DOCSLIB.ORG

A Muriel Spark Bibliography

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
A Muriel Spark Bibliography A Muriel Spark Bibliography 1. Texts by Muriel Spark Novels Spark, M., The Comforters (London: Macmillan, 1957). —, Robinson (London: Macmillan, 1958). —, Memento Mori (London: Macmillan, 1959). —, The Bachelors (London: Macmillan, 1960). —, The Ballad of Peckham Rye (London; Macmillan, 1960). —, The Prime of Miss Jean Brodie (London: Macmillan, 1961). —, The Girls of Slender Means (London: Macmillan, 1963). —, The Mandlebaum Gate (London: Macmillan, 1965). —, The Public Image (London: Macmillan, 1968). —, The Driver’s Seat (London: Macmillan, 1970). —, Not to Disturb (London: Macmillan, 1971). —, The Hothouse by the East River (London: Macmillan, 1973). —, The Abbess of Crewe (London: Macmillan, 1974). —, The Takeover (London: Macmillan, 1976). —, Territorial Rights (London: Macmillan, 1979). —, Loitering with Intent (London: Macmillan, 1981). —, The Only Problem (London: Bodley Head, 1984). —, A Far Cry from Kensington (London: Macmillan, 1988). —, Symposium (London: Macmillan, 1990). —, Reality and Dreams (London: Constable, 1996). —, Aiding and Abetting (London: Constable, 2000). Autobiography —, Curriculum Vitae (London: Constable, 1992). Drama —, Voices at Play (London: Macmillan, 1961), includes radio drama. —, Doctors of Philosophy (London: Macmillan, 1963). Stories —, The Go-Away Bird and Other Stories (London: Macmillan, 1958). —, Voices at Play (London: Macmillan, 1961), includes short stories. —, Collected Stories I (London: Macmillan, 1967) —, The Stories of Muriel Spark (London: Macmillan, 1987). —, Bang-Bang You’re Dead and Other Stories (St Albans: Granada, 1982). —, Collected Short Stories (London: Macmillan, 1995). —, Madam X (London: Colophon Press, 1996). 230 A Muriel Spark Bibliography 231 —, Harper and Wilton (London: Colophon Press, 1996). —, Open to the Public: New and Collected Stories (London: New Directions Books, 1997). —, The Quest for Lavishes Ghost (London: The Cuckoo Press, 1998). —, The Young Man Who Discovered the Secret of Life and Other Stories (London: Travelman Publishing, 1999). Un-anthologized short stories include: —, ‘Ladies and Gentlemen’, Chance 3, April–June 1953. —, ‘The End of Summer Time’, London Mystery Magazine 37, June 1958. —, ‘Going Up and Coming Down’, The Daily Telegraph 6, August 1994, Section 2, p. 11. Children’s literature —, The Very Fine Clock (London: Macmillan, 1968) —, The Small Telephone (London: Colophon Press, 1983). —, The French Window (London: Colophon Press, 1993). Poetry —, The Fanfarlo and Other Verse (Adlington: The Hand and Flower Press, 1952). —, Collected Poems I (London: Macmillan, 1967). —, Going Up to Sotheby’s (St Albans: Granada, 1982). Other published poetry includes: —, ‘Snowflakes’, Gillespie’s School Magazine July 1929, p. 31. —, ‘Starshine’, ‘Other Worlds’ and ‘The Door of Youth’, Gillespie’s School Magazine, July 1931, pp. 37–8, 50–1. —, ‘Pan’s Pipes’ and ‘Says Beetle’, Gillespie’s School Magazine, July 1932, pp. 22–3. —, ‘Shell Tales’, ‘A Dog-Day Dream – in School’, ‘Out of a Book’, and ‘Seagulls in the Links’, Gillespie’s School Magazine, July 1933, pp. 28–9, 36–7, 44. —, ‘Dust’, Gillespie’s School Magazine, July 1934, p. 16. —, ‘The Idiot’, School: The Annual of the Rhodesia Teacher’s Association 2(1), 1941, p. 39. —, ‘The Victoria Falls’, Poetry Review 37 (4), August–September, 1946, p. 