A TRAVEL GUIDE to CAMBERWELL
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Joseph Grimaldi
Joseph Grimaldi The most famous and popular of all the clowns in harlequinade and pantomime was Joseph Grimaldi. Despite his Italian name and family origins, he was born in London in 1779, dying in 1837. His style of clowning had its origins in the Italian commedia dell'arte of the sixteenth century, but in the popular Harlequinades of the early nineteenth century he emerged as the founding father of modern day clowns. To this day he is commemorated annually by clowns in their own church, Holy Trinity in Dalston, East London. Joseph Grimaldi was the original 'Clown Joey', the term 'Joey' being used to describe clowns since his day. Of his own name he punned 'I am grim all day - but I make you laugh at night!' Grimaldi became the most popular clown in pantomime, and was responsible for establishing the clown as the main character in the Harlequinade, in place of Harlequin. His career began at the age of three at the Sadler's Wells Theatre. He was later to become the mainstay of the Drury Lane Theatre before settling in at Covent Garden in 1806. His three year contract paid him one pound a week, rising to two pounds the following year, and finally three pounds a week. His debut at Covent Garden was in 'Harlequin and Mother Goose; or the Golden Egg' in 1806. Grimaldi himself had little faith in the piece, and undoubtedly it was hastily put together on a sparsely decorated stage. However, the production ran for 92 nights, and took over £20,000. The lack of great theatrical scenes allowed Grimaldi to project himself to the fore 'he shone with unimpeded brilliance' once critic wrote. -
Muriel Spark's Stylish Spinsters: Miss Jean Brodie Past Her Prime
Muriel Spark’s Stylish Spinsters: Miss Jean Brodie Past Her Prime Hope Howell Hodgkins Maggie Smith in The Prime of Miss Jean Brodie (1969) Fashion succeeds by promising to annul the fragmented conditions of modernity with the imposition of a coherent subjectivity. Leslie Rabine / Joanne Finkelstein Baudelairean dédoublement: The wise man is “one who had acquired by habit a power of rapid self-division (dédoublement) and thus of assisting as a disinterested spectator at the phenomena of his own ego.” -D’Essence de la Rire Alexander Moffat, 1984 (Scottish National Portrait Gallery) “. head up, like Sybil Thorndike, her nose arched and proud.” She left the web, she left the loom, She made three paces thro’ the room, She saw the water-lily bloom, She saw the helmet and the plume, She look’d down to Camelot. Alfred, Lord Tennyson “The Lady of Shalott” The Lady of Shalott, William Holman Hunt, 1889-92 (Wadsworth Museum of Art) The Girls of Slender Means Edinburgh Festival 2009 Edwardian blue silk damask dress: “Bluebell” Bluebell the cat Schiaparelli Pink Schiaparelli hat, 1948 Schiaparelli dress, 1938 The Driver’s Seat, 1970 The Driver’s Seat (European title: Identikit), 1974 Mona Washbourne & Elizabeth Taylor Her own work of art: Spark in Rome, 1970 (Jerry Bauer, NLS) “Plump, motherly”: Spark with her son, early 1940s Stylish into old age. [A]n artist is only an artist on condition that he is a double man and that there is not one single phenomenon of his double nature of which he is ignorant. Charles Baudelaire, “D’Essence de la rire”. -
The Best According To
Books | The best according to... http://books.guardian.co.uk/print/0,,32972479299819,00.html The best according to... Interviews by Stephen Moss Friday February 23, 2007 Guardian Andrew Motion Poet laureate Choosing the greatest living writer is a harmless parlour game, but it might prove more than that if it provokes people into reading whoever gets the call. What makes a great writer? Philosophical depth, quality of writing, range, ability to move between registers, and the power to influence other writers and the age in which we live. Amis is a wonderful writer and incredibly influential. Whatever