. The World of Music .Chabricr ! iwan’ The .Saint-Sacns sS-ffiBS ■ 5 ■•y----Liszt) In the Wood .BpoldTni\ °P' 54.G^’d'1 S K ulTh0“8h:.c:::;:TiBS teL7i:£::i3 |MflSePIECES| PP&36S IPIflRO MUSIC i! ES m ii Moment Musical Op.'94.'Schubert gs^a^v.v.vagil s=««:.v®a Kol Nidrei ........ .J. S. Bach U:M iSfi:3S Cloth Edition $2.50 iiftiSks S£5Sr3,“— -jSSSigsilf -“3H3 M ••••'SC Album Leaf , Alp-Maid’s Dream !!..!..
  • Magisterial Command

    Magisterial Command

    ‘Magisterial command’ Gramophone ‘Transcendental technique’ BBC Music Magazine PYOTR ILYICH TCHAIKOVSKY (1840 –1893) ‘Grande Sonate’ for piano in G op.37 Grande Sonate für Klavier G-dur · Grande Sonate pour piano en sol majeur 1IModerato e risoluto 11.11 2 II Andante non troppo quasi moderato 9.36 3 III Scherzo. Allegro giocoso 2.31 4 IV Finale. Allegro vivace 5.56 5 Romanze in F minor op.5 5.05 f-moll · en fa mineur 6 Aveu passionné in E minor 2.09 e-moll · en mi mineur XAVER SCHARWENKA (1850 –1924) Piano Sonata no.2 in E flat op.36 Klaviersonate Nr. 2 Es-dur · Sonate pour piano n o2 en mi bémol majeur 7IAllegro maestoso 7.44 8 II Allegro non troppo ma passionato 4.01 9 III Adagio 6.29 10 IV Allegro non tanto, ma con brio 6.22 from ‘Im Freien’, 5 Tonbilder op.38 11 No.1 Moderato grazioso 2.22 12 No.2 Nocturne. Andante cantabile 2.20 Total timing: 66.05 Joseph Moog piano Tchaikovsky and Scharwenka: Piano Sonatas and other works Hardly as familiar to music lovers as Tchaikovsky, (Franz) Xaver Scharwenka (1850–1924) was revered as one of the greatest living pianist-composers of his time. Unlike Tchaikovsky, he Neither of Tchaikovsky’s piano sonatas could be fairly described as among his greatest works. was a renowned concert virtuoso (he made several recordings in New York in 1911 and 1913) The early Sonata in C sharp minor, op.80, composed in 1865 during his final year of studies whose works mainly involve the piano.