285. —, ‘Frantic a Child Ran’ and ‘Three Thoughts in Africa’, Poetry of To-Day 1(72), 1946, pp. 80–2. —, ‘Poem for a Pianist’, ‘They Sigh for Old Dreams’ and ‘I Have a Lovely Meadow Land’, Poetry of To-Day 3(74), 1946, pp. 10–2. —, ‘The Well’, Poetry Review 38 (1), January–February, 1947, pp. 82–6. —, ‘Leaning Over an Old Wall’ and ‘Autumn’, Poetry Review 38(2), March–April 1947, p. 106, 155–6. —, ‘The Robe and the Song’, Poetry Review 38(4), May–June 1947, pp. 192–3. —, ‘Birthday’, Poetry Review 38(4), July–August 1947, p. 270. —, ‘The Bells at Bray’ and ‘Cadmus’, Poetry Review 38(5), September–October 1947, pp. 353, 379. —, ‘Omega’, Poetry Review 38 (6), December 1947, pp. 519. 232 A Muriel Spark Bibliography —, ‘Song’, Outposts 9, Winter 1947, p. 10. —, ‘You, Dreamer’, Canadian Poetry Magazine, 11(3), March 1948, p. 23. —, ‘Invocation to a Child’, Poetry Quarterly 10(1), Spring 1948, p. 22. —, ‘Poem’, Prospect 2(10), Summer 1948, p. 5. —, ‘Song of the Divided Lover’, Poetry Commonwealth 1, Summer 1948, p. 5. —, ‘Standing in Dusk’, Variegation 3(3), Summer 1948, p. 3. —, ‘Lost Lover’, Outposts 11, Autumn 1948, p. 3. —, ‘Anniversary’, Variegation 3(4), Autumn 1948, p. 17. —, ‘A Letter to Howard’, Poetry Quarterly 10(3), Autumn 1948, p. 152. —, ‘Tracing the Landscape . .’, Poetry Commonwealth 2, Autumn 1948, p. 5. —, ‘Sin’, Punch 215(5628), 27 October 1948. —, ‘She Wore His Luck on Her Breast’, Outposts 12, Winter 1948, pp. 10, 19–20. — and Howard Sergeant, Reassessment: Poetry Pamphlet No.1 (London: G. Nicholls and Co, 1948). —, ‘Reassessment’, Women’s Review, 4 January 1949, pp. 18–9. —, ‘Magdalen’, Geminin 1, May 1949, p. 3. —, ‘The Beads’, Poetry Quarterly, 11(3), Autumn 1949, pp. 144–5, 162–8. —, ‘Indian Feathers’, Variegation, 4(4), Autumn 1949, p. 4. —, ‘This Plato’, Arena 21, 1949, pp. 12–13. —, ‘The Voice of One Lost Sings its Gain’, Poetry Quarterly 11(4), Winter 1949–50, p. 221. —, ‘Invocation in a Churchyard on All Hallow’s Eve’, Gemini 3, January 1950. —, ‘The Dancers’, World Review 12 February 1950, p. 3. —, ‘Elegy in a Kensington Churchyard’, Fortnightly September, 1950. —, ‘Kindness or Weakness?’, Public Opinion 4643, 17 November 1950, p. 24. — and Derek Stanford, translation of ‘Poem XVII’ from Shadows of my Love, Guillaume Apollinaire, Poetry Quarterly 12(3), 1950. —, ‘Snow-fall’, Public Opinion 16 March 1951, p. 28. —, ‘No Need for Shouting’, Poetry Quarterly 13(1) Spring 1951, p. 24. —, ‘A Sleep of Prisoners’, Spectator 6413, 25 May 1951, p. 688. —, ‘Birthday Acrostic’, Poetry Quarterly 13(2) Summer 1951, p. 68. —, ‘Portrait’, Recurrence, 2(2) Autumn 1951, p. 7. —, ‘Conundrum’ and ‘The Miners’, Chanticleer 1(1), Autumn 1952, p. 10. —, ‘A Letter at Christmas’, Outposts 20, 1952, pp. 5–6. —, ‘Eyes and Noses’, The Observer 18 January 1953. —, ‘Pearl Miners’, Poetry (Chicago), September 1953. —, ‘Domestic Dawn’, Saturday Review 13 April 1957. —, ‘Faith and Works’, Aylesford Review 2(2), Winter 1957–8. —, ‘The Card Party’, The New Yorker 28 December 1963, p. 30. —, ‘Canaan’, The New Yorker 16 April 1966, p. 48. —, ‘The She-Wolf’, The New Yorker 4 February 1967, p. 40. —, ‘The Messengers’, The New Yorker 16 September 1967, p. 44. Criticism and biography — and Derek Stanford, eds, Tribute to Wordsworth (London: Wingate, 1950). —, Child of Light: A Reassessment of Mary Wollstonecraft Shelley (Hadleigh, Essex: Tower Bridge Publications, 1951). A Muriel Spark Bibliography 233 —, A Selection of