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Oh, Gently Lead Us. for Soprano Solo and Quartette. Harmonized and Adapted from a German Melody

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Oh, Gently Lead Us. for Soprano Solo and Quartette. Harmonized and Adapted from a German Melody Box 181 Abbot, Jno. M. Gently, Lord! Oh, Gently Lead Us. For Soprano Solo and Quartette. Harmonized and adapted from a German melody. Troy, NY: C. W. Harris, 1867. Abbot, John M. God Is Love. Trio for Soprano, Tenor, and Basso. Adapted from Conradin Kreutzer. New York: Wm. A. Pond & Co., 1865. Abbot, John M. Hear Our Prayer. Trio for Soprano, Contralto, and Basso. Brooklyn: Alphonzo Smith, 1862. Abbot, John M. Hear Our Prayer. Trio for Soprano, Contralto, and Basso. Brooklyn: Charles C. Sawyer, 1862. 3 copies. Abbot, John M. Hear Our Prayer. Trio for Soprano, Contralto, and Basso. Brooklyn: J. W. Smith, Jr., 1862. 3 copies. Abbot, John M. Softly now the light of day. Hymn with solos for Soprano, Tenor, and Contralto or Baritone. New York: S. T. Gordon, 1866. Abbott, Jane Bingham. Just For To-Day. Sacred Song for Soprano. Words by Samuel Wilberforce. Chicago: Clayton F. Summy Co., 1894. Abraham’s Daughter; or, Raw Recruits. For voice and piano. New York: Firth, Pond & Co., 1862. Cover features lithograph printed by Sarony, Major & Knapp. Abt, Franz. Absence and Return. For voice and piano. Words by J. E. Carpenter, PhD. From “New Songs by Franz Abt.” Boston: Oliver Ditson & Co., [s.d.]. Abt, Franz. Autumnal Winds (Es Braust der Herbstwind). Song for Soprano or Tenor in D Minor. New York: G. Schirmer, 1872. Abt., Franz. Boatman’s Song, Op. 174, No. 6. For voice and piano. Words by J. Oxenford. From “Franz Abt.” [s.l.]: W. F. Shaw, 1881. Cover features lithograph print by Century Lith. Co. Abt., Franz. Come, Said Jesus Sacred Voice. For voice and piano. Harmonized & Arranged by Fred W. Root. From “Sacred Music for Church & Home.” Chicago: Root & Candy, 1863. Abt., Franz. The Dear Old Songs of Home. For voice and piano. Words by Mrs. Aylmer. From “Twelve Songs by Franz Abt.” Boston: Oliver Ditson & Co., [ca. 1858-1876]. Abt., F. Verlegenheit (Hesitation, Embarrassment), Op. 138. For voice and piano. From “Choice Collection of Vocal Gems.” [s.l.: s.n., s.d.]. 1 Abt., F. Verlegenheit (Hesitation, Embarrassment), Op. 138. For voice and piano. From “Nicholl’s Popular Edition: Favorite Arias, Ballads and Songs with Pianoforte Accompaniment for Soprano, Mezzo Soprano, and Alto.” [s.l., s.n., s.d.]. 2 copies. Abt., F. Verlegenheit (Hesitation, Embarrassment), Op. 138. For voice and piano. From “Vocal Beauties of All Nations: A New Collection of Popular and Classical Songs with Pianoforte Accompaniment.” For Alto. New York: Edward Schuberth & Co., [s.d.]. Abt., F. Verlegenheit (Hesitation, Embarrassment), Op. 138. For Alto or Bariton in B flat Major. English version by Dr. Wm. J. Wetmore. New York: G. Schirmer, [ca. 1885]. Abt., F. Verlegenheit (Hesitation, Embarrassment), Op. 138. For Soprano or Tenor in D flat Major. English version by Dr. Wm. J. Wetmore. New York: S. T. Gordon & Son, 1874. Abt., Franz. Evening. For voice and piano. English Version by J. E. Carpenter. From “Gems from the German: A Collection of the Most Admired Songs of Schubert, Mendelssohn, Abt, and Others. Boston: Oliver Ditson & Co., [s.d.]