Summer 2020 Classics & Jazz

Total Page:16

File Type:pdf, Size:1020Kb

Summer 2020 Classics & Jazz Recommended Jazz v All Recommended! see pages 54 - 55 Naxos Audiobooks Special Low Prices! see pages 46 - 47 50% - 75% Off 100 Titles see pages 18 - 21 v All Recommended! Editor’s Choice see pages 10 - 11 v Recommended New Releases Bundle Deal 3 for $30 see pages 48 - 49 Late Summer 2020 Love Music. HBDirect Classics & Jazz We are pleased to present the HBDirect Classics & Summer 2020 Jazz Catalog for Summer 2020, with a broad range of of- fers we’re sure will be of great interest to our customers. Catalog Index Monteverdi: Complete Madrigals / Delitiæ Musicæ [15 CDs] In jazz, we are excited to return Concord to these pages The madrigal, written for courts and patrons, was the ultimate secular 4 Classical - Label Features as a sale label, with the opportunity for you to save even song. The genre reached its zenith with the works of Claudio Monteverdi more by taking advantage of a bundle deal. Other offers 8 Classical - Recommendations in successive books that trace his technical and expressive innovations. in jazz include the Acrobat label, new releases, and jazz 10 Classical - Editor’s Choice In them, Monteverdi explored themes such as the vicissitudes and recommendations. In classical music, another label long pleasures of love, as well as the art of war, and the pain of loss. The 18 Classical - Deep Discounts absent from our promotions is Musical Concepts – on sale editions used in these recordings are the most authentic and uncut, and, here and as a bundle deal, too. You can also save up to 12 Classical - New Releases in keeping with 17th-century practice, employ male voices only. Praised 75% on nearly 100 closeout titles, and for music lovers 44 Classical - DVDs & Blu-rays as compelling, simultaneously controlled and imaginative (American on the lookout for fresh discoveries, we introduce Editor’s Record Guide) the collection also includes pieces never before recorded. 46 Naxos Auidobooks Choice, recommendations of little-known repertoire. And The instrumental and vocal ensemble Delitiæ Musicæ perform, who is considered one of the most there’s so much more! We look forward to serving you, and 48 Jazz - New, Sale, Recommended enterprising Italian early music ensembles. 15CD# NXS 8501505 $49.99 as always, we thank you for your business! Legendary Conductors / Orfeo 40th Anniversary Edition [10 CDs] Go To Jazz! This “Legendary Conductors” 10-album set for the anniversary of 40 See Pages 48-55 years of ORFEO label history presents a selection of outstanding record- 2 Shipping Options ings with legendary conductors in the true sense of the word. Highlights New Jazz Releases from the set include: Karl Böhm / Strauss: Ein Heldenleben; Wolfgang Ship it Free Ship it Fast Kai Winding, Jim Hall, Sawallisch / Bruckner Symphony 5; Carlos Kleiber / Beethoven Sym- Erroll Garner, Steve Select FreeFreight to If you do not explicitly re- phony 4; Dimitri Mitropoulos / Prokofiev Symphony 5;Hans Knap- Kuhn, Cannie Han, Louie have your order shipped quest FreeFreight for your pertsbusch / Beethoven Symphony 3, Coriolan Ov.; Otto Klemperer / Bellson, Dave Brubeck, for Free!* Delivery time order, our regular shipping Brahms Symphony 3; Beethoven: Symphony 7; Ferenc Fricsay / Tchai- Randy Brecker and kovsky: Symphony 6; Herbert von Karajan / Beethoven Symphony 9; is slower (typically 10- rates will apply. Delivery more! See Page 52 14 days) than with our time for this option runs Sergiu Celibidache / Brahms Symphony 1; John Barbirolli / Brahms regular shipping method. about 3-10 days and your Symphony 2; Vaughan-Williams Symphony 6; Wilhelm Furtwängler / Your order is consolidat- order may come from mul- Jazz on Acrobat Bruckner Symphony 4 10CD# ORF 200011 $49.99 ed in our warehouse and tiple