May 1929) James Francis Cooke
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Gardner-Webb University Digital Commons @ Gardner-Webb University The tudeE Magazine: 1883-1957 John R. Dover Memorial Library 5-1-1929 Volume 47, Number 05 (May 1929) James Francis Cooke Follow this and additional works at: https://digitalcommons.gardner-webb.edu/etude Part of the Composition Commons, Ethnomusicology Commons, Fine Arts Commons, History Commons, Liturgy and Worship Commons, Music Education Commons, Musicology Commons, Music Pedagogy Commons, Music Performance Commons, Music Practice Commons, and the Music Theory Commons Recommended Citation Cooke, James Francis. "Volume 47, Number 05 (May 1929)." , (1929). https://digitalcommons.gardner-webb.edu/etude/767 This Book is brought to you for free and open access by the John R. Dover Memorial Library at Digital Commons @ Gardner-Webb University. It has been accepted for inclusion in The tudeE Magazine: 1883-1957 by an authorized administrator of Digital Commons @ Gardner-Webb University. For more information, please contact [email protected]. The Journal of the Musical Home Everywhere A PARISIAN SERENADE $2.00 A YEAR PRICE 25 CENTS Discontinuances.—Owing Subscription Price, $2. Possessions. Argen- * BoHvia,“BrazXc^mbT^CosU A HSIS SfefcgBBS &SS&S&&*. „ w PUBLISHED BY THEODORE PI THE WORLD OF -JiCUS'IC behind illze curiam Interesting and Important Items Gleaned in a Constant Watch on Happenings and Activities Pertaining to Things Musical Everywhere voices for the act to come. In each room there is a piano. Each piano is a Knabe. Why a Knabe? Let the Director of the Metropolitan, Mr. Gatti-Casazza, answer that question . ."We engage the finest KNABE Official Piano of the Metropolitan Opera Company by <he composer himself: or the Rigo- playing upon the piano. $2495. CONVENIENT TERMS MAY BE ARRANGED MAY 1929 Pago 331 THE ETUDE THE ETUDE Paye 330 MAY 1920 SPECIAL NOTICES Professional AND (A Teachers Diploma T\T Directory ANNOUNCEMENTS EARN A Bachelor’s Degree IIIN i 1MUSIC ALBERTr "-tggrsr- In Your Spare Time at Home BECKER "^.sKsota. The teacher holding a Certificate today is the one at the top of his profession Are you getting ahead in ?he music fieldf If not, what is the trouble? There are demands for teachers m schools and colleges, and you have a chance to quality for the best position. THE TREND IN STUDY BY UNIVERSITY EXTENSION METHODS In the last vear Diplomas and Degrees were issued to more teachers through Extension Study than ever before. It shows the largest gain ever ”ad' iA“r?v'mdeCrrS«ly Council in Washington, D: C, reveals as 1,500,000 for the past year—exceeds that of universities, resident colleges, privately owned and professional schools by a * -11 • ‘ > In the rush of modern life the pressure of things to be done leaves very little time for extra study by the busy teache, She SiA*** tried and have proven Study in Your Own Home with the Best Teachers in the Country to study at an expensive reside! ods are taught in the home by t The Piano with the master Weldon: Crampton trains the voice of the singer ; to interpret the soul of music on the violin; Rosenbecker and Protheroe take the pupil and Wir i Analysis and Appreciation of Music byiy Glenn Dillard Gunn, and iAdvanced Composition bi'Herbert j. Wrightson, are two advanced 'required for the Bachelor’s Degree. The course in Ear Training and Sight Singing by F. B. Stiven, ' of Music at the University of Illinois, is our latest course _ 1 200,000 ambitious inen and women have gained proficiency in these various 1 by the University Extension Method. And to you we offer the same advantages which Check and Mail the Coupon Now ,or.