Bone Flutes and Whistles from Archaeological Sites in Eastern North America
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The KNIGHT REVISION of HORNBOSTEL-SACHS: a New Look at Musical Instrument Classification
The KNIGHT REVISION of HORNBOSTEL-SACHS: a new look at musical instrument classification by Roderic C. Knight, Professor of Ethnomusicology Oberlin College Conservatory of Music, © 2015, Rev. 2017 Introduction The year 2015 marks the beginning of the second century for Hornbostel-Sachs, the venerable classification system for musical instruments, created by Erich M. von Hornbostel and Curt Sachs as Systematik der Musikinstrumente in 1914. In addition to pursuing their own interest in the subject, the authors were answering a need for museum scientists and musicologists to accurately identify musical instruments that were being brought to museums from around the globe. As a guiding principle for their classification, they focused on the mechanism by which an instrument sets the air in motion. The idea was not new. The Indian sage Bharata, working nearly 2000 years earlier, in compiling the knowledge of his era on dance, drama and music in the treatise Natyashastra, (ca. 200 C.E.) grouped musical instruments into four great classes, or vadya, based on this very idea: sushira, instruments you blow into; tata, instruments with strings to set the air in motion; avanaddha, instruments with membranes (i.e. drums), and ghana, instruments, usually of metal, that you strike. (This itemization and Bharata’s further discussion of the instruments is in Chapter 28 of the Natyashastra, first translated into English in 1961 by Manomohan Ghosh (Calcutta: The Asiatic Society, v.2). The immediate predecessor of the Systematik was a catalog for a newly-acquired collection at the Royal Conservatory of Music in Brussels. The collection included a large number of instruments from India, and the curator, Victor-Charles Mahillon, familiar with the Indian four-part system, decided to apply it in preparing his catalog, published in 1880 (this is best documented by Nazir Jairazbhoy in Selected Reports in Ethnomusicology – see 1990 in the timeline below). -
The Archaeology of Two Lakes in Minnesota
BLM LIBRARY 88000247 BUREAU OF LAND MANAGEMENT EASTERN STATES OFFICE THE ARCHAEOLOGY OF TWO LAKES IN MINNESOTA by Christina Harrison CULTURAL RESOURCE SERIES NO. 2 Cover drawing by Shelly H. Fischman. Copies of this report may be obtained from the Bureau of Land Management, Eastern States Office, 350 South Pickett Street, Alexandria, Virginia 22304, or National Technical Information Services, 5285 Port Royal Road, Springfield, Virginia 22161, (703)487-4650. BLM/ES/PT-85-001-4331 # w*^ •Ml THE ARCHAEOLOGY OF TWO LAKES IN MINNESOTA By Christina Harrison BUREAU OF LAND MANAGEMENT LIBRARY Denver, Colorado 8866624? Richard Brook General Editor 1985 Management Bureau of Land Center BR Denver Federal Denver, CO 80225 FOREWORD This report combines under one cover the results of archaeological investigations conducted along two Minnesota lakes — Birch Lake Reservoir in the north, along which 21-SL-165 [gator, Ms. Christina Harrison and her assistants. The BLM is very appreciative of the excellent work. The excavation program at SL-165 was part of the BLM compliance requirements for approval for public sale of the parcel on which the site is located. By contrast, the investigation of BE-4A, The settlement picture at BE-44 confirms an existing and more clearly elucidated pattern characteristic of late Archaic-early Woodland occupation in this part of Minnesota. Generally, during this time period, groups ^ *._.._ j ~ J -r„i„_j„ j ___j i i± a. «. _ „i in i_i j .. _ j The contractor has outlined several management recommendations to be considered in reducing or alleviating the erosion problems on BE-44. -
The Acoustics of a Tenor Recorder
