Christopher A. Reynolds Collection of Women's Song
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Ralph W. Judd Collection on Cross-Dressing in the Performing Arts
http://oac.cdlib.org/findaid/ark:/13030/kt487035r5 No online items Finding Aid to the Ralph W. Judd Collection on Cross-Dressing in the Performing Arts Michael P. Palmer Processing partially funded by generous grants from Jim Deeton and David Hensley. ONE National Gay and Lesbian Archives 909 West Adams Boulevard Los Angeles, California 90007 Phone: (213) 741-0094 Fax: (213) 741-0220 Email: [email protected] URL: http://www.onearchives.org © 2009 ONE National Gay and Lesbian Archives. All rights reserved. Finding Aid to the Ralph W. Judd Coll2007-020 1 Collection on Cross-Dressing in the Performing Arts Finding Aid to the Ralph W. Judd Collection on Cross-Dressing in the Performing Arts Collection number: Coll2007-020 ONE National Gay and Lesbian Archives Los Angeles, California Processed by: Michael P. Palmer, Jim Deeton, and David Hensley Date Completed: September 30, 2009 Encoded by: Michael P. Palmer Processing partially funded by generous grants from Jim Deeton and David Hensley. © 2009 ONE National Gay and Lesbian Archives. All rights reserved. Descriptive Summary Title: Ralph W. Judd collection on Cross-Dressing in the Performing Arts Dates: 1848-circa 2000 Collection number: Coll2007-020 Creator: Judd, Ralph W., 1930-2007 Collection Size: 11 archive cartons + 2 archive half-cartons + 1 records box + 8 oversize boxes + 19 clamshell albums + 14 albums.(20 linear feet). Repository: ONE National Gay and Lesbian Archives. Los Angeles, California 90007 Abstract: Materials collected by Ralph Judd relating to the history of cross-dressing in the performing arts. The collection is focused on popular music and vaudeville from the 1890s through the 1930s, and on film and television: it contains few materials on musical theater, non-musical theater, ballet, opera, or contemporary popular music. -
Finding Aid to the Historymakers ® Video Oral History with Martha Reeves
Finding Aid to The HistoryMakers ® Video Oral History with Martha Reeves Overview of the Collection Repository: The HistoryMakers®1900 S. Michigan Avenue Chicago, Illinois 60616 [email protected] www.thehistorymakers.com Creator: Reeves, Martha Title: The HistoryMakers® Video Oral History Interview with Martha Reeves, Dates: January 20, 2005 Bulk Dates: 2005 Physical 5 Betacame SP videocasettes (2:21:02). Description: Abstract: Motown singer Martha Reeves (1941 - ) was the lead singer of the musical group Martha and the Vandellas, which recorded several hits for Motown Records, including "Dancing in the Streets”, “Nowhere to Run”, “Quicksand”, “My Baby Loves Me”, “I’m Ready for Love” and 1967’s “Jimmy Mack.” Reeves was interviewed by The HistoryMakers® on January 20, 2005, in Detroit, Michigan. This collection is comprised of the original video footage of the interview. Identification: A2005_022 Language: The interview and records are in English. Biographical Note by The HistoryMakers® Martha Reeves, the earthy alto voice of Martha and the Vandellas, was born July 18, 1941, in Eufaula, Alabama. The eldest of eleven children, Reeves moved with her parents to Detroit, Michigan, before she was a year old. Reeves attended Russell Elementary School where Emily Wagstaff taught her vocals. A cheerleader who loved composition and music, Reeves studied voice with Abraham Silver at Northeastern High School. She was chosen to sing Bach’s Aria and she competed in talent shows. After graduating in 1959, Reeves worked in sales while performing with Rosalind Ashford and Annette Sterling as the Del- Phis and solo as Martha LaVille. In 1961, William “Mickey” Stevenson, head of the Artists and Repertoire department for Motown Records, noticed Reeves at Detroit’s Twenty Grand Club. -
Commencement Program
