DOCSLIB.ORG

June 1908) James Francis Cooke

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
June 1908) James Francis Cooke Gardner-Webb University Digital Commons @ Gardner-Webb University The tudeE Magazine: 1883-1957 John R. Dover Memorial Library 6-1-1908 Volume 26, Number 06 (June 1908) James Francis Cooke Follow this and additional works at: https://digitalcommons.gardner-webb.edu/etude Part of the Composition Commons, Ethnomusicology Commons, Fine Arts Commons, History Commons, Liturgy and Worship Commons, Music Education Commons, Musicology Commons, Music Pedagogy Commons, Music Performance Commons, Music Practice Commons, and the Music Theory Commons Recommended Citation Cooke, James Francis. "Volume 26, Number 06 (June 1908)." , (1908). https://digitalcommons.gardner-webb.edu/etude/537 This Book is brought to you for free and open access by the John R. Dover Memorial Library at Digital Commons @ Gardner-Webb University. It has been accepted for inclusion in The tudeE Magazine: 1883-1957 by an authorized administrator of Digital Commons @ Gardner-Webb University. For more information, please contact [email protected]. JUNE 1FH1 1908 For all [Price 15cents\\Ti0VFiRS of Theodore Presser, Publisher Philadelphia, Pennsylvania THE ETUDE 349 New Publications SIX POEMS AFTER HEINE New Songs Without Words A THREE MONTHS’ TRIAL SUBSCRIP¬ PRIZE ESSAY CONTEST. TION FOR 25 CENTS. The exceptional number of excellent essays By EDW. MACDOWELL FOR THE PIANOFORTE received in competition for the Prize Essay Preparatory to those of Mendelssohn In order that everyone unfamiliar with the FOR THE PIANOFORTE merits of The Etude may become acquainted contest has made decision difficult. We are Op* 31 Price, $1.00 RICHARD FERBER with the many advantages derived from being examining each essay with care and without . SlnRle Copies, 15 Cents. a regular reader of our columns, we will send haste. As we have previously announced the Foreign Postage, 72 rents. any three of the summer issues, from June greater number of contributors must await ■e allowed for ob- to September, inclusive, for only 25 cents. disappointment, as there are only five prizes Tell all of your musical acquaintances of and many contributors. It frequently occurs itemlttances should be made by post-office or express this trial subscription offer. They will be so that parts of certain essays are desirable for Crane Normal Institute of Music money orders, bank check or draft, or registered letter. United States postage stamps are always well pleased with the trial that they will be¬ general use in the magazine. In such cases we received for cash. Money sent in letters is dan¬ come regular subscribers. arrange with the writer -for the use of these gerous, and we are not responsible for Its safe arrival. It will pay every teacher to take advantage parts. The examination of the manuscripts DISCONTINUANCE.—If yon wish the journal of this special offer for each one of their will be completed as soon as possible and the continued nil explicit notice must l>e sent us within four months after tile paid up sub¬ pupils, thus maintaining and stimulating their results announced accordingly. scription expires. Explicit directions will be interest in the study of music during the vaca¬ RENEWAL—No receipt is sent for renewals. On tion season and insuring their enthusiastic re¬ A SERIES BY MR. TAPPER. turn to their studies in the fall. Robert Schumann Juvenile Song Book HUGH A. CLARKE, Mus. Doc. be printed the date The well known musical writer and educator Mr. Thomas Tapper has arranged to prepare SELECTED WORKS LESSONS BY MAIL MAKE YOUR VACATION PROFITABLE. a series of important and practical theoretical for the PIANOFORTE No pleasanter, healthier or more profitable articles for our forthcoming issues. This of the -sheet only. Contributions on topics nected with music-teaching and