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But from the Deck of the SS Cairnrona, Charles Chaplin Couldn't Spot Much Land
More than a day had gone by since the passengers had heard the cry of "Land Ho!," but from the deck of the SS Cairnrona, Charles Chaplin couldn't spot much land. Newfoundland was shrouded in thick fog. The gray rock formations that now and then jutted into view suggested a sparsely inhabited landscape, and the Canadian mainland, which came in sight some hours later, looked largely deserted. When the fog lifted, he saw only Québec's endless salt marshes stretching out ahead. Was this the New World, about which other performers in Fred Karno's vaudeville company had told such jaw-dropping stories? For months, Chaplin had hoped that the "guv'nor" of the English music hall would bring him along on the American tour, but now that he'd reached the last stage of the journey, he had to admit it was not as he'd imagined. Chaplin's thoughts strayed to Hetty Kelly, the girl with whom he'd spent a romantic afternoon in 1908. She had been on his mind ever since. He'd run into her by chance in London—how long ago was that? A few weeks, a month? They hadn't had much time. The next day she was leaving for France, she told him, to stay with her sister, who was married to an American multimillionaire. "Now tell me something about yourself," Hetty hastened to ask, embarrassed by Chaplin's disappointed look. "There's very little to tell," he replied. "I'm still doing the same old grind, trying to be funny. -
LEAVING Hotill CALAFORNIX
LEAVING HOtILL CALAFORNIX Undamming the world’s rivers, forcing the collection of that which falls from the heavens and/or your ass, o camillo. An autobiographic historical expose, for Life. Introit I’m John Lawrence Kanazawa Jolley. Currently life on the planet is having a stroke, diagnosed from a human’s anatomy point of view, severe blockage of its flow ways. From life’s point of view humans are dam, slacker home building, ditch digging, drain the well dry, devil’s GMO food of the god’s, monocultural, sewage pumpers or porous dam sheddy flushtoile.t. ecocide artists. Compounding this problem is a machine/computer/vessel/organism that creates clone doppelganger pirates that’ve highjacked the surface guilty of the same crime. If we do anything well its intuitive container transportation. This is the case. I’m educated University of Florida, Institute of Food and Agricultural Sciences, Environmental Horticulture. I’m a trapper, gardener, carpenter, fisherperson, cooper and teacher. Drainage is the most important idea to consider when gardening. I paddled a canoe across North America and back, been through Lake Sacagawea twice. I’m a bullfighter, the foremost gardener in the world, the point spokesman for life, the man himself, hole puncher, obstacle remover, the pencil man, the one, Christ almighty. The character who appears again when it’s an “Obama nation of desolation” to save the world from damnation. I’m a specialist, designed specifically to solve the currentless dam problem. The timeliest, most intelligent, aggressive, offensive, desperate character ever created, for a reason. The health of life on the planet is in severe question. -
Model Builder September 1972
CARL GOLDBERG MODELS THAT '«RANGER 42 The Versatile Almost- ARE REALLY Ready-To-Fly Fun Model. $1995 GREAT TO FLY! SKYLANE 62 © Takes Single To 4 Channel Proportional Radio. Molded Fuselage...One Piece Molded Wing, Stabilizer and Vertical Fin. Also Free Flight. Span 42". Weight 26 oz. For .049— Semi-Scale Beauty in .10 Engines. a Great Flying Model! I $2295 1-Piece Full-Length Sides ToU8h Roomy Cabin and Front End. For 2 To 4 Channel Proportional Steerable Nose Gear. Span 62". Weight 4>/2-5 Lbs. For 35 To .45 Engines. *OJ FEATURES: Now With 1-Piece Full-Length Sides. Takes 2 to 4 Channel Pro portional. Span 56". Weight 3V4-4V4 lbs. For .15-.19-.35 Engines. • See-through cabin, with die-cut plywood cabin sides FEATURES: • Shaped leading edges plus sheeting • Semi-symmetrical wing section • Coil-sprung nose gear. • Cleanly die-cut parts that fit formed main gear i / R Q w w & r • Shaped and notched leading and • Clark Y wing section, hardwood struts For Single or 2 Channel, trailing edges Pulse or Digital. Span 37" • Steerable nose gear, formed main gear • Cleanly die-cut ribs, fuse sides, Weight 18 oz. For .049 formers, etc. Engines. • New simple "Symmet-TRU'' $8.95 1/2A SKYLANE $9.95 wing construction For Single or 2 Channel, Pulse or Digital Span 4 2". Weight 22 0 2 . For .049 To -10 Engines Š A o e íto ittq $ 2 9 9 5 The GnndvearGoodyear Rar.prRacer With FnmiPhEnough ^ Area and Stability So You Can Fly It! For 4 Channel Proportional. -
An In-Depth Look at Chaplin's Mutual Comedies by Jeffrey