The Acoustics of a Tenor Recorder by D. D. McKinnon A thesis submitted to the Faculty of the College of Arts & Sciences of the University of Colorado in partial fulfillment of the requirements for the degree of Bachelor of Arts Department of Physics 2009 This thesis entitled: The Acoustics of a Tenor Recorder written by D. D. McKinnon has been approved for the Department of Physics Prof. John Price Prof. John Cumalat Prof. Peter Kratzke Date iii McKinnon, D. D. (B.A., Physics) The Acoustics of a Tenor Recorder Thesis directed by Prof. John Price The study of acoustics is rooted in the origins of physics, yet the dynamics of flue-type instruments are still only qualitatively understood. Our group has developed a measurement system, the Acoustic VNA, which can precisely determine acoustic wave amplitudes of the lowest mode propagating in a cylindrical waveguide. I used the AVNA to study a musical oscillator, the tenor recorder. The recorder consists of two compo- nents, an air-jet amplifier driven by the player’s breath and a cylindrical waveguide resonator with an effective length that may by varied by covering or uncovering finger holes. Previous research on the recorder has focused on understanding the resonator frequencies in some detail, but has only provided a rough understanding of the air-jet. In particular, there is not yet a quantitative understanding of how the pitch varies with blowing pressure for a given fingering. I designed several experiments to provide a quantitative picture of how the air-jet behaves at different blowing pressures and discov- ered that higher blowing pressures lead to stronger amplification at higher frequencies. -
SEAC Bulletin 58.Pdf
SOUTHEASTERN ARCHAEOLOGICAL CONFERENCE PROCEEDINGS OF THE 72ND ANNUAL MEETING NOVEMBER 18-21, 2015 NASHVILLE, TENNESSEE BULLETIN 58 SOUTHEASTERN ARCHAEOLOGICAL CONFERENCE BULLETIN 58 PROCEEDINGS OF THE 72ND ANNUAL MEETING NOVEMBER 18-21, 2015 DOUBLETREE BY HILTON DOWNTOWN NASHVILLE, TENNESSEE Organized by: Kevin E. Smith, Aaron Deter-Wolf, Phillip Hodge, Shannon Hodge, Sarah Levithol, Michael C. Moore, and Tanya M. Peres Hosted by: Department of Sociology and Anthropology, Middle Tennessee State University Division of Archaeology, Tennessee Department of Environment and Conservation Office of Social and Cultural Resources, Tennessee Department of Transportation iii Cover: Sellars Mississippian Ancestral Pair. Left: McClung Museum of Natural History and Culture; Right: John C. Waggoner, Jr. Photographs by David H. Dye Printing of the Southeastern Archaeological Conference Bulletin 58 – 2015 Funded by Tennessee Department of Environment and Conservation, Authorization No. 327420, 750 copies. This public document was promulgated at a cost of $4.08 per copy. October 2015. Pursuant to the State of Tennessee’s Policy of non-discrimination, the Tennessee Department of Environment and Conservation does not discriminate on the basis of race, sex, religion, color, national or ethnic origin, age, disability, or military service in its policies, or in the admission or access to, or treatment or employment in its programs, services or activities. Equal Employment Opportunity/Affirmative Action inquiries or complaints should be directed to the Tennessee Department of Environment and Conservation, EEO/AA Coordinator, Office of General Counsel, 312 Rosa L. Parks Avenue, 2nd floor, William R. Snodgrass Tennessee Tower, Nashville, TN 37243, 1-888-867-7455. ADA inquiries or complaints should be directed to the ADA Coordinator, Human Resources Division, 312 Rosa L. -
Visualizing Paleoindian and Archaic Mobility in the Ohio
VISUALIZING PALEOINDIAN AND ARCHAIC MOBILITY IN THE OHIO REGION OF EASTERN NORTH AMERICA A dissertation submitted to Kent State University in partial fulfillment of the requirements for the degree of Doctor of Philosophy by Amanda N. Colucci May 2017 ©Copyright All rights reserved Except for previously published materials Dissertation written by Amanda N. Colucci B.A., Western State Colorado University, 2007 M.A., Kent State University, 2009 Ph.D., Kent State University, 2017 Approved by Dr. Mandy Munro-Stasiuk, Ph.D., Co-Chair, Doctoral Dissertation Committee Dr. Mark Seeman, Ph.D., Co-Chair, Doctoral Dissertation Committee Dr. Eric Shook, Ph.D., Members, Doctoral Dissertation Committee Dr. James Tyner, Ph.D. Dr. Richard Meindl, Ph.D. Dr. Alison Smith, Ph.D. Accepted by Dr. Scott Sheridan, Ph.D., Chair, Department of Geography Dr. James Blank, Ph.D., Dean, College of Arts and Sciences TABLE OF CONTENTS TABLE OF CONTENTS ……………………………………………………………………………..……...……. III LIST OF FIGURES ….………………………………………......………………………………..…….…..………iv LIST OF TABLES ……………………………………………………………….……………..……………………x ACKNOWLEDGEMENTS..………………………….……………………………..…………….………..………xi CHAPTER 1: INTRODUCTION............................................................................................................................... 1 1.1 STUDY AREA AND TIMEFRAME ........................................................................................................................ 3 1.1.1 Paleoindian Period ............................................................................................................................... -