people feel about his work, they must surely be impressed by its ambition and concentration. But in terms of calling him a "great" writer, let's look again in 20 years. It would be invidious for me to choose one name, but Harold Pinter, VS Naipaul, Doris Lessing, Michael Longley, John Berger and Tom Stoppard would all be in the frame. AS Byatt Novelist Greatness lies in either (or both) saying something that nobody has said before, or saying it in a way that no one has said it. You need to be able to do something with the English language that no one else does. A great writer tells you something that appears to you to be new, but then you realise that you always knew it. Great writing should make you rethink the world, not reflect current reality. Amis writes wonderful sentences, but he writes too many wonderful sentences one after another. I met a taxi driver the other day who thought that. -
Imperial War Museum Annual Report and Accounts 2019-20
Imperial War Museum Annual Report and Accounts 2019-20 Presented to Parliament pursuant to section 9(8) Museums and Galleries Act 1992 Ordered by the House of Commons to be printed on 7 October 2020 HC 782 © Crown copyright 2020 This publication is licensed under the terms of the Open Government Licence v3.0 except where otherwise stated. To view this licence, visit nationalarchives.gov.uk/doc/open-government-licence/version/3. Where we have identified any third party copyright information you will need to obtain permission from the copyright holders concerned. This publication is available at: www.gov.uk/official-documents. Any enquiries regarding this publication should be sent to us at [email protected] ISBN 978-1-5286-1861-8 CCS0320330174 10/20 Printed on paper containing 75% recycled fibre content minimum Printed in the UK by the APS Group on behalf of the Controller of Her Majesty’s Stationery Office 2 Contents Page Annual Report 1. Introduction 4 2. Strategic Objectives 5 3. Achievements and Performance 6 4. Plans for Future Periods 23 5. Financial Review 28 6. Staff Report 31 7. Environmental Sustainability Report 35 8. Reference and Administrative Details of the Charity, 42 the Trustees and Advisers 9. Remuneration Report 47 10. Statement of Trustees’ and Director-General’s Responsibilities 53 11. Governance Statement 54 The Certificate and Report of the Comptroller and Auditor 69 General to the Houses of Parliament Consolidated Statement of Financial Activities 73 The Statement of Financial Activities 74 Consolidated and Museum Balance Sheets 75 Consolidated Cash Flow Statement 76 Notes to the financial statements 77 3 1. -
But from the Deck of the SS Cairnrona, Charles Chaplin Couldn't Spot Much Land
More than a day had gone by since the passengers had heard the cry of "Land Ho!," but from the deck of the SS Cairnrona, Charles Chaplin couldn't spot much land. Newfoundland was shrouded in thick fog. The gray rock formations that now and then jutted into view suggested a sparsely inhabited landscape, and the Canadian mainland, which came in sight some hours later, looked largely deserted. When the fog lifted, he saw only Québec's endless salt marshes stretching out ahead. Was this the New World, about which other performers in Fred Karno's vaudeville company had told such jaw-dropping stories? For months, Chaplin had hoped that the "guv'nor" of the English music hall would bring him along on the American tour, but now that he'd reached the last stage of the journey, he had to admit it was not as he'd imagined. Chaplin's thoughts strayed to Hetty Kelly, the girl with whom he'd spent a romantic afternoon in 1908. She had been on his mind ever since. He'd run into her by chance in London—how long ago was that? A few weeks, a month? They hadn't had much time. The next day she was leaving for France, she told him, to stay with her sister, who was married to an American multimillionaire. "Now tell me something about yourself," Hetty hastened to ask, embarrassed by Chaplin's disappointed look. "There's very little to tell," he replied. "I'm still doing the same old grind, trying to be funny. -