Poems by Emily Brontë (London: Grey Walls Press, 1952). — and Derek Stanford, eds, My Best Mary: Selected Letters of Mary Shelley (London: Wingate, 1953). —, John Masefield (London: Peter Nevill, 1953) republished with new intro- duction (London: Hutchinson, 1991). — and Derek Stanford, eds, Emily Brontë: Her life and Work (London: Peter Owen, 1953). —, The Brontë Letters (London: Peter Nevill, 1954). — and Derek Stanford, eds, Letters of John Henry Newman (London: Peter Owen, 1957). —, Mary Shelley (London: Penguin, 1987). —, The Essence of the Brontës (London: Peter Owen, 1993). Critical essays and journalism —, ‘The Catholic View’ Poetry Review 38 (6), December 1947, pp. 402–5. —, ‘Criticism, Effects and Morals’, Poetry Review 39(1), February 1948, pp. 3–6. —, ‘Reassessment’, Poetry Review 39(2), April–May 1948, pp. 103–4. —, ‘Reassessment – II’, Poetry Review 39(3), August–September 1948, p. 234. —, ‘A pamphlet from the U.S.’, Poetry Review, 39(4), October–November 1948, p. 318. —, ‘Poetry and Politics’, Parliamentary Affairs 1(4), Autumn 1948, pp. 12–23. —, ‘Review Article’, Outposts 12, Winter 1948, pp. 10, 19–20. —, ‘Poetry and the Other Arts’, Poetry Review 39(5), December 1948–January 1949, p. 390. —, ‘The Dramatic Works of T.S. Eliot’, Women’s Review 5, March–April 1949, pp. 2–4. —, ‘African Handouts’, The New English Weekly 35(3), 28 April 1949, pp. 32–3. —, ‘The Poetry of Anne Brontë’, The New English Weekly 26 May 1949. —, ‘Introduction’, Forum 1(1), Summer 1949, p. 1. —, ‘The Poet in Mr Eliot’s Ideal State’, Outposts 14, Summer 1949, pp. 26–8. —, ‘Cecil Day Lewis’, Poetry Quarterly 11(3), Autumn 1949, pp. 162–8. —, ‘Poetry and the American Government’, Parliamentary Affairs 3(1), Winter 1949, pp. 260–72. —, ‘The Dramatic Work of T.S. Eliot’, Women’s Review 5, 1949. —, ‘Introduction’, Forum 1(2), 1949, pp. 25–6. —, ‘Mary Shelley: A Prophetic Novelist’, Listener 22 February 1951. —, ‘Passionate Humbugs, Book Review’, Public Opinion 4567, 23 February 1951. —, ‘The Complete Frost, Book Review’, Public Opinion 4662, 30 March 1951. —, ‘Two-way’, Church of England Newspaper 25 May 1951. —, ‘Psychology and Criticism’, Times Literary Supplement 25 May 1951. —, ‘In Defence of the Highbrow’, Public Opinion 4672, 8 June 1951, p. 28. —, ‘Does Celibacy Affect Judgement?’, Church of England Newspaper 16 November 1951, p. 10. —, ‘Civilised Humour’, The Journal of the Scottish Secondary Teachers’ Association 7(1), October 1952, pp. 30–2. —, ‘Talks in Moscow’, The Church of England Newspaper 31 October 1952. —, ‘Ex-pagan Reader’, Church of England Newspaper 19 December 1952, p. 10. 234 A Muriel Spark Bibliography —, ‘All Laugh Together?’, The English Speaking World 35(2), March 1953, pp. 32–6. —, ‘R.E. Williams ‘Punch Replies’, The English Speaking World 35(3), May 1953, pp. 24–8. —, ‘If I were “Punch” . .’ The English Speaking World 35(4), June 1953, pp. 23–5. —, ‘Edinburgh Festival Diary: A Prophet’s Married Life’, The Church of England Newspaper, 3115, 4 September 1953, p. 5. —, ‘Edinburgh Festival Diary: The Wisdom of T.S. Eliot’, The Church of England Newspaper 3116, 11 September 1953, p. 5. —, ‘The Religion of an Agnostic: A Sacramental View of the World in the Writings of Proust’, The Church of England Newspaper November 27, 1953. —, ‘Review of John Masefield’, The Journal of the Scottish Secondary Teachers’ Association 8(2), February 1954, p. 58. —, ‘Aylesford Priory’, The Tablet 12 February 1955, p.