music-stud; employment can bd found than canvassing for series will commence in July. One unique The Sherwood, - Philadelphia, Pa. solicited. Those that are not available will The Etude. Nearly all of our readers will feature will be that each article will be com¬ ADVERTISING RATES will be sent on applic have some spare time to devote to this work plete in itself and may be read as a separate Forms close on 10th of each month for the during the coming summer, and can add very article. These important papers will be of ceedlng month’s Issue. materially to their revenue by taking advantage such a nature that they may be readily com¬ THEODORE PRESSER, PIANO TUNING of the liberal cash commissions we allow, or prehended by all readers of The Etude. Entered at Philadelphia P. 0 obtain some of the valuable premiums that BtfiHilS REGULATING and REPAIRING we offer. A SELF-HELP ISSUE. children. The text throughout is bright and interest- The Etude is exceedingly popular, and it is A. Complete Course of a very easy matter to obtain a subscription For many months we have impressed upon from everyone who lias any interest in music. our contributors the fact that The Etude is CONTENTS A sample copy left for a few days with a musi¬ a “tell how” magazine. We feel that our “THE ETUDE” - June, 1908 cal friend will almost always result in a sub¬ readers want to learn how to do certain things Chopin Album Editorials . scription. Full particulars concerning com¬ and we ask those who have been over the The Child Who Can't.C. A. Fisher : Some Eccentricities of Musical Genius, missions and premiums, together with sample path to explain how these things are done. Loma Gill '■ copies and other supplies, will be sent to any The value of this information can not be Piano Hints- to Young Students, C. E. Watt ■ Price, $1.00 Self-Made Masters in Music. .Louis C. Elson : address upon request. estimated. A magazine of self-help is always How Public School Music Should Help the a valuable magazine if properly conducted. The Chopin Album is possibly the most popular of Private Teacher.II. D. Wilkins : all music books of a high grade for the piano. It The Complexity of Music Study, SEASONABLE PREMIUMS. For twenty-five years The Etude has been Mrs. David Knox : one of the most popular self-help magazines, Should Music be Studied by High School During the months of pleasant weather the Pupils'/.E. R. Kroeaer I and the teachers, students and music lovers it Is the Piano a Disadvantage in Early Musi¬ camera is a welcome companion on vacation has helped are numbered by the thousands all cal Education? A Symposium by Harold trips and rambles through the country. Noth¬ Bauer. Wm. II. Sherwood, .T. de Zielinski, over our land. Charles E. Watt, Perlee V. Jervis, Herman ing recalls past pleasures so vividly as pictures This June issue is a self-help issue in every P. Chelius, John .T. IJattsteadt. ; personally made of those episodes that are dear 1 addition to bei Personal Reminiscences of Great Masters, sense of the word. Mr. Louis E. Elson has Oscar Berinner i to the memory. contributed an especially interesting article Practical Value of Musical History, il and up-to-dat. For only nine subscriptions, new or renewal, upon this subject, and the reading course we Thomas Tapper '■ at full price, we will send to any address, all Music typography in all its Branches How Correct Accenting Helps the Student, have prepared for the summer months is of THE COMPREHENSIVE SCALE Joseph Singer charges prepaid, AND ARPEGGIO MANUAL Making the Summer Profitable, by Cbas. A. genuine importance. Fisher, J. S. Van Cleave, Mrs. Herman The “Premoette” Folding Camera. It has been the policy of The Etude to Walter Macfarren Musical Poems For The Children Kotschma:-. Horace P. Dibble and E. ■-(-*—Dudley €. Litnerk! B. Hill. i This is the smallest practical camera ever decry the correspondence schools that teach Price, $1.50 Original Melodies for the Pianoforte With Don't Worry.E. E. Uipsclier ! manufactured and one of the most popular ever any of the branches of music other than those Appropriate Text Mow Shall We Finger the Scales? *=i that through analysis and theoretical instruc¬ TJlis. '3 the m.ost c?mP'ete work of the kind ever A. IT. Horst : placed on the market. It loads in daylight OCTAVIA HUDSON Summer Reading Courses. i with the Premo Film Pack for 2^x314 pic¬ tion make certain musical problems clearer. majorand’ndnor areawritten‘rT’enfS'l A" the sca,e?’ The Development of the Art of Touch, ith proper "finRerhig. ’in addition'to Price, SO cents Oscar Berinner : tures. It is finished in seal grain leather; has Certain attempts to teach some musical Letters from Our Readers. : a very fine Meniscus lens and automatic shutter branches by mail are about as likely to be suc¬ mhs fdoubieth'hirdaIed aIyBiv?n .. This collection of short pieces is intended more par- The Teachers' Round Table, ■ rhythm and inculcate with three variations of speed; tripod socket cessful as would be “surgery by mail.” When¬ th and double octaves, all in similar cpression in playing Conducted b.v V. J. Corey i tion; also the various forms of the The r1-' THE PENNSYLVANIA Explanatory Notes and Teaching Hints on and reversible finder. Shutter and all metal ever it is possible to have the teacher person¬ by t< The Etude Music. : lung: with music! ally present, at the lesson the pupil has an TOmmmif'chohrdsChr0ma-iCSCaIe' work, the author of Voice Deoartment, parts are highly nickeled. Weighs eleven f. the dominant and'dmrinlshed"uimmisnea Edited b.v I). B. Frank Walters, Jr. ■' ounces and measures only l^x3-^-x4y2. A advantage that can never be gained from gThe work is hand- Organ and Choir Department. Edited by Wm. C. Carl '■ marvel of compactness and utility and is cer¬ printed instruction. There are many things, °r A kindergarten work.
Load more

Recommended publications
  • The Influence of Musical Rhythm on Cardiovascular, Respiratory, And
    The Influence of Musical Rhythm on Cardiovascular, Respiratory, and Electrodermal Activity Dissertation zur Erlangung des Doktorgrades der Philosophie (Dr. phil.) vorgelegt der Philosophischen Fakult¨at der Martin-Luther-Universit¨at Halle-Wittenberg, Institut f¨ur Musik, Abteilung Musikwissenschaft von Martin Morgenstern geboren am 3. Juni 1979 in Dresden Gutachter: Professor Dr. Wolfgang Auhagen Martin-Luther-Universit¨at, Halle-Wittenberg Professor Dr. med. Hans-Christian Jabusch Hochschule f¨ur Musik Carl Maria von Weber, Dresden Tag der Verteidigung: 7. Juli 2009 iii Abstract Background. Athanasius Kircher, one of the first prominent figures to pro- pose a connection between the distinct rhythm of the heart and the state of people’s health, suggested the use of rhythmic stimuli to cure diseases. Since then, there have been various attempts to alter the heart rate by means of auditory stimuli, and for similar purposes. Be it in music or in rhythmical coordination tasks, interactions of periodic exogenous pulses and endogenous biological rhythms have been studied extensively. However, there are still limitations to understanding the regulating mechanisms in cardio-respiratory synchronisation. Aims. Various listening and bio-feedback experiments are discussed, dealing with different aspects of the influence of rhythmical auditory stimuli on cardio-respiratory regulation, biological rhythm generation and coordina- tion. A focus is on the interpretation of respective physiological adaptation processes and different relaxation strategies that might help musicians to deal with unwanted stress before, during, and after a musical performance. Dif- ferent challenges inherent to empirical musicological and music-related bio- medical research, and how they might be tackled in future experiments, are considered.
