MURIEL SPARK a Catalogue
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Repetition and Narrative Time in Muriel Spark's 'The Bachelors', 'The Ballad of Peckham Rye' and 'A Member of the Fa
Page !1 of !26 Gaenor Burchett-Vass March 2014 Repetition and narrative time in Muriel Spark’s ‘The Bachelors’, ‘The Ballad of Peckham Rye’ and ‘A Member of the Family’ ‘Story time’ is not the same thing as ‘narrative time’. The Russian Formalists, active during the early years of the twentieth century, used the terms ‘fabula’ and ‘sjuzhet’ to refer respectively to the ‘chronological sequence of events’ and the ‘order and manner in which [these events] are actually presented in the narrative’ (Jefferson and Robey, 1986: 39). Scenes which occur once in story time, the fabula, can be repeated many times in the narrative, or the sjuzhet, and any such scene will be brought into prominence, or foregrounded, thereby inviting the reader to assign significance to it. Genette’s work on ‘frequency’ in the second half of the twentieth century is built on the foundations established by the Formalists. In his Narrative Discourse, first published in French as Figures III in 1972, Genette distinguishes three possible methods available to the writer for recounting events: the singulative, repetitive and iterative. More recent work among narratologists has pinpointed the difficulties inherent in the fabula/sjuzhet distinction, briefly summarised as follows. The fabula is essentially a construct, put together by the reader at the time of reading and revised to create a final version once the text has been read. It has no external existence unless the fabula and sjuzhet can be seen to be absolutely identical. A ‘primary’ narrative must be identified to enable the construction of a fabula: this is not always straightforward and disagreements cannot easily be resolved. -
Dspring & Summer
N DSPRING & SUMMER 2014 Muriel Spark The Informed Air Essays • Edited and with a preface by Penelope Jardine Together for the first time in one sparkling, delicious volume, here are the greatest essays of Muriel Spark In this monumental collection, the inimitable Muriel Spark addresses all of her favorite subjects: the writing life; love; cats; favorite writers (T. S. Eliot, Robert CLOTH Burns, the Brontës, Mary Shelley); Piero della Francesca; life in wartime London and in glamorous “Hollywood-on-the-Tiber” 1960s Rome; faith; and EssaYS APRIL parties (of course). 5" X 8" 352 PP Spark’s scope is amazing, and her striking, glancing insights are precise and unforgettable. From the mysteries of Job’s sufferings, she glides to Dame Edith ISBN 978-0-8112-2159-7 Sitwell’s cocktail-party advice on how to handle a nasty publisher, and on to the joys of success. 24 CQ TERRITORY B “There is no question about the quality or distinctiveness of her writing, with its quirky concern with human nature and its comedy.” US $24.95 CAN $26.50 —WILLIAM BOYD, London Sunday TimES “Reading a blast of her prose every morning is a far more restorative way to start a day than a shot of espresso.” — ThE TelegraPh (London) “Surely the most engaging, tantalizing writer we have.” —FRANK KERMODE, ThE London ReviEw of BookS The author of The Prime of Miss Jean Brodie, Memento Mori, and The Driver’s Seat, MURIEL SPARK (1918–2006) became Dame Commander of the Order of the British Empire in 1993. She was acclaimed the “master of malice and mayhem” by the New York Times. -
The Natural and the Supernatural in Muriel Spark's Fiction
Studia Litteraria Universitatis Iagellonicae Cracoviensis 6 (2011) DOI: 10.4467/20843933ST.11.005.0303 BOŻENA KUCAŁA Instytut Filologii Angielskiej Uniwersytet Jagielloński The Natural and the Supernatural in Muriel Spark’s Fiction Abstract A striking feature of Muriel Spark’s fi ction is its insistence on the reality of the supernatural, which occasionally breaks into the naturalistic level, defying and challenging habitual modes of perception. The fact of Spark being a religious convert is well known, but her faith is mani- fested in ways different from what is normally assumed to be religious writing. Spark’s novels are never overtly didactic or moralistic; the impact of her faith is manifest in the notion of reality as conveyed by her fi ction. Spark’s vision of reality, underlain by her Catholicism, is based on