Sunday, the Sixteenth of May, Two Thousand and Ten ten o’clock in the morning ~ wallace wade stadium Duke University Commencement ~ 2010 One Hundred Fifty-Eighth Commencement Notes on Academic Dress Academic dress had its origin in the Middle Ages. When the European universities were taking form in the thirteenth and fourteenth centuries, scholars were also clerics, and they adopted Mace and Chain of Office robes similar to those of their monastic orders. Caps were a necessity in drafty buildings, and Again at commencement, ceremonial use is copes or capes with hoods attached were made of two important insignia given to Duke needed for warmth. As the control of universities University in memory of Benjamin N. Duke. gradually passed from the church, academic Both the mace and chain of office are the gifts costume began to take on brighter hues and to of anonymous donors and of the Mary Duke employ varied patterns in cut and color of gown Biddle Foundation. They were designed and and type of headdress. executed by Professor Kurt J. Matzdorf of New The use of academic costume in the United Paltz, New York, and were dedicated and first States has been continuous since Colonial times, used at the inaugural ceremonies of President but a clear protocol did not emerge until an Sanford in 1970. intercollegiate commission in 1893 recommended The Mace, the symbol of authority of the a uniform code. In this country, the design of a University, is made of sterling silver throughout. gown varies with the degree held. The bachelor’s Significance of Colors It is thirty-seven inches long and weighs about gown is relatively simple with long pointed Colors indicating fields of eight pounds. -
GEORGE GORDON, LORD BYRON: a Literary-Biographical-Critical
1 GEORGE GORDON, LORD BYRON: A literary-biographical-critical database 2: by year CODE: From National Library in Taiwan UDD: unpublished doctoral dissertation Books and Articles Referring to Byron, by year 1813-1824: Anon. A Sermon on the Death of Byron, by a Layman —— Lines on the departure of a great poet from this country, 1816 —— An Address to the Rt. Hon. Lord Byron, with an opinion on some of his writings, 1817 —— The radical triumvirate, or, infidel Paine, Lord Byron, and Surgeon Lawrenge … A Letter to John Bull, from a Oxonian resident in London, 1820 —— A letter to the Rt. Hon. Lord Byron, protesting against the immolation of Gray, Cowper and Campbell, at the shrine of Pope, The Pamphleteer Vol 8, 1821 —— Lord Byron’s Plagiarisms, Gentleman’s Magazine, April 1821; Lord Byron Defended from a Charge of Plagiarism, ibid —— Plagiarisms of Lord Byron Detected, Monthly Magazine, August 1821, September 1821 —— A letter of expostulation to Lord Byron, on his present pursuits; with animadversions on his writings and absence from his country in the hour of danger, 1822 —— Uriel, a poetical address to Lord Byron, written on the continent, 1822 —— Lord Byron’s Residence in Greece, Westminster Review July 1824 —— Full Particulars of the much lamented Death of Lord Byron, with a Sketch of his Life, Character and Manners, London 1824 —— Robert Burns and Lord Byron, London Magazine X, August 1824 —— A sermon on the death of Lord Byron, by a Layman, 1824 Barker, Miss. Lines addressed to a noble lord; – his Lordship will know why, – by one of the small fry of the Lakes 1815 Belloc, Louise Swanton. -
INFORMATION to USERS the Most Advanced Technology Has Been
INFORMATION TO USERS The most advanced technology has been used to photo graph and reproduce this manuscript from the microfilm master. UMI films the original text directly from the copy submitted. Thus, some dissertation copies are in typewriter face, while others may be from a computer printer. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyrighted material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are re produced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. Each oversize page is available as one exposure on a standard 35 mm slide or as a 17" x 23" black and white photographic print for an additional charge. Photographs included in the original manuscript have been reproduced xerographically in this copy. 35 mm slides or 6" X 9" black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. Accessing theUMI World's Information since 1938 300 North Zeeb Road, Ann Arbor, Ml 48106-1346 USA Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. Order Number 8803923 Throwing the scabbard away: Byron’s battle against the censors o f Don Juan Blann, Troy Robinson, Jr., D.A. Middle Tennessee State University, 1987 Copyright ©1988 by Blann, Troy Robinson, Jr. -
