July 1918) James Francis Cooke
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Neue Cds: Vorgestellt Von Doris Blaich
Freitag, 08.04.2016 SWR2 Treffpunkt Klassik – Neue CDs: Vorgestellt von Doris Blaich Esprit, Leidenschaft und Ernsthaftigkeit „Conversations“ Ensemble Nevermind Quartette von Jean-Baptiste Quentin und Louis-Gabriel Guillemain ALPHA 235 Sprudelnde Energie Robert Schumann: Cellokonzert a-Moll op. 129 Klaviertrio Nr. 1 d-Moll op. 63 Jean-Guihen Queyras, Violoncello Isabelle Faust, Violine Alexander Melnikov, Fortepiano Freiburger Barockorchester Pablo Heras-Casado HMC 902197 Großer Atembogen Johann Sebastian Bach: Lass, Fürstin, lass noch einen Strahl BWV 198 Tilge, Höchster, meine Sünden BWV 1083 Bach Collegium Japan Leitung: Masaaki Suzuki BIS 2181 Unglaubliche Virtuosität Philipp Scharwenka: Werke für Violine und Klaiver Sonate h-Moll op. 110 Sonate e-Moll op. 114 Suite op. 99 für Violine und Klavier Natalia Prischepenko, Violine Oliver Triendl, Klavier TYX Art 16075 Freude und Sorgfalt am Detail Antonín Dvořák: Sinfonien Nr. 7 und 8 Houston Symphony Andrés Orozco-Estrada PENTATONE PTC 5186 578 Signet Treffpunkt Klassik – neue CDs ... mit Doris Blaich, herzlich willkommen! Ein Befreiungschlag! – sagt der Cellist Jean-Guihen Queyras über sein Erlebnis, das Cellokonzert von Robert Schumann zusammen mit einem Orchester zu spielen, das auf historischen Instrumenten musiziert. Plötzlich lösen sich alle Schwerfälligkeiten wie von selbst. Die CD mit Queyras und dem Freiburger Barockorchester erscheint nächste Woche, heute können Sie hier schon mal reinhören. 1 Und ich habe noch vier weitere CDs dabei: Barocke Kammermusik aus Frankreich, die von der Idee einer geistreichen und kultivierten Unterhaltung lebt – eine Art musikalischer Gesprächsknigge also; dann Bachs Trauerode auf die sächsische Kurfürstin Christiane Eberhardine, aufgenommen vom Bach-Collegium Japan und Masaaki Suzuki, Violinsonaten von Philipp Scharwenka, ein Komponist der Romantik, den heute praktisch keiner mehr kennt, der aber eine Entdeckung lohnt. -
Christopher A. Reynolds Collection of Women's Song
http://oac.cdlib.org/findaid/ark:/13030/kt1t1nf085 No online items Inventory of the Christopher A. Reynolds Collection of Women's Song Sara Gunasekara & Jared Campbell Department of Special Collections General Library University of California, Davis Davis, CA 95616-5292 Phone: (530) 752-1621 Fax: (530) 754-5758 Email: [email protected] © 2013 The Regents of the University of California. All rights reserved. Inventory of the Christopher A. D-435 1 Reynolds Collection of Women's Song Collector: Reynolds, Christopher A. Title: Christopher A. Reynolds Collection of Women's Song Date (inclusive): circa 1800-1985 Extent: 15.3 linear feet Abstract: Christopher A. Reynolds, Professor of Music at the University of California, Davis, has identified and collected sheet music written by women composers active in North America and England. This collection contains over 3000 songs and song publications mostly published between 1850 and 1950. The collection is primarily made up of songs, but there are also many works for solo piano as well as anthems and part songs. In addition there are books written by the women song composers, a letter written by Virginia Gabriel in the 1860s, and four letters by Mrs. H.H.A. Beach to James Francis Cooke from the 1920s. Physical location: Researchers should contact Special Collections to request collections, as many are stored offsite. Repository: University of California, Davis. General Library. Dept. of Special Collections. Davis, California 95616-5292 Collection number: D-435 Language of Material: Collection materials in English Biography Christoper A. Reynolds received his PhD from Princeton University. He is Professor of Music at the University of Californa, Davis and author of Papal Patronage and the Music of St. -