Load more

Recommended publications
  • Muriel Spark's Stylish Spinsters: Miss Jean Brodie Past Her Prime
    Muriel Spark’s Stylish Spinsters: Miss Jean Brodie Past Her Prime Hope Howell Hodgkins Maggie Smith in The Prime of Miss Jean Brodie (1969) Fashion succeeds by promising to annul the fragmented conditions of modernity with the imposition of a coherent subjectivity. Leslie Rabine / Joanne Finkelstein Baudelairean dédoublement: The wise man is “one who had acquired by habit a power of rapid self-division (dédoublement) and thus of assisting as a disinterested spectator at the phenomena of his own ego.” -D’Essence de la Rire Alexander Moffat, 1984 (Scottish National Portrait Gallery) “. head up, like Sybil Thorndike, her nose arched and proud.” She left the web, she left the loom, She made three paces thro’ the room, She saw the water-lily bloom, She saw the helmet and the plume, She look’d down to Camelot. Alfred, Lord Tennyson “The Lady of Shalott” The Lady of Shalott, William Holman Hunt, 1889-92 (Wadsworth Museum of Art) The Girls of Slender Means Edinburgh Festival 2009 Edwardian blue silk damask dress: “Bluebell” Bluebell the cat Schiaparelli Pink Schiaparelli hat, 1948 Schiaparelli dress, 1938 The Driver’s Seat, 1970 The Driver’s Seat (European title: Identikit), 1974 Mona Washbourne & Elizabeth Taylor Her own work of art: Spark in Rome, 1970 (Jerry Bauer, NLS) “Plump, motherly”: Spark with her son, early 1940s Stylish into old age. [A]n artist is only an artist on condition that he is a double man and that there is not one single phenomenon of his double nature of which he is ignorant. Charles Baudelaire, “D’Essence de la rire”.
    [Show full text]
  • The Best According To
    Books | The best according to... http://books.guardian.co.uk/print/0,,329724792­99819,00.html The best according to... Interviews by Stephen Moss Friday February 23, 2007 Guardian Andrew Motion Poet laureate Choosing the greatest living writer is a harmless parlour game, but it might prove more than that if it provokes people into reading whoever gets the call. What makes a great writer? Philosophical depth, quality of writing, range, ability to move between registers, and the power to influence other writers and the age in which we live. Amis is a wonderful writer and incredibly influential. Whatever people feel about his work, they must surely be impressed by its ambition and concentration. But in terms of calling him a "great" writer, let's look again in 20 years. It would be invidious for me to choose one name, but Harold Pinter, VS Naipaul, Doris Lessing, Michael Longley, John Berger and Tom Stoppard would all be in the frame. AS Byatt Novelist Greatness lies in either (or both) saying something that nobody has said before, or saying it in a way that no one has said it. You need to be able to do something with the English language that no one else does. A great writer tells you something that appears to you to be new, but then you realise that you always knew it. Great writing should make you rethink the world, not reflect current reality. Amis writes wonderful sentences, but he writes too many wonderful sentences one after another. I met a taxi driver the other day who thought that.
    [Show full text]
  • Literature Culture Linguistics Muriel Spark
    2018.NEXUS 02 edita: Cristina Alsina Rísquez FREDERICK DOUGLASS &MARTIN LUTHER LITERATURE KING & CULTURE MURIEL SPARK WILLFRED OWEN LINGUISTICS MATTI RISSANEN DEBORAH SCHIFFRIN M.A.K. HALLIDAY Presidente ALBERTO LÁZARO LAFUENTE Universidad de Alcalá Secretario ANTONIO BALLESTEROS GONZÁLEZ 2018.NEXUS 02 UNED Vocal 1a CRISTINA ALSINA RÍSQUEZ Copyright De los textos, sus autores. Universitat de Barcelona Editor CRISTINA ALSINA RÍSQUEZ Vocal 2a ROSARIO ARIAS DOBLAS Universidad de Málaga Graphic TONI CAMPS design useixantaquatre.com Tesorera CRISTINA SUÁREZ GÓMEZ Universitat de les Illes Balears ISSN 1697-4646 http://www.aedean.org nexus 2018-02 ÍNDICE LITERATURE AND CULTURE AND LITERATURE TRIBUTES MAR GALLEGO Universidad de Huelva 7 Frederick Douglass & Martin Luther King Commemorating Frederick Douglass and Martin Luther King: African American Rhetoric and Black Masculinity BERTA CANO ECHEVARRÍA Universidad de Valladolid 19 Wilfred Owen Wilfred Owen’s Search for Words TOMÁS MONTERREY Universidad de La Laguna FRANCISCO GARCÍA LORENZANA Y PEPA LINARES 25 Traductores de Muriel Spark Esplendida´ Spark In Memoriam. 1918-2006 LINGUISTICS TRIBUTES MARÍA JOSÉ LÓPEZ-COUSO & BELÉN MÉNDEZ-NAYA University of Santiago de Compostela 32 Matti Rissanen In Memoriam: Matti Rissanen, the linguist, the friend BEGOÑA BELLÉS FORTUÑO Universitat Jaume I 38 Deborah Schiffrin In Memoriam 3 nexus 2018-02 ÍNDICE LINGUISTICS TRIBUTES DANIEL GARCÍA VELASCO Universidad de Oviedo M.A.K. Halliday 41 El lenguaje segun M.A.K. Halliday ´ LITERATURE AND CULTURE AND LITERATURE RESEARCH PAPERS RESEARCH CLARA ESCODA Universitat de Barcelona 45 “Much Deeper than That”: Hegemonic Emotional Experiences and Affective Dissidences in Martin Crimp’s In the Republic of Happiness (2012) Research Project: British Theatre in the Twenty-First Century: Crisis, Affect, Community LINGUISTICS RESEARCH PAPERS RESEARCH MARÍA F.