    [Show full text]
  • Toccata Classics TOCC0222 Notes
    ARTHUR FARWELL: PIANO MUSIC, VOLUME TWO by Lisa Cheryl Thomas When Arthur Farwell, in his late teens and studying electrical engineering at the Massachusetts Institute of Technology, heard the ‘Unfinished’ Symphony for the first time, he decided that he was going to be not an engineer but a composer. Born in St Paul, Minnesota, on 23 April 1872,1 he was already an accomplished musician: he had learned the violin as a child and often performed in a duo with his pianist elder brother Sidney, in public as well as at home; indeed, he supported himself at college by playing in a sextet. His encounter with Schubert proved detrimental to his engineering studies – he had to take remedial classes in the summer to be able to pass his exams and graduate in 1893 – but his musical awareness grew rapidly, not least though his friendship with an eccentric Boston violin prodigy, Rudolph Rheinwald Gott, and frequent attendances at Boston Symphony Orchestra concerts (as a ‘standee’: he couldn’t afford a seat). Charles Whitefield Chadwick (1854–1931), one of the most prominent of the New England school of composers, offered compositional advice, suggesting, too, that Farwell learn to play the piano as soon as possible. Edward MacDowell (1860–1908), perhaps the leading American Romantic composer, looked over his work from time to time – Farwell’s finances forbade regular study with such an eminent man. But he could afford counterpoint lessons with the organist P Homer Albert Norris (1860–1920), who had studied in Paris with Dubois, Gigout and Guilmant, and piano lessons with Thomas P.
    [Show full text]
  • Music Interventions in Health Care White Paper H C Are in Healt I Nterventions Music 1
    MUSIC INTERVENTIONS IN HEALTH CARE WHITE PAPER ARE C H NTERVENTIONS IN HEALT NTERVENTIONS I MUSIC MUSIC 1 BY LINE GEBAUER AND PETER VUUST - IN COLLABORATION WITH WIDEX, SOUNDFOCUS, DKSYSTEMS, AARHUS UNIVERSITY AND DANISH SOUND INNOVATION NETWORK PUBLISHER ABOUT THE PUBLICATION DANISH SOUND INNOVATION NETWORK This publication and possible comments and discussions can be Technical University of Denmark downloaded from www.danishsound.org. Matematiktorvet, Building 303B 2800 Kongens Lyngby The content of this publication reflects the authors’ point of view Denmark and not necessarily the view of the Danish Sound Innovation T +45 45253411 Network as such. W www.danishsound.org Copyright of the publication belongs to the authors. Possible agree- FEBRUARY 2014 ments between the authors might regulate the copyright in detail. ABOUT THE AUTHORS PROF. PETER VUUST is a unique combination of a world class musician and a top-level scientist. Based on his distinguished music and research career, he was appointed professor at The Royal Academy of Music Aarhus (RAMA) in 2008. Peter Vuust has since 2007 led the multidisciplinary research group Music in the Brain, at CFIN Aarhus University Hospital, which aims at understanding the neural processing of music, by using a combination of advanced music theory, behavioural experience, and state-of-the-art brain scanning methods. DR LINE GEBAUER holds an MA in Psychology and a PhD in Neuroscience from Aarhus University. She is currently a postdoctoral fellow in Prof. Peter Vuust’s Music in the Brain research group. Line is studying the neurobiological correlates of 2 music perception, in particular music-induced emotions and pleasure in healthy individuals and in people with developmental WHITE disorders.
    [Show full text]
  • July 1918) James Francis Cooke
    Gardner-Webb University Digital Commons @ Gardner-Webb University The tudeE Magazine: 1883-1957 John R. Dover Memorial Library 7-1-1918 Volume 36, Number 07 (July 1918) James Francis Cooke Follow this and additional works at: https://digitalcommons.gardner-webb.edu/etude Part of the Composition Commons, Ethnomusicology Commons, Fine Arts Commons, History Commons, Liturgy and Worship Commons, Music Education Commons, Musicology Commons, Music Pedagogy Commons, Music Performance Commons, Music Practice Commons, and the Music Theory Commons Recommended Citation Cooke, James Francis. "Volume 36, Number 07 (July 1918)." , (1918). https://digitalcommons.gardner-webb.edu/etude/648 This Book is brought to you for free and open access by the John R. Dover Memorial Library at Digital Commons @ Gardner-Webb University. It has been accepted for inclusion in The tudeE Magazine: 1883-1957 by an authorized administrator of Digital Commons @ Gardner-Webb University. For more information, please contact [email protected]. n£ ETUDE .ivs musical magazine 41.50 . HikY - 1918 A YEAR MUSICAL EMBLEM THE ETUDE Page 1,29 rLY 19 8 __ Material for Summer Holiday Music Classes^ Prepare Now Half of the success of Summer Music classes depends upon the selection of material so interesting that the hot weather is forgottefi and so rapid that FOR NEXT SEASON fine results show at the end of the eight or nine weeks of study Order Teaching Material Early ■ Primers The Standard Graded Why Primers? Because a good drill in Successful First Instruction Books the elements of music is the foundation for Course Abundant Reasons and Convincing Argu¬ . all future musical work.
