History of Early Sanskrit Scholars
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
1 Title: Enlightenment and Empire, Mughals and Marathas: The
Title: Enlightenment and Empire, Mughals and Marathas: The Religious History of Indian in the Work of East India Company Servant, Alexander Dow. Abstract: This article situates the work of East India Company servant Alexander Dow (1735-1779), principally his writings on the history and future state of India, in contemporary debates about empire, religion and enlightened government. To do so it offers a sustained analysis of his 1772 essay “A Dissertation Concerning the Origin and Nature of Despotism in Hindostan”, as well as his proposals for the restoration of Bengal, both of which played an influential part in shaping the preoccupations with Mughal history that dominated the contemporary crisis in the Company’s legitimacy. By linking these texts to his earlier work on ‘Hindoo’ religion, it will argue that Dow’s analysis of the relationship between certain religious cultures and their civic qualities was rooted in a deist perspective. It doing so it restores the enlightenment components of Dow’s thought, and their impact on the ideology of empire, in a crucial period of British expansion in India. Keywords: Empire, Enlightenment, India, Eighteenth Century, East India Company, Religion 1 Historians are increasingly concerned with the Enlightenment’s extra-European context.1 In particular, recognising that international commerce and exchange were its material context, scholars have turned their attention to Enlightenment attitudes to empire. For Sankar Muthu this has meant tracing anti-imperialist strands of enlightenment thought.2 This -
The Upanishads, Vol I
The Upanishads, Vol I Translated by F. Max Müller The Upanishads, Vol I Table of Contents The Upanishads, Vol I........................................................................................................................................1 Translated by F. Max Müller...................................................................................................................1 PREFACE................................................................................................................................................7 PROGRAM OF A TRANSLATION...............................................................................................................19 THE SACRED BOOKS OF THE EAST........................................................................................................20 TRANSLITERATION OF ORIENTAL ALPHABETS,..............................................................................25 INTRODUCTION.................................................................................................................................26 POSITION OF THE UPANISHADS IN VEDIC LITERATURE.......................................................30 DIFFERENT CLASSES OF UPANISHADS.......................................................................................31 CRITICAL TREATMENT OF THE TEXT OF THE UPANISHADS................................................33 MEANING OF THE WORD UPANISHAD........................................................................................38 WORKS ON THE UPANISHADS....................................................................................................................41 -
Aesthetics, Subjectivity, and Classical Sanskrit Women Poets
Voices from the Margins: Aesthetics, Subjectivity, and Classical Sanskrit Women Poets by Kathryn Marie Sloane Geddes B.A., The University of British Columbia, 2016 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS in THE FACULTY OF GRADUATE AND POSTDOCTORAL STUDIES (Asian Studies) THE UNIVERSITY OF BRITISH COLUMBIA (Vancouver) August 2018 © Kathryn Marie Sloane Geddes 2018 The following individuals certify that they have read, and recommend to the Faculty of Graduate and Postdoctoral Studies for acceptance, a thesis/dissertation entitled: Voices from the Margins: Aesthetics, Subjectivity, and Classical