    [Show full text]
  • Repetition and Narrative Time in Muriel Spark's 'The Bachelors', 'The Ballad of Peckham Rye' and 'A Member of the Fa
    Page !1 of !26 Gaenor Burchett-Vass March 2014 Repetition and narrative time in Muriel Spark’s ‘The Bachelors’, ‘The Ballad of Peckham Rye’ and ‘A Member of the Family’ ‘Story time’ is not the same thing as ‘narrative time’. The Russian Formalists, active during the early years of the twentieth century, used the terms ‘fabula’ and ‘sjuzhet’ to refer respectively to the ‘chronological sequence of events’ and the ‘order and manner in which [these events] are actually presented in the narrative’ (Jefferson and Robey, 1986: 39). Scenes which occur once in story time, the fabula, can be repeated many times in the narrative, or the sjuzhet, and any such scene will be brought into prominence, or foregrounded, thereby inviting the reader to assign significance to it. Genette’s work on ‘frequency’ in the second half of the twentieth century is built on the foundations established by the Formalists. In his Narrative Discourse, first published in French as Figures III in 1972, Genette distinguishes three possible methods available to the writer for recounting events: the singulative, repetitive and iterative. More recent work among narratologists has pinpointed the difficulties inherent in the fabula/sjuzhet distinction, briefly summarised as follows. The fabula is essentially a construct, put together by the reader at the time of reading and revised to create a final version once the text has been read. It has no external existence unless the fabula and sjuzhet can be seen to be absolutely identical. A ‘primary’ narrative must be identified to enable the construction of a fabula: this is not always straightforward and disagreements cannot easily be resolved.
    [Show full text]
  • Dspring & Summer
    N DSPRING & SUMMER 2014 Muriel Spark The Informed Air Essays • Edited and with a preface by Penelope Jardine Together for the first time in one sparkling, delicious volume, here are the greatest essays of Muriel Spark In this monumental collection, the inimitable Muriel Spark addresses all of her favorite subjects: the writing life; love; cats; favorite writers (T. S. Eliot, Robert CLOTH Burns, the Brontës, Mary Shelley); Piero della Francesca; life in wartime London and in glamorous “Hollywood-on-the-Tiber” 1960s Rome; faith; and EssaYS APRIL parties (of course). 5" X 8" 352 PP Spark’s scope is amazing, and her striking, glancing insights are precise and unforgettable. From the mysteries of Job’s sufferings, she glides to Dame Edith ISBN 978-0-8112-2159-7 Sitwell’s cocktail-party advice on how to handle a nasty publisher, and on to the joys of success. 24 CQ TERRITORY B “There is no question about the quality or distinctiveness of her writing, with its quirky concern with human nature and its comedy.” US $24.95 CAN $26.50 —WILLIAM BOYD, London Sunday TimES “Reading a blast of her prose every morning is a far more restorative way to start a day than a shot of espresso.” — ThE TelegraPh (London) “Surely the most engaging, tantalizing writer we have.” —FRANK KERMODE, ThE London ReviEw of BookS The author of The Prime of Miss Jean Brodie, Memento Mori, and The Driver’s Seat, MURIEL SPARK (1918–2006) became Dame Commander of the Order of the British Empire in 1993. She was acclaimed the “master of malice and mayhem” by the New York Times.
