Literature Culture Linguistics Muriel Spark
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Muriel Spark's Stylish Spinsters: Miss Jean Brodie Past Her Prime
Muriel Spark’s Stylish Spinsters: Miss Jean Brodie Past Her Prime Hope Howell Hodgkins Maggie Smith in The Prime of Miss Jean Brodie (1969) Fashion succeeds by promising to annul the fragmented conditions of modernity with the imposition of a coherent subjectivity. Leslie Rabine / Joanne Finkelstein Baudelairean dédoublement: The wise man is “one who had acquired by habit a power of rapid self-division (dédoublement) and thus of assisting as a disinterested spectator at the phenomena of his own ego.” -D’Essence de la Rire Alexander Moffat, 1984 (Scottish National Portrait Gallery) “. head up, like Sybil Thorndike, her nose arched and proud.” She left the web, she left the loom, She made three paces thro’ the room, She saw the water-lily bloom, She saw the helmet and the plume, She look’d down to Camelot. Alfred, Lord Tennyson “The Lady of Shalott” The Lady of Shalott, William Holman Hunt, 1889-92 (Wadsworth Museum of Art) The Girls of Slender Means Edinburgh Festival 2009 Edwardian blue silk damask dress: “Bluebell” Bluebell the cat Schiaparelli Pink Schiaparelli hat, 1948 Schiaparelli dress, 1938 The Driver’s Seat, 1970 The Driver’s Seat (European title: Identikit), 1974 Mona Washbourne & Elizabeth Taylor Her own work of art: Spark in Rome, 1970 (Jerry Bauer, NLS) “Plump, motherly”: Spark with her son, early 1940s Stylish into old age. [A]n artist is only an artist on condition that he is a double man and that there is not one single phenomenon of his double nature of which he is ignorant. Charles Baudelaire, “D’Essence de la rire”. -
The Best According To
Books | The best according to... http://books.guardian.co.uk/print/0,,32972479299819,00.html The best according to... Interviews by Stephen Moss Friday February 23, 2007 Guardian Andrew Motion Poet laureate Choosing the greatest living writer is a harmless parlour game, but it might prove more than that if it provokes people into reading whoever gets the call. What makes a great writer? Philosophical depth, quality of writing, range, ability to move between registers, and the power to influence other writers and the age in which we live. Amis is a wonderful writer and incredibly influential. Whatever people feel about his work, they must surely be impressed by its ambition and concentration. But in terms of calling him a "great" writer, let's look again in 20 years. It would be invidious for me to choose one name, but Harold Pinter, VS Naipaul, Doris Lessing, Michael Longley, John Berger and Tom Stoppard would all be in the frame. AS Byatt Novelist Greatness lies in either (or both) saying something that nobody has said before, or saying it in a way that no one has said it. You need to be able to do something with the English language that no one else does. A great writer tells you something that appears to you to be new, but then you realise that you always knew it. Great writing should make you rethink the world, not reflect current reality. Amis writes wonderful sentences, but he writes too many wonderful sentences one after another. I met a taxi driver the other day who thought that. -
Around the Point
Around the Point Around the Point: Studies in Jewish Literature and Culture in Multiple Languages Edited by Hillel Weiss, Roman Katsman and Ber Kotlerman Around the Point: Studies in Jewish Literature and Culture in Multiple Languages, Edited by Hillel Weiss, Roman Katsman and Ber Kotlerman This book first published 2014 Cambridge Scholars Publishing 12 Back Chapman Street, Newcastle upon Tyne, NE6 2XX, UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2014 by Hillel Weiss, Roman Katsman, Ber Kotlerman and contributors All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. ISBN (10): 1-4438-5577-4, ISBN (13): 978-1-4438-5577-8 CONTENTS Preface ...................................................................................................... viii Around the Point .......................................................................................... 1 Hillel Weiss Medieval Languages and Literatures in Italy and Spain: Functions and Interactions in a Multilingual Society and the Role of Hebrew and Jewish Literatures ............................................................................... 17 Arie Schippers The Ashkenazim—East vs. West: An Invitation to a Mental-Stylistic Discussion of the Modern Hebrew Literature ........................................... -