Music in New Woman Fiction
“SUCH GENIUS AS HERS”: MUSIC IN NEW WOMAN FICTION Maura Goodrich Dunst Submitted in partial fulfillment of the requirements for the degree of PhD Cardiff University March 2013 DECLARATION PAGE This work has not been submitted in substance for any other degree or award at this or any other university or place of learning, nor is being submitted concurrently in candidature for any degree or other award. Signed ………………………………………… (candidate) Date ………………………… STATEMENT 1 This thesis is being submitted in partial fulfillment of the requirements for the degree of PhD. Signed ………………………………………… (candidate) Date ………………………… STATEMENT 2 This thesis is the result of my own independent work/investigation, except where otherwise stated. Other sources are acknowledged by explicit references. The views expressed are my own. Signed ………………………………………… (candidate) Date ………………………… STATEMENT 3 I hereby give consent for my thesis, if accepted, to be available for photocopying and for inter- library loan, and for the title and summary to be made available to outside organisations. Signed ………………………………………… (candidate) Date ………………………… STATEMENT 4: PREVIOUSLY APPROVED BAR ON ACCESS I hereby give consent for my thesis, if accepted, to be available for photocopying and for inter- library loans after expiry of a bar on access previously approved by the Academic Standards & Quality Committee. Signed ………………………………………… (candidate) Date ………………………… SUMMARY OF THESIS This thesis examines music and its relationship to gender and the related social commentary woven throughout New Woman writing, putting forth the New Woman musician figure for consideration. In contrast to the male-dominated world of Victorian music, New Woman fiction is rife with women who not only wish to pursue music, but are brilliantly talented musicians and composers themselves. -
Orme) Wilberforce (Albert) Raymond Blackburn (Alexander Bell
Copyrights sought (Albert) Basil (Orme) Wilberforce (Albert) Raymond Blackburn (Alexander Bell) Filson Young (Alexander) Forbes Hendry (Alexander) Frederick Whyte (Alfred Hubert) Roy Fedden (Alfred) Alistair Cooke (Alfred) Guy Garrod (Alfred) James Hawkey (Archibald) Berkeley Milne (Archibald) David Stirling (Archibald) Havergal Downes-Shaw (Arthur) Berriedale Keith (Arthur) Beverley Baxter (Arthur) Cecil Tyrrell Beck (Arthur) Clive Morrison-Bell (Arthur) Hugh (Elsdale) Molson (Arthur) Mervyn Stockwood (Arthur) Paul Boissier, Harrow Heraldry Committee & Harrow School (Arthur) Trevor Dawson (Arwyn) Lynn Ungoed-Thomas (Basil Arthur) John Peto (Basil) Kingsley Martin (Basil) Kingsley Martin (Basil) Kingsley Martin & New Statesman (Borlasse Elward) Wyndham Childs (Cecil Frederick) Nevil Macready (Cecil George) Graham Hayman (Charles Edward) Howard Vincent (Charles Henry) Collins Baker (Charles) Alexander Harris (Charles) Cyril Clarke (Charles) Edgar Wood (Charles) Edward Troup (Charles) Frederick (Howard) Gough (Charles) Michael Duff (Charles) Philip Fothergill (Charles) Philip Fothergill, Liberal National Organisation, N-E Warwickshire Liberal Association & Rt Hon Charles Albert McCurdy (Charles) Vernon (Oldfield) Bartlett (Charles) Vernon (Oldfield) Bartlett & World Review of Reviews (Claude) Nigel (Byam) Davies (Claude) Nigel (Byam) Davies (Colin) Mark Patrick (Crwfurd) Wilfrid Griffin Eady (Cyril) Berkeley Ormerod (Cyril) Desmond Keeling (Cyril) George Toogood (Cyril) Kenneth Bird (David) Euan Wallace (Davies) Evan Bedford (Denis Duncan) -
Biographical Description for the Historymakers® Video Oral History with Martha Reeves