Roy Staab Four Seasons / Four Corners
ROY STAAB FOUR SEASONS / CORNERS ROY STAAB FOUR SEASONS / CORNERS Institute of Visual Arts University of Wisconsin-Milwaukee July 10-September 27, 2009 with contributions by Suzaan Boettger Nicholas Frank John K. Grande Amy Lipton Institute of Visual Arts University of Wisconsin-Milwaukee July 10-September 27, 2009 Inova is grateful for the support of the Greater Milwaukee Foundation’s Mary L. Nohl Fund. Published by the University of Wisconsin-Milwaukee Peck School of the Arts on the occasion of the exhibition ROY STAAB: FOUR SEASONS/FOUR CORNERS Organized by the Institute of Visual Arts (Inova) P.O. Box 413 Milwaukee, WI 53201 Phone: (414) 229-4762 Fax: (414) 229-6154 arts.uwm.edu © 2009 by the Board of Regents of the University of Wisconsin System. All rights reserved. No part of the contents of this book may be produced without the written permission of the publisher. ISBN: 9780981930114 Printed in the United States of America All photographs of installations by Roy Staab except: Michel Goday, figs. 2, 9 Gregg Schmidts, fig. 17 Leonard Freed, fig. 23 Nicholas Frank, fig. 33 Alan Magayne-Roshak, fig. 34 Additional credits: cover: Pyramid Space 7 - August 24, 1988 fig. 16: Digital Image © The Museum of Modern Art/Licensed by SCALA/Art Resource, NY fig. 18: Collection of the Gemeente Museum Den Haag. 1 (opposite) Fluke, 2008, Marbaek Beach near Esbjerg, Denmark 2 Port-Vendres, France, 1979 5 X MARKS THE STAAB Anyone who knows Roy Staab has experienced the discrepancy between 3 Dennis Oppenheim his personality and his artwork. His temporary environmental site installations Cancelled Crop, 1969 are the embodiment of calm, humility and silence. -
Archaeologist Volume 44 No
OHIO ARCHAEOLOGIST VOLUME 44 NO. 1 WINTER 1994 Published by THE ARCHAEOLOGICAL SOCIETY OF OHIO The Archaeological Society of Ohio MEMBERSHIP AND DUES Annual dues to the Archaeological Society of Ohio are payable on the first of January as follows: Regular membership $17.50; husband and wife (one copy of publication) $18.50; Life membership $300.00. EXPIRES A.S.O. OFFICERS Subscription to the Ohio Archaeologist, published quarterly, is included in 1994 President Larry L. Morris, 901 Evening Star Avenue SE, East the membership dues. The Archaeological Society of Ohio is an incor Canton, OH 44730, (216) 488-1640 porated non-profit organization. 1994 Vice President Stephen J. Parker, 1859 Frank Drive, BACK ISSUES Lancaster, OH 43130, (614) 653-6642 1994 Exec. Sect. Donald A. Casto, 138 Ann Court, Lancaster, OH Publications and back issues of the Ohio Archaeologist: 43130, (614)653-9477 Ohio Flint Types, by Robert N. Converse $10.00 add $1.50 P-H 1994 Recording Sect. Nancy E. Morris, 901 Evening Star Avenue Ohio Stone Tools, by Robert N. Converse $ 8.00 add $1.50 P-H Ohio Slate Types, by Robert N. Converse $15.00 add $1.50 P-H SE, East Canton, OH 44730, (216) 488-1640 The Glacial Kame Indians, by Robert N. Converse.$20.00 add $1.50 P-H 1994 Treasurer Don F. Potter, 1391 Hootman Drive, Reynoldsburg, 1980's& 1990's $ 6.00 add $1.50 P-H OH 43068, (614) 861-0673 1970's $ 8.00 add $1.50 P-H 1998 Editor Robert N. Converse, 199 Converse Dr., Plain City, OH 1960's $10.00 add $1.50 P-H 43064, (614)873-5471 Back issues of the Ohio Archaeologist printed prior to 1964 are gen 1994 Immediate Past Pres. -
Shifting Deer Hunting Strategies As a Result of Environmental Changes Along the Little and Great Miami Rivers of Southwest Ohio and Southeast Indiana