Repetition and Narrative Time in Muriel Spark's 'The Bachelors', 'The Ballad of Peckham Rye' and 'A Member of the Fa
Page !1 of !26 Gaenor Burchett-Vass March 2014 Repetition and narrative time in Muriel Spark’s ‘The Bachelors’, ‘The Ballad of Peckham Rye’ and ‘A Member of the Family’ ‘Story time’ is not the same thing as ‘narrative time’. The Russian Formalists, active during the early years of the twentieth century, used the terms ‘fabula’ and ‘sjuzhet’ to refer respectively to the ‘chronological sequence of events’ and the ‘order and manner in which [these events] are actually presented in the narrative’ (Jefferson and Robey, 1986: 39). Scenes which occur once in story time, the fabula, can be repeated many times in the narrative, or the sjuzhet, and any such scene will be brought into prominence, or foregrounded, thereby inviting the reader to assign significance to it. Genette’s work on ‘frequency’ in the second half of the twentieth century is built on the foundations established by the Formalists. In his Narrative Discourse, first published in French as Figures III in 1972, Genette distinguishes three possible methods available to the writer for recounting events: the singulative, repetitive and iterative. More recent work among narratologists has pinpointed the difficulties inherent in the fabula/sjuzhet distinction, briefly summarised as follows. The fabula is essentially a construct, put together by the reader at the time of reading and revised to create a final version once the text has been read. It has no external existence unless the fabula and sjuzhet can be seen to be absolutely identical. A ‘primary’ narrative must be identified to enable the construction of a fabula: this is not always straightforward and disagreements cannot easily be resolved. -
Hidden Possibilities: Essays in Honor of Muriel Spark Edited by Robert E
Maley, W. (2017) Hidden Possibilities: Essays in Honor of Muriel Spark edited by Robert E. Hosmer Jr. Religion and Literature, 48(2), [Book Review] This is the author’s final accepted version. There may be differences between this version and the published version. You are advised to consult the publisher’s version if you wish to cite from it. http://eprints.gla.ac.uk/124247/ Deposited on: 03 October 2017 Enlighten – Research publications by members of the University of Glasgow http://eprints.gla.ac.uk Hidden Possibilities: Essays in Honor of Muriel Spark. Robert E. Hosmer Jr., ed. Notre Dame University Press, 2014. vii + 295 pp. $35 paper. Robert Hosmer’s introduction – gleeful, gossipy, gushing – sets the tone for this compelling collection of intimate encounters with the late Dame Muriel Spark by connoisseurs of her poetic art. The editor has assembled a veritable Brodie Set who can scarce contain their enthusiasm for their prime subject. Hosmer is clear about the book’s aims, hoping “readers of this volume will gain a keen sense of Muriel Spark as a person, derived in good measure from reading her own words, unfiltered and uncensored, and a considerable critical appreciation of her work as articulated by some of her best readers”. Of the sixteen essays gathered here, seven are previously published, so I will pass over the elegant insights of my colleague Gerry Carruthers, as well as those of Frank Kermode, John Lanchester, Doris Lessing, John Mortimer, and John Updike, and the fascinating interview Hosmer conducted with Spark in 2005. The volume opens with a section entitled “The Work”, in which Gabriel Josipovici’s erudite exploration of Spark’s critique of fiction within her fiction is the opening essay: “The villains in Muriel Spark’s novels are those who cannot see the difference between fiction and reality. -
Interrogating the Validity of Truth in Muriel Spark's the Ballad Of