Nothing Is Impossible
Nothing is Impossible. Autobiography of William Hamilton Robertson (Known as Wullie, Scottie, Ginger, Sparks and Bill) Ballenbreich by Avonbridge, Falkirk Me my mum and Fred Explanation about Fred KARNO who I refer to in this book. Frederick John Westcott (26 March 1866 – 18 September 1941), best known by his stage name Fred Karno, was a theatre impresario of the British music hall. Karno is credited with inventing the custard-pie-in –the-face gag. During the 1890s, in order to circumvent stage censorship, Karno developed a form of sketch comedy without dialogue. Cheeky authority defying playlets such as “Jail Birds” (1896) in which prisoners play tricks on warders and “Early Birds” (1903) where a small man defeats a large ruffian in London’s East End can be seen as precursors of movie silent comedy. In fact, among the young comedians who worked for him were Charlie Chaplin and Arthur Jefferson, who later adopted the name of Stan Laurel. These were part of what was known as “Fred Karno’s Army”, a phrase still occasionally used in the U.K. to refer to a chaotic group or organisation. The phrase was also adopted by British solders into a trench song in the First World War, as a parody of, or rather to the tune of, the hymn “The Church’s One Foundation”. In the Second World War it was adapted as the anthem of “The Guinea Pig Club”, the first line becoming ”We are McIndoe’s Army”. The men, having their burnt faces etc. rebuilt, by the Famous Plastic Surgeon Mr. -
Gilesmead | London | SE5 Leasehold £575,000
Gilesmead | London | SE5 Top floor apartment Two double bedrooms Leasehold Sought after location Lots of built in storage Interesting; architecturally Excellent transport links Large kitchen diner Very popular location Beautiful roof terrace Long Lease £575,000 Gilesmead is a very popular 1970's block nestled back from Camberwell Church Street with it's well stocked floral planters, you are within close distance of the trendy Peckham nightlife, emerging scene of Camberwell Green and the ever popular Brixton. Local transport is excellent and you are surrounded by green spaces of Burgess Park, Ruskin Park and Camberwell Green, less than 2 miles South of London Bridge, you could hop on a bike and be Central in under half an hour. The apartment is large and well laid out, recently renovated with a stunning new kitchen. A beautiful roof terrace and two double bedrooms. You can see why Gilesmead apartments get snapped up. ** year lease, active residents association. Annual service charge £2200 includes heating, hot water, gated parking & buildings insurance. Viewing Arrangements Strictly by appointment Contact Details 121 Denmark Hill London SE5 8EN www.urbanvillagehomes.co.uk [email protected] 020 3519 9121 Agents Note: Whilst every care has been taken to prepare th ese sales particulars, th ey are for guid anc e purposes only. All measurements are approximate are for gen eral guidanc e purpos es only and whilst every care has been taken to ensure th eir accurac y, they should not b e relied upon and potential buyers are ad vised to rechec k th e measuremen ts . -
Wiltons Music Hall
Wiltons Music Hall Wiltons Music Hall Conservation Area 1. Character Appraisal 2. Management Guidelines London Borough of Tower Hamlets Adopted by Cabinet: 4th November 2009 Wiltons Music Hall Conservation Area Page 1 of 18 Wiltons Music Hall Introduction Conservation Areas are parts of our local environment with special architectural or historic qualities. They are created by the Council, in consultation with the local community, to preserve and enhance the specific character of these areas for everybody. This guide has been prepared for the following purposes: To comply with the Planning (Listed Buildings and Conservation Areas) Act 1990. Section 