Biographical Description for The HistoryMakers® Video Oral History with Martha Reeves PERSON Reeves, Martha Alternative Names: Martha Reeves; Life Dates: July 18, 1941- Place of Birth: Eufaula, Alabama, USA Residence: Detroit, MI Work: New York, NY Occupations: Motown Singer Biographical Note Martha Reeves, the earthy alto voice of Martha and the Vandellas, was born July 18, 1941, in Eufaula, Alabama. The eldest of eleven children, Reeves moved with her parents to Detroit, Michigan, before she was a year old. Reeves attended Russell Elementary School where Emily Wagstaff taught her vocals. A cheerleader who loved composition and music, Reeves studied voice with Abraham Silver at Northeastern High School. She was chosen to sing Bach’s Aria and she competed in talent shows. After graduating in 1959, Reeves worked in sales while performing with Rosalind Ashford and Annette Sterling as the Del-Phis and solo as Martha LaVille. In 1961, William “Mickey” Stevenson, head of the Artists and Repertoire department for Motown Records, noticed Reeves at Detroit’s Twenty Grand Club. Reeves, along with Ashford and Sterling, sang back up for Marvin Gaye’s hits, “Stubborn Kind of Fellow” and “Hitch Hike” in 1962. In 1963, Berry Gordy signed the three to a recording contract as Martha and the Vandellas. Named by Reeves for Van Dyke Street and Della Reese, her favorite singer, the group’s first hit was “Come and Get These Memories”. The million selling “(Love Is Like A) Heat Wave” led a string of hits, including 1964’s “Dancing in the Streets”, “Nowhere to Run”, “Quicksand”, “My Baby Loves Me”, “I’m Ready for Love” and 1967’s “Jimmy Mack” and “Honey Chile”. -
Gloria Swanson
Gloria Swanson: An Inventory of Her Papers at the Harry Ransom Center Descriptive Summary Creator: Swanson, Gloria, 1899-1983 Title: Gloria Swanson Papers [18--]-1988 (bulk 1920-1983) Dates: [18--]-1988 Extent: 620 boxes, artwork, audio discs, bound volumes, film, galleys, microfilm, posters, and realia (292.5 linear feet) Abstract: The papers of this well-known American actress encompass her long film and theater career, her extensive business interests, and her interest in health and nutrition, as well as personal and family matters. Call Number: Film Collection FI-041 Language English. Access Open for research. Please note that an appointment is required to view items in Series VII. Formats, Subseries I. Realia. Administrative Information Acquisition Purchase (1982) and gift (1983-1988) Processed by Joan Sibley, with assistance from Kerry Bohannon, David Sparks, Steve Mielke, Jimmy Rittenberry, Eve Grauer, 1990-1993 Repository: Harry Ransom Center, University of Texas at Austin Swanson, Gloria, 1899-1983 Film Collection FI-041 Biographical Sketch Actress Gloria Swanson was born Gloria May Josephine Swanson on March 27, 1899, in Chicago, the only child of Joseph Theodore and Adelaide Klanowsky Swanson. Her father's position as a civilian supply officer with the army took the family to Key West, FL and San Juan, Puerto Rico, but the majority of Swanson's childhood was spent in Chicago. It was in Chicago at Essanay Studios in 1914 that she began her lifelong association with the motion picture industry. She moved to California where she worked for Sennett/Keystone Studios before rising to stardom at Paramount in such Cecil B. -
July 1918) James Francis Cooke
Gardner-Webb University Digital Commons @ Gardner-Webb University The tudeE Magazine: 1883-1957 John R. Dover Memorial Library 7-1-1918 Volume 36, Number 07 (July 1918) James Francis Cooke Follow this and additional works at: https://digitalcommons.gardner-webb.edu/etude Part of the Composition Commons, Ethnomusicology Commons, Fine Arts Commons, History Commons, Liturgy and Worship Commons, Music Education Commons, Musicology Commons, Music Pedagogy Commons, Music Performance Commons, Music Practice Commons, and the Music Theory Commons Recommended Citation Cooke, James Francis. "Volume 36, Number 07 (July 1918)." , (1918). https://digitalcommons.gardner-webb.edu/etude/648 This Book is brought to you for free and open access by the John R. Dover Memorial Library at Digital Commons @ Gardner-Webb University. It has been accepted for inclusion in The tudeE Magazine: 1883-1957 by an authorized administrator of Digital Commons @ Gardner-Webb University. For more information, please contact [email protected]. n£ ETUDE .ivs musical magazine 41.50 . HikY - 1918 A YEAR MUSICAL EMBLEM THE ETUDE Page 1,29 rLY 19 8 __ Material for Summer Holiday Music Classes^ Prepare Now Half of the success of Summer Music classes depends upon the selection of material so interesting that the hot weather is forgottefi and so rapid that FOR NEXT SEASON fine results show at the end of the eight or nine weeks of study Order Teaching Material Early ■ Primers The Standard Graded Why Primers? Because a good drill in Successful First Instruction Books the elements of music is the foundation for Course Abundant Reasons and Convincing Argu¬ . all future musical work. -