    [Show full text]
  • The American Stravinsky
    0/-*/&4637&: *ODPMMBCPSBUJPOXJUI6OHMVFJU XFIBWFTFUVQBTVSWFZ POMZUFORVFTUJPOT UP MFBSONPSFBCPVUIPXPQFOBDDFTTFCPPLTBSFEJTDPWFSFEBOEVTFE 8FSFBMMZWBMVFZPVSQBSUJDJQBUJPOQMFBTFUBLFQBSU $-*$,)&3& "OFMFDUSPOJDWFSTJPOPGUIJTCPPLJTGSFFMZBWBJMBCMF UIBOLTUP UIFTVQQPSUPGMJCSBSJFTXPSLJOHXJUI,OPXMFEHF6OMBUDIFE ,6JTBDPMMBCPSBUJWFJOJUJBUJWFEFTJHOFEUPNBLFIJHIRVBMJUZ CPPLT0QFO"DDFTTGPSUIFQVCMJDHPPE THE AMERICAN STRAVINSKY THE AMERICAN STRAVINSKY The Style and Aesthetics of Copland’s New American Music, the Early Works, 1921–1938 Gayle Murchison THE UNIVERSITY OF MICHIGAN PRESS :: ANN ARBOR TO THE MEMORY OF MY MOTHERS :: Beulah McQueen Murchison and Earnestine Arnette Copyright © by the University of Michigan 2012 All rights reserved This book may not be reproduced, in whole or in part, including illustrations, in any form (beyond that copying permitted by Sections 107 and 108 of the U.S. Copyright Law and except by reviewers for the public press), without written permission from the publisher. Published in the United States of America by The University of Michigan Press Manufactured in the United States of America ϱ Printed on acid-free paper 2015 2014 2013 2012 4321 A CIP catalog record for this book is available from the British Library. ISBN 978-0-472-09984-9 Publication of this book was supported by a grant from the H. Earle Johnson Fund of the Society for American Music. “Excellence in all endeavors” “Smile in the face of adversity . and never give up!” Acknowledgments Hoc opus, hic labor est. I stand on the shoulders of those who have come before. Over the past forty years family, friends, professors, teachers, colleagues, eminent scholars, students, and just plain folk have taught me much of what you read in these pages. And the Creator has given me the wherewithal to ex- ecute what is now before you. First, I could not have completed research without the assistance of the staff at various libraries.
    [Show full text]
  • Christopher A. Reynolds Collection of Women's Song
    http://oac.cdlib.org/findaid/ark:/13030/kt1t1nf085 No online items Inventory of the Christopher A. Reynolds Collection of Women's Song Sara Gunasekara & Jared Campbell Department of Special Collections General Library University of California, Davis Davis, CA 95616-5292 Phone: (530) 752-1621 Fax: (530) 754-5758 Email: [email protected] © 2013 The Regents of the University of California. All rights reserved. Inventory of the Christopher A. D-435 1 Reynolds Collection of Women's Song Collector: Reynolds, Christopher A. Title: Christopher A. Reynolds Collection of Women's Song Date (inclusive): circa 1800-1985 Extent: 15.3 linear feet Abstract: Christopher A. Reynolds, Professor of Music at the University of California, Davis, has identified and collected sheet music written by women composers active in North America and England. This collection contains over 3000 songs and song publications mostly published between 1850 and 1950. The collection is primarily made up of songs, but there are also many works for solo piano as well as anthems and part songs. In addition there are books written by the women song composers, a letter written by Virginia Gabriel in the 1860s, and four letters by Mrs. H.H.A. Beach to James Francis Cooke from the 1920s. Physical location: Researchers should contact Special Collections to request collections, as many are stored offsite. Repository: University of California, Davis. General Library. Dept. of Special Collections. Davis, California 95616-5292 Collection number: D-435 Language of Material: Collection materials in English Biography Christoper A. Reynolds received his PhD from Princeton University. He is Professor of Music at the University of Californa, Davis and author of Papal Patronage and the Music of St.