locations. Shipping Nancy Wilson, Anita O’Day, shipped via USPS Media rates are on the Count Basie, Ronnie Scott, 500 Years of Organ Music - Volume Two / Various Artists [50 CDs] Mail. Minimum order size order form of Muggsy Spanier, Johnny The first volume of 500 Years of Organ Music plunged us into the world of is $25 for this option. this catalog. Dodds, Earl Hines and this majestic instrument, and in this new anthology, one can delve deeper into this vast soundscape. There are many new discoveries to be made * US addresses only more! See Page 50 here. For instance, we are introduced to Gonzalo de Baena, whose meth- Recommended Jazz od for learning to play the instrument, dating from 1540, was only redis- Call to order ... covered in 1992. Other Renaissance-era highlights include Italian virtuosi Nat King Cole, Chick Cristofano Malvezzi, Giovanni Maria Trabaci and Antonio Valente. The Corea, James Carter, anthology features Spanish early music exemplified by Francisco Correa 1 800 222 6872 John Coltrane, Michel de Arauxo and the Spanish Baroque. Among the German composers are Monday - Friday Petruciani, Betty Carter, Johann Caspar Kerll as well as seven members of the Bach family, including Branford Marsalis & more! 10:00 am - 7 pm et J.S. Bach. Further recordings bring us into the Romantic and 20th century eras See Page 54 with the music of Franz Liszt, Felix Mendelssohn, Olivier Messiaen, Petr Eben and Are you getting the monthly many others. 50CD# BLC 96139 $97.49 classics & jazz catalog? Editor’s Choice - Recommended pages 10 & 11 v Get on the mailing list for our catalogs! P’ra Você - Songs from South America / Raquel Lojendio, soprano In addition to this specialty Classical & Jazz Central to this lusciously romantic program of unaffected lyricism are the songs catalog, HBDirect regularly publishes a Mixed- of Carlos Guastavino (1912-2000), who penned over 500 works, most songs for Genre Catalog featuring World Music, Classic voice and piano. The program includes works by other 20th century Argentinian Rock, Folk, Roots of American popular mu- and Brazilian composers: Jayme Ovalle, Villa-Lobos, Carlos Pagliuchi, Oscar Lo- sic, Retro and Stage & Screen - in addition to renzo Fernandez and Ginastera. Accompanied by pianist Chiky Martín, soprano classical and jazz favorites! Raquel Lojendio sings this music in such a way that one cannot imagine anyone Sales tax obligation changes else performing them. A Charmer! Complete English translations are included. HBDirect is obliged by law to collect sales tax - Paul Ballyk 1CD# IBSC 22020 $15.99 on merchandise and shipping from residents of VT (6%), KY (6%) and TN (9.725%). Concord Jazz Sale & Bundle Deal: 3 for $30 pages 48 & 49 Dear Diz (Every Day I Think of You) Leave your wallet in your pocket! Arturo Sandoval, trumpet with Gary Bur- Introducing a new payment method on HBDirect. ton, Bob Mintzer and Joey DeFrancesco. com! If you’ve placed an order in the previous three months by phone or on the web, you 1CD CNC 33020 $12.99 can select Card On File as your pay- Black and Blue / The Gene Harris Qrt ment method. We’ll bill your last-used Pianist Gene Harris with guitarist Ron Es- credit card and contact you if we have chete, bassist Luther Hughes & drummer any questions. Harold Jones 1CD CNC 33020 $12.99 Light My Fire / Eliane Elias: voice, piano 1CD CNC 32761 $12.99 Bundle Deal - Buy 3 for $25! MUSICAL CONCEPTS SALE Scriabin: Symphony No. 1; Dvořák: Symphony No. 9 ‘New Brahms: Cello Sonatas 1 & 2 / Mily Balakirev: Symphony No. 1; Barber: Adagio for Strings; Piano Gregorian Chant: Vision of Poem of Ecstasy / USSR SO, World’; Carnival Ov.; Brahms: Karine Georgian, cello; Symphonic Poems / USSR State & Violin Concerto / Shapira, violin; Peace / Benjamin Monks of Evgeni Svetlanov ‘Haydn’ Vars. / Colin Davis; Pavel Gililov, piano SO, Svetlanov