Richard Brothers' Prophecies
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1 Title: Enlightenment and Empire, Mughals and Marathas: The
Title: Enlightenment and Empire, Mughals and Marathas: The Religious History of Indian in the Work of East India Company Servant, Alexander Dow. Abstract: This article situates the work of East India Company servant Alexander Dow (1735-1779), principally his writings on the history and future state of India, in contemporary debates about empire, religion and enlightened government. To do so it offers a sustained analysis of his 1772 essay “A Dissertation Concerning the Origin and Nature of Despotism in Hindostan”, as well as his proposals for the restoration of Bengal, both of which played an influential part in shaping the preoccupations with Mughal history that dominated the contemporary crisis in the Company’s legitimacy. By linking these texts to his earlier work on ‘Hindoo’ religion, it will argue that Dow’s analysis of the relationship between certain religious cultures and their civic qualities was rooted in a deist perspective. It doing so it restores the enlightenment components of Dow’s thought, and their impact on the ideology of empire, in a crucial period of British expansion in India. Keywords: Empire, Enlightenment, India, Eighteenth Century, East India Company, Religion 1 Historians are increasingly concerned with the Enlightenment’s extra-European context.1 In particular, recognising that international commerce and exchange were its material context, scholars have turned their attention to Enlightenment attitudes to empire. For Sankar Muthu this has meant tracing anti-imperialist strands of enlightenment thought.2 This -
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Respectable Folly Garrett, Clarke Published by Johns Hopkins University Press Garrett, Clarke. Respectable Folly: Millenarians and the French Revolution in France and England. Johns Hopkins University Press, 1975. Project MUSE. doi:10.1353/book.67841. https://muse.jhu.edu/. For additional information about this book https://muse.jhu.edu/book/67841 [ Access provided at 2 Oct 2021 03:07 GMT with no institutional affiliation ] This work is licensed under a Creative Commons Attribution 4.0 International License. HOPKINS OPEN PUBLISHING ENCORE EDITIONS Clarke Garrett Respectable Folly Millenarians and the French Revolution in France and England Open access edition supported by the National Endowment for the Humanities / Andrew W. Mellon Foundation Humanities Open Book Program. © 2019 Johns Hopkins University Press Published 2019 Johns Hopkins University Press 2715 North Charles Street Baltimore, Maryland 21218-4363 www.press.jhu.edu The text of this book is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License: https://creativecommons.org/licenses/by-nc-nd/4.0/. CC BY-NC-ND ISBN-13: 978-1-4214-3177-2 (open access) ISBN-10: 1-4214-3177-7 (open access) ISBN-13: 978-1-4214-3175-8 (pbk. : alk. paper) ISBN-10: 1-4214-3175-0 (pbk. : alk. paper) ISBN-13: 978-1-4214-3176-5 (electronic) ISBN-10: 1-4214-3176-9 (electronic) This page supersedes the copyright page included in the original publication of this work. Respectable Folly RESPECTABLE FOLLY M illenarians and the French Revolution in France and England 4- Clarke Garrett The Johns Hopkins University Press BALTIMORE & LONDON This book has been brought to publication with the generous assistance of the Andrew W. -
Literary Branding in the Romantic Period
