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Edited by Marek Rembierz Krzysztof Śleziński
Studies of Polish Philosophy vol. 11(2016) Edited by Marek Rembierz Krzysztof Śleziński Cieszyn–Kraków 2016 ISSN 1897-8584 tom 11(2016) Pod redakcją Marka Rembierza Krzysztofa Ślezińskiego Cieszyn–Kraków 2016 Rada Programowa / Program Council Andrzej Biłat ∙ Jerzy Bobryk ∙ Stanisław Borzym ∙ Andrzej Bronk ∙ Anna Brożek ∙ Krzysztof Brzechczyn ∙ Pavol Dancák (Prešov) ∙ Anna Drabarek ∙ Borys Dombrovski (Lwów) ∙ Lukas Fasora (Brno) ∙ Czeslaw Głombik ∙ Jiří Hanuš (Brno) ∙ Jacek Juliusz Jadacki ∙ Marek N. Jakubowski ∙ Stanisław Janeczek ∙ Adam Jonkisz ∙ Janusz Jusiak ∙ Janusz Kaczmarek ∙ Ryszard Kleszcz ∙ Stefan Konstańczak ∙ Jerzy Kopania ∙ Dariusz Kubok ∙ Anna Latawiec ∙ Oresta Losyk (Lwów) ∙ Piotr Łaciak ∙ Dariusz Łukasiewicz ∙ Janusz Maciaszek ∙ Janusz Mączka ∙ Justyna Miklaszewska ∙ Ryszard Mordarski ∙ Tomasz Mróz ∙ Andrzej Murzyn ∙ Adam Nowaczyk ∙ Stanisław Pieróg ∙ Zlatica Plašienková (Bratysława) ∙ Ewa Podrez ∙ Paweł Polak ∙ Jan Skoczyński ∙ Oleksiy Suchyj (Lwów) ∙ Ewa Starzyńska-Kościuszko ∙ Krzysztof Szlachcic ∙ Barbara Szotek ∙ Tadeusz Szubka ∙ Grażyna Szumera ∙ Danuta Ślęczek-Czakon ∙ Włodzimierz Tyburski ∙ Jozef Vicenik (Bratysława) ∙ Andrzej Walicki ∙ Andrzej Wawrzynowicz ∙ Krzysztof Wieczorek ∙ Alfred Marek Wierzbicki ∙ Ryszard Wiśniewski ∙ Jan Woleński ∙ Kazimierz Wolsza ∙ Maciej Woźniczka ∙ Wiesław Wójcik ∙ Jan Zouhar (Brno) adres Redakcji: [email protected] Copyright © by Redakcja, 2016 Uniwersytet Śląski w Katowicach, 2016 Sekretarze redakcji – Secretaries Leszek Łysień, Maria Misik Korekta językowa – Language correction Katarzyna -
The Baltic Republics
FINNISH DEFENCE STUDIES THE BALTIC REPUBLICS A Strategic Survey Erkki Nordberg National Defence College Helsinki 1994 Finnish Defence Studies is published under the auspices of the National Defence College, and the contributions reflect the fields of research and teaching of the College. Finnish Defence Studies will occasionally feature documentation on Finnish Security Policy. Views expressed are those of the authors and do not necessarily imply endorsement by the National Defence College. Editor: Kalevi Ruhala Editorial Assistant: Matti Hongisto Editorial Board: Chairman Prof. Mikko Viitasalo, National Defence College Dr. Pauli Järvenpää, Ministry of Defence Col. Antti Numminen, General Headquarters Dr., Lt.Col. (ret.) Pekka Visuri, Finnish Institute of International Affairs Dr. Matti Vuorio, Scientific Committee for National Defence Published by NATIONAL DEFENCE COLLEGE P.O. Box 266 FIN - 00171 Helsinki FINLAND FINNISH DEFENCE STUDIES 6 THE BALTIC REPUBLICS A Strategic Survey Erkki Nordberg National Defence College Helsinki 1992 ISBN 951-25-0709-9 ISSN 0788-5571 © Copyright 1994: National Defence College All rights reserved Painatuskeskus Oy Pasilan pikapaino Helsinki 1994 Preface Until the end of the First World War, the Baltic region was understood as a geographical area comprising the coastal strip of the Baltic Sea from the Gulf of Danzig to the Gulf of Finland. In the years between the two World Wars the concept became more political in nature: after Estonia, Latvia and Lithuania obtained their independence in 1918 the region gradually became understood as the geographical entity made up of these three republics. Although the Baltic region is geographically fairly homogeneous, each of the newly restored republics possesses unique geographical and strategic features. -
Veronika Vitaitė: Discoveries in Pianism