Trou of Tbononr
No. 137, Vol. 24] JULY, 1917. [Price 3d. CONTENTS. PAOE FAOI Roll of Honour 21 House Notes . 38 School Notes . 24 Games Account 42 AHeyn War Fund 30 Old Boys' Notes 48 Cricket . 80 Alleyn War List 43 Junior School Cric ket 33 War Honours . 46 Athletic Sports 34 An Estaminet in France 46 Swimming 36 Extracts from Letters . 48 Cross Country Race 37 Recent Additions to the House Fives . 37 Library • 4» TRoU of Tbononr. INCE the publication of the last number of the Magazine— S April, 1917—the following Old Boys have laid down their lives in defence of noble ideals and at the call of King and country. Our gratitude to them and our sympathy with the bereaved will be, we are assured, both cordial and generous. S. F. BLENCOWE (1904), Private of the Australian Expedi- tionary Force. His brother T. H. (1900) is serving as a Sapper R.E. (Signal Section). 22 EDWARD ALLEYN MAGAZINE. CLARENCE CARPENTER (1904), 2nd Lieut. Royal Fusiliers, killed in action near Petit Miraumont, France, February 17th, 1917. His brother Cecil (1902) is well known to some of our readers. GUY DENNY (1905), brother of H. H. Denny (1908), Private of the Bedford Regt., was killed in action on May 4th, 1917. A. D. HAY-SMITH (1902), 2nd Lieut. Essex Regt., fell on March 26th, outside Gaza. He had seen much service previously as a Sergeant in the L.R.B. His brother, A. L. Hay-Smith (1896), is serving in the Canadian Infantry. E. S. HORNBLOWEK (1890), while on a business visit to Canada, joined the Canadian Infantry (M.G. -
The Society of American Archivists / Performing Arts Roundtable News
PERFORMANCE! The Newsletter of the Society of American Archivists’ Performing Arts Roundtable Issue for Winter/Spring 2006 _____________________________________________________________________ [The Performing Arts Roundtable: Encourages the exchange of information on historical and contemporary documentation of music, dance, theater, motion pictures, and other performance media. (from the SAA Web site)] _______________________________________________________________________ Roundtable Co-Chair (2006): Roundtable Co-Chair (2007): Karen Spicher Helice Koffler Beinecke Library Wilson Processing Project Yale University New York Public Library New Haven, CT 06520 New York, NY 10036-4396 203/432-4205 212/714-8527 [email protected] [email protected] Newsletter Editor: Web Master: George Bain Ashley Yandle Archives & Special Collections Information Technology Branch Ohio University Libraries North Carolina State Archives 740/593-2713 919/807-7329 [email protected] [email protected] Visit the Roundtable Web Site: www.archivists.org/saagroups/performart/ Table of Contents • Message from the Roundtable Co-Chair………………….……..…………..…….2 • Open Letter on Theater Collections in London……………….……..….……..…3 • News Notes…………………………………………………………….……….…....4 • Reports from the Field…………………………….…………….….…….….……..4 o “Sharing the High Lonesome Sound: Training Bluegrass Performers” by Celia Szarejko and Norma Myers………...………………….…..….5 o “Jazz in the Hinterlands: The International Jazz Collections in Moscow, Idaho” by Michael Tarabulski and Lewis Ricci……..………9 • News of Roundtable Members………….……………………………...………..…12 • Editor’s Corner……………………………………………………..…….……..….12 Message from the Roundtable Co-Chair Performing Arts Roundtable Reaches Out By Helice Koffler At various times over the past several months I have been asked, “What does co-chairing the Performing Arts Roundtable involve?” Inevitably, a lot of energy goes into planning activities for the annual SAA conference and we have been active in that regard (see below).