    [Show full text]
  • FSU ETD Template
    Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2018 Rooted in America: The Roy Harris and Henry Cowell Sonatas for Violin and Piano Marianna Cutright Brickle Follow this and additional works at the DigiNole: FSU's Digital Repository. For more information, please contact [email protected] FLORIDA STATE UNIVERSITY COLLEGE OF MUSIC ROOTED IN AMERICA: THE ROY HARRIS AND HENRY COWELL SONATAS FOR VIOLIN AND PIANO By MARIANNA CUTRIGHT BRICKLE A Treatise submitted to the College of Music in partial fulfillment of the requirements for the degree of Doctor of Music 2018 Marianna Brickle defended this treatise on April 2, 2018. The members of the supervisory committee were: Corinne Stillwell Professor Directing Treatise Denise Von Glahn University Representative Shannon Thomas Committee Member Benjamin Sung Committee Member The Graduate School has verified and approved the above-named committee members, and certifies that this treatise has been approved in accordance with university requirements. ii To my husband, David Brickle and my parents, Wanda and Edwin Cutright, for their unwavering love and support. iii ACKNOWLEDGMENTS I would like to express my thanks to all of my committee members: Professor Corinne Stillwell, Dr. Denise Von Glahn, Dr. Benjamin Sung, and Dr. Shannon Thomas for their time, support, and insightful contributions to this project. I extend special thanks to my violin teacher Corinne Stillwell for her pearls of wisdom and her mentorship. Without her guidance, this project would not have been possible. The growth that I have experienced in the past five years, I owe largely to her. Thanks to Denise Von Glahn for her Music in the United States II class, that introduced me to Roy Harris, and helped me grow as a writer.
    [Show full text]
  • The Republican Journal 82
    The Republican Journal 82. VOLUME BELFAST, MAINE, THURSDAY, APRIL 7, 1910. NUMBER 14 Contents of Today 's Journal. OBITUARY were made: E. R. Conner and The Government. William H. Bray, c A. Horton of the Duplex Roller Bushing Millinery Openings. City E. R. Conner had 6 votes and PERSONAL. News of Belfast.. City William H. Bray C o. submitted some correspondence he had had Personal... Capt. J. died at 1 a. m., .The Henry Chaples April { the 8 votes and Bray was declared elected for the vemment.. Millinery Open- ^ Brilliant and of The meeting of city govern- v ith George Lawley & Sons of one of at his home on 62 Bewildering Display the April Boston, Mr. and Mrs. Charles left The Churches. .Obituary.. .Se- 4th, upper High street, aged unexpired term of one Bradbury Monday gi.. Latest ment was held Monday evening, April 4th, year. £ le largest yacht concerns in the Societies. 6 months and 22 He had been ill Fashions. building t a six-weeks’ visit in New York. rei years, days. Sanford Howard was The roll of accounts elected by acclamation c builders 1 at Last Saturday was an ideal as to weath- Mayor Hanson presiding. mntry, of the cup defenders May- Men and Affairs Washington... with tuberculosis since last October, but death day as as building inspector. Mrs. Caroline C. Dolloff returned .Hottest Yet for * r for the was read and ordered follows: ^ ower and Volunteer and other famous Monday Wedding Bells.. resulted from heart failure. He was born at millinery openings, and the streets paid many The were submitted as c ■aft.