. Abt., Franz. Evening. For voice and piano. English Version by J. E. Carpenter. For Voice and Piano. Boston: Oliver Ditson & Co., [s.d.]. Abt., Franz. Evening. For voice and piano. English Version by J. E. Carpenter. No. 33 in “G. Schirmer’s Edition of Standard and Favorite German Vocal Duets.” New-York: G. Schirmer, 1875. Abt., Franz. Evening. For voice and piano. English Version by J. E. Carpenter. Arranged by W. G. Fischer. No. 8 in “New Songs by Thomas Bishop.” Philadelphia: Louis Meyer, 1867. 2 copies. Abt., Franz. Fair Janette (Vocal Duet). Words by Edward Oxenford. No. 68 in “Vocal Duett Album.” New York: Richard A. Saalfield., [s.d.]. Cover features lithograph print. Abt., Franz. Fair Janette (Vocal Duet). Words by Edward Oxenford. From “Select Vocal Duetts and Quartetts.”. New York: W. A. Evans & Bro., [s.d.]. Cover features lithograph print Abt., Franz. Far O’er the Stars is Rest (Ueber den Sternen ist Ruh). Sacred song for Soprano. English words by E. W. M. Philadelphia: F. A. North & Co., 1871. 2 copies. Abt., Franz. Fly Away Birdling (Pliege, du Voglen). For voice and piano. New York: G. Schirmer, 1868. 2 copies. Abt., F. The German Youth (Der Deutsche Knabe), Op. 61, No. 6. For voice and piano. No. 5 in “Songs and Ballads from Over the Sea.” Chicago: Root & Candy, 1869. Abt., Franz. Good Morning (Guten Morgen). For voice and piano.English words by J. E. Carpenter. From “New Songs by Franz Abt.” Boston: Oliver Ditson & Co., [s.d.]. 2 copies. 2 Abt., Franz. Good Night, My Child! (Gut Nacht du Mein Herziges Kind). For Soprano or Tenor and piano. Cleveland: S. Brainard’s Sons, [s.d.]. Abt., Franz. Good Night, My Child! (Gut Nacht du Mein Herziges Kind). For Soprano or Tenor and piano. New York: G. Schirmer, [s.d.]. Abt., Franz. Good Night, My Child! (Gut Nacht du Mein Herziges Kind). For Alto or Baritone and piano. New York: Wm. A. Pond & Co., [s.d.]. Abt., Franz. He Giveth His Beloved Sleep. Words by T. G. Tildesley. For Voice and Piano. From “Choice Ballads and Songs by Popular Authors.” [s.l., s.n., s.l.]. Abt., Francis. He Who Calls A Heart His Own (Wer Ein Herz Treueigen Halt). Op. 103, No. 1. For voice and piano. English words by J. E. Carpenter. No. 1 in the sixth series in “Gems of German Song with English Words.” New-York: Wm. Hall & Son, [s.d.]. Abt., Franz. Hope of Spring (Fruhlings Hoffnung) Song for Soprano or Tenor in A. New York: G. Schirmer, 1872. Abt., Franz. How Can I Leave Thee? (Ach, Wie Ist’s Moglich). A popular song of Thuringia. For Voice and Piano. No. 49 in “New Series of Gems of German Songs.” New York: G. Schirmer, 1865. Abt., Franz. I Must Leave Thee Bonnie Katie. Song for voice and piano. Words by F. S. Clark. New York: C. H. Ditson & Co., [s.d.]. Abt., Franz. In The Eye There Lies the Heart (In Den Augen Liegt Das Herz). English Version by George Linley. For voice and piano. From “Gems from the German: A Collection of the Most Admired Songs of Schubert, Mendelssohn, Abt., and Others.” Boston: Oliver Ditson & Co., [s.d.]