Sanskrit Women Poets submitted by Kathryn Marie Sloane Geddes in partial fulfillment of the requirements for the degree of Master of Arts in Asian Studies Examining Committee: Adheesh Sathaye, Asian Studies Supervisor Thomas Hunter, Asian Studies Supervisory Committee Member Anne Murphy, Asian Studies Supervisory Committee Member Additional Examiner ii Abstract In this thesis, I discuss classical Sanskrit women poets and propose an alternative reading of two specific women’s works as a way to complicate current readings of Classical Sanskrit women’s poetry. I begin by situating my work in current scholarship on Classical Sanskrit women poets which discusses women’s works collectively and sees women’s work as writing with alternative literary aesthetics. Through a close reading of two women poets (c. 400 CE-900 CE) who are often linked, I will show how these women were both writing for a courtly, educated audience and argue that they have different authorial voices. In my analysis, I pay close attention to subjectivity and style, employing the frameworks of Sanskrit aesthetic theory and Classical Sanskrit literary conventions in my close readings. -
List of Books Available on Calibre Software
LIST OF BOOKS AVAILABLE ON CALIBRE SOFTWARE (PLEASE CONTACT LIBRARY STAFF TO ACCESS CALIBRE) 1. 1.doc · Kamal Swaroop 2. 50 Volume RGS Journal Table of Contents s · Unknown 3. 1836 Asiatic Researches Vol 19 Part 1 s+m · Unknown 4. 1839 Asiatic Researches Vol 19 Part 2 : THE HISTORY, THE ANTIQUITIES, THE ARTS AND SCIENCES, AND LITERATURE ASIA . · Asiatic Society, Calcutta 5. 1839 Asiatic Researches Vol 19 Part 2 s+m · Unknown 6. 1840 Journal Asiatic Society of Bengal Vol 8 Part 1 s+m · Unknown 7. 1840 Journal Asiatic Society of Bengal Vol 8 Part 2 s+m · Unknown 8. 1840 Journal Asiatic Society of Bengal Vol 9 Part 1 s+m · Unknown 9. 1856 JASB Index AR 19 to JASB 23 · Unknown 10. 1856 Journal Asiatic Society of Bengal Vol 24 s+m · Unknown 11. 1862 Journal Asiatic Society of Bengal Vol 30 s+m · Unknown 12. 1866 Journal Asiatic Society of Bengal Vol 34 s+m · Unknown 13. 1867 Journal Asiatic Society of Bengal Vol 35 s+m · Unknown 14. 1875 Journal Asiatic Society of Bengal Vol 44 Part 1 s+m · Unknown 15. 1875 Journal Asiatic Society of Bengal Vol 44 Part 2 s+m · Unknown 16. 1951-52.PMD · Unknown 17. 1952-53-(Final).PMD · Unknown 18. 1953-54.pmd · Unknown 19. 1954-55.pmd · Unknown 20. 1955-56.pmd · Unknown 21. 1956-57.pmd · Unknown 22. 1957-58(interim) 1957-58-1958-59 · Unknown 23. 62569973-Text-of-Justice-Soumitra-Sen-s-Defence · Unknown 24. ([Views of the East; Comprising] India, Canton, [And the Shores of the Red Sea · Robert Elliot 25. -
A Cymmrodor Claims Kin in Calcutta: an Assessment of Sir William Jones As Philologer, Polymath, and Pluralist
Chap 004_Kin in Calcutta 2/8/05 9:21 am Page 50 A Cymmrodor claims kin in Calcutta: an assessment of Sir William Jones as philologer, polymath, and pluralist by Garland Cannon and Michael J. Franklin* It was a custom among the Ancient Britons (and still retained in Anglesey) for the most knowing among them in the descent of families, to send their friends of the same stock or family, a dydd calan Ionawr a calennig, [New Year’s gift] a present of their pedigree; [...] [T]he very thought of those brave people, who struggled so long with a superior power for their liberty, inspires me with such an idea of them, that I almost adore their memories.1 This genealogical present, of inherent interest to all the ‘earliest natives’ [Cymmrodorion] of Wales and beyond, was sent in a letter of New Year’s Day 1748 by the ‘learned British antiquary’ and co-founder of this society, Lewis Morris (1701-65) to his friend William ap Sion Siors (son of John George), known in London as William Jones, FRS (c.1675-1749), ‘Longitude Jones’, celebrated mathematician, disseminator of Newtonian theory, and father of the future Orientalist.2 This document, now sadly lost, showed that the Morrises and the Joneses were closely related, sharing an ancestry deriving from Hwfa ap Cynddelw and the princes of Gwynedd. Exactly why a seemingly insignificant Ynys Môn parish should produce within two generations a scholar of the calibre of William Jones sen. and polymaths of such importance as Lewis Morris and Sir William Jones remains something of a mystery.3 This new study of Jones the linguist and literary * The authors would like to express their gratitude to Professor Hal W. -