    [Show full text]
  • Hidden Possibilities: Essays in Honor of Muriel Spark Edited by Robert E
    Maley, W. (2017) Hidden Possibilities: Essays in Honor of Muriel Spark edited by Robert E. Hosmer Jr. Religion and Literature, 48(2), [Book Review] This is the author’s final accepted version. There may be differences between this version and the published version. You are advised to consult the publisher’s version if you wish to cite from it. http://eprints.gla.ac.uk/124247/ Deposited on: 03 October 2017 Enlighten – Research publications by members of the University of Glasgow http://eprints.gla.ac.uk Hidden Possibilities: Essays in Honor of Muriel Spark. Robert E. Hosmer Jr., ed. Notre Dame University Press, 2014. vii + 295 pp. $35 paper. Robert Hosmer’s introduction – gleeful, gossipy, gushing – sets the tone for this compelling collection of intimate encounters with the late Dame Muriel Spark by connoisseurs of her poetic art. The editor has assembled a veritable Brodie Set who can scarce contain their enthusiasm for their prime subject. Hosmer is clear about the book’s aims, hoping “readers of this volume will gain a keen sense of Muriel Spark as a person, derived in good measure from reading her own words, unfiltered and uncensored, and a considerable critical appreciation of her work as articulated by some of her best readers”. Of the sixteen essays gathered here, seven are previously published, so I will pass over the elegant insights of my colleague Gerry Carruthers, as well as those of Frank Kermode, John Lanchester, Doris Lessing, John Mortimer, and John Updike, and the fascinating interview Hosmer conducted with Spark in 2005. The volume opens with a section entitled “The Work”, in which Gabriel Josipovici’s erudite exploration of Spark’s critique of fiction within her fiction is the opening essay: “The villains in Muriel Spark’s novels are those who cannot see the difference between fiction and reality.
    [Show full text]
  • The Natural and the Supernatural in Muriel Spark's Fiction
    Studia Litteraria Universitatis Iagellonicae Cracoviensis 6 (2011) DOI: 10.4467/20843933ST.11.005.0303 BOŻENA KUCAŁA Instytut Filologii Angielskiej Uniwersytet Jagielloński The Natural and the Supernatural in Muriel Spark’s Fiction Abstract A striking feature of Muriel Spark’s fi ction is its insistence on the reality of the supernatural, which occasionally breaks into the naturalistic level, defying and challenging habitual modes of perception. The fact of Spark being a religious convert is well known, but her faith is mani- fested in ways different from what is normally assumed to be religious writing. Spark’s novels are never overtly didactic or moralistic; the impact of her faith is manifest in the notion of reality as conveyed by her fi ction. Spark’s vision of reality, underlain by her Catholicism, is based on her conviction that empirical reality coexists with the supernatural world; therefore, interactions with the supernatural, however strange they may seem, are presented in her fi ction as compellingly plausible. It is argued in the article that Spark’s ontology of fi ction is rooted in a tradition going back to Chesterton, who insisted on the paradoxical conjunction of nonsense and faith, both capable of invoking a sense of spiritual wonder at the world we normally take for granted. Memento Mori, Reality and Dreams as well as selected short stories are referenced to illustrate the peculiar combination of the empirical and the supernatural in Spark’s fi ction. The article asserts the paradox, central to Spark’s vision of reality, that the supernatural should be accepted as a natural part of profane experience.
    [Show full text]
  • Unreliable Narration in British Postmodern Fiction
    Seton Hall University eRepository @ Seton Hall Seton Hall University Dissertations and Theses (ETDs) Seton Hall University Dissertations and Theses Spring 5-20-2021 The Nobility in Seeing Oneself: Unreliable Narration in British Postmodern Fiction Jessica Marzocca [email protected] Follow this and additional works at: https://scholarship.shu.edu/dissertations Part of the Language Interpretation and Translation Commons, and the Literature in English, British Isles Commons Recommended Citation Marzocca, Jessica, "The Nobility in Seeing Oneself: Unreliable Narration in British Postmodern Fiction" (2021). Seton Hall University Dissertations and Theses (ETDs). 2888. https://scholarship.shu.edu/dissertations/2888 The Nobility in Seeing Oneself: Unreliable Narration in British Postmodern Fiction Jessica Marzocca M. A. Seton Hall University, May 2021 A Thesis Submitted in Partial Fulfillment of the Requirements for the Master of Arts In The Department of English College of Arts and Sciences Seton Hall University May 2021 © Jessica Marzocca, May 2021 All Rights Reserved Seton Hall University College of Arts and Sciences Department of English APPROVAL FOR SUCCESSFUL COMPLETION OF THE MASTERS THESIS This Thesis, “The Nobility in Seeing Oneself: Unreliable Narration in British Postmodern Fiction,” by Jessica Marzocca, has been approved for submission for the Degree of Master of Arts in English (Writing) by: Approved by: __X______________________ Dr. Martha Carpentier, Thesis Advisor __X______________________ Dr. Nathan Oates, Second Reader Abstract In an interview in 1989, Kazuo Ishiguro, author of The Remains of the Day , expresses an interest in “the whole business about following somebody’s thoughts around, as they try to trip themselves up or to hide from themselves,” a curiosity that directly correlates to the functionality of unreliable narration (Mason 347).