The Republican Journal 82
The Republican Journal 82. VOLUME BELFAST, MAINE, THURSDAY, APRIL 7, 1910. NUMBER 14 Contents of Today 's Journal. OBITUARY were made: E. R. Conner and The Government. William H. Bray, c A. Horton of the Duplex Roller Bushing Millinery Openings. City E. R. Conner had 6 votes and PERSONAL. News of Belfast.. City William H. Bray C o. submitted some correspondence he had had Personal... Capt. J. died at 1 a. m., .The Henry Chaples April { the 8 votes and Bray was declared elected for the vemment.. Millinery Open- ^ Brilliant and of The meeting of city govern- v ith George Lawley & Sons of one of at his home on 62 Bewildering Display the April Boston, Mr. and Mrs. Charles left The Churches. .Obituary.. .Se- 4th, upper High street, aged unexpired term of one Bradbury Monday gi.. Latest ment was held Monday evening, April 4th, year. £ le largest yacht concerns in the Societies. 6 months and 22 He had been ill Fashions. building t a six-weeks’ visit in New York. rei years, days. Sanford Howard was The roll of accounts elected by acclamation c builders 1 at Last Saturday was an ideal as to weath- Mayor Hanson presiding. mntry, of the cup defenders May- Men and Affairs Washington... with tuberculosis since last October, but death day as as building inspector. Mrs. Caroline C. Dolloff returned .Hottest Yet for * r for the was read and ordered follows: ^ ower and Volunteer and other famous Monday Wedding Bells.. resulted from heart failure. He was born at millinery openings, and the streets paid many The were submitted as c ■aft. -
CD´S Mit Werken Von Und Mit Xaver, Philipp U. Walter Scharwenka
Scharwenka Stiftung Die Tonträger können nach Voranmeldung Bestandsverzeichnis abgehört bzw. ausgeliehen werden CD´s mit Werken von & mit Xaver, Philipp und Walter Scharwenka Scharwenka Bearbeiter: Stand: 30.09.2019 Verleger Xaver Scharwenka Unterhaltsame Klaviermusik CD 1 „Gärten im Frühling“: Volkmar Schwerdtner/ Hans- Polnische Nationaltänze op.3 Nr.1 bis 5 Georg Schwerdtner Weitere Kompositionen von Carl Czerny, Jean Philippe Ramenau, Walter Eigenverlag Niemann, Hans-Willy Bergen Interpret am Klavier: Hans-Georg Schwerdtner Aufn.-dat. 1957 - 1963 CD 2 „Concertino“: Kompositionen von Albrecht Rosenstengel, Karl-Heinz Köper, Ernst Fischer/ H.-G. Schwerdtner, Julius Jacobsen, Lothar Mikuliez, Fried Walter Interpreten: Sabine Schwerdtner und Hans-Georg Schwerdtner Verleger Xaver Scharwenka Pianowerke 4: Polnische Tänze op. 47 Nr. 1 bis 4, Zwei Klavierstücke op. 65, Hyperion London 1975/ 2003 Six Waltzes op. 28, Variationen über ein Thema von C. H. Nr. 1 bis 13 op.57, LC 7533 CDH 55134 Drei Klavierstücke op. 86, Zwei Erzählungen am Klavier op. 5 Interpret: Seta Tanyel Aufn.-dat. 1975 Diese CD gibt es auch in einer anderen Cover- Version. Verleger Philipp Scharwenka Sonate op. 106; Carillion LC 8233 Außerdem: Robert Fuchs: Sechs Phantasiestücke op. 117, Sonate für Violine und Piano op. 86, Interpreten: Joachim Krist (viola), Michael Krist (piano) Aufn.-dat. 1988 Diese CD ist in zwei verschiedenen Cover- Versionen im Bestand vorhanden Verleger Xaver Scharwenka Polish Dance op.3 No.1; Lyrita SRCD.216 Weiterhin Johann Sebastian Bach: Toccata and Fugue d-moll (BWV 565); Frédéric Chopin: Marche funèbre (from Piano Sonata No.2 b-moll); Enrique Granados: Spanish Dance (No.5 Andaluza); Edvard Grieg: Funeral March; Claude Debussy: La Cathédrale engloutie (Preludes, Book 1 No.10); Aufn.-dat. -