Veronika Vitaitė: Discoveries in Pianism Summary The book is devoted to the analysis of the performance skills, pedagog- ical and organisational activities of Veronika Vitaitė, a prominent cur- rent piano pedagogue, pianist, promoter of Lithuanian piano culture. Manifestations of the Professor’s personality in different fields of musi- cal activity, the universality of her works influenced the development of Lithuanian piano culture of the past decades: performance skills, a close relationship with Lithuanian composers encouraged the creation of piano duet, inspired the premiers of works of different genres; zeal- ous work, preparation of her students for international competitions yielded several generations of young pianists; intense organisational activities, long-time leadership of the Piano Department of the Lithua- nian Academy of Music and Theatre, constant supervision and care of training of young pianists of the Republic laid strong foundations for a further development of piano excellence. Thus far Veronika Vitaitė’s intense and multi-faceted activities have not been thoroughly discussed and properly assessed. Whereby the present monograph it is sought to fill the existing gap. In preparing the book, the following works by Lithuanian researchers were used: col- lections of articles compiled by Kęstutis Grybauskas (1984), Veronika Vitaitė (1993), studies of the development of the art of piano by Mariam Azizbekova (1991, 1998, 1999), Liucija Drąsutienė (1996, 2004, 2015), Eugenijus Ignatonis (1997, 2003, 2010), Rita Aleknaitė-Bieliauskienė (2003, 2014, 2017), Ramunė Kryžauskienė (2004, 2007), scientific in- sights of Leonidas Melnikas (2006, 2007), Lina Navickaitė-Martinelli (2013). To discuss Veronika Vitaitė’s artistic activities, we drew on the reviews of her concerts, and to analyse general principles of her teach- ing methods, reminiscences of her former students and a questionnaire survey were used, lessons of the experienced pedagogue, as well as workshops and master classes that she conducted were attended. -
Beata Adamczyk Cultural Cooperation Between Nations As an Important
Beata Adamczyk Cultural cooperation between nations as an important factor of sustainable social development of the region of Central and Eastern Europe in the European Union : (for instance Poland and Lithuania) Studia Ecologiae et Bioethicae 5, 225-267 2007 Beata ADAMCZYK UW Warszawa Cultural cooperation between nations as an important factor of sustainable social development of the region of Central and Eastern Europe in the European Union (for instance Poland and Lithuania) Motto: So that the spirits of the dead leave us in peace... (Aby duchy umarłych zostawiły nas w spokoju...) CZESŁAW MIŁOSZA Cultural cooperation between nations is mainly based on pacts entered by the government of the Republic of Poland and the government of the Republic of Lithuania, on cooperation between academies and cultural facilities, and on collaboration of all nations living in the given area with respect to issues important to local communities, ^ e message of cultural cooperation is social and cultural integration. Cultural and social co-operation among nations lived in East and Central Europe has been sprung up over many centuries. In the 20th century, the nations of the part of Europe were subjected to an attempt to standardise their national cultures by means of introducing the socialist realist culture. According to purposes of contemporary authorities culture was created only officially. In language of the contemporary system, social issues were taken into account mainly in the mass aspect. ^ e author of article is a graduate of the Institute of Librarianship and Information Science at Warsaw University and because of it in the article mainly she treats of bookseller’s and publishing connected with Vilnius. -