Literary Branding in the Romantic Period by Christopher Laxer A thesis submitted in conformity with the requirements for the degree of Doctor of Philosophy Graduate Department of English University of Toronto © Copyright by Christopher Laxer 2013 Literary Branding in the Romantic Period Christopher Laxer Doctor of Philosophy Department of English University of Toronto 2013 Abstract This thesis argues that, unlike the study of commodity branding, the study of literary branding should not focus solely upon book advertising, but rather investigate all of the processes of attribution that connect conceptual domains with literary labels, enabling their common use in the perception and navigation of the cultural world. Such processes should not be understood exclusively by analogy with the forms of commodity branding that originated in the consumer revolutions of the eighteenth or nineteenth centuries, but rather as the inherent consequences of more ancient and fundamental practices of naming and poetry. Rather than interpret the reactions of historical readers to Byron, for instance, largely in terms of the author as subject – as has been the tendency with earlier approaches to the question – this thesis seeks to explore historical readers’ reactions to the author’s name as label. The readers of Don Juan in 1819 knew Byron, not as we do after two centuries of biographical research, scholarly inquiry, and literary criticism, but as a literary label with relatively few associations. Arguing that the recent vogue for celebrity studies risks reifying elements of what Jerome McGann has called the Romantic Ideology, this thesis attempts to begin to redress this critical imbalance by examining the deployment of a number of interconnected literary labels in a series of case studies. -
Hamilton College Library "Home Notes"
American Communal Societies Quarterly Volume 3 Number 4 Pages 232-236 October 2009 Hamilton College Library "Home Notes" Follow this and additional works at: https://digitalcommons.hamilton.edu/acsq This work is made available by Hamilton College for educational and research purposes under a Creative Commons BY-NC-ND 4.0 license. For more information, visit http://digitalcommons.hamilton.edu/about.html or contact [email protected]. et al.: Hamilton College Library "Home Notes" Hamilton College Library “Home Notes” Communal Societies Collection New Acquisitions SEAL OF JOANNA SOUTHCOTT FIRST MEssENGER OF THE CHRISTIAN ISRAELITES Hamilton College Library recently acquired a remarkable collection of documents relating to Joanna Southcott (1750-1814) for its Communal Societies Collection. Southcott is considered to have been the first messenger of the Christian Israelite faith.1 In 1792 Southcott realized she was the woman spoken of in Revelation 12: 1And there appeared a great wonder in heaven; a woman clothed with the sun, and the moon under her feet, and upon her head a crown of twelve stars: 2And she being with child cried, travailing in birth, and pained to be delivered. Southcott gained an increasing number of followers throughout the late 1790s. Many adherents of contemporary messenger Richard Brothers, considered second in the lineage by the followers of Benjamin and Mary Purnell (House of David and Mary’s City of David), defected to Southcott upon Brothers’ imprisonment in 1795. Among these was the engraver William Sharp who brought Southcott to London to begin the process of “sealing” the elect, or the 144,000 who would be saved at the Day of Judgment. -
Soho Depicted: Prints, Drawings and Watercolours of Matthew Boulton, His Manufactory and Estate, 1760-1809
SOHO DEPICTED: PRINTS, DRAWINGS AND WATERCOLOURS OF MATTHEW BOULTON, HIS MANUFACTORY AND ESTATE, 1760-1809 by VALERIE ANN LOGGIE A thesis submitted to The University of Birmingham for the degree of DOCTOR OF PHILOSOPHY Department of History of Art College of Arts and Law The University of Birmingham January 2011 University of Birmingham Research Archive e-theses repository This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. ABSTRACT This thesis explores the ways in which the industrialist Matthew Boulton (1728-1809) used images of his manufactory and of himself to help develop what would now be considered a ‘brand’. The argument draws heavily on archival research into the commissioning process, authorship and reception of these depictions. Such information is rarely available when studying prints and allows consideration of these images in a new light but also contributes to a wider debate on British eighteenth-century print culture. The first chapter argues that Boulton used images to convey messages about the output of his businesses, to draw together a diverse range of products and associate them with one site. Chapter two explores the setting of the manufactory and the surrounding estate, outlining Boulton’s motivation for creating the parkland and considering the ways in which it was depicted. -