"A" - You're Adorable (The Alphabet Song) 1948 Buddy Kaye Fred Wise Sidney Lippman 1 Piano Solo | Twelfth 12Th Street Rag 1914 Euday L
Box Title Year Lyricist if known Composer if known Creator3 Notes # "A" - You're Adorable (The Alphabet Song) 1948 Buddy Kaye Fred Wise Sidney Lippman 1 piano solo | Twelfth 12th Street Rag 1914 Euday L. Bowman Street Rag 1 3rd Man Theme, The (The Harry Lime piano solo | The Theme) 1949 Anton Karas Third Man 1 A, E, I, O, U: The Dance Step Language Song 1937 Louis Vecchio 1 Aba Daba Honeymoon, The 1914 Arthur Fields Walter Donovan 1 Abide With Me 1901 John Wiegand 1 Abilene 1963 John D. Loudermilk Lester Brown 1 About a Quarter to Nine 1935 Al Dubin Harry Warren 1 About Face 1948 Sam Lerner Gerald Marks 1 Abraham 1931 Bob MacGimsey 1 Abraham 1942 Irving Berlin 1 Abraham, Martin and John 1968 Dick Holler 1 Absence Makes the Heart Grow Fonder (For Somebody Else) 1929 Lewis Harry Warren Young 1 Absent 1927 John W. Metcalf 1 Acabaste! (Bolero-Son) 1944 Al Stewart Anselmo Sacasas Castro Valencia Jose Pafumy 1 Ac-cent-tchu-ate the Positive 1944 Johnny Mercer Harold Arlen 1 Ac-cent-tchu-ate the Positive 1944 Johnny Mercer Harold Arlen 1 Accidents Will Happen 1950 Johnny Burke James Van Huesen 1 According to the Moonlight 1935 Jack Yellen Joseph Meyer Herb Magidson 1 Ace In the Hole, The 1909 James Dempsey George Mitchell 1 Acquaint Now Thyself With Him 1960 Michael Head 1 Acres of Diamonds 1959 Arthur Smith 1 Across the Alley From the Alamo 1947 Joe Greene 1 Across the Blue Aegean Sea 1935 Anna Moody Gena Branscombe 1 Across the Bridge of Dreams 1927 Gus Kahn Joe Burke 1 Across the Wide Missouri (A-Roll A-Roll A-Ree) 1951 Ervin Drake Jimmy Shirl 1 Adele 1913 Paul Herve Jean Briquet Edward Paulton Adolph Philipp 1 Adeste Fideles (Portuguese Hymn) 1901 Jas. -
U.S. Sheet Music Collection
U.S. SHEET MUSIC COLLECTION SUB-GROUP I, SERIES 4, SUB-SERIES B (VOCAL) Consists of vocal sheet music published between 1861 and 1890. Titles are arranged in alphabetical order by surname of known composer or arranger; anonymous compositions are inserted in alphabetical order by title. ______________________________________________________________________________ Box 181 Abbot, Jno. M. Gently, Lord! Oh, Gently Lead Us. For Soprano Solo and Quartette. Harmonized and adapted from a German melody. Troy, NY: C. W. Harris, 1867. Abbot, John M. God Is Love. Trio for Soprano, Tenor, and Basso. Adapted from Conradin Kreutzer. New York: Wm. A. Pond & Co., 1865. Abbot, John M. Hear Our Prayer. Trio for Soprano, Contralto, and Basso. Brooklyn: Alphonzo Smith, 1862. Abbot, John M. Hear Our Prayer. Trio for Soprano, Contralto, and Basso. Brooklyn: Charles C. Sawyer, 1862. 3 copies. Abbot, John M. Hear Our Prayer. Trio for Soprano, Contralto, and Basso. Brooklyn: J. W. Smith, Jr., 1862. 3 copies. Abbot, John M. Softly now the light of day. Hymn with solos for Soprano, Tenor, and Contralto or Baritone. New York: S. T. Gordon, 1866. Abbott, Jane Bingham. Just For To-Day. Sacred Song for Soprano. Words by Samuel Wilberforce. Chicago: Clayton F. Summy Co., 1894. Abraham’s Daughter; or, Raw Recruits. For voice and piano. New York: Firth, Pond & Co., 1862. Cover features lithograph printed by Sarony, Major & Knapp. Abt, Franz. Absence and Return. For voice and piano. Words by J. E. Carpenter, PhD. From “New Songs by Franz Abt.” Boston: Oliver Ditson & Co., [s.d.]. Abt, Franz. Autumnal Winds (Es Braust der Herbstwind). Song for Soprano or Tenor in D Minor. -