An In-Depth Look at Chaplin’s Mutual Comedies By Jeffrey Vance, film historian The Floorwalker (Released: May 15, 1916) Embezzlement is the subject of The Floorwalker, Chaplin’s first film under his landmark contract with Lone Star-Mutual. Chaplin’s inspiration for the film came while he and his brother Sydney were in New York City negotiating his contract with Mutual. While walking up Sixth Avenue at Thirty-third Street, Chaplin saw a man fall down an escalator serving the adjacent elevated train station and at once realized the comic possibilities of a moving staircase. He asked his technical director, Ed Brewer, to design and construct an escalator in a department store set designed by art director and master of properties George “Scotty” Cleethorpe (who had worked for Chaplin at Essanay). “With a bare notion I would order sets, and during the building of them the art director would come to me for details, and I would bluff and give them particulars about where I wanted doors and archways.” Chaplin wrote in his autobiography, “In this desperate way I started many a comedy.” (18) After seeing The Floorwalker, Mack Sennett commented, “Why the hell didn’t we ever think of a running staircase?” (19) The Floorwalker has none of the pathos, romance, or irony of the best Chaplin Mutuals. The crudeness and cruelty of his earlier films is still evident in The Floorwalker, although the film contains a stronger plot than most of his previous films, and the moving-staircase chase was novel for 1916. A glimpse of Chaplin’s evolution to a more graceful type of screen comedy is evident in Charlie’s dance when he discovers the valise of stolen money and dives into the bag. -
Risk Criticism: Precautionary Reading in an Age of Environmental
0/-*/&4637&: *ODPMMBCPSBUJPOXJUI6OHMVFJU XFIBWFTFUVQBTVSWFZ POMZUFORVFTUJPOT UP MFBSONPSFBCPVUIPXPQFOBDDFTTFCPPLTBSFEJTDPWFSFEBOEVTFE 8FSFBMMZWBMVFZPVSQBSUJDJQBUJPOQMFBTFUBLFQBSU $-*$,)&3& "OFMFDUSPOJDWFSTJPOPGUIJTCPPLJTGSFFMZBWBJMBCMF UIBOLTUP UIFTVQQPSUPGMJCSBSJFTXPSLJOHXJUI,OPXMFEHF6OMBUDIFE ,6JTBDPMMBCPSBUJWFJOJUJBUJWFEFTJHOFEUPNBLFIJHIRVBMJUZ CPPLT0QFO"DDFTTGPSUIFQVCMJDHPPE Revised Pages RISK CRITICISM Revised Pages Revised Pages Risk Criticism PRECAUTIONARY READING IN AN AGE OF ENVIRONMENTAL UNCERTAINTY Molly Wallace UNIVERSITY OF MICHIGAN PRESS Ann Arbor Revised Pages Copyright © 2016 by Molly Wallace All rights reserved This book may not be reproduced, in whole or in part, including illustrations, in any form (beyond that copying permitted by Sections 107 and 108 of the U.S. Copyright Law and except by reviewers for the public press), without written permission from the publisher. Published in the United States of America by the University of Michigan Press Manufactured in the United States of America c Printed on acid- free paper 2019 2018 2017 2016 4 3 2 1 A CIP catalog record for this book is available from the British Library. Library of Congress Cataloging- in- Publication Data Names: Wallace, Molly, author. Title: Risk criticism : precautionary reading in an age of environmental uncertainty / Molly Wallace. Description: Ann Arbor : University of Michigan Press, 2016. | Includes bibliographical references and index. Identifiers: LCCN 2015038637 | ISBN 9780472073023 (hardback) | ISBN 9780472053025 (paperback) | ISBN 9780472121694 (ebook) Subjects: LCSH: Ecocriticism. | Criticism. | Risk in literature. | Environmental risk assessment. | Risk-taking (Psychology) Classification: LCC PN98.E36 W35 2016 | DDC 809/.93355— dc23 LC record available at http://lccn.loc.gov/2015038637 Revised Pages For my family Revised Pages Revised Pages Acknowledgments This book has been a number of years in the writing, and I am deeply grate- ful for the support and encouragement that I have received along the way. -
Advance Praise for the Writing Workshop
ADVANCE PRAISE FOR THE WRITING WORKSHOP “There are many guides to scientific writing out there, and I read most of them in preparation for teaching a writing workshop at MIT. Barbara’s was the one I referred students to most often. It’s down-to-earth, funny, and packed with advice that extends well beyond the fundamentals of good scientific writing to topics rang- ing from reproducibility and open science to time management and work/life balance. The resources for instructors are also excellent: She has templates to help students set both short- and long-term goals and in-class exercises to help novice writers hear the differ- ence between clunky writing and writing that sings. What is per- haps most distinctive about Barbara’s book is that she conveys the sense that writing should be a kind of meditation practice: a way to stay grounded in a supportive community while engaging deeply with ideas from a place of focus and clarity. I can’t think of a better book to support new and emerging writers.” —LAURA SHULZ, professor of cognitive science, Massachusetts Institute of Technology “This book is a gem. Funny, thoughtful, and humane; packed with wise advice and deep insights. This is essential reading for any academic who wants to be more prolific and write better. (Which means that it’s essential reading for all of us.)” —PAUL BLOOM, Brooks and Suzanne Regan Professor of Psychology at Yale University and author of Against Empathy. “This book is practical, funny, easy to use, and effective. Reading this book is like sitting down with a close friend who also happens to be a writing expert. -