Graves of Artists and Architects Buried There
Graves of architects and artists in the Chiswick Churchyard and Old Burial Ground A noteworthy feature of the burial ground associated with St Nicholas, Chiswick, is the remarkable number of graves of artists and architects buried there. This article records the graves of an important eighteenth-century architect and garden designer, a respected bricklayer and site manager, two well-regarded Victorian sculptors, and no fewer than six painters and printmakers. In comparison, I know of only one literary figure who was buried there: the maverick Italian poet and patriot, Ugo Foscolo (1778–1827). But perhaps he does not count, since his bones were exhumed in 1871 and returned to Italy for re-burial in Sta Croce, Florence. The churchyard harbours the tomb of only one theatrical figure, Charles Holland (1733–1769), but – as far as I am aware – of not one single composer. Two possible reasons for this bias in favour of the visual arts may be connected with two leading figures in the British eighteenth-century art world who were associated with St Nicholas, Chiswick. Lord Burlington (1694–1753) and William Hogarth (1697–1764) were close contemporaries, although they seldom if ever saw eye to eye. Lord Burlington was the architect of his ground- breaking Chiswick Villa, and he was also a celebrated aesthete and connoisseur. During highly profitable visits to Italy in the second decade, he amassed an important collection of Italian Renaissance and Baroque paintings. Chiswick Villa was designed in part specifically to display this collection, which enhanced Burlington’s status in the British art scene. His semi-permanent residence at Chiswick in the last 20 or so years of his life, and the inheritance of his estate by the Dukes of Devonshire from 1764, perhaps attracted other artists to the area, seeking aristocratic and royal patronage. -
In Their Image Jerusalem in Nineteenth-Century English Travel Narratives Issam Nassar
In Their Image Jerusalem in Nineteenth-Century English Travel Narratives Issam Nassar I propose to discourse here, for a little while, on a body of men whose works form a staple ingredient in the supply of literary food consumed by our friend the "reading public." Every now and then a young gentleman returns from Greece or Egypt, with a beard and an M.S. In a week or two, the new journal of Travels in the East is announced, and a new "oriental traveller" takes his place among the "wise men" who have preceded him.1 -The Illustrated London News Jerusalem in European Travel Writings European travellers to Palestine in the nineteenth century arrived with certain attitudes about the land, its history, people and sites that were essentially a product of European knowledge and imagination regarding Palestine and the East in general. 6 October19.p65 6 09/08/24, 10:30 Õ Nineteenth century Western travelers to Jerusalem often visited the sites toured by previous travelers, or those they read about in the Bible. This quasi-map of "Palestine or The Holy Land Exhibiting the Principal Places mentioned in the Old & New Testaments," drawn and engraved by W. Warwick and published by William McKenzie in approximately 1850, is one example of how the textual was made real. Such knowledge was not only a result of Since neither Damiani was an individual of Europe's historical encounters with Palestine, any importance in the political or religious but was continuously shaped and reshaped by life of Palestine, it is striking that they what the visitors themselves were writing. -
ANGLO-ISRAELISM and the QUEST for a RACIAL THEOLOGY of EMPIRE a Senior Ho