Gertrude Sans Souci (1873-1913) and Her Milieu Building a Musical Career
Gertrude Sans Souci (1873-1913) and her milieu Building a Musical Career i. Preface I. Gertie Sansouci 3 II. Berlin 22 III. Building a Career 33 IV. The Concert Organist 49 V. The Song Composer 70 VI. Tragedy 84 VII. List of Works 92 Robert Tallant Laudon Prof. Emeritus of Musicology University of Minnesota Home address 924 - 18th Ave. SE Minneapolis, MN 55414 e-mail 19J1ll()O()[email protected],:tllllll,Q~1~! (612) 331-2710 2003 Gertrude Sans Souci Preface Not often do we get the opportunity to examme the musical career of a woman pianist-organist-song composer through a wealth of documents photographs, handwritten letters, account sheets, reports of the family, reviews, programs, lists of possible contacts, prices of lessons, contributions to local and national newspapers/journals, and records of local music societies. As a result, more information is provided in this essay and in the notes than would normally be the case. It is hoped that such detail may not only show the richness of a life, but inspire researchers to examine the careers of own talented women musicians. Music was moving westward. Harlow Gale of Minneapolis, Yankee transplant, wrote, "For 'On to the West with all that is best' peals up from the earth to the sky." In the story of Sans Souci's life, we have one building block in documenting the westward movement of the musical art from the east coast to communities that were not lazy backwaters but energetic centers. The story relates the gradual ascent of a woman musician from the stereotype of a "pretty miss" to an accepted independent artist. -
Volume 17, Number 05 (May 1899) Winton J
Gardner-Webb University Digital Commons @ Gardner-Webb University The tudeE Magazine: 1883-1957 John R. Dover Memorial Library 5-1-1899 Volume 17, Number 05 (May 1899) Winton J. Baltzell Follow this and additional works at: https://digitalcommons.gardner-webb.edu/etude Part of the Composition Commons, Ethnomusicology Commons, Fine Arts Commons, History Commons, Liturgy and Worship Commons, Music Education Commons, Musicology Commons, Music Pedagogy Commons, Music Performance Commons, Music Practice Commons, and the Music Theory Commons Recommended Citation Baltzell, Winton J.. "Volume 17, Number 05 (May 1899)." , (1899). https://digitalcommons.gardner-webb.edu/etude/437 This Book is brought to you for free and open access by the John R. Dover Memorial Library at Digital Commons @ Gardner-Webb University. It has been accepted for inclusion in The tudeE Magazine: 1883-1957 by an authorized administrator of Digital Commons @ Gardner-Webb University. For more information, please contact [email protected]. ^CONTENTS* AMERICAN NUMBER WITH SUPPLEMENT Music ftn<l the American Public. Robert Braine.131 American Virtuosi. J. S. Van Cleve,.133 American Composers. Richard Aldrich.136 The American as a Theorist. H. C. MacDougall, . 137 American Students J F. Cooke.137 The Foundations of Musical America. IF. S. D. Mathews, 138 American Impatience. Ilarvey Wickham.139 Americans in Musical Literature. IF. F. Oates, .... 140 Development of the Military Sand in the United States. W.H.Dana.. 141 American Musical Instruments. Fanny Morris Smith, . 142 The Music Trades of America. Leonard Liehling, . 143 Progress of Middle West in Musical Art. E R. Kroeger, 145 Will American Composition ever Possess a Distinctive Accent? E. -