Shifting Deer Hunting Strategies as a Result of Environmental Changes along the Little and Great Miami Rivers of Southwest Ohio and Southeast Indiana Research Thesis Presented in partial fulfillment of the requirements for graduation with research distinction in Anthropological Sciences in the undergraduate colleges of the Ohio State University by Sydney Baker the Ohio State University April 2020 Committee: Robert A. Cook, Professor (Chair) Aaron R. Comstock, Lecturer (Committee Member) Department of Anthropology 2 Acknowledgements I would like to express my appreciation to those who helped me with invaluable assistance during this study. First, I pay my deepest gratitude to my thesis supervisor, Professor Robert Cook, whose passion for Ohio archaeology is inspiring. With his persistent help and mastery of knowledge on Fort Ancient cultures, I was able to complete this project with pride. Next, I wish to thank my second thesis supervisor, Dr. Aaron Comstock, who is the hardest worker I know. Aaron is truly kind-hearted and his curiosity on the complexities of archaeology kept me fully engaged with this study, as he was the first to see its potential. The contribution of the Ohio State University is truly appreciated. Four years of outstanding education gave me the foundation needed for this research. The faculty members within the department of Anthropology ceaselessly work towards giving students every opportunity possible. I also express my gratefulness to Robert Genheimer and Tyler Swinney at the Cincinnati Museum Center, who allowed me access to their extensive artifact collection. Without this assistance, the project would not be nearly as encompassing. I also wish to acknowledge Dr. -
1992 Program + Abstracts
The J'J'l!. Annual Midwest Archaeological Conference 1 1 ' ll\T ii~,, !,II !ffll}II II I ~\: ._~ •,.i.~.. \\\•~\,'V · ''f••r·.ot!J>,. 1'1.~•~'l'rl!nfil . ~rt~~ J1;1r:1ri WA i1. '1~;111.-U!!•ac~~ 1.!\ ill: 11111m I! nIn 11n11 !IIIIIIII Jill!! lTiili 11 HJIIJJll llIITl nmmmlllll Illlilll 1IT1Hllll .... --·---------- PROGRAM AND ABSTRACTS October 16-18, 1992 Grand Rapids, Michigan F Con£eren ·, MAC 1992 Midwest Archaeological Conference 37!!! Annual Meeting October 16-18, 1992 Grand Rapids, Michigan Sponsored By: The Grand Valley State University Department of Anthropology and Sociology The Public Museum of Grand Rapids CONFERENCE ORGANIZING C0MMITIEE Janet BrashlerElizabeth ComellFred Vedders Mark TuckerPam BillerJaret Beane Brian KwapilJack Koopmans The Department of Anthropology and Sociology gratefully acknowledges the contributions of the following organizations for their assistance in planning the 1992 Midwest Archaeological Conference: The Grand Valley State University Conference Planning Office The Office of the President, Grand Valley State University The Anthropology Student Organization The Public Museum of Grand Rapids Cover Rlustration: Design from Norton Zoned Dentate Pot, Mound C, Norton Mounds 8f(!r/!lA_. ARCHIVES ;z.g-'F' Office of the State Archaeologist The Universi~i of Iowa ~ TlA<-, Geuetftf 1'l!M&rmation \"l,_ "2. Registration Registration is located on the second floor of the L.V. Eberhard Center at the Conference Services office. It will be staffed from 11:00 a.m. to 4:00 p.m. on Friday, Oct. 16; 7:30 a.m. to 3:00 p.m. on Saturday, Oct. 17; and from 7:30 a.m. -
Dayton C. Miller Flute Collection
Guides to Special Collections in the Music Division at the Library of Congress Dayton C. Miller Flute Collection LIBRARY OF CONGRESS WASHINGTON 2004 Table of Contents Introduction...........................................................................................................................................................iii Biographical Sketch...............................................................................................................................................vi Scope and Content Note......................................................................................................................................viii Description of Series..............................................................................................................................................xi Container List..........................................................................................................................................................1 FLUTES OF DAYTON C. MILLER................................................................................................................1 ii Introduction Thomas Jefferson's library is the foundation of the collections of the Library of Congress. Congress purchased it to replace the books that had been destroyed in 1814, when the Capitol was burned during the War of 1812. Reflecting Jefferson's universal interests and knowledge, the acquisition established the broad scope of the Library's future collections, which, over the years, were enriched by copyright -