. Abt., Franz. In The Eye There Lies the Heart (In Den Augen Liegt Das Herz). English Version by George Linley. For voice and piano. From “First Series: Gems From the German: A Collection of Most Admired Songs by Schubert, Mendelssohn, Abt, and Other.” New York: S. T. Gordon, [s.d.]. Abt., Franz. I See Thee Love In Every Flower (Ich Sehe Dich In Jeder Blume), Op. 137, No. 3. Song for Soprano or Alto and piano. Cleveland: S. Brainard & Sons, [ca. 1873-1876]. Abt., Franz. I Think of Thee (Ich Denke Dein), Op. 213. For Mezzo Soprano Or Contralto. No. 60 in “New Series of Gems of German Songs.” New York: G. Schirmer, 1865. Abt., Franz. It Was Not Thus To Be (Es Hat Nicht Sollen Sein). For Soprano or Tenor and piano. New York: G. Schirmer, 1865. 3 Abt., Franz.. Jesus Saviour of my Soul. Soprano Solo & Quartette. Arranged by Albert H. Wood. New York: Wm. Hall & Son, [s.d.]. Abt., Franz. Kathleen Aroon. For voice and piano. Words by Mrs. Crawford. New York: Thomas O’Kane, [s.d.]. Abt., Franz. Like A Well-Spring In The Desert, Op. 213, No. 1. For voice and piano. No. 4 in “Twenty Songs and Ballads by Franz Abt.” Boston: Henry Tolman & Co., [s.d.]. 2 copies. Abt., Franz. Like the Lark, Op. 174, No. 2. For voice and piano. Words by J. Oxenford. From “Two-Part Songs by Kucken, Abt, Mendelssohn, &c. with English and German Words.” Boston: Oliver Ditson & Co., [s.d.]. Abt., Franz. Love’s Delight (Liebeswonne). For voice and piano. Transposed by Carl Auschutz. Translated by Geo. Howland. Cleveland: S. Brainard’s Sons, 1865. 2 copies. Abt., Franz. Love’s Delight (Liesbeswonne). For voice and piano. Eng. Words by L. C. Elson. Boston: Oliver Ditson & Co., 1870. Abt., Franz. My Heart Is Thy Home (Ins Herz Hinein), Op. 177. For voice and piano. English adaptation by L. C. Elson. From “Gems From the German.” Boston: Oliver Ditson & Co., [ca. 1858-1876]. Abt., Franz. My Heart Is Thy Home (Ins Herz Hinein), Op. 177. For voice and piano. No. 13 in “Alemannia Sammlung Deutlcher Gelange: A Collection of German Songs with Pianoforte Accompaniment.” English translations by Chas. J. Sprague Esq. [s.l.: s.n.], 1866. Abt., Franz. My Lovely Child Good Night (Schlaf ein du holdes Kind, schlaf ein!). For Soprano or tenor in A flat Major. New York: G. Schirmer, 1872. Abt., Franz. My Pretty Dreamer (Wach Auf, du Schone, Traumerin), Op. 124, No. 3. For voice and piano. English words by Chas. J. Sprague. No. 2 in “Alemannia Sammlung Deutlcher Gelange: A Collection of German Songs with Pianoforte Accompaniment.” Boston: G. D. Russell & Company, 1863. Abt., Franz. Not a Sparrow Falleth. Poetry by W. S. Passmore. For voice and piano. From “New Songs Franz Abt.” Boston: Oliver Ditson & Co., [s.d.]. Abt., Franz. Not A Sparrow Falleth. For voice and piano. Poetry by W. S. Passmore. From “Franz Abt.” [s.l., s.n., s.d.]. Abt., Franz. Now the Swallows Are Returning. For voice and piano. From “Twelve Standard Songs.” Chicago: Root & Cady, [s.d.]. Abt., Franz. O Ye Tears! O Ye Tears! For voice and piano. Words by Dr. MacKay. From “The Germania New Vocal Gems From the German.” Boston: Oliver Ditson & Co., 1860. 2 copies. 4 Abt., Franz. O Ye Tears! O Ye Tears! For voice and piano.
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