The Evolution of the Printed Bengali Character
The Evolution of the Printed Bengali Character from 1778 to 1978 by Fiona Georgina Elisabeth Ross School of Oriental and African Studies University of London Thesis presented for the degree of Doctor of Philosophy 1988 ProQuest Number: 10731406 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. ProQuest 10731406 Published by ProQuest LLC (2017). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code Microform Edition © ProQuest LLC. ProQuest LLC. 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, MI 48106 - 1346 20618054 2 The Evolution of the Printed Bengali Character from 1778 to 1978 Abstract The thesis traces the evolution of the printed image of the Bengali script from its inception in movable metal type to its current status in digital photocomposition. It is concerned with identifying the factors that influenced the shaping of the Bengali character by examining the most significant Bengali type designs in their historical context, and by analyzing the composing techniques employed during the past two centuries for printing the script. Introduction: The thesis is divided into three parts according to the different methods of type manufacture and composition: 1. The Development of Movable Metal Types for the Bengali Script Particular emphasis is placed on the early founts which lay the foundations of Bengali typography. -
E-Teaching Capsule for Srimad- Bhagavad-Gita by Preeti Patel
E-Teaching Capsule for Srimad- Bhagavad-Gita by Preeti Patel Submission date: 24-Oct-2018 12:04PM (UTC+0530) Submission ID: 1025838127 File name: Preeti_chapters_library.pdf (6.29M) Word count: 39661 Character count: 206277 E-Teaching Capsule for Śrīmad-Bhagavad-Gītā A dissertation submitted to the University of Hyderabad for the award of the degree of Doctor of Philosophy in Sanskrit Studies by Patel Preeti Khimji 10HSPH01 Department of Sanskrit Studies School of Humanities University of Hyderabad Hyderabad 2018 E-Teaching Capsule for Śrīmad-Bhagavad-Gītā A dissertation submitted to the University of Hyderabad for the award of the degree of Doctor of Philosophy in Sanskrit Studies by Patel Preeti Khimji 10HSPH01 under the guidance of Prof. Amba Kulkarni Professor, Department of Sanskrit Studies Department of Sanskrit Studies School of Humanities University of Hyderabad Hyderabad 2018 Declaration I, Patel Preeti Khimji, hereby declare that the work embodied in this dissertation en- titled “E-Teaching Capsule for Śrīmad-Bhagavad-Gītā” is carried out by me under the supervision of Prof. Amba P. Kulkarni, Professor, Department of Sanskrit Studies, University of Hyderabad, Hyderabad and has not been submitted for any degree in part or in full to this university or any other university. I hereby agree that my thesis can be deposited in Shodhganga/INFLIBNET. A report on plagiarism statistics from the University Librarian is enclosed. Patel Preeti Khimji 10HSPH01 Date: Place: Hyderabad Signature of the Supervisor Certificate This is to certify that the thesis entitled E-Teaching Capsule for Śrīmad-Bhagavad- Gītā Submitted by Patel Preeti Khimji bearing registration number 10HSPH01 in par- tial fulfilment of the requirements for the award of Doctor of Philosophy in the School of Humanities is a bonafide work carried out by her under my supervision and guid- ance. -
The Death of Sanskrit*