Joselson, piano; London SO Ampleforth Abbey 1CD MSLC 1329 London SO 1CD MSLC 1352 1CD MSLC 1331 1CD MSLC 1309 1CD MSLC 1322 $12.99 1CD MSLC 1405 $12.99 $12.99 $12.99 $12.99 $12.99 Rachmaninov: Vespers / Borodin: String Quartets Beethoven: Symphony No. 3 Edvard Grieg: Lyric Pieces / Nielsen: Springtime in Funen; Arthur Sullivan: Pineapple Poll; Nikolai Korniev, St. Petersburg Nos. 1 & 2 / The Borodin Quartet ‘Eroica’; Symphony No. 8 / Mikhail Pletnev, piano Aladdin Suite; 3 Motets / Operetta Overtures / Chamber Choir 1CD MSLC 1298 London SO, Wyn Morris 1CD MSLC 1330 Inga Nielsen, sop.; Mackerras, Sargent, Royal PO 1CD MSLC 1315 $12.99 1CD MSLC 1353 $12.99 University Choir, Odense SO 1CD MSLC 1320 $12.99 $12.99 1CD MSLC 1334 $12.99 $12.99 Janáček: Sinfonietta; Taras Sibelius: Valse Triste; Finlandia; Tchaikovsky: Symphony No. 6; Widor: Organ Symphonies 5, 6 & 8; Elgar: Piano Quintet; The Spanish Shostakovich: Violin Concertos Bulba; Katya Kabanova, Prelude / Bells; Romance; Kavaljeren / Nutcracker Suite / Rozhdestvensky, Jongen, Mulet, Gigout & Lady; Elegy; Serenade / Royal 1 & 2 / D. Oistrakh, violin; Mackerras, Ančerl, Czech PO Annette Servadei, piano Kogan, Moscow State SO Boellmann encores / David Sanger Ballet Sinfonia, Sutherland Leningrad PO, Mravinsky, 1CD MSLC 1380 1CD MSLC 1378 1CD MSLC 1106 1CD MSLC 1292 1CD MSLC 1321 Rozhdestyensky $12.99 $12.99 $12.99 $12.99 $12.99 1CD MSLC 1337 $12.99 Vivaldi: Four Seasons; Albinoni: Elgar: Symphony No. 1; In the Carl P.E. Bach: Flute Concertos / Mozart: Piano Quartets K478 & Georgy Sviridov (1915–98): Haydn: Stabat Mater / Christ Adagio; Bach: Air; Pachelbel: South / Marriner; Academy of Jennifer Stinton, flute; Orch. Of K493 / The Nash Ensemble The Snowstorm; 3 Choruses / Church Cathedral Choir Oxford, Kanon et al. / Laredo; Scottish CO St. Martin-in-the-Fields St. John’s Smith Square 1CD MSLC 1304 Moscow Chamber Choir, Stephen Darlington 1CD MSLC 1383 1CD MSLC 1385 1CD MSLC 1347 $12.99 USSR TV SO, Fedoseyev 1CD MSLC 1289 $12.99 $12.99 $12.99 1CD MSLC 1317 $12.99 $12.99 Shostakovich: Symphonies 9 & 15; Andres Segovia plays Rodrigo, Rimsky-Korsakov: Suites & Prokofiev: Violin Concertos Borodin: Symphony No. 1; Palestrina: Stabat Mater; Missa Festive Ov.
Recommended publications
  • Blowing Your Mind À Couper Le Souffle
    MUSIC[]MUSIQUE BLOWING YOUR MIND À COUPER LE SOUFFLE MICHAEL BLAKE IS THE BEST CANADIAN JAZZ SAXOPHONIST YOU’VE NEVER HEARD OF. HE AND HIS NEW YORK PARTNERS IN THE JAZZ COMPOSERS COLLECTIVE ARE MAKING THE MUSIC YOU SHOULD BE LISTENING TO. MICHAEL BLAKE EST LE MEILLEUR SAXOPHONISTE DE JAZZ CANADIEN DONT VOUS N’AVEZ JAMAIS ENTENDU PARLER. LA MUSIQUE QU’IL FAIT AVEC SES PARTENAIRES NEW-YORKAIS DU JAZZ COMPOSERS COLLECTIVE EST INCONTOURNABLE. TEXT | TEXTE PAUL WELLS PHOTOS MICHAEL A. NEMETH ENROUTE 11_2003 066 ENROUTE 12_2003 067 THE FASHION IN JAZZ CLUBS CHANGES IN MANHATTAN AS DANS LES CLUBS DE JAZZ DE MANHATTAN, LA MODE CHANGE AUSSI swinging out of both sides of his mouth. duos en jouant simultanément de ses saxophones soprano et ténor. rapidly as the fashion in everything else there. The Village Vanguard rapidement que dans n’importe quel autre domaine. Le Village Vanguard Blake’s reputation among the city’s younger and more adven- La réputation de Blake parmi ses jeunes confrères aventureux est is eternal, but all the other clubs you’d have run to 15 years ago – est indétrônable, mais tous les autres clubs où vous vous seriez précipité turous musicians is considerable, which explains why this inaugural considérable. C’est pourquoi la crème du jazz de Manhattan assiste Sweet Basil, Seventh Avenue South, Bradley’s – have closed. The il y a 15 ans – Sweet Basil, Seventh Avenue South, Bradley’s… – sont performance by his first big band has drawn the cream of au concert d’ouverture du Canadien et de son premier big band.