    [Show full text]
  • Native American Elements in Piano Repertoire by the Indianist And
    NATIVE AMERICAN ELEMENTS IN PIANO REPERTOIRE BY THE INDIANIST AND PRESENT-DAY NATIVE AMERICAN COMPOSERS Lisa Cheryl Thomas, B.M.E., M.M. Dissertation Prepared for the Degree of DOCTOR OF MUSICAL ARTS UNIVERSITY OF NORTH TEXAS May 2010 APPROVED: Adam Wodnicki, Major Professor Steven Friedson, Minor Professor Joseph Banowetz, Committee Member Jesse Eschbach, Chair of the Division of Keyboard Studies Graham Phipps, Director of Graduate Studies in the College of Music James C. Scott, Dean of the College of Music Michael Monticino, Dean of the Robert B. Toulouse School of Graduate Studies Thomas, Lisa Cheryl. Native American Elements in Piano Repertoire by the Indianist and Present-Day Native American Composers. Doctor of Musical Arts (Performance), May 2010, 78 pp., 25 musical examples, 6 illustrations, references, 66 titles. My paper defines and analyzes the use of Native American elements in classical piano repertoire that has been composed based on Native American tribal melodies, rhythms, and motifs. First, a historical background and survey of scholarly transcriptions of many tribal melodies, in chapter 1, explains the interest generated in American indigenous music by music scholars and composers. Chapter 2 defines and illustrates prominent Native American musical elements. Chapter 3 outlines the timing of seven factors that led to the beginning of a truly American concert idiom, music based on its own indigenous folk material. Chapter 4 analyzes examples of Native American inspired piano repertoire by the “Indianist” composers between 1890-1920 and other composers known primarily as “mainstream” composers. Chapter 5 proves that the interest in Native American elements as compositional material did not die out with the end of the “Indianist” movement around 1920, but has enjoyed a new creative activity in the area called “Classical Native” by current day Native American composers.
    [Show full text]
  • Chapter 7 the Neuroscience of Emotion in Music Jaak Panksepp and Colwyn Trevarthen
    07-Malloch-Chap07 9/9/08 10:41 AM Page 105 Chapter 7 The neuroscience of emotion in music Jaak Panksepp and Colwyn Trevarthen 7.1 Overture: why humans move, and communicate, in musical–emotional ways Music moves us. Its rhythms can make our bodies dance and its tones and melodies can stir emotions. It brings life to solitary thoughts and memories, can comfort and relieve loneliness, promote private or shared happiness, and engender feelings of deep sadness and loss. The sounds of music communicate emotions vividly in ways beyond the ability of words and most other forms of art. It can draw us together in affectionate intimacy, as in the first prosodic song-like conversations between mothers and infants. It can carry the volatile emotions of human attach- ments and disputes in folk songs and grand opera, and excite the passions of crowds on great social occasions. These facts challenge contemporary cognitive and neural sciences. The psychobiology of music invites neuroscientists who study the emotional brain to unravel the neural nature of affective experience, and to seek entirely new visions of how the mind generates learning and memory— to reveal the nature of ‘meaning’. The science of communicative musicality—the dynamic forms and functions of bodily and vocal gestures—helps us enquire how the motivating impulses of music can tell compelling stories. This also leads us to ask how human music relates to our animal emotional heritage and the dynamic instinctual movements that communicate emotions. Research on the emotional systems of animals is bringing us closer to explanations of the still mysterious aspects of human affective experiences, and hence the emotional power of music.
