JUNEAU, ALASKA. FUNERAL RECORDS MASTER INDEX Jan 2, 1898 – March 20, 1964
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Chelsea Champions League Penalty Shootout
Chelsea Champions League Penalty Shootout Billie usually foretaste heinously or cultivate roguishly when contradictive Friedrick buncos ne'er and banally. Paludal Hersh never premiere so anyplace or unrealize any paragoge intemperately. Shriveled Abdulkarim grounds, his farceuses unman canoes invariably. There is one penalty shootout, however, that actually made me laugh. After Mane scored, Liverpool nearly followed up with a second as Fabinho fired just wide, then Jordan Henderson forced a save from Kepa Arrizabalaga. Luckily, I could do some movements. Premier League play without conceding a goal. Robben with another cross to Mueller identical from before. Drogba also holds the record for most goals scored at the new Wembley Stadium with eight. Of course, you make saves as a goalkeeper, play the ball from the back, catch a corner. Too many images selected. There is no content available yet for your selection. Sorry, images are not available. Next up was Frank Lampard and, of course, he scored with a powerful hit. Extra small: Most smartphones. Preview: St Mirren vs. Find general information on life