21-Asis Aktualios Muzikos Festivalis GAIDA 21Th Contemporary Music Festival
GAIDA 21-asis aktualios muzikos festivalis GAIDA 21th Contemporary Music festival 2011 m. spalio 21–29 d., Vilnius 21–29 October, 2011, Vilnius Festivalio viešbutis Globėjai: 21-asis tarptautinis šiuolaikinės muzikos festivalis GAIDA 21th International Contemporary Music Festival Pagrindiniai informaciniai rėmėjai: MINIMAL | MAXIMAL • Festivalio tema – minimalizmas ir maksimalizmas muzikoje: bandymas Informaciniai rėmėjai: pažvelgti į skirtingus muzikos polius • Vienos didžiausių šiuolaikinės muzikos asmenybių platesnis kūrybos pristatymas – portretas: kompozitorius vizionierius Iannis Xenakis • Pirmą kartą Lietuvoje – iškiliausio XX a. pabaigos lenkų simfoninio kūrinio, Henryko Mikołajaus Góreckio III simfonijos, atlikimas • Dėmesys tikriems šiuolaikinės muzikos atlikimo lyderiams iš Prancūzijos, Vokietijos ir Italijos Partneriai ir rėmėjai: • Intriguojantys audiovizualiniai projektai – originalios skirtingų menų sąveikos ir netikėti sprendimai • Keletas potėpių M. K. Čiurlioniui, pažymint kompozitoriaus 100-ąsias mirties metines • Naujų kūrinių užsakymai ir geriausi Lietuvos bei užsienio atlikėjai: simfoniniai orkestrai, ansambliai, solistai Festivalis GAIDA yra europinio naujosios muzikos kūrybos ir sklaidos tinklo Réseau Varése, remiamo Europos Komisijos programos Kultūra, narys. The GAIDA Festival is a member of the Réseau Varése, European network Rengėjai: for the creation and promotion of new music, subsidized by the Culture Programme of the European Commission. TURINYS / CONTENT Programa / Programme.......................................................................................2 -
The Institutionalisation of Pedagogy in the Second Polish
Konrad Nowak-Kluczyński BHE 40/2019 The Faculty of Educational Studies ISSN 2544-7899 Adam Mickiewicz University in Poznań DOI: 10.14746/bhw.2019.40.3 ORCID: 0000-0002-7814-1650 The institutionalisation of pedagogy in the Second Polish Republic period – the case of the Department of Pedagogy and Didactics at the University of the Piasts (Wszechnica Piastowska) Abstract: The institutionalisation of pedagogy in the Second Polish Republic period – the case of the Department of Pedagogy and Didactics at the University of the Piasts (Wszechnica Piastowska) The Second Polish Republic is a period of the institutionalisation and disciplinarisation of peda- gogy. The interwar period is characterised by the institutions, established for the pedagogical ed- ucation of teachers, and agendas that arise along with them, at Polish universities, aiming at ped- agogical education and generation of pedagogical knowledge. The example of such actions was the establishment of the Department of Pedagogy and Didactics at the University of the Piasts (Wszechnica Piastowska). It was due to the efforts of the first directors of the Department – Antoni Danysz, Bogdan Nawroczyński, and Ludwik Jaxa-Bykowski, that the Poznań academic pedagogy had played a significant role in the structures of the University of Poznań, and in the scientific de- velopment of Polish pedagogy. Despite it being shut down in 1933, within the continuous cooper- ation with the Department of Psychology, the Poznań University, gave the opportunity and shaped the future teachers. Keywords: pedagogy, the Department of Pedagogy and Didactics, Wszechnicza Piastowska, The University of Poznań, Antoni Danysz, Ludwik Jaxa-Bykowski, the University of the Western Lands, the interwar period Introduction The institutionalisation and disciplinarisation of pedagogy in Poland was initiated during the period of building the structures of an independent state – the Second Polish Republic. -