Courier Gazette : May 7, 1895
T he Courier-Gaze V olum e 50. ROCKLAND, MAINE, TUESDAY, MAY 7, 1895. E ntered aa Seeoii artil’ery for the Depa1 GOLD BONDS FOR SALE! Maj.-Gen. Hiram G. Berry HOME HAPPENINGS. took charge of the defens! Hix per cent Electric K. It. Bonds, payable prin Kingston lie a as given cipal and Intercet In gold, by the Bouton Hnfe Halibut has dropped to 16 cents a pound 23d Armv ( np«, which Deposit and Trust Company, and Municipal 4M and it’s nice rating at that figure. ana 6 per cent Ronda. Aleo money Invested in J B I O G l t A P U Y several engagements during tl real estate securities. For eale by F. .M. 811 AW, Charles Smalley has the local agency of the ’64. lie continued in charge o’ Broker. 420 Main Street, Rockland 14-17 Chicago Saturday Blade, a very sharp paper. which w?'c flicially comrnende Written fo r the Courier-Gazette by Edward K. Gould Loved by all When Living, and His in the military division of the Mississi Heavy frost Wednesday night, ice froze, also organized the 1st U. S. Heavy Mrs. Anna (jrangerd)ow ground froze, and also plants that were in I Begun In No. 8. Back numbers can be bad.) Copyrighted—All Rights Reserved. advertently left out in the cold Death Universally Mourned. I of colored troops of the 3d North OF NEW YORK. Mounted Infantry. He subsequently ha' Capt. Farwell doesn’t want delinquent tax command of the District of East Tennessee Takes pleasure In announcing to the mual- XI. -
Oh, Gently Lead Us. for Soprano Solo and Quartette. Harmonized and Adapted from a German Melody
Box 181 Abbot, Jno. M. Gently, Lord! Oh, Gently Lead Us. For Soprano Solo and Quartette. Harmonized and adapted from a German melody. Troy, NY: C. W. Harris, 1867. Abbot, John M. God Is Love. Trio for Soprano, Tenor, and Basso. Adapted from Conradin Kreutzer. New York: Wm. A. Pond & Co., 1865. Abbot, John M. Hear Our Prayer. Trio for Soprano, Contralto, and Basso. Brooklyn: Alphonzo Smith, 1862. Abbot, John M. Hear Our Prayer. Trio for Soprano, Contralto, and Basso. Brooklyn: Charles C. Sawyer, 1862. 3 copies. Abbot, John M. Hear Our Prayer. Trio for Soprano, Contralto, and Basso. Brooklyn: J. W. Smith, Jr., 1862. 3 copies. Abbot, John M. Softly now the light of day. Hymn with solos for Soprano, Tenor, and Contralto or Baritone. New York: S. T. Gordon, 1866. Abbott, Jane Bingham. Just For To-Day. Sacred Song for Soprano. Words by Samuel Wilberforce. Chicago: Clayton F. Summy Co., 1894. Abraham’s Daughter; or, Raw Recruits. For voice and piano. New York: Firth, Pond & Co., 1862. Cover features lithograph printed by Sarony, Major & Knapp. Abt, Franz. Absence and Return. For voice and piano. Words by J. E. Carpenter, PhD. From “New Songs by Franz Abt.” Boston: Oliver Ditson & Co., [s.d.]. Abt, Franz. Autumnal Winds (Es Braust der Herbstwind). Song for Soprano or Tenor in D Minor. New York: G. Schirmer, 1872. Abt., Franz. Boatman’s Song, Op. 174, No. 6. For voice and piano. Words by J. Oxenford. From “Franz Abt.” [s.l.]: W. F. Shaw, 1881. Cover features lithograph print by Century Lith. Co. Abt., Franz. -
LAW and LEGISLATIVE DIGITAL LIBRARY at the Maine State Law and Legislative Reference Library