    [Show full text]
  • MUSIK MACHT GEISTIG FIT.Pdf
    Studium generale © Herausgeber: B. Fischer, 77736 Zell a.H, Birkenweg 19 Tel: 07835-548070 www.wisiomed.de Musik und geistige Leistungsfähigkeit Herausgeber: Prof. Dr. med. Bernd Fischer Musik macht geistig fit „Wer Musikschulen schließt, gefährdet die innere Sicherheit“ (Nida-Rümelin,.2005) in Kooperation mit der Memory-Liga e. V. Zell a. H. sowie dem Verband der Gehirntrainer Deutschlands VGD® und Wissiomed® Akademie Haslach (www.wissiomed.de) Die Unterlagen dürfen in jeder Weise in unveränderter Form unter Angabe des Herausgebers in nicht kommerzieller Weise verwendet werden! Wir sind dankbar für Veränderungsvorschläge, Erweiterungen, Anregungen und Korrekturen, die sie uns jederzeit unter [email protected] zukommen lassen können. © Herausgeber: B. Fischer, 77736 Zell a.H, Birkenweg 19 Tel: 07835-548070 www.wisiomed.de Musik und geistige Leistungsfähigkeit Gliederung Herausgeber, Mitarbeiterinnen 8 Einleitung 9 Musik und Hirndurchblutung 31 Musik und Hirndurchblutung linkes Gehirn 33 Musik und Hirndurchblutung rechtes Gehirn 36 Musik und Hirnstoffwechsel 38 Musik und neurophysiologische Veränderungen 42 Musik und Immunlage 43 Musik und gewebliche Veränderungen im Gehirn 46 Musik und geistige Leistungsfähigkeit 55 Musik, Emotion und emotionale Intelligenz 55 Musik fördert die Aufmerksamkeit 62 2 © Herausgeber: B. Fischer, 77736 Zell a.H, Birkenweg 19 Tel: 07835-548070 www.wisiomed.de Musik und geistige Leistungsfähigkeit Musik fördert die Wahrnehmung 66 Musik und Arbeitsgedächtnis 68 Musik und Langzeitgedächtnis 69 Musik als Rhythmusgeber I 73 Funktionen des präfrontalen Kortex 78 Musik als Rhythmusgeber II 83 Musik und Symmetrieverbesserung des Gehirns 86 Musik und Synchronisation von Atmung und Kreislauf 87 Musik und aktuelle geistige Leistungsfähigkeit 90 Musikerziehung und geistige Leistungsfähigkeit in Bezug auf allgemeine Intelligenz, Rechnen, abstraktes Denken, Kreativität, Emotion, soziale Kompetenz, schulische Erfolge incl.
    [Show full text]
  • Roy Harris Papers
    Roy Harris Papers Processed by the Music Division of the Library of Congress Music Division, Library of Congress Washington, D.C. 2010 Contact information: http://hdl.loc.gov/loc.music/perform.contact Catalog Record: http://lccn.loc.gov/2010562511 Finding aid encoded by Library of Congress Music Division, 2010 Finding aid URL: http://hdl.loc.gov/loc.music/eadmus.mu010029 Latest revision: 2012 April Collection Summary Title: Roy Harris Papers Span Dates: 1893-1998 Bulk Dates: (bulk 1933-1979) Call No.: ML31.H37 Creator: Harris, Roy, 1898-1979 Extent: 6,450 items ; 88 containers ; 40.0 linear feet Language: Material in English Location: Music Division, Library of Congress, Washington, D.C. Summary: Roy Harris was an American composer. The collection contains materials that document his life and career, including manuscript scores, published and unpublished writings, correspondence, business papers, financial and legal documents, programs, publicity files, photographs, scrapbooks, work files, posters, clippings, and biographical materials. Selected Search Terms The following terms have been used to index the description of this collection in the Library's online catalog. They are grouped by name of person or organization, by subject or location, and by occupation and listed alphabetically therein. People Boulanger, Nadia--Correspondence. Cage, John--Correspondence. Foss, Lukas, 1922-2009--Correspondence. Harris, Johana--Correspondence. Harris, Johana. Harris, Roy, 1898-1979--Archives. Harris, Roy, 1898-1979--Correspondence. Harris, Roy, 1898-1979--Manuscripts. Harris, Roy, 1898-1979--Photographs. Harris, Roy, 1898-1979. Harris, Roy, 1898-1979. Harris, Roy, 1898-1979. Selections. Ormandy, Eugene, 1899-1985--Correspondence. Persichetti, Vincent, 1915-1987--Correspondence. Starker, Janos--Correspondence. Organizations Pittsburgh International Contemporary Music Festival.
    [Show full text]