    [Show full text]
  • The Mandelbaum Gate #Muriel Spark
    The Mandelbaum Gate #Muriel Spark 0140027459, 9780140027457 #1967 #The Mandelbaum Gate #Penguin Books, 1967 #Muriel Spark #Barbara, engaged to an archaeologist, has pursued the beauty and danger of a life of faith. On a visit to Jerusalem she has befriended the diplomat Freddy Hamilton. Ignoring his warning that she risks arrest because of her Jewish blood, she has set out on a pilgrimage beyond the Mandelbaum Gate. file download vopunip.pdf Fiction #1995 #ISBN:0811212963 #106 pages #Muriel Spark #The Abbess of Crewe #An election is held at the abbey of Crewe and the new lady abbess takes up her high office with implacable serenity The Mandelbaum Gate pdf Fiction #Reality and Dreams #Mar 20, 2012 #ISBN:9781453245095 #A Novel #Sleek and suggestive . [Reality and Dreams] is so smart and seductive that you fail to notice how completely youve accepted a world gone utterly awry. Kirkus Reviews #Muriel Spark #156 pages Mandelbaum Gate The Mandelbaum Gate download 1960 #Muriel Spark #214 pages #And Other Stories #UCAL:B3865811 #The Go-away Bird #Africa The Prime of Miss Jean Brodie #ISBN:0060931736 #Fiction #A teacher at a girls' school in Edinburgh during the 1930s comes into conflict with school authorities because of her unorthodox teaching methods, in a new edition--which #150 pages #1961 #Muriel Spark download The Mandelbaum Gate pdf file Fiction #ISBN:0811214575 #Mrs. Hawkins, a buxom young war widow, spends her days working for a mad, near-bankrupt publisher ("of very good books") and her nights dispensing advice at her small South #189 pages #Sep 17, 2000 #A Far Cry from Kensington #Muriel Spark The Mandelbaum Gate pdf download ISBN:9781590176146 #Renata Adler, Muriel Spark #154 pages #Pitch Dark #2013 #""What's new.
    [Show full text]
  • Because I Am in My Prime2
    Because I Am In My Prime Rubrik ”A Psychoanalytical Reading of Muriel Spark’s The Prime of Miss Jean Brodie” Hanna Pohjola 2013 C-Essay, 15p English, Literature Supervisor: Marko Modiano, Ph.D Examiner: Iulian Cananau, Ph.D 1 Table of contents Introduction............................................................................................................ 3 Psychoanalytic approach .......................................................................................4 Discussion............................................................................................................ 15 Conclusion ...........................................................................................................25 Works cited ..........................................................................................................27 2 Introduction At the surface Muriel Spark’s novel The Prime of Miss Jean Brodie depicts a teacher who devotes herself so much to her vocation, that she readily devotes her prime to her calling. As the title indicates, the main character in the novel is accordingly Miss Jean Brodie, and she works at a girls’ school in Edinburgh. The setting is reflecting the city in the 1930s, even if the novel was written in 1960. Moreover, only recently, in October 2012, the novel was presented in BBC Scotland’s series Landmark by Philip Dodd, where he told that the story is loosely based on Spark’s own schooldays at The James Gillespie Academy, and the protagonist, Miss Brodie, ”is inspired by one of Spark’s own teachers at this school, Christina Kay” (Dodd). The main character is portrayed both as charismatic and glamorous, with modern and refreshing ideas on education. In addition to that, she makes her classes fun, fascinating and full of adventure. She is also popular among her pupils, and they are closely connected to their teacher, who generously shares her passion for culture with them. Accordingly, central to the plot of this novel is Miss Brodie’s relation with her specific set, which consists of six girls.