Deutsche Nationalbibliografie 2011 M 08
Deutsche Nationalbibliografie Reihe M Musikalien und Musikschriften Monatliches Verzeichnis Jahrgang: 2011 M 08 Stand: 17. August 2011 Deutsche Nationalbibliothek (Leipzig, Frankfurt am Main) 2011 ISSN 1613-8937 urn:nbn:de:101-ReiheM08_2011-3 2 Hinweise Die Deutsche Nationalbibliografie erfasst eingesandte Pflichtexemplare in Deutschland veröffentlichter Medienwerke, aber auch im Ausland veröffentlichte deutschsprachige Medienwerke, Übersetzungen deutschsprachiger Medienwerke in andere Sprachen und fremdsprachige Medienwerke über Deutschland im Original. Grundlage für die Anzeige ist das Gesetz über die Deutsche Nationalbibliothek (DNBG) vom 22. Juni 2006 (BGBl. I, S. 1338). Monografien und Periodika (Zeitschriften, zeitschriftenartige Reihen und Loseblattausgaben) werden in ihren unterschiedlichen Erscheinungsformen (z.B. Papierausgabe, Mikroform, Diaserie, AV-Medium, elektronische Offline-Publikationen, Arbeitstransparentsammlung oder Tonträger) angezeigt. Alle verzeichneten Titel enthalten einen Link zur Anzeige im Portalkatalog der Deutschen Nationalbibliothek und alle vorhandenen URLs z.B. von Inhaltsverzeichnissen sind als Link hinterlegt. Die Titelanzeigen der Musikalien in Reihe M sind, wie Katalogisierung, Regeln für Musikalien und Musiktonträ- auf der Sachgruppenübersicht angegeben, entsprechend ger (RAK-Musik)“ unter Einbeziehung der „International der Dewey-Dezimalklassifikation (DDC) gegliedert, wo- Standard Bibliographic Description for Printed Music – bei tiefere Ebenen mit bis zu sechs Stellen berücksichtigt ISBD (PM)“ -
Dariusz Tarasiuk the Attitudes of Poles Towards The
Pobrane z czasopisma Studia Bia?orutenistyczne http://bialorutenistyka.umcs.pl Data: 16/05/2021 20:59:37 DOI:10.17951/sb.2016.10.29 Studia Białorutenistyczne 10/2016 Historia, socjologia, kulturoznawstwo Dariusz Tarasiuk Uniwersytet Marii Curie-Skłodowskiej w Lublinie (Polska) Maria Curie-Skłodowska University in Lublin (Poland) e-mail: [email protected] The attitudes of Poles towards the Belarusian national aspirations in Minsk in 1917 Polacy wobec białoruskich aspiracji narodowych w Mińsku w 1917 roku Палякі ў адносінах да беларускіх нацыянальных імкненняў ў Мінску ў 1917 годзе he social and political aftermath of the February Revolution of 1917 in Rus- sia gave the nations living within the Russian empire a hope for political em- Tpowerment. Independence aspirations were voiced not only by Poles, who had a tradition of statehood, but also by other nations living within the Republic of Both Nations, including Belarusians1. This situation left the elites of both nations facing new challenges since their political plans for theUMCS Belarusian lands were markedly different. This was evidenced, e.g., in the efforts made by Roman Dmowski, the leader of National Democracy, which was the most influential party among Poles, who presented Arthur Balfour, British Foreign Secretary, with a memorandum, in which he openly stated that nobody in Poland believed in the possibility of rebuilding their statehood in cooperation with Russia. He went on to argue that the only way out was to create an independent Polish State, which would span over such governorates (guberniyas) as Grodno Governo- rate, Vilna Governorate, and the majority of Minsk Governorate2. -
LITHUANIA 467 © Lonely Planet Publications Planet Lonely ©