"AND I SHALL MAKE THEE A GREAT NATION. " ANGLO-ISRAELISM AND THE QUEST FOR A RACIAL THEOLOGY OF EMPIRE A Senior Honors Thesis By TARA LEIGH TEETER Submitted to the Office of honors Programs & Academic Scholarships Texas A&M University In partial tulfillment ot the requirements of the UNIVERSIT Y L'NDERGRADUATE KESEAKCH I'ELLOW S April 2000 Group: Psychology ' 'AND I SHALL MAKE THEE A GREAT NATION. ANGLO-ISRAELI SM AND THE QUEST FOR A RACIAL THEOLOGY OF EMPIRE A Senior Honors Thesis By TARA LEIGH TEETER Submitted to the OQice of Honors Programs & Academic Scholarships Texas ARM University In partial fulfillment of the requirements For the Designation of UNIVERSITY UNDERGRADUATE RESEARCH FELLOW Approv to style and content by: D u on Edward A. Funkhouser (Fellows Ad 'sor (Executive Director) April 2000 Group: Psychology & BbTPAGT "Anct! 1 ll rn 1nt!1r G o«tet t' Ang!o-lsraeljsm and the Quest for a i o Bar i 1 thenlony nf Fmr tAp il '70otll Department of History Fellonns Advisor: Dr David Hudson Department of History ' P lo Icranl m cie +ed at!coal ldc+ r fnr tl B j+i h peo le th + Tdctjfled and explained }he Empire they had created. This mo; cment stated that the British people were the 1 1 1 r T n n 1 1 . , , , T . 1 1ntt1 iiieidi ucscelhiants. 1, ot tlic t uct tcji tiiocc ol tsiacl. The ilio1rciitcili.. began iit itic cdity t9 C ntury 'Pth tate Pubhe«!O 1 Of lchn W!1 On' O!tr ix c/Sr, g'/ !Jg n, Th 11 e ccmT e rl traditions of Anglo-!srael!te beliefs!n lre!and and puritan En"land. -
List of Books Available on Calibre Software
LIST OF BOOKS AVAILABLE ON CALIBRE SOFTWARE (PLEASE CONTACT LIBRARY STAFF TO ACCESS CALIBRE) 1. 1.doc · Kamal Swaroop 2. 50 Volume RGS Journal Table of Contents s · Unknown 3. 1836 Asiatic Researches Vol 19 Part 1 s+m · Unknown 4. 1839 Asiatic Researches Vol 19 Part 2 : THE HISTORY, THE ANTIQUITIES, THE ARTS AND SCIENCES, AND LITERATURE ASIA . · Asiatic Society, Calcutta 5. 1839 Asiatic Researches Vol 19 Part 2 s+m · Unknown 6. 1840 Journal Asiatic Society of Bengal Vol 8 Part 1 s+m · Unknown 7. 1840 Journal Asiatic Society of Bengal Vol 8 Part 2 s+m · Unknown 8. 1840 Journal Asiatic Society of Bengal Vol 9 Part 1 s+m · Unknown 9. 1856 JASB Index AR 19 to JASB 23 · Unknown 10. 1856 Journal Asiatic Society of Bengal Vol 24 s+m · Unknown 11. 1862 Journal Asiatic Society of Bengal Vol 30 s+m · Unknown 12. 1866 Journal Asiatic Society of Bengal Vol 34 s+m · Unknown 13. 1867 Journal Asiatic Society of Bengal Vol 35 s+m · Unknown 14. 1875 Journal Asiatic Society of Bengal Vol 44 Part 1 s+m · Unknown 15. 1875 Journal Asiatic Society of Bengal Vol 44 Part 2 s+m · Unknown 16. 1951-52.PMD · Unknown 17. 1952-53-(Final).PMD · Unknown 18. 1953-54.pmd · Unknown 19. 1954-55.pmd · Unknown 20. 1955-56.pmd · Unknown 21. 1956-57.pmd · Unknown 22. 1957-58(interim) 1957-58-1958-59 · Unknown 23. 62569973-Text-of-Justice-Soumitra-Sen-s-Defence · Unknown 24. ([Views of the East; Comprising] India, Canton, [And the Shores of the Red Sea · Robert Elliot 25. -
John Boydell's Shakespeare Gallery and the Promotion of a National Aesthetic
JOHN BOYDELL'S SHAKESPEARE GALLERY AND THE PROMOTION OF A NATIONAL AESTHETIC ROSEMARIE DIAS TWO VOLUMES VOLUME I PHD THE UNIVERSITY OF YORK HISTORY OF ART SEPTEMBER 2003 2 TABLE OF CONTENTS Page Volume I Abstract 3 List of Illustrations 4 Introduction 11 I Creating a Space for English Art 30 II Reynolds, Boydell and Northcote: Negotiating the Ideology 85 of the English Aesthetic. III "The Shakespeare of the Canvas": Fuseli and the 154 Construction of English Artistic Genius IV "Another Hogarth is Known": Robert Smirke's Seven Ages 203 of Man and the Construction of the English School V Pall Mall and Beyond: The Reception and Consumption of 244 Boydell's Shakespeare after 1793 290 Conclusion Bibliography 293 Volume II Illustrations 3 ABSTRACT This thesis offers a new analysis of John Boydell's Shakespeare Gallery, an exhibition venture operating in London between 1789 and 1805. It explores a number of trajectories embarked upon by Boydell and his artists in their