    [Show full text]
  • Early Music Review EDITIONS of MUSIC Here Are Thirteen Works in the Present Volume
    Early Music Review EDITIONS OF MUSIC here are thirteen works in the present volume. The first two are masses by John Bedingham, while the others are anonymous mass movements (either New from Stainer & Bell T single or somehow related). Previous titles in the series have been reviewed by Clifford Bartlett, and I confess this English Thirteenth-century Polyphony is the first time I have looked at repertory from this period A Facsimile Edition by William J. Summers & Peter M. since I studied Du Fay at university! At that time I also Lefferts sang quite a lot of (slightly later) English music, so I am not Stainer & Bell, 2016. Early English Church Music, 57 completely unfamiliar with it. I was immediately struck 53pp+349 plates. by the rhythmic complexity and delighted to see that the ISMN 979 0 2202 2405 8; ISBN 978 0 85249 940 5 editions preserve the original note values and avoids bar £180 lines - one might expect this to complicate matters with ligatures and coloration to contend with, but actually it is his extraordinarily opulent volume (approx. 12 laid out in such a beautiful way that everything miraculously inches by 17 and weighing more than seven pounds makes perfect sense. Most of the pieces are in two or three T- apologies for the old school measurements!) is a parts (a fourth part – called “Tenor bassus” – is added to marvel to behold. The publisher has had to use glossy paper the Credo of Bedingham’s Mass Dueil angoisseux in only in order to give the best possible colour reproductions of one of the sources).
    [Show full text]
  • (WR Has Heard Recordings of Lprenzo, Jr., Made When He Played The
    1 PAUL BEAULIEU Also present: William Russell I [of 4]-Digest-Retyped Ralph Collins June 11, 1960 (Interview conducted at liome of Paul Beaulieu on[1134 N.] Robertson Street Paul William Beaulieu was born on Burgundy Street in the French » ^ Quarter of New Orleans on October 20, 1888. His father was an amateur flute player. PB's first instrument was piano, which he studied with Ellen Myers [spelling?], beginning when he was eight or nine years old. He studied solfege with Mrs. [White?], when he was attending Straight University (which was tlnen-on Canal between Tonti and Rocbe'blave-Straight merged with New Orleans University to form the present Dillard University). When PB was a teen-ager, "he studied cello, the clarinet and the saxopl'ione. He studied cello with a French artist who was in New Orleans with the French Opera Company; PB had begun studying harmony with the French artist shortly before the latter left town. PB continued harmony study with Professor Louis "Papa" Tio (brother of Lorenzo Tioy Sr., and uncle of Lorenzo Tio/ Jr.). Lorenzo, Sr., moved himself and his family from New Orleans to Bay St. Louis or Pass Christian [Mississippi]. He and his brother, Louis, were cigar makers. Both brothers played all the reed instruments. Lorenzo, Sr., could tongue very rapidly; .he had a sweet tone; he was an excellent musician. He taught his son, Lorenzo, Jr. to play. (WR has heard recordings of Lprenzo, Jr., made when he played the [A. J.] Piron band.) PB doesn't know where the Tio family came fr om originally, but he.says they [Lorenzo, Sr./ and Louis] got their musical education at a conservatory in Mexico; they also spoke Spanish and French fluently.