her conviction that empirical reality coexists with the supernatural world; therefore, interactions with the supernatural, however strange they may seem, are presented in her fi ction as compellingly plausible. It is argued in the article that Spark’s ontology of fi ction is rooted in a tradition going back to Chesterton, who insisted on the paradoxical conjunction of nonsense and faith, both capable of invoking a sense of spiritual wonder at the world we normally take for granted. Memento Mori, Reality and Dreams as well as selected short stories are referenced to illustrate the peculiar combination of the empirical and the supernatural in Spark’s fi ction. The article asserts the paradox, central to Spark’s vision of reality, that the supernatural should be accepted as a natural part of profane experience. -
A Muriel Spark Bibliography
A Muriel Spark Bibliography 1. Texts by Muriel Spark Novels Spark, M., The Comforters (London: Macmillan, 1957). —, Robinson (London: Macmillan, 1958). —, Memento Mori (London: Macmillan, 1959). —, The Bachelors (London: Macmillan, 1960). —, The Ballad of Peckham Rye (London; Macmillan, 1960). —, The Prime of Miss Jean Brodie (London: Macmillan, 1961). —, The Girls of Slender Means (London: Macmillan, 1963). —, The Mandlebaum Gate (London: Macmillan, 1965). —, The Public Image (London: Macmillan, 1968). —, The Driver’s Seat (London: Macmillan, 1970). —, Not to Disturb (London: Macmillan, 1971). —, The Hothouse by the East River (London: Macmillan, 1973). —, The Abbess of Crewe (London: Macmillan, 1974). —, The Takeover (London: Macmillan, 1976). —, Territorial Rights (London: Macmillan, 1979). —, Loitering with Intent (London: Macmillan, 1981). —, The Only Problem (London: Bodley Head, 1984). —, A Far Cry from Kensington (London: Macmillan, 1988). —, Symposium (London: Macmillan, 1990). —, Reality and Dreams (London: Constable, 1996). —, Aiding and Abetting (London: Constable, 2000). Autobiography —, Curriculum Vitae (London: Constable, 1992). Drama —, Voices at Play (London: Macmillan, 1961), includes radio drama. —, Doctors of Philosophy (London: Macmillan, 1963). Stories —, The Go-Away Bird and Other Stories (London: Macmillan, 1958). —, Voices at Play (London: Macmillan, 1961), includes short stories. —, Collected Stories I (London: Macmillan, 1967) —, The Stories of Muriel Spark (London: Macmillan, 1987). —, Bang-Bang You’re Dead and Other Stories (St Albans: Granada, 1982). —, Collected Short Stories (London: Macmillan, 1995). —, Madam X (London: Colophon Press, 1996). 230 A Muriel Spark Bibliography 231 —, Harper and Wilton (London: Colophon Press, 1996). —, Open to the Public: New and Collected Stories (London: New Directions Books, 1997). —, The Quest for Lavishes Ghost (London: The Cuckoo Press, 1998). -
Religious Conflict in Muriel Spark's Novels
RELIGIOUS CONFLICT IN MURIEL SPARK’S NOVELS: THE BACHELORS, THE COMFORTERS AND MEMENTO MORI Nilgün ŞENOL ADMEŞ Yüksek Lisans Tezi İngiliz Dili ve Edebiyatı Anabilim Dalı Danışman: Prof. Dr. Hasan BOYNUKARA 2018 T.C. TEKİRDAĞ NAMIK KEMAL ÜNİVERSİTESİ SOSYAL BİLİMLER ENSTİTÜSÜ İNGİLİZ DİLİ VE EDEBİYATI ANABİLİM DALI YÜKSEK LİSANS TEZİ RELIGIOUS CONFLICT IN MURIEL SPARK’S NOVELS: THE BACHELORS, THE COMFORTERS AND MEMENTO MORI Nilgün ŞENOL ADMEŞ İNGİLİZ DİLİ VE EDEBİYATI ANABİLİM DALI DANIŞMAN: Prof. Dr. Hasan BOYNUKARA TEKİRDAĞ-2018 Her Hakkı Saklıdır BİLİMSEL ETİK BİLDİRİMİ Hazırladığım Yüksek Lisans Tezinin bütün aşamalarında bilimsel etiğe ve akademik kurallara riayet ettiğimi, çalışmada doğrudan veya dolaylı olarak kullandığım her alıntıya kaynak gösterdiğimi ve yararlandığım eserlerin kaynakçada gösterilenlerden oluştuğunu, yazımda enstitü yazım kılavuzuna uygun davranıldığını taahhüt ederim. 30/11/ 2018 Nilgün ŞENOL ADMEŞ ii T.C. TEKİRDAĞ NAMIK KEMAL ÜNİVERSİTESİ SOSYAL BİLİMLER ENSTİTÜSÜ İNGİLİZ DİLİ VE EDEBİYATI ANABİLİM DALI YÜKSEK LİSANS TEZİ Nilgün ŞENOL ADMEŞ tarafından hazırlanan “Religious Conflict İn Muriel Spark’s Novels: The Bachelors, The Comforters And Memento Mori” konulu YÜKSEK LİSANS Tezinin Sınavı, Namık Kemal Üniversitesi Lisansüstü Eğitim Öğretim Yönetmeliği uyarınca 30.11.2018 günü saat ...........’de yapılmış olup, tezin …………………………. OYBİRLİĞİ / OYÇOKLUĞU ile karar verilmiştir. Jüri Başkanı: Prof. Dr. Hasan BOYNUKARA Kanaat: İmza: Üye: Doç. Dr. Petru GOLBAN Kanaat: İmza: Üye: Doç. Dr. Cevdet YILMAZ Kanaat: İmza: Sosyal Bilimler Enstitüsü Yönetim Kurulu adına ...../...../..... Doç. Dr. Emrah İsmail ÇEVİK Enstitü MüdürüTEZ VERİ GİRİŞ FORMU iii ÖZET Kurum, Enstitü, ABD : Namık Kemal Üniversitesi, Sosyal Bilimler Enstitüsü, İngiliz Dili ve Edebiyatı Ana Bilim Dalı Tez Başlığı : Religious Conflict In Muriel Spark’s Novels: The Bachelors, The Comforters And Memento Mori Tez Yazarı : Nilgün ŞENOL ADMEŞ Tez Danışmanı : Prof. -