69(1) states that a conservation area is “an area of special architectural or historic interest, the character or appearance of which it is desirable to preserve or enhance.” To provide a detailed appraisal of the area’s architectural and historic character. To help those who have an interest in the area to understand the quality of the built environment and how they can protect, contribute to and enhance it. To provide an overview of planning policy and propose management guidelines on how this character should be preserved and enhanced in the context of appropriate ongoing change. Wiltons Music Hall Conservation Area Page 2 of 18 Wiltons Music Hall Wiltons Music Hall Conservation Area Page 3 of 18 Wiltons Music Hall 1. Character Appraisal Overview Wiltons Music Hall Conservation Area, located in the western part of the borough, was designated on October 2008. It is bounded by Cable Street to the north, Dock Street to the west and The Highway to the east. -
March 2009.Pmd
Number 157 March 2009 The newsletter of London Drama Two Primary Reviews for your diary There are currently for further learning two prestigious reviews at the secondary LONDON DRAMA of the Primary stage’ rather than by Courses & Workshops Curriculum going on at their intrinsic value.” the moment: The Wed 4 Mar; 7-9pm Cambridge Primary The Cambridge Voices in the Park (Primary) Review initiated by the report identifies University of Cambridge areas of at Central School in 2006 and led by convergence with Professor Robin the interim Rose * * * Alexander; and the report (like the need Government’s to regroup the Wed 11 Mar; 6.30-8.30pm Independent Review of primary curriculum Drama with EAL Students the Primary Curriculum into areas of study at Central School led by Sir Jim Rose. rather than Each report is due to traditional subjects) * * * be published this year. but also important differences which reflect the reviews’ Sat 14 Mar; 10-1.15pm Is there a difference between the contrasting remits, scope, Half Day Workshop: two reports, and if so, what is it? evidence and degrees of Hoipolloi & WebPlay According to the authors of the independence. The Cambridge at Unicorn Theatre Cambridge Review, the answer is review is rather less sanguine one of remit and focus: about the problems of the existing * * * primary curriculum, and does not “..there is a sense in which the exempt current policies from Thurs 19 Mar; 6.30-8.30pm very focused remit of Rose, and comment. It asks whether the Drama & SEN students (KS1/2) the number of matters which are Rose review is more about at Bloomsbury Theatre apparently to be taken as given, curriculum rearrangement than may encourage the view that the reform, with educational aims * * * two enquiries are incompatible – added after the event rather than though we hope not. -
THE JUNGLE by Joe Murphy & Joe Robertson Directed by Stephen Daldry & Justin Martin
PRESS RELEASE – Monday 11 June 2018 IMAGES CAN BE DOWNLOADED HERE Twitter/ Facebook / Instagram @TheJungleLDN TheJunglePlay.co.uk A NATIONAL THEATRE AND YOUNG VIC CO-PRODUCTION WITH GOOD CHANCE THEATRE THE JUNGLE by Joe Murphy & Joe Robertson directed by Stephen Daldry & Justin Martin FULL CAST ANNOUNCED FOR CRITICALLY ACCLAIMED THE JUNGLE AND REHEARSAL PICTURES RELEASED TODAY THEATRE TRANSFORMATION UNDERWAY IN ORDER TO ACCOMMODATE MIRIAM BUETHER’S UNIQUE SET DESIGN FROM THE YOUNG VIC NEW FOR PLAYHOUSE AUDIENCES, THE DRESS CIRCLE WILL BE TRANSFORMED INTO ‘CLIFFS OF DOVER’, WITH UNIQUE AND INTIMATE VIEWS OVER THE SPACE BELOW ENHANCED BY SCREENS RELAYING CLOSE-UP ‘LIVE NEWS BROADCAST’ STYLE FOOTAGE OF THE ACTION AS IT HAPPENS THE JUNGLE WILL PREVIEW FROM 16 JUNE AT THE PLAYHOUSE THEATRE IN LONDON’S WEST END Following critical acclaim, and a sold-out run at the Young Vic, producers Sonia Friedman Productions, Tom Kirdahy and Hunter Arnold are delighted to announce the full cast for the West End transfer of Joe Murphy and Joe Robertson’s The Jungle, a