The Death of Sanskrit* SHELDON POLLOCK University of Chicago “Toutes les civilisations sont mortelles” (Paul Valéry) In the age of Hindu identity politics (Hindutva) inaugurated in the 1990s by the ascendancy of the Indian People’s Party (Bharatiya Janata Party) and its ideo- logical auxiliary, the World Hindu Council (Vishwa Hindu Parishad), Indian cultural and religious nationalism has been promulgating ever more distorted images of India’s past. Few things are as central to this revisionism as Sanskrit, the dominant culture language of precolonial southern Asia outside the Per- sianate order. Hindutva propagandists have sought to show, for example, that Sanskrit was indigenous to India, and they purport to decipher Indus Valley seals to prove its presence two millennia before it actually came into existence. In a farcical repetition of Romantic myths of primevality, Sanskrit is consid- ered—according to the characteristic hyperbole of the VHP—the source and sole preserver of world culture. The state’s anxiety both about Sanskrit’s role in shaping the historical identity of the Hindu nation and about its contempo- rary vitality has manifested itself in substantial new funding for Sanskrit edu- cation, and in the declaration of 1999–2000 as the “Year of Sanskrit,” with plans for conversation camps, debate and essay competitions, drama festivals, and the like.1 This anxiety has a longer and rather melancholy history in independent In- dia, far antedating the rise of the BJP. Sanskrit was introduced into the Eighth Schedule of the Constitution of India (1949) as a recognized language of the new State of India, ensuring it all the benefits accorded the other fourteen (now seventeen) spoken languages listed. -
Sanskrit Manuscripts
— CATALOGUE OF SANSKRIT MANUSCRIPTS A. BEAHMANICAL LITEEATUEE. I. VEDIC MANUSCRIPTS. A.—Ria-VEDA. Aslitaka 1 ends : — 3^f(T ^pjft «inT: TWTw: ii ^^ ii ^^ ib^b ^r fnjrt 1. Add. 5351.—Foil. 385 (original numbering by separate ashtakas) ; European book form; Similar inscriptions, with dates within the folio, same year, V.S. 1838 (A.D. 1781), occur at 15 J in. by 7 in.; 12 lines ; Devanagari, dated V.S. 18S8 (A.D. 1781). the ends of some other ashtakas. [Col. Polieb.'] In the eighth ashtaka the numbering of DR.RUPNATHJI(the DR.RUPAKVargas differs NATHfrom ) that of the editions (and from most of the MSS.), owing to the RiGVEDA. Samhitdpatha. In the first volume (Add. 5346) is bound a long letter (dated 20th May, 1789) from Poller to Sir Joseph Banks, of the Museum, in which he points out that See the editions of Max Miiller, Aufrecht, a Trustee fruitless efforts had been made to obtain copies of the and Rajfirama Bodase (Bombay, 1890). " . Vcdas on the Coast of Coromandol . in several part.s . of Bengal, and at Bennares." " My researches," he con- 1 The present collection of MSS. (in 11 volumes, Add. tinues, "at Awd, Lacknow, Agra and Delhy were perfectly 5346—56), probably the first collection of Vedic works useless." Subsequently, hearing that copies could be had ever made by a European, was formed apparently about from Brahmans at Jeypore with the authorization of the 1783, in Rajputana, by Lieut. -Col. A. L. H. Poller, an Raja (Pratapa-simha), he made an ajjplication to that officer of Swiss extraction, who served the East India sovereign, which was granted, and "in the course of a Company between 1759 and 1789. -
Department of Sanskrit General
1 SREE SANKARACHARYA UNIVERSITY OF SANSKRIT, KALADY RESRUCTURED SYLLABI FOR B.A PROGRAMME IN SANSKRIT GENERAL 2015 ONWARDS Faculty of Sanskrit Literature Department of Sanskrit General 2 RESRUCTURED SYLLABI FOR B.A PROGRAMME IN SANSKRIT GENERAL 2015 ONWARDS Semester I Sl. Course Title of the course No. of Hour per No. Code Credits week 1. I.A.101.En. Common English I 4 5 2. I.A.102.En. Common English II 3 4 3. I.A.107.Sg Additional Language 4 4 I- Prose, Poetry and Drama 4. I.B.111.Sg Fundamentals of 3 4 Sanskrit Language 5. I.C.124.Sg A Survey of Classical 3 4 Sanskrit Literature 6. I.C.125.Sg Modern 3 4 Sanskrit Literature 3 Semester II Sl. Course Code Title of the course No. of Hour per No. Credits week 1. II.A.103.En. Common English III 4 5 2. II.A.104.En. Common English IV 3 4 3. II.A.108.Sg Additional Language II- 4 4 Communication Skills in Sanskrit 4. II.B.112.Sg Ancient Indian Metanarrative - 3 4 Bhāsa & Kālidāsa 5. II.C.126.Sg Methodology of Sanskrit 3 4 Learning - Tantrayukti 6. II.C.127.Sg Vṛtta and Alaṅkāra 3 4 Semester III Sl. Course Title of the course No. of Hour per No. Code Credits week 1. III.A.105.En. Common English V 4 5 2. III.A.109.Sg Additional Language III – 4 5 Perennial poetry: Kālidāsa and O.N.V.Kurup 3. III.B.113.Sg Literary appreciation: Indian 4 5 perspectives 4. -