    [Show full text]
  • 2018 ASCAP Jazz Awards Program Book
    2018 2018 PAUL WILLIAMS PRESIDENT & CHAIRMAN ELIZABETH MATTHEWS CHIEF EXECUTIVE OFFICER ASCAP BOARD OF DIRECTORS WRITERS JOEL BECKERMAN | RICHARD BELLIS | BRUCE BROUGHTON | DESMOND CHILD | DAN FOLIART | MICHELLE LEWIS MARCUS MILLER | RUDY PÉREZ | ALEX SHAPIRO | JIMMY WEBB | PAUL WILLIAMS | DOUG WOOD PUBLISHERS MARTIN BANDIER | CAROLINE BIENSTOCK | BARRY COBURN | JODY GERSON | ZACH KATZ | DEAN KAY JAMES M. KENDRICK | LEEDS LEVY | MARY MEGAN PEER | JON PLATT | IRWIN Z. ROBINSON THE FOUNDERS AWARD Roscoe Mitchell is an internationally renowned musician, composer, and innovator. His role in the resurrection of long neglected woodwind instruments of extreme register, his innovation as a solo woodwind performer, and his reassertion of the composer into what has traditionally been an improvisational form have placed him at the forefront of contemporary music for over five decades. Mr. Mitchell is a founding member of the Art Ensemble of Chicago, the Association for the Advancement of Creative Musicians and the Trio Space. Additionally, Mr. Mitchell is the founder of the Creative Arts Collective, The Roscoe Mitchell Sextet, The Roscoe Mitchell Quartet, The Roscoe Mitchell Art Ensemble, The Sound Ensemble, The New Chamber Ensemble and the Note Factory. He has recorded over 100 albums and has written hundreds of compositions. His compositions range from classical to contemporary, from passionate and forceful improvisations to ornate orchestral music. His most recent recording, Discussions, was counted among “The 25 Best Classical Music Recordings of 2017” by the New York Times. Also, for five decades, he has designed the Percussion Cage, an elaborate percussion instrument consisting of instruments from around the world, as well as many found instruments.
    [Show full text]
  • Bruckner Symphony 1 Vienna Version 1891
    PH19084.Booklet.Schaller.qxp_Booklet 05.11.19 13:06 Seite 1 Edition Günter Profil Hänssler BRUCKNER SYMPHONY 1 VIENNA VERSION 1891 PHILHARMONIE FESTIVA GERD SCHALLER PH19084.Booklet.Schaller.qxp_Booklet 05.11.19 13:06 Seite 2 ANTON BRUCKNER (1824 –1896) SYMPHONY 1 – VIENNA VERSION 1891 DEUTSCH Änderungswut und Uraufführungstaumel Musik von einer fast kammermusikalischen Symphonie ja 1865-1866 komponiert und 1891 sollten die Eingriffe nun tiefer gehen: Passage zu mächtigstem Fortissimo auf- am 9. Mai 1868 im Linzer Redoutensaal Vor allem war er mit der bisherigen Instru- Sie ist eine meiner schwierigsten und besten. schwingt, das schlägt mich gänzlich in den dann selbst dirigiert. Damals stand er aller- mentation nicht mehr zufrieden. (Anton Bruckner) Bann! Dann ist da natürlich auch noch die dings noch am Anfang seiner Komponisten- zukunftsweisende Harmonik und Tiefgrün- karriere, während er 1891 in Österreich und Bevor wir da nun auf die Details eingehen, Anton Bruckners erste Symphonie und die digkeit gerade seines Spätwerks. Und dann darüber hinaus bereits als anerkannte möchte ich erstmal ganz allgemein fragen: Frage nach der richtigen Fassung. Ein Ge- die geistliche Dimension seiner Musik, die Persönlichkeit des Musiklebens galt. Und Welche seiner Symphonien änderte Bruckner spräch mit dem Dirigenten und Bruckner- schwebenden Bläserpassagen, die wilden es hatte ja übrigens auch lange genug eigentlich mal nicht? Es gab ja im Laufe der Spezialisten Gerd Schaller. Streicherfiguren, überhaupt die geniale gedauert, bis man seine Größe erkannte; Musikgeschichte nicht so viele Komponisten, Instrumentation, sein wunderbarer Um- nicht in allen Kreisen und in dem Ausmaß, die derart enthusiastisch immer wieder Herr Schaller, Sie haben bereits alle Sympho- gang mit Stimmen..