International Journal of Humanities Social Sciences and Education (IJHSSE) Volume 8, Issue 7, July 2021, PP 233-248 ISSN 2349-0373 (Print) & ISSN 2349-0381 (Online) https://doi.org/10.20431/2349-0381.0807026 www.arcjournals.org Fictionalised Reality? : Interrogating the Validity of Truth in Muriel Spark’s The Ballad of Peckham Rye Dr. Lin, Hsin-Ying Associate Professor Department of Foreign Languages and Literature National Chung Cheng University, Chia- Yi, Taiwan *Corresponding Author: Dr. Lin, Hsin-Ying, Associate Professor Department of Foreign Languages and Literature National Chung Cheng University, Chia-Yi, Taiwan. Abstract: Muriel Spark’s The Ballad of Peckham Rye (1960) ruptures time and blurs the boundary between reality and illusion. The story of lower-class life in an industrial suburb south of London is undercharged by the ‘balladic’ demonic villain (or hero?), Dougal Douglas. This controversial duality of a Satanic (evil- seductive) character who invokes fantasy into daily life is characteristic of Muriel Spark’s delight in playing the game of fiction and realism, and of her refusal to follow the traditional time scheme of fiction. My argument in this paper will centre on the implication of the boundary between fiction and realism, and on how this implication contributes to the justification of a villain as a demonic hero. If there exists only one question, it might be: who are the villains who are making chaotic rumors? If the deceptions are a reflection of human desires, we may ascertain that fiction is another name for lies, and that the liar as a Satanic character can be regarded as a demonic hero, for he exposes human moral disease. -
Recommended Reading for AP Literature & Composition
Recommended Reading for AP Literature & Composition Titles from Free Response Questions* Adapted from an original list by Norma J. Wilkerson. Works referred to on the AP Literature exams since 1971 (specific years in parentheses). A Absalom, Absalom by William Faulkner (76, 00) Adam Bede by George Eliot (06) The Adventures of Huckleberry Finn by Mark Twain (80, 82, 85, 91, 92, 94, 95, 96, 99, 05, 06, 07, 08) The Aeneid by Virgil (06) Agnes of God by John Pielmeier (00) The Age of Innocence by Edith Wharton (97, 02, 03, 08) Alias Grace by Margaret Atwood (00, 04, 08) All the King's Men by Robert Penn Warren (00, 02, 04, 07, 08) All My Sons by Arthur Miller (85, 90) All the Pretty Horses by Cormac McCarthy (95, 96, 06, 07, 08) America is in the Heart by Carlos Bulosan (95) An American Tragedy by Theodore Dreiser (81, 82, 95, 03) The American by Henry James (05, 07) Anna Karenina by Leo Tolstoy (80, 91, 99, 03, 04, 06, 08) Another Country by James Baldwin (95) Antigone by Sophocles (79, 80, 90, 94, 99, 03, 05) Anthony and Cleopatra by William Shakespeare (80, 91) Apprenticeship of Duddy Kravitz by Mordecai Richler (94) Armies of the Night by Norman Mailer (76) As I Lay Dying by William Faulkner (78, 89, 90, 94, 01, 04, 06, 07) As You Like It by William Shakespeare (92 05. 06) Atonement by Ian McEwan (07) Autobiography of an Ex-Colored Man by James Weldon Johnson (02, 05) The Awakening by Kate Chopin (87, 88, 91, 92, 95, 97, 99, 02, 04, 07) B "The Bear" by William Faulkner (94, 06) Beloved by Toni Morrison (90, 99, 01, 03, 05, 07) A Bend in the River by V. -
Memories for a Blessing Jewish Mourning Rituals and Commemorative Practices in Postwar Belarus and Ukraine, 1944-1991
Memories for a Blessing Jewish Mourning Rituals and Commemorative Practices in Postwar Belarus and Ukraine, 1944-1991 by Sarah Garibov A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (History) in University of Michigan 2017 Doctoral Committee: Professor Ronald Suny, Co-Chair Professor Jeffrey Veidlinger, Co-Chair Emeritus Professor Todd Endelman Professor Zvi Gitelman Sarah Garibov [email protected] ORCID ID: 0000-0001-5417-6616 © Sarah Garibov 2017 DEDICATION To Grandma Grace (z”l), who took unbounded joy in the adventures and accomplishments of her grandchildren. ii ACKNOWLEDGMENTS First and foremost, I am forever indebted to my remarkable committee. The faculty labor involved in producing a single graduate is something I have never taken for granted, and I am extremely fortunate to have had a committee of outstanding academics and genuine mentshn. Jeffrey Veidlinger, thank you for arriving at