© Lonely Planet Publications 467 LITHUANIA LITHUANIA Lithuania The Baltic countries have a reputation for their dour ways, but this image fades when you enter rebellious Lithuania, a country blessed with boundless energy and studded with re- minders of its colourful history. It may be a dot on Europe’s map, but that hasn’t stopped Lithuania making big waves on the continent. Outside the country it’s a little-known fact that in the 1400s Lithuania extended beyond Kursk in the east and all the way to the Black Sea in the south. This giant empire didn’t last long, but even today Lithuanians brim with pride and confidence befitting their mighty heritage. More recently – and most notably – the Baltic’s most southern nation became the first state to formally declare its independence from the Soviet Union. In a country favoured by Mother Nature, where pagan roots run deep and Catholic pas- sion lives on, there’s plenty to attract the traveller. For starters there’s effortlessly charming Vilnius and its skyline of baroque spires. The eerie Hill of Crosses near Šiauliai is a truly unique experience. In the west, thousands of migratory birds make Curonian Spit their primary destination, while to the north lies Aukštaitija National Park, a lake land blanketed in dense pine forests and dotted with tiny rural villages. More and more tourists are making Lithuania a port of call, but don’t let that scare you away – there are enough delights to go around in this Baltic beauty. FAST FACTS Area 65,303 sq km Capital Vilnius Currency litas (Lt); €1 = -
Title: Towards Scientific Metaphysics.Vol. 1In the Circle Of
Title: Towards scientific metaphysics.Vol. 1In the circle of the scientific metaphysics of Zygmunt Zawirski : development and comments on Zawirski's concepts and their philosophical context Author: Krzysztof Śleziński Citation style: Śleziński Krzysztof. (2019). Towards scientific metaphysics.Vol. 1In the circle of the scientific metaphysics of Zygmunt Zawirski : development and comments on Zawirski's concepts and their philosophical context. Berlin : Peter Lang, doi 10.3726/b15411 Wydanie książki dofinansowane ze środków Uniwersytetu Śląskiego w Katowicach. Książka udostępniona w otwartym dostępie na podstawie umowy między Uniwersytetem Śląskim a wydawcą. Książkę możesz pobierać z Repozytorium Uniwersytetu Śląskiego i korzystać z niej w ramach dozwolonego użytku. Aby móc umieścić pliki książki na innym serwerze, musisz uzyskać zgodę wydawcy (możesz jednak zamieszczać linki do książki na serwerze Repozytorium Uniwersytetu Śląskiego). Towards Scientific Metaphysics Polish Contemporary Philosophy and Philosophical Humanities Edited by Jan Hartman Volume 15 Krzysztof Śleziński Towards Scientific Metaphysics Volume 1: In the Circle of the Scientific Metaphysics of Zygmunt Zawirski. Development and Comments on Zawirski’s Concepts and their Philosophical Context Bibliographic Information published by the Deutsche Nationalbibliothek The Deutsche Nationalbibliothek lists this publication in the Deutsche Nationalbibliografie; detailed bibliographic data is available in the internet at http://dnb.d-nb.de. Library of Congress Cataloging-in-Publication Data A CIP catalog record for this book has been applied for at the Library of Congress. Reviewed by Prof. Adam Jonkisz. This publication was financially supported by the University of Silesia in Katowice, Poland. ISSN 2191-1878 ISBN 978-3-631-78108-1 (Print) E-ISBN 978-3-631-78494-5 (E-PDF) E-ISBN 978-3-631-78495-2 (EPUB) E-ISBN 978-3-631-78496-9 (MOBI) DOI 10.3726/b15411 © Peter Lang GmbH Internationaler Verlag der Wissenschaften Berlin 2019 All rights reserved. -
Muzikološki Z B O R N I K L