    [Show full text]
  • MURIEL SPARK a Catalogue
    MURIEL SPARK A Catalogue JONKERS 1 RARE BOOKS Offered for sale by Jonkers Rare Books “With Graham Greene and Evelyn Waugh, Muriel Spark completed a 27 Hart Street Henley on Thames grand triumvirate of Catholic-convert novelists. After Greene’s death in RG9 2AR 1991, she was often described as ‘the greatest living British writer’, and both her predecessors were awed by her talent.” 01491 576427 (within the UK) +44 1491 576427 (from overseas) Dame Muriel Spark, as Martin Stannard’s praise attests, The collection presented in these pages is the product of was one of the great British novelists of the Twentieth Century. But it one private collector, and shows the extraordinary range of Spark’s email: [email protected] was not until 1957, a week after her thirty-ninth birthday that her first canon. It begins with issues of the James Gillespie’s School Maga- zine, where her poems appeared under the commission of teacher website: www.jonkers.co.uk novel, The Comforters, a finely tuned examination of mental health and the literary mind, was published. Miss Christina Kay, who was later fictionalised, as was the school, in The Prime Of Miss Jean Brodie. It goes on to offer examples of Payment is accepted by cheque or bank transfer in either After this, however, and following reviews in the most en- sterling or US dollars and all major credit cards. All items are Spark’s early publications of literary criticism as well as the great couranging terms from both Greene and Waugh, Spark’s literary out- unconditionally guaranteed to be authentic and as described.
    [Show full text]
  • Religious Conflict in Muriel Spark's Novels
    RELIGIOUS CONFLICT IN MURIEL SPARK’S NOVELS: THE BACHELORS, THE COMFORTERS AND MEMENTO MORI Nilgün ŞENOL ADMEŞ Yüksek Lisans Tezi İngiliz Dili ve Edebiyatı Anabilim Dalı Danışman: Prof. Dr. Hasan BOYNUKARA 2018 T.C. TEKİRDAĞ NAMIK KEMAL ÜNİVERSİTESİ SOSYAL BİLİMLER ENSTİTÜSÜ İNGİLİZ DİLİ VE EDEBİYATI ANABİLİM DALI YÜKSEK LİSANS TEZİ RELIGIOUS CONFLICT IN MURIEL SPARK’S NOVELS: THE BACHELORS, THE COMFORTERS AND MEMENTO MORI Nilgün ŞENOL ADMEŞ İNGİLİZ DİLİ VE EDEBİYATI ANABİLİM DALI DANIŞMAN: Prof. Dr. Hasan BOYNUKARA TEKİRDAĞ-2018 Her Hakkı Saklıdır BİLİMSEL ETİK BİLDİRİMİ Hazırladığım Yüksek Lisans Tezinin bütün aşamalarında bilimsel etiğe ve akademik kurallara riayet ettiğimi, çalışmada doğrudan veya dolaylı olarak kullandığım her alıntıya kaynak gösterdiğimi ve yararlandığım eserlerin kaynakçada gösterilenlerden oluştuğunu, yazımda enstitü yazım kılavuzuna uygun davranıldığını taahhüt ederim. 30/11/ 2018 Nilgün ŞENOL ADMEŞ ii T.C. TEKİRDAĞ NAMIK KEMAL ÜNİVERSİTESİ SOSYAL BİLİMLER ENSTİTÜSÜ İNGİLİZ DİLİ VE EDEBİYATI ANABİLİM DALI YÜKSEK LİSANS TEZİ Nilgün ŞENOL ADMEŞ tarafından hazırlanan “Religious Conflict İn Muriel Spark’s Novels: The Bachelors, The Comforters And Memento Mori” konulu YÜKSEK LİSANS Tezinin Sınavı, Namık Kemal Üniversitesi Lisansüstü Eğitim Öğretim Yönetmeliği uyarınca 30.11.2018 günü saat ...........’de yapılmış olup, tezin …………………………. OYBİRLİĞİ / OYÇOKLUĞU ile karar verilmiştir. Jüri Başkanı: Prof. Dr. Hasan BOYNUKARA Kanaat: İmza: Üye: Doç. Dr. Petru GOLBAN Kanaat: İmza: Üye: Doç. Dr. Cevdet YILMAZ Kanaat: İmza: Sosyal Bilimler Enstitüsü Yönetim Kurulu adına ...../...../..... Doç. Dr. Emrah İsmail ÇEVİK Enstitü MüdürüTEZ VERİ GİRİŞ FORMU iii ÖZET Kurum, Enstitü, ABD : Namık Kemal Üniversitesi, Sosyal Bilimler Enstitüsü, İngiliz Dili ve Edebiyatı Ana Bilim Dalı Tez Başlığı : Religious Conflict In Muriel Spark’s Novels: The Bachelors, The Comforters And Memento Mori Tez Yazarı : Nilgün ŞENOL ADMEŞ Tez Danışmanı : Prof.
    [Show full text]