Transfiguring Betrayal : Reading Muriel Spark's Postmodernism
This document is downloaded from DR‑NTU (https://dr.ntu.edu.sg) Nanyang Technological University, Singapore. Transfiguring betrayal : reading Muriel Spark's postmodernism Lok, Joshua Cheng Huai 2019 Lok, J. C. H. (2019). Transfiguring betrayal : reading Muriel Spark's postmodernism. Master's thesis, Nanyang Technological University, Singapore. https://hdl.handle.net/10356/105515 https://doi.org/10.32657/10220/47857 Downloaded on 03 Oct 2021 08:48:44 SGT TRANSFIGURING BETRAYAL: READING MURIEL SPARK’S POSTMODERNISM LOK CHENG HUAI JOSHUA SCHOOL OF HUMANITIES 2018 TRANSFIGURING BETRAYAL: READING MURIEL SPARK’S POSTMODERNISM LOK CHENG HUAI JOSHUA School of Humanities A THESIS submitted to the NANYANG TECHNOLOGICAL UNIVERSITY in Partial Fulfilment of the Requirements for the Degree of MASTER OF ARTS 2018 Statement of Originality I certify that all work submitted for this thesis is my original work. I declare that no other person's work has been used without due acknowledgement. Except where it is clearly stated that I have used some of this material elsewhere, this work has not been presented by me for assessment in any other institution or University. I certify that the data collected for this project are authentic and the investigations were conducted in accordance with the ethics policies and integrity standards of Nanyang Technological University and that the research data are presented honestly and without prejudice. February 11, 2019 . Lok Cheng Huai Joshua Supervisor Declaration Statement I have reviewed the content of this thesis and to the best of my knowledge, it does not contain plagiarised materials. The presentation style is also consistent with what is expected of the degree awarded. -
Muriel Spark's `Informed Air' : the Auditory Imagination and the Voices of Ction.', Textual Practice., 32 (9)
Durham Research Online Deposited in DRO: 06 December 2018 Version of attached le: Published Version Peer-review status of attached le: Peer-reviewed Citation for published item: Waugh, Patricia (2018) 'Muriel Spark's `informed air' : the auditory imagination and the voices of ction.', Textual practice., 32 (9). pp. 1633-1658. Further information on publisher's website: https://doi.org/10.1080/0950236X.2018.1533171 Publisher's copyright statement: c 2018 The Author(s). This is an Open Access article distributed under the terms of the Creative Commons Attribution License (http:// creativecommons.org/licenses/by/4.0/), which permits unrestricted use, distribution, and reproduction in any medium, provided the original work is properly cited. Additional information: Use policy The full-text may be used and/or reproduced, and given to third parties in any format or medium, without prior permission or charge, for personal research or study, educational, or not-for-prot purposes provided that: • a full bibliographic reference is made to the original source • a link is made to the metadata record in DRO • the full-text is not changed in any way The full-text must not be sold in any format or medium without the formal permission of the copyright holders. Please consult the full DRO policy for further details. Durham University Library, Stockton Road, Durham DH1 3LY, United Kingdom Tel : +44 (0)191 334 3042 | Fax : +44 (0)191 334 2971 https://dro.dur.ac.uk Textual Practice ISSN: 0950-236X (Print) 1470-1308 (Online) Journal homepage: http://www.tandfonline.com/loi/rtpr20 Muriel Spark’s ‘informed air’: the auditory imagination and the voices of fiction Patricia Waugh To cite this article: Patricia Waugh (2018) Muriel Spark’s ‘informed air’: the auditory imagination and the voices of fiction, Textual Practice, 32:9, 1633-1658, DOI: 10.1080/0950236X.2018.1533171 To link to this article: https://doi.org/10.1080/0950236X.2018.1533171 © 2018 The Author(s). -