collective attempt to promote an English aesthetic. It broadly argues that the Shakespeare Gallery offered an antidote to a variety of perceived problems which had emerged at the Royal Academy over the previous twenty years, defining itself against Academic theory and practice. Identifying and examining the cluster of spatial, ideological and aesthetic concerns which characterised the Shakespeare Gallery, my research suggests that the Gallery promoted a vision for a national art form which corresponded to contemporary senses of English cultural and political identity, and takes issue with current art-historical perceptions about the 'failure' of Boydell's scheme. The introduction maps out some of the existing scholarship in this area and exposes the gaps which art historians have previously left in our understanding of the Shakespeare Gallery. -
A Cymmrodor Claims Kin in Calcutta: an Assessment of Sir William Jones As Philologer, Polymath, and Pluralist
Chap 004_Kin in Calcutta 2/8/05 9:21 am Page 50 A Cymmrodor claims kin in Calcutta: an assessment of Sir William Jones as philologer, polymath, and pluralist by Garland Cannon and Michael J. Franklin* It was a custom among the Ancient Britons (and still retained in Anglesey) for the most knowing among them in the descent of families, to send their friends of the same stock or family, a dydd calan Ionawr a calennig, [New Year’s gift] a present of their pedigree; [...] [T]he very thought of those brave people, who struggled so long with a superior power for their liberty, inspires me with such an idea of them, that I almost adore their memories.1 This genealogical present, of inherent interest to all the ‘earliest natives’ [Cymmrodorion] of Wales and beyond, was sent in a letter of New Year’s Day 1748 by the ‘learned British antiquary’ and co-founder of this society, Lewis Morris (1701-65) to his friend William ap Sion Siors (son of John George), known in London as William Jones, FRS (c.1675-1749), ‘Longitude Jones’, celebrated mathematician, disseminator of Newtonian theory, and father of the future Orientalist.2 This document, now sadly lost, showed that the Morrises and the Joneses were closely related, sharing an ancestry deriving from Hwfa ap Cynddelw and the princes of Gwynedd. Exactly why a seemingly insignificant Ynys Môn parish should produce within two generations a scholar of the calibre of William Jones sen. and polymaths of such importance as Lewis Morris and Sir William Jones remains something of a mystery.3 This new study of Jones the linguist and literary * The authors would like to express their gratitude to Professor Hal W. -
The Evolution of the Printed Bengali Character
The Evolution of the Printed Bengali Character from 1778 to 1978 by Fiona Georgina Elisabeth Ross School of Oriental and African Studies University of London Thesis presented for the degree of Doctor of Philosophy 1988 ProQuest Number: 10731406 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. ProQuest 10731406 Published by ProQuest LLC (2017). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code Microform Edition © ProQuest LLC. ProQuest LLC. 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, MI 48106 - 1346 20618054 2 The Evolution of the Printed Bengali Character from 1778 to 1978 Abstract The thesis traces the evolution of the printed image of the Bengali script from its inception in movable metal type to its current status in digital photocomposition. It is concerned with identifying the factors that influenced the shaping of the Bengali character by examining the most significant Bengali type designs in their historical context, and by analyzing the composing techniques employed during the past two centuries for printing the script. Introduction: The thesis is divided into three parts according to the different methods of type manufacture and composition: 1. The Development of Movable Metal Types for the Bengali Script Particular emphasis is placed on the early founts which lay the foundations of Bengali typography.