Michigan at the perfect moment and for taking me on mid-degree. From the beginning, you have offered me a winning balance of autonomy and accountability. I appreciate your generous feedback on my drafts and your guidance on everything from fellowships to career development. Ronald Suny, thank you for always being a shining light of positivity and for contributing your profound insight at all the right moments. Todd Endelman, thank you for guiding me through modern Jewish history prelims with generosity and rigor. You were the first to embrace this dissertation project, and you have faithfully encouraged me throughout the writing process. Zvi Gitelman, where would I be without your wit and seykhl? Thank you for shepherding me through several tumultuous years and for remaining a steadfast mentor and ally. -
Rabbi Nachman of Braslav, Jorge Luis Borges
Writing the Margin: Rabbi Nachman of Braslav, Jorge Luis Borges and the Question of Jewish Writing Yitzhak Lewis Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2016 © 2016 Yitzhak Lewis All rights reserved ABSTRACT Writing the Margin: Rabbi Nachman of Braslav, Jorge Luis Borges and the Question of Jewish Writing Yitzhak Lewis The present project draws a comparison between the literature and thought of Hasidic Rabbi Nachman of Braslav (1772–1810) and Argentine writer and public intellectual Jorge Luis Borges (1899–1986). It is organized around two components of their writing—a discursive self- positioning at “the edge” of tradition and a “cabbalistic” stylization of their narratives. The dissertation contextualizes these components within late eighteenth century Enlightenment ideology and emancipation policies, and mid-twentieth century political ideologies of Nazism and Fascism, respectively. The dissertation is bookended by a close comparative reading of their stories. It finds that each in his moment is greatly implicated in questions of resituating Jews and Judaism within broader society, and argues that the effort to aesthetically represent the changing social location of Jews is linked to their understanding of their respective literary projects more broadly. Finally, the study illuminates their shared conceptualization of modern Judaism as a literary model. The dissertation’s broader intervention in the filed of early modern and modern literature relates to the dynamic of rupture and continuity that is so central to categorizations of modern writing. It demonstrates that the fault lines of the rupture from tradition, vis-à-vis which modern literature has been constructed, was already present—poetically and discursively—in the “tradition” from which it purportedly departs. -
Creating Digital Open-Access Latin American Literature and Art •Fi INTI
Inti: Revista de literatura hispánica Volume 1 Number 93 Article 37 2021 Creating Digital Open-Access Latin American Literature and Art – INTI Project Collaboration Donald Russell Bailey Follow this and additional works at: https://digitalcommons.providence.edu/inti Citas recomendadas Bailey, Donald Russell (April 2021) "Creating Digital Open-Access Latin American Literature and Art – INTI Project Collaboration," Inti: Revista de literatura hispánica: No. 93, Article 37. Available at: https://digitalcommons.providence.edu/inti/vol1/iss93/37 This Digital Humanities – Transatlantic Literature is brought to you for free and open access by DigitalCommons@Providence. It has been accepted for inclusion in Inti: Revista de literatura hispánica by an authorized editor of DigitalCommons@Providence. For more information, please contact [email protected]. DIGITAL HUMANITIES – TRANSATLANTIC LITERATURE In Memory of Donald Russell Bailey International Digital Academic Library Scholar and Digital Humanist CREATING DIGITAL OPEN-ACCESS LATIN AMERICAN LITERATURE AND ART – INTI PROJECT COLLABORATION Donald Russell Bailey Providence College, USA Abstract: Since the middle of the 1990’s, higher education teaching, learning and research have evolved to include an ever greater digital presence. These digital developments in the humanities have lagged most other areas in academia, retaining a preference for the physical print. A team of Latin American scholars, faculty and digital librarians at a US institution of higher education has successfully collaborated since 2008 to publish the INTI: Revista de Literatura Hispánica journal’s original, peer- reviewed literature and art as open-access digital resources for teaching, learning and research. What began as a collaborative digitization project has in 7 years evolved into a full-scale digital publishing enterprise including print-on-demand for INTI’s 350 continuing print-subscription libraries. -