    [Show full text]
  • 60Th Monterey Jazz Festival
    July / August 2017 Issue 373 now in our 43rd year jazz &blues report 60th Monterey Jazz Festival July • August 2017 • Issue 373 jazz 60th Monterey Jazz Festival &blues report Editor & Founder Bill Wahl September 15-17 Layout & Design Bill Wahl Operations Jim Martin Pilar Martin Contributors Michael Braxton, Peanuts, Wanda Simpson, Mark Smith, Duane Verh, Emily Wahl and Ron Weinstock. RIP JBR Writers Tom Alabiso, John Hunt, Chris Colombi, Mark A. Cole, Hal Hill Check out our constantly updated website. All of our issues from our first PDFs in September 2003 and on are posted, as well as many special issues with festival reviews, Blues Cruise and Gift Guides. Now you can search for CD Re- views by artists, titles, record labels, keyword or JBR Writers. 15 years of reviews are up from our archives and we will be adding more, especially John Clayton, Jeff Hamilton, Gerald Clayton - 2017 Artists In Residence from our early years back to 1974. Headliners Include Herbie Hancock, Chick Corea, Common, Leslie Comments...billwahl@ jazz-blues.com Odom, Jr., Dee Dee Bridgewater, Angelique Kidjo, Kenny Barron Web www.jazz-blues.com Trio, Chris Thile & Brad Mehldau, Jimmy Heath, Joe Lovano, Copyright © 2017 Jazz & Blues Report Branford Marsalis, Joshua Redman, and Many Others MJF Celebrates Centennials of Thelonious Monk, Ella Fitzgerald and No portion of this publication may be re- Dizzy Gillespie, with Additional Tributes to Salsa, and Sonny Rollins produced without written permission from the publisher. All rights Reserved. Monterey, CA - Three-day Arena and Grounds Ticket Packages for the Founded in Buffalo New York in March of 60th Annual Monterey Jazz Festival, September 15–17 are on sale now.
    [Show full text]
  • 617.872.8254 | Rebecca [email protected]
    FOR IMMEDIATE RELEASE: October 16, 2019 Contact: Rebecca Curtiss 617.496.2000 x8841 | 617.872.8254 | [email protected] Creative Team and Cast Announced for American Repertory Theater Premiere of Moby-Dick New Collaboration Between Dave Malloy and Rachel Chavkin To Run December 3, 2019 – January 12, 2020 Download images here. Cambridge, MA – American Repertory Theater (A.R.T.) at Harvard University, under the leadership of Terrie and Bradley Bloom Artistic Director Diane Paulus and Executive Producer Diane Borger, have announced the creative team and cast of Moby-Dick, with music, lyrics, book, and orchestrations by Dave Malloy, developed with and directed by Rachel Chavkin. Performances of the new adaptation of Herman Melville’s classic novel begin Tuesday, December 3 at the Loeb Drama Center in Cambridge, MA. The production opens officially on Wednesday, December 11, 2019 and closes Sunday, January 12, 2020. “We are all in the belly of the whale…” From the creative team behind A.R.T.’s 2015 production of Natasha, Pierre & The Great Comet of 1812 comes an epic musical adaptation of Herman Melville’s iconic American novel. As the egomaniacal Captain Ahab drives his crew across the seas in pursuit of the great white whale, Melville’s nineteenth-century vision of America collides head-on with the present. “I’ve always been fascinated with the surprising ways classic literature can resonate with contemporary times, and Moby-Dick is no exception,” says Malloy. “Melville was writing about America in 1851, as the country was struggling to define itself and reconcile all the conflicts that led inevitably to the Civil War; 170 years later, we’re still talking about the same issues— capitalism, democracy, environmentalism, race.
    [Show full text]
  • PDF Program Download
    Interlochen, Michigan 224th Program of the 59th Year * FESTIVAL 2021 MUSICAL THEATRE SHOWCASE Thursday, May 27, 2021 10:00am, Corson Auditorium “Bye Bye Blackbird” from FOSSE ............................... Music by Ray Henderson Lyrics by Mort Dixon Charlotte Krieger and Company “All Falls Down” from CHAPLIN .............. Music and Lyrics by Christopher Curtis Lindsay Gross “Stay” from THE NOTEWORTHY LIFE OF HOWARD BARNES ... Music by Michael Kooman Lyrics by Christopher Dimond Audree Hedequist “Singin’ in the Rain” from SINGIN’ IN THE RAIN ....... Music by Nacio Herb Brown Lyrics by Arthur Freed Student Choreographers: Mia McManamy, Charlotte Krieger “Nowadays/Hot Honey Rag” from CHICAGO .................... Music by John Kander Lyrics by Fred Ebb Paris Manzanares and Myles Mathews Student Choreographer: Myles Mathews “Don’t Wanna Be Here” from ORDINARY DAYS ..... Music & Lyrics by Adam Gwon JT Langlas “No One Else” from NATASHA, PIERRE AND THE GREAT COMET OF 1812 ......... Music and Lyrics by Dave Malloy Mia McManamy “Run, Freedom, Run” from URINETOWN ...................... Music by Mark Hollmann Lyrics by Mark Hollmann and Greg Kotis Scout Carter and Company “Forget About the Boy” from THOROUGHLY MODERN MILLIE ........................... Music by Jeanine Tesori Lyrics by Dick Scanlan Hannah Bank and Company Student Choreographer: Nicole Pellegrin “She Used to Be Mine” from WAITRESS ........ Music and Lyrics by Sara Bareilles Caroline Bowers “Change” from A NEW BRAIN ......................... Music and Lyrics by William Finn Shea Grande “We Both Reached for the Gun” from CHICAGO .............. Music by John Kander Lyrics by Fred Ebb Theo Gyra and Company Student Choreographer: Myles Mathews “Love is an Open Door” from FROZEN ............ Music & Lyrics by Kristen Anderson-Lopez & Robert Lopez Charlotte Krieger and Daniel Rosales “Being Alive” from COMPANY ...............