MAINE STATE LEGISLATURE The following document is provided by the LAW AND LEGISLATIVE DIGITAL LIBRARY at the Maine State Law and Legislative Reference Library http://legislature.maine.gov/lawlib Reproduced from scanned originals with text recognition applied (searchable text may contain some errors and/or omissions) Public Documents of ~1aine : BEING THE ANNUAL REPORTS OJ<' THE VARIOUS Public Officers~Institutions FOR THE YEAR 1895 VOLUME l. AuGU8TA: BCRLEIGII & FI.YNT, PRINTERS TO THE STATE, 1895. TWENTY-SIXTH ANNUAL REPORT OF THE LIBRARIAN OF THE MAINE STATE LIBRARY FOR THE YEARS 189B AND 1894 Transniitted to the Legislature, January, 1895 AUGUSTA BURLEIGH & FLYNT, PRINTERS TO TBE STATF. 1895 Library Committee. HoN. FRED ATWOOD, Chairrnan. HoN. WALDO PETTENGILL, HoN. CHAS. H. HARRINGTON. Librari'an-L. D. CARVER. Salary, $1,200. Ass't Librarian-EDITH S. MOULTON. Salary, $500. REPORT. To the Leg1~slature of _;_lfai°Jie: In accordance with the laws and customs of this State, I submit to your distinguished consideration, a report of the Maine State LibrarJ for the years 18~)3 and 18!)4. The growth of the library during the past two ymms has been nearly double that of any like period of time in its his tory. Five thousand four hundred and seventy-nine hook::; and documents have been permanently added to its collec tions, by purchase, exchanges, and donations. Nearly four hundred more volume::; have been placed upon it::, shelves, by binding pamphlets and documents that repre::-::ent the accumu lations of years. :Many valuable works have thu1:, been saved from the waste basket and junk shop. -
Piano Trio Literature
GUIDE TO THE PIANO TRIO, • • ' ., ' - J. ..... .... ., -� �.., ., LITERATURE T he Silve rtrust G uide To t he Pia Tr no io Li terat ure ;..{.. ... BY RAYMOND SILVERTRUST EDITOR OR THE CHAMBER MUSIC JOURNAL -1- Table of Contents Introduction and Preface ··································································································· 3 Trios for Violin, Viola and Piano ······················································································ 6 Trios for 2 Violins and Piano ·························································································· 12 Trios for Violin, Cello and Piano ···················································································· 14 Index······························································································································· 82 -2- A Guide to the Piano Trio Literature By Raymond Silvertrust Introduction and Preface incredible number of excellent pieces, many masterpieces in their First, I would like to apologize to my readers. I have hastily typed own right, awaiting a hearing. Of course, not every rediscovered this entirely myself. And as I have no editor and because I am not work by a little known composer is a masterpiece, but one must a good proof reader, you will find many mistakes, largely because remember that not everything Mozart, or even Beethoven, wrote I have felt, now in my seventh decade, that I am racing against the is a masterpiece. The sad thing is that many marginal chamber clock so to speak. I have wanted to make sure that I would be works get performed simply because they are the work of com- able to complete this guide. When it is done, and if I have time, I posers who became famous by virtue of writing operas or sym- will improve it, add to it and, of course, try to eliminate all of the phonies, while a truly superb piece of chamber music by a com- errors I have left behind.