Kalki's Avatars
KALKI’S AVATARS: WRITING NATION, HISTORY, REGION, AND CULTURE IN THE TAMIL PUBLIC SPHERE DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Akhila Ramnarayan. M.A. ****** The Ohio State University 2006 Approved by Dissertation Committee: Professor Chadwick Allen, Adviser Adviser Professor Debra Moddelmog, Adviser Professor James Phelan Adviser English Graduate Program ABSTRACT Challenging the English-only bias in postcolonial theory and literary criticism, this dissertation investigates the role of the twentieth-century Tamil historical romance in the formation of Indian and Tamil identity in the colonial period. I argue that Tamil Indian writer-nationalist Kalki Ra. Krsnamurti’s (1899-1954) 1944 Civakamiyin Capatam (Civakami’s Vow)—chronicling the ill-fated wartime romance of Pallava king Narasimhavarman (630-668 CE) and fictional court dancer Civakami against the backdrop of the seventh-century Pallava-Chalukya wars—exemplifies a distinct genre of interventionist literature in the Indian subcontinent. In Kalki’s hands, the vernacular novel became a means by which to infiltrate the colonial imaginary and, at the same time, to envision a Tamil India untainted by colonial presence. Charting the generic transformation of the historical romance in the Tamil instance, my study provides 1) a refutation of the inflationary and overweening claims made in postcolonial studies about South Asian nationalism, 2) a questioning of naïve binaries such as local and global, cosmopolitan and vernacular, universal and particular, traditional and modern, in examining the colonial/postcolonial transaction, and 3) a case for a less grandiose and more carefully historicized account of bourgeois nationalism than has previously been provided by postcolonial critics, accounting for its complicities with ii and resistances to discourses of nation, region, caste, and gender in the late colonial context. -
The Bhāva Process: an Approach to Understanding the Process of Characterization in the Nāṭyaśāstra a Dissertation Submit
THE BHĀVA PROCESS: AN APPROACH TO UNDERSTANDING THE PROCESS OF CHARACTERIZATION IN THE NĀṬYAŚĀSTRA A DISSERTATION SUBMITTED TO THE GRADUATE DIVISION OF THE UNIVERSITY OF HAWAI‘I AT MĀNOA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY IN THEATRE May 2019 By Joshua M. Leukhardt Dissertation Committee: Kirstin Pauka, Chairperson Julie Iezzi Paul Mitri Jesse Knutson Ramdas Lamb Keywords: Nāṭyaśāstra, rasa, bhāva, nāṭyarasa, sthāyibhāva, Bhāva Process ACKNOWLEDGEMENTS I would like to express my sincere gratitude to the many people who enabled me to complete this dissertation. In Hawai‘i, I want to express my gratitude to my committee members for their valuable input, instruction, and words of encouragement. From way in my dusty past, I wish to thank my fellow graduate student kula (both in the Melanesian and Sanskrit meanings): Kulthida, Trinh, and M. A., who were there at the start to provide me with encouragement and camaraderie. I am forever indebted to my writing coach and syntax liberator Janna Taylor who not only inspired me but figured out a way to transform the things in my brain into decipherable, comprehensible, and readable text. She made the completion of this dissertation possible. A huge thank you to Joe. Without his support and encouragement, I would still be in the roundabout and would have never finished. Thanks to my parents for their love and instilling in me a love of ancient cultures and civilizations (from my Mom), and an inquisitive miNdset (from my Dad). These traits are now part of my dharma. Finally, I would like to thank my family Leslie, Sasha, Clover, Oscar, and Griffin for their patience, support, and sacrifice during this long endeavor.