MUZIKOLOŠKI ZBORNIK MUSICOLOGICAL ANNUAL L / 2 ZVEZEK/VOLUME L J U B L J A N A 2 0 1 4 Glasba kot sredstvo in predmet v procesih sakralizacije profanega in profanacije sakralnega Sacralization of the Profane and Profanation of the Sacred: Music as a Means and an Object Izdaja • Published by Oddelek za muzikologijo Filozofske fakultete Univerze v Ljubljani Urednik zvezka • Edited by Aleš Nagode (Ljubljana) Glavni in odgovorni urednik • Editor-in-chief Jernej Weiss (Ljubljana) Asistentka uredništva • Assistant Editor Tjaša Ribizel (Ljubljana) Uredniški odbor • Editorial Board Matjaž Barbo (Ljubljana) Aleš Nagode (Ljubljana) Svanibor Pettan (Ljubljana) Leon Stefanija (Ljubljana) Andrej Rijavec (Ljubljana), častni urednik • honorary editor Mednarodni uredniški svet • International Advisory Board Michael Beckermann (Columbia University, USA) Nikša Gligo (University of Zagreb, Croatia) Robert S. Hatten (Indiana University, USA) David Hiley (University of Regensburg, Germany) Thomas Hochradner (Mozarteum Salzburg, Austria) Bruno Nettl (University of Illinois, USA) Helmut Loos (University of Leipzig, Germany) Jim Samson (Royal Holloway University of London, UK) Lubomír Spurný (Masaryk University Brno, Czech Republic) Katarina Tomašević (Serbian Academy of Sciences and Arts, Serbia) John Tyrrell (Cardiff University, UK) Michael Walter (University of Graz, Austria) Uredništvo • Editorial Address Oddelek za muzikologijo Filozofska fakulteta Aškerčeva 2, SI-1000 Ljubljana, Slovenija e-mail: [email protected] http://revije.ff.uni-lj.si/MuzikoloskiZbornik Cena posamezne številke • Single issue price 10 EUR Letna naročnina • Annual subscription 20 EUR Založila • Published by Znanstvena založba Filozofske fakultete Univerze v Ljubljani Za založbo • For the publisher Branka Kalenić Ramšak, dekanja Filozofske fakultete Tisk • Printed by Birografika Bori d.o.o., Ljubljana Naklada 500 izvodov • Printed in 500 copies Rokopise, publikacije za recenzije, korespondenco in naročila pošljite na naslov izdajatelja. -
2012–Ųjų Metų Gaidos Festivalis Taip Pat Pažymi Šią Reikšmingą Sukaktį Dedikuodamas Johnui Cage’Ui Dalį Savosios Programos
► Viena pagrindinių festivalio temų – erdvė (erdvė muzikoje, muzika erdvėje, spektriniai ir kiti erdvės aspektai) ► Festivalio kviestinis kompozitorius – Georgas Friedrichas Haasas, vienas įdomiausių ir labiausiai pripažintų šiandienos austrų kompozitorių ► Festivalis pristato specialius projektus Johno Cage’o – vieno įtakingiausių XX a. kūrėjų ir mąstytojų – 100 metų sukakčiai ► Atskiras dėmesys kitai amerikiečių įžymybei – Steve’ui Reich’ui ► Festivalio puošmena – kultiniai JAV ir Europos atlikėjai bei pasaulinio garso solistai ► Festivalyje dalyvaus geriausios Lietuvos atlikėjų pajėgos, skambės užsakyti kūriniai lietuvių kompozitoriams Festivalis GAIDA yra europinio naujosios muzikos kūrybos ir sklaidos tinklo Réseau Varése, remiamo Europos Komisijos programos Kultūra, narys. The GAIDA Festival is a member of the Réseau Varése, European network for the creation and promotion of new music, subsidized by the Culture Programme of the European Commission. TURINYS / CONTENT Programa / Programme .......................................................................................................2 100–asis Johno Cage’o gimtadienis / John Cage’s Centennial Anniversary .....6 Georgas Friedrichas Haasas / Georg Friedrich Hass .................................................10 Bang On A Can All-Stars (JAV / USA) ...............................................................................14 Plural Ensemble (Ispanija / Spain) ....................................................................................24 Lietuvos nacionalinis simfoninis