Musical Origins and the Stone Age Evolution of Flutes
Musical Origins and the Stone Age Evolution of Flutes When we, modern humans, emerged from Africa and colonized Europe Jelle Atema 45,000 years ago, did we have flutes in fist and melodies in mind? Email: [email protected] Introduction Music is an intensely emotional subject and the origins of music have fascinated Postal: people for millennia, going back to early historic records. An excellent review can Boston University be found in “Dolmetsch Online” (http://www.dolmetsch.com/musictheory35. Biology Department htm). Intense debates in the late 19th and early 20th century revolved around the 5 Cummington Street origins of speech and music and which came first. Biologist Charles Darwin, befit- Boston, MA 02215 ting his important recognition of evolution by sexual selection, considered that music evolved as a courtship display similar to bird song; he also felt that speech derived from music. Musicologist Spencer posited that music derived from the emotional content of human speech. The Darwin–Spencer debate (Kivy, 1959) continues unresolved. During the same period the eminent physicist Helmholtz- following Aristotle-studied harmonics of sound and felt that music distinguished itself from speech by its “fixed degree in the scale” (Scala = stairs, i.e. discrete steps) as opposed to the sliding pitches (“glissando”) typical of human speech. As we will see, this may not be such a good distinction when analyzing very early musi- cal instruments with our contemporary bias toward scales. More recent symposia include “The origins of music” (Wallin et al., 2000) and “The music of nature and the nature of music” (Gray et al., 2001). -
Georgian Country and Culture Guide
Georgian Country and Culture Guide მშვიდობის კორპუსი საქართველოში Peace Corps Georgia 2017 Forward What you have in your hands right now is the collaborate effort of numerous Peace Corps Volunteers and staff, who researched, wrote and edited the entire book. The process began in the fall of 2011, when the Language and Cross-Culture component of Peace Corps Georgia launched a Georgian Country and Culture Guide project and PCVs from different regions volunteered to do research and gather information on their specific areas. After the initial information was gathered, the arduous process of merging the researched information began. Extensive editing followed and this is the end result. The book is accompanied by a CD with Georgian music and dance audio and video files. We hope that this book is both informative and useful for you during your service. Sincerely, The Culture Book Team Initial Researchers/Writers Culture Sara Bushman (Director Programming and Training, PC Staff, 2010-11) History Jack Brands (G11), Samantha Oliver (G10) Adjara Jen Geerlings (G10), Emily New (G10) Guria Michelle Anderl (G11), Goodloe Harman (G11), Conor Hartnett (G11), Kaitlin Schaefer (G10) Imereti Caitlin Lowery (G11) Kakheti Jack Brands (G11), Jana Price (G11), Danielle Roe (G10) Kvemo Kartli Anastasia Skoybedo (G11), Chase Johnson (G11) Samstkhe-Javakheti Sam Harris (G10) Tbilisi Keti Chikovani (Language and Cross-Culture Coordinator, PC Staff) Workplace Culture Kimberly Tramel (G11), Shannon Knudsen (G11), Tami Timmer (G11), Connie Ross (G11) Compilers/Final Editors Jack Brands (G11) Caitlin Lowery (G11) Conor Hartnett (G11) Emily New (G10) Keti Chikovani (Language and Cross-Culture Coordinator, PC Staff) Compilers of Audio and Video Files Keti Chikovani (Language and Cross-Culture Coordinator, PC Staff) Irakli Elizbarashvili (IT Specialist, PC Staff) Revised and updated by Tea Sakvarelidze (Language and Cross-Culture Coordinator) and Kakha Gordadze (Training Manager).