National Theatre and Young Vic co-production with Good Chance Theatre, directed by Stephen Daldry and Justin Martin. The production is set in Europe’s largest unofficial refugee camp, the Calais Jungle, which in 2015, became a temporary home for more than 10,000 people. Previewing from 16 June, with World Refugee Day on 20 June, The Jungle will have an Opening Night on 5 July at the Playhouse Theatre, with rehearsal photography released today. Cast transferring from the Young Vic include Mohammad Amiri, Elham Ehsas, Trevor Fox, Moein Ghobsheh, Ammar Haj Ahmad, Alex Lawther, Jo McInnes, John Pfumojena, Rachel Redford, Rachid Sabitri, Mohamed Sarrar, Ben Turner and Nahel Tzegai. -
THE VALUE of SMALL GRANTS a Review by Peter Minet Trust and United St Saviour’S Charity March 2018 INTRODUCTION
THE VALUE OF SMALL GRANTS A review by Peter Minet Trust and United St Saviour’s Charity March 2018 INTRODUCTION United St Saviour’s Charity (UStSC) and Peter Minet Trust (Peter Minet) have been awarding small grants in South London for many years. In 2017 they joined forces to commission Rocket Science to review their grants programmes to better understand the impact that they make and to help the two organisations think about how to develop them for the future. Peter Minet supports organisations in Lambeth and Southwark with grants of up to £5,000. UStSC only works in Southwark and has two grants programmes; a ‘Community Investment’ programme’ of over £5,000 for larger strategic projects and a ‘Community Engagement’ programme of small grants. Only the latter was the subject of this review which looked back at the past three years of grant-making. Measuring the impact of small grants is inherently challenging and it was never the intention to produce a full-blown evaluation. However, both organisations set out to understand whether relatively small grants were of value to the groups and charities they fund. This document summarises the main findings of the review. In many ways it is a celebration of the two programmes and the difference that they make. 2 INVESTMENT OVER THREE YEARS COMBINED United St Saviour’s Charity 321 206 GRANTS AWARDED GRANTS £440,366 INVESTED 149 DIFFERENT ORGANISATIONS FUNDED £853,873 TOTAL INVESTMENT Peter Minet Trust 115 GRANTS AWARDED 243 £413,507 INVESTED DIFFERENT ORGANISATIONS 94 DIFFERENT ORGANISATIONS FUNDED -
Buses from Brunswick Park
Buses from Brunswick Park Key 34 —O Connections with London Underground Barnet BARNET Church R Connections with National Rail High Barnet WINCHMORE Barnet Hill HILL Red discs show the bus stop you need for your chosen bus service. The disc appears on the top of the bus stop in the Winchmore Hill Green Dragon Lane street (see map of town centre in centre of diagram). Barnet Odeon Great North Road Winchmore Hill Eversley Park Road Station Road Route finder for Highlands Village 125 Whetstone High Road Day buses Walfield Avenue Bus route Towards Bus stops 34 Barnet ›fifl‡·‚ Chase Side Southgate Winchmore Hill Road Whetstone High Road Parkside Hail & Ride Avenue Road Walthamstow b=¤e‹¢ Police Station 382 Friern Mount Drive Gardens section Southgate Southgate 125 Finchley °‚˙ Church Hill Road ASDA Parkside Gardens Brookside South Winchmore Hill b=– Hampden Square Osidge Lane Whetstone High Road Manor Drive Arnos Grove Buckingham Avenue Church Hill Road SOUTHGATE 251 b=¤e‹¢ Connaught Avenue Edgware ›fifl‡·‚ Brunswick Park Road Osidge Lane Hampden Square Osidge Library 382 Mill Hill East •ª• Whetstone High Road Russell Lane Chandos Avenue Dene Road Southgate ¡£¢¶ Whetstone High Road – Athenaeum Road E Oakleigh Road North N A Totteridge Village Totteridge Lane Griffin SELL ROA L RUS D L ° War Memorial Longland Drive b EL S * S U B O A Totteridge Lane Totteridge & AK R Oakleigh Road North LE = R Links Drive Whetstone I F ‚ GH Oakleigh Park North I E ˙ L ¶ Highwood Hill R D O B Whetstone High Road A A Rising Sun D V A D R Oakleigh Road North O · ¤E U R N .