Cl Granada, S
Preliminary Reading - Charlie Chaplin's Early Life Read the text about Charlie Chaplin's early life and answer the true/false questions below. He was believed to have been born on April 16, 1889. There is some doubt whether April 16 is actually his birthday, and it is possible he was not born in 1889. There is also uncertainty about his birthplace: London or Fontainebleau, France. There is no doubt, however, as to his parentage: he was born to Charles Chaplin, Sr. and Hannah Harriette Hill (aka Lily Harley on stage), both Music Hall entertainers. His parents separated soon after his birth, leaving him in the care of his increasingly unstable mother. In 1896, Chaplin's mother was unable to find work; Charlie and his older half-brother Sydney Chaplin had to be left in the workhouse at Lambeth, moving after several weeks to Hanwell School for Orphans and Destitute Children. His father died an alcoholic when Charlie was 12, and his mother suffered a mental breakdown, and was eventually admitted temporarily to the Cane Hill Asylum at Coulsdon (near Croydon). She died in 1928 in the United States, two years after coming to the States to live with Chaplin, by then a commercial success. Charlie first took to the stage when, aged five, he performed in Music Hall in 1894, standing in for his mother. As a child, he was confined to a bed for weeks due to a serious illness, and, at night, his mother would sit at the window and act out what was going on outside. -
Newsletter 19 June 2011
Newsletter 19 June 2011 Membership Renewal to work in circuses. In between engagements he and other performers busked on the London Membership renewal forms were sent out in streets and one of his favourite spots was March, prior to the AGM. If you have not yet Molesey Lock, which was always crowded with renewed your membership, you will have boats on sunny weekends. He saw the received a note with this newsletter to say that magnificent houseboats moored across the it will lapse at the end of June. You will then water and he vowed then that when he became cease to receive newsletters and other rich he would have a houseboat on Tagg’s communications. We do hope you find Island. something of interest in our programme and decide to join us for another year. His career took off when a troupe known as The Three Carnos failed to turn up at a London ‘We are Fred Karno’s Army’ theatre, and Fred and two friends did an act in Ron Smedley their stead. This was so successful that they Meeting Report by Graham Driver were kept on, and Fred adopted the act as his own, taking the name Fred Karno. Soon he began producing his own shows, and he proved an astute judge of talent in recruiting artists for his troupe. Many famous comedians started their careers working for Fred Karno. Names such as Charlie Chaplin, Stan Laurel, Will Hay, Max Miller, Harry Lauder and the Crazy Gang evoked many memories for the AGM audience. Fred became a rich man and in 1903 was able to buy the houseboat ‘Highland Lassie’ on Tagg’s Island. -
Theater Playbills and Programs Collection, 1875-1972
Guide to the Brooklyn Theater Playbills and Programs Collection, 1875-1972 Brooklyn Public Library Grand Army Plaza Brooklyn, NY 11238 Contact: Brooklyn Collection Phone: 718.230.2762 Fax: 718.857.2245 Email: [email protected] www.brooklynpubliclibrary.org Processed by Lisa DeBoer, Lisa Castrogiovanni and Lisa Studier. Finding aid created in 2006. Revised and expanded in 2008. Copyright © 2006-2008 Brooklyn Public Library. All rights reserved. Descriptive Summary Creator: Various Title: Brooklyn Theater Playbills and Programs Collection Date Span: 1875-1972 Abstract: The Brooklyn Theater Playbills and Programs Collection consists of 800 playbills and programs for motion pictures, musical concerts, high school commencement exercises, lectures, photoplays, vaudeville, and burlesque, as well as the more traditional offerings such as plays and operas, all from Brooklyn theaters. Quantity: 2.25 linear feet Location: Brooklyn Collection Map Room, cabinet 11 Repository: Brooklyn Public Library – Brooklyn Collection Reference Code: BC0071 Scope and Content Note The 800 items in the Brooklyn Theater Playbills and Programs Collection, which occupies 2.25 cubic feet, easily refute the stereotypes of Brooklyn as provincial and insular. From the late 1880s until the 1940s, the period covered by the bulk of these materials, the performing arts thrived in Brooklyn and were available to residents right at their doorsteps. At one point, there were over 200 theaters in Brooklyn. Frequented by the rich, the middle class and the working poor, they enjoyed mass popularity. With materials from 115 different theaters, the collection spans almost a century, from 1875 to 1972. The highest concentration is in the years 1890 to 1909, with approximately 450 items. -