    [Show full text]
  • NEWSLETTER of the American Handel Society
    NEWSLETTER of The American Handel Society Volume XXI, Number 3 Winter 2006 AMERICAN HANDEL SOCIETY- PRELIMINARY SCHEDULE (Paper titles and other details of program to be announced) Thursday, April 19, 2006 Check-in at Nassau Inn, Ten Palmer Square, Princeton, NJ (Check in time 3:00 PM) 6:00 PM Welcome Dinner Reception, Woolworth Center for Musical Studies Covent Garden before 1808, watercolor by Thomas Hosmer Shepherd. 8:00 PM Concert: “Rule Britannia”: Richardson Auditorium in Alexander Hall SOME OVERLOOKED REFERENCES TO HANDEL Friday, April 20, 2006 In his book North Country Life in the Eighteenth Morning: Century: The North-East 1700-1750 (London: Oxford University Press, 1952), the historian Edward Hughes 8:45-9:15 AM: Breakfast, Lobby, Taplin Auditorium, quoted from the correspondence of the Ellison family of Hebburn Hall and the Cotesworth family of Gateshead Fine Hall Park1. These two families were based in Newcastle and related through the marriage of Henry Ellison (1699-1775) 9:15-12:00 AM:Paper Session 1, Taplin Auditorium, to Hannah Cotesworth in 1729. The Ellisons were also Fine Hall related to the Liddell family of Ravenscroft Castle near Durham through the marriage of Henry’s father Robert 12:00-1:30 AM: Lunch Break (restaurant list will be Ellison (1665-1726) to Elizabeth Liddell (d. 1750). Music provided) played an important role in all of these families, and since a number of the sons were trained at the Middle Temple and 12:15-1:15: Board Meeting, American Handel Society, other members of the families – including Elizabeth Liddell Prospect House Ellison in her widowhood – lived in London for various lengths of time, there are occasional references to musical Afternoon and Evening: activities in the capital.
    [Show full text]
  • Crinew Music Re Uoft
    CRINew Music Re u oft SEPTEMBER 11, 2000 ISSUE 682 VOL. 63 NO. 12 WWW.CMJ.COM MUST HEAR Universal/NIP3.com Trial Begins With its lawsuit against MP3.com set to go inent on the case. to trial on August 28, Universal Music Group, On August 22, MP3.com settled with Sony the only major label that has not reached aset- Music Entertainment. This left the Seagram- tlement with MP3.com, appears to be dragging owned UMG as the last holdout of the major its feet in trying to reach a settlement, accord- labels to settle with the online company, which ing to MP3.com's lead attorney. currently has on hold its My.MP3.com service "Universal has adifferent agenda. They fig- — the source for all the litigation. ure that since they are the last to settle, they can Like earlier settlements with Warner Music squeeze us," said Michael Rhodes of the firm Group, BMG and EMI, the Sony settlement cov- Cooley Godward LLP, the lead attorney for ers copyright infringements, as well as alicens- MP3.com. Universal officials declined to corn- ing agreement allowing (Continued on page 10) SHELLAC Soundbreak.com, RIAA Agree Jurassic-5, Dilated LOS AMIGOS INVIWITI3LES- On Webcasting Royalty Peoples Go By Soundbreak.com made a fast break, leaving the pack behind and making an agreement with the Recording Word Of Mouth Industry Association of America (RIAA) on aroyalty rate for After hitting the number one a [digital compulsory Webcast license]. No details of the spot on the CMJ Radio 200 and actual rate were released.