<R..d) 3S=r&ES University Extension How long have you taught Piano?.. Conservatory ...Do you hold a Tea LANGLEY AVENUE and 41st STREET 2054W. LAKE ST. CHICAGO. ILL DEPT. B30 CHICAGO, ILL. THE ETUDQ MAY 1929 Page 333 Page THE ETUDE FASCINATING PIECES FOR THE MUSICAL HOME d Musical Home Reading T3able I -'*■- A“runningWaltz”in modern style.Grade 4. Anything and Everything, as long as it is BERNICE FREDERICK A.WILLIAMS Instructive and Interesting Conducted by A. S. Garbett Qhopins Perfection of Detail propose. It is no small commendation that Chopin, the composer, comes m for workmanship so elaborate should be beyond some careful analysis in Hadow s Studies in Modern Music’’ (second series), m par¬ the reach of any imitator. ticular as regards his attention to detail. “As a rule, it is the dashing, daring, im¬ “No composer in the whole history of petuous pioneer in art who distances all music has labored with a more earnest followers, and finds himself, he hardly anxiety at accuracy of outline and artistic knows how, on a height that they can never symmetry of detail. We have here > no hope to attain; in this case the climber has clattering of dishes at a royal banquet, no planted every footstep with a careful cir¬ OLIVER DITSON COMPANY casual indolence of accompaniment, no gap cumspection ; he has employed all his pru¬ filled with unmeaning brilliance or idle dence, all his foresight, all his certain com¬ These pieces are for the recreation and pleasure of young commonplace; every effect is studied with mand of resource, and yet, at the end of the players, being in a light and happy style, to be played for the fun deliberate purpose and wrought to the ascent, he stands alone. highest degree of finish that it can bear. of'it. The teacher knows that to “play with pleasure” is the secret “The reason for this is twofold: first, Of course, his thoughts were conceived of playing well, and that children learn more rapidly those things that Chopin’s intuition of style was a natu¬ spontaneously; no man could have written which they enjoy learning. This is a collection of joyous melodies the poorest of Chopin’s works by rule and ral gift which few other composers have made by a noted educator, who has chosen wisely and with measure; but before they were deemed possessed in an equal degree: second, th?t sympathy for the child mind. ready for presentation they were tried by he brought to its cultivation not only an every test and confronted with every alter¬ untiring diligence, but also a delicacy of native which a scrupulous ingenuity could taste which is hardly ever at fault.” OLIVER DITSON COMPANY, 179 Tremont Street, Boston Chas. H. Ditson & Co., 10 East 34th St., New York Sob'Stujf TRY YOUR MUSIC STORE FIRST | “ ‘Now let us start over once more silence. Frightened eyes are fixed on the li again!’ says the conductor, with admira¬ wretched girl with dread fascination. ble courage and geniality, washing his “But replete as ever with charming hands with imaginary soap. He mounts surprises, the prima donna does not com¬ his throne. Madame clutches her support mit murder; on the contrary, she pro¬ handles. The music begins.” duces her most bewildering smile for the WORLD - FAMOUS COLLECTIONS The passage is from Mary Fitch Wat¬ emergency. ‘My dear Miss Simpson, go kins’ “Behind the Scenes at the Opera,” home at once and to bed,’ she says to the but this particular chapter deals with quivering secretary, full of concern. ‘What Book of a Thousand Songs making phonograph records. is a small thing like one of my records, if To continue: “The manager smiles, the A collection of all the standard songs (words you are catching cold.’ ” and music) which everybody knows and loves. conductor beams as he waves his baton, the And, so the story runs, Madame instruct¬ Contains more than one thousand favorite home, assistants finger the cigarettes in their operatic, sacred, patriotic, sentimental, college, ed the paralyzed conductor to “just cut plantation and many other kinds of songs. The breast pockets. 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Beautiful red- cloth binding, $3.00. Paper binding, $2.00. Fourteen cPrima ‘Donnas of the Pianoforte The Child’s Own In “My Musical Life" Walter Damrosch “The morning before the concert, how¬ gives an amusing account of a testimonial ever, I received a hurried telephone call Music Book concert given in aid of Moszkowski a few CHILD’S own from Ernest Schelling. He said: 'Please The most complete child’s music years ago, organized by Ernest Schelling MUSIC BOOK lished, containing nursery rhymes, songs, games come down to Steimvay’s immediately and and a series of piano pieces and duets for juve¬ who, with Harold Bauer, enlisted the co- niles. A book which can be used by children operation of twelve other celebrated pian¬ help us out. The fourteen pianists are all of all ages.