Praise for the Dawn Prayer
PRAISE FOR THE DAWN PRAYER “Captured by al-Qaeda in Syria, Matt Schrier essentially played a long game of chess with them—and won. He escaped from their torture chambers and went on to write one of the most terrifying and suspense- ful books I’ve ever read. This is an absolutely extraordinary story.” —SEBASTIAN JUNGER, AUTHOR AND JOURNALIST “A tightly told story of brutal survival, unexpected friendships and ulti- mate escape . Matt’s engrossing story took me back to those days of struggle and survival and the desperate need for freedom.” —BILLY HAYES, AUTHOR OF MIDNIGHT EXPRESS “This gripping memoir tells the incredible story of American photog- rapher Matthew Schrier’s abduction from the battle-scarred streets of Aleppo by the al-Qaeda-linked terrorist group Jabhat al-Nusra. It’s a searing narrative of personal courage and the determination to survive. Schrier takes us inside the hellish world of secret Syrian prisons and his daring escape from his jihadist captors. He also paints a brutally frank portrait of the unexpected friendships and hostilities he formed with his fellow captives.” —PHILIP S. BALBONI, CEO AND CO-EXECUTIVE EDITOR OF DAILYCHATTER AND FOUNDER OF GLOBALPOST “The Dawn Prayer by Matthew Schrier is a thrilling documentary that reads like a novel. His account of being captured by al-Qaeda and held by some of the most savage and ruthless enemies of all, while being undermined and betrayed by one of his own, exhibits his for- titude, bravery, and cunning abilities to extend his life and someday hope to escape or be rescued. -
The Song of the Lark Cather, Willa
The Song of the Lark Cather, Willa Published: 1915 Categorie(s): Fiction, Westerns Source: http://gutenberg.org 1 About Cather: Wilella Sibert Cather (December 7, 1873 – April 24, 1947) is an eminent author from the United States. She is perhaps best known for her depictions of U.S. life in novels such as O Pion- eers!, My Ántonia, and Death Comes for the Archbishop. Also available on Feedbooks for Cather: • Death Comes for the Archbishop (1927) • O Pioneers! (1913) • A Lost Lady (1923) • My Ántonia (1918) • One of Ours (1923) • Sapphira and the Slave Girl (1940) • The Professor's House (1925) • The Troll Garden and Selected Stories (1905) • Youth and the Bright Medusa (1920) • Not Under Forty (1936) Copyright: This work is available for countries where copy- right is Life+50 or in the USA (published before 1923). Note: This book is brought to you by Feedbooks http://www.feedbooks.com Strictly for personal use, do not use this file for commercial purposes. 2 Part 1 Friends of Childhood 3 Chapter 1 Dr. Howard Archie had just come up from a game of pool with the Jewish clothier and two traveling men who happened to be staying overnight in Moonstone. His offices were in the Duke Block, over the drug store. Larry, the doctor's man, had lit the overhead light in the waiting-room and the double student's lamp on the desk in the study. The isinglass sides of the hard- coal burner were aglow, and the air in the study was so hot that as he came in the doctor opened the door into his little operating-room, where there was no stove. -
A Travel Guide to Camberwell
A Travel Guide to Camberwell 1 Allow us to introduce you to our C a m b e r w e l l A – Z 02 Camberwell Travel Guide – the essential companion for those in search of the C a m b e r w e l l H i s t o r i e s 16 A Brief History 17 real SE5. A Healthy History 18 An Artistic History 20 In this guide you’ll find beautiful parks, A Literary History 23 wonderful cakes, elegant clothing, A Musical History 25 intoxicating drinks and excellent coffee, An Entertaining History 28 as well as an internationally renowned Fortean Camberwell 31 Rare Doings at Camberwell 38 art college. There are galleries, ghosts, a graveyard, a Turkish spa, a Greek C o n t e m p o r a r y C a m b e r w e l l 42 Cathedral and Britain’s first purpose- Camberwell Green 43 built mental health hospital. Robert Boules & Debate 48 20 Things To Do In Camberwel 50 Browning was born here, Michael Caine Phileas Dogg’s Guide to Camberwell 53 grew up here, Charlie Chaplin worked Pub Crawl 56 here, Dan Leno lived here and John Ruskin A Gourmet Guide 59 left in disgust when the railways ruined Café Culture 63 A Young Person’s Guide 64 his view. A Guide to Camberwell’s Poundshops 68 It’s an unlikely mixture perhaps, Shopping in Camberwell 70 Where to Stay 73 but it’s what we think of when we think of 36 Reasons to Love Camberwell 74 Camberwell.