    [Show full text]
  • NEUE DÜSSELDORFER HOFMUSIK Artistic Director and Solo Violin/Directora Artística Y Violín Solista: OUVERTURE NEL PARTENIO (1738) Mary Utiger (Anon
    FRANCESCO MARIA VERACINI (1690 - 1768) NEUE DÜSSELDORFER HOFMUSIK Artistic director and solo violin/directora artística y violín solista: OUVERTURE NEL PARTENIO (1738) Mary Utiger (anon. Italian instrument, ca. 1720/anónimo italiano, ca. 1720) [1] (Without indication/sin indicación) 1:15 First violins/violines primeros: [2] Allegro assai 2:23 Veronika Schepping (David Rubio, 1988 after/según Stradivarius) [3] Contadina 2:09 Annette Wehnert (anon. German instrument, end. 18th c./anónimo alemán, finales del s. XVIII) Erik Dorset (Enrico Marchetti, Torino, 19th c./Turín, siglo XIX) CONCERTO A CINQUE [STROMENTI] A MAJOR/LA MAYOR (ca. 1730) Amelia Roosevelt (Richard Duke, London/Londres, 1733) [4] Allegro 3:15 Second violins/violines segundos: [5] Adagio 3:30 Anke Vogelsänger (Landolfi, 1708) / Julia Huber (anon./anónimo, Mantua, ca 1730) [6] Allegro 3:42 llsebil Hünteler (anon. Italian instrument, ca. 1740/anónimo italiano, ca. 1740) Helmut Hausberg (Januarius Gagliano, Naples/Nápoles, 1737) Violas: Bettina lhrig (Ute Wegerhoff, 1990 after/según Stradivarius) CONCERTO A OTTO STROMENTI (1712) Hajo Bäß (anon. German instrument, end. 18th c./anónimo alemán, finales del s. XVIII) [7] (Without indication/sin indicación) 8:35 Christine Moran (Georgius Klotz, Mittenwald, 1725) [8] Largo 4:05 Helmut Hausberg [13-18] (Jo. Battista Cerutti, Cremona, 1789) [9] (Without indication/sin indicación) 7:22 Cellos: Juris Teichmanis (Andreas Ferdinand Mayr, Salzburg/Salzburgo, ca. 1740) Nicholas Selo (English instrument, end. 18th c./instrumento inglés, finales del s. XVIII) CONCERTO A CINQUE [STROMENTI] B FLAT MAJOR/SI B MAYOR (ca. 1736) Bass/contrabajo: Michael Neuhaus (anon. Vienna, mid-18th c./anónimo, Viena, mediados del siglo XVIII) [10] Allegro 3:59 Theorbo/tiorba: Stephan Rath (Joseph Rath, 1985, after/según Martin Hofmann) [11] Largo 3:28 Harpsichord/clave: Christoph Lehmann (Dietrich Hein, 1999, after/según Carl Conrad Fleischer) [12] Allegro 4:00 Oboes: Hans-Peter Westermann (H.
    [Show full text]
  • M O N T E V E R
    MONTEVERDI Music is the servant of the words 2012 LET US INNOVATE by Simone Kotva FROM IMITATION OF NATURE MONTEVERDI’S REVERSAL TO NATURAL IMITATION At the turn of the sixteenth century, the cusp of Monteverdi christened his musical aesthetics the We should see what are the rhythms of a self- The sentence immediately preceding Plato’s antici - what historians have since called “the modern era,” seconda prattica , or Second Practice. Its purpose disciplined and courageous life, and after looking at pation of Monteverdi’s motto is a discussion of the Claudio Monteverdi poses the perennial question was to oppose the establishment, what he called those, make meter and melody conform to the leitmotif of Classical philosophy, namely the “self- of every artist: how do my compositions relate to the First Practice of music theory. Monteverdi speech of someone like that. We won’t make disciplined and courageous life,” or human nature. those of past masters? How does innovation characterised the First Practice (whether justly or speech conform to rhythm and melody . Plato’s belief (which was also Aristotle’s) was that relate to imitation? not), as concerned exclusively with the rules of (Republic 400a; my emphasis) human nature was formed through a life-long pro - “pure” harmony stripped of any relation to text, cess of cultivating good habits. These good habits For Monteverdi, living in a time of vitriolic polemics rhythm and melody. It philosophical foundations The final sentence mirrors the emphatic declara - would eventually lead to good virtues,
    [Show full text]