A Muriel Spark Bibliography
A Muriel Spark Bibliography 1. Texts by Muriel Spark Novels Spark, M., The Comforters (London: Macmillan, 1957). —, Robinson (London: Macmillan, 1958). —, Memento Mori (London: Macmillan, 1959). —, The Bachelors (London: Macmillan, 1960). —, The Ballad of Peckham Rye (London; Macmillan, 1960). —, The Prime of Miss Jean Brodie (London: Macmillan, 1961). —, The Girls of Slender Means (London: Macmillan, 1963). —, The Mandlebaum Gate (London: Macmillan, 1965). —, The Public Image (London: Macmillan, 1968). —, The Driver’s Seat (London: Macmillan, 1970). —, Not to Disturb (London: Macmillan, 1971). —, The Hothouse by the East River (London: Macmillan, 1973). —, The Abbess of Crewe (London: Macmillan, 1974). —, The Takeover (London: Macmillan, 1976). —, Territorial Rights (London: Macmillan, 1979). —, Loitering with Intent (London: Macmillan, 1981). —, The Only Problem (London: Bodley Head, 1984). —, A Far Cry from Kensington (London: Macmillan, 1988). —, Symposium (London: Macmillan, 1990). —, Reality and Dreams (London: Constable, 1996). —, Aiding and Abetting (London: Constable, 2000). Autobiography —, Curriculum Vitae (London: Constable, 1992). Drama —, Voices at Play (London: Macmillan, 1961), includes radio drama. —, Doctors of Philosophy (London: Macmillan, 1963). Stories —, The Go-Away Bird and Other Stories (London: Macmillan, 1958). —, Voices at Play (London: Macmillan, 1961), includes short stories. —, Collected Stories I (London: Macmillan, 1967) —, The Stories of Muriel Spark (London: Macmillan, 1987). —, Bang-Bang You’re Dead and Other Stories (St Albans: Granada, 1982). —, Collected Short Stories (London: Macmillan, 1995). —, Madam X (London: Colophon Press, 1996). 230 A Muriel Spark Bibliography 231 —, Harper and Wilton (London: Colophon Press, 1996). —, Open to the Public: New and Collected Stories (London: New Directions Books, 1997). —, The Quest for Lavishes Ghost (London: The Cuckoo Press, 1998). -
CLASSIC HIGHLIGHTS Contents
Spring 2018 CLASSIC HIGHLIGHTS Contents For more information please go to our website to browse our shelves and find out more about what we do and who we represent. Centenary Celebrations 2018 p. 5 Troublesome Women pp. 6-10 Short Stories pp. 11-17 Classics of Our Time pp.18-22 Agents US Rights: Georgia Glover; Veronique Baxter, Andrew Gordon Film & TV Rights: Nicky Lund; Georgina Ruffhead, Claire Israel, Penelope Killick Translation Rights: Alice Howe: [email protected] Giulia Bernabè: [email protected] Direct: Arabic; Croatia; Estonia; France; Germany; Greece; Israel; Latvia; Lithuania; Netherlands; Scandinavia; Slovenia; Spain and Spanish in Latin America; Sub-agented: Czech Republic; Italy; Poland; Romania; Slovakia; Turkey Emily Randle: [email protected] Direct: Afrikaans; Albanian; all Indian languages; Brazil; Macedonia; Portugual; Russia; Ukraine; Vietnam; Wales; plus miscellaneous requests Subagented: China; Bulgaria; Hungary; Indonesia; Japan; Korea; Serbia; Taiwan; Thailand Allison Cole: [email protected] Children’s titles in all languages Contact t: +44 (0)20 7434 5900 f: +44 (0)20 7437 1072 www.davidhigham.co.uk CENTENARY CELEBRATIONS MURIEL SPARK 2018 marks the 100th anniversary of the birth of classic writer, Dame Muriel Spark Born in Edinburgh in 1918, Muriel Spark originally worked as a secretary and then a poet and literary journalist. She was completely unknown and impoverished until she started her career as a story writer and novelist. Then everything changed overnight. A poet and novelist, she also wrote children’s books, radio plays, a comedy Doctors of Philosophy, (first performed in London in 1962 and published 1963) and biographies of nineteenth-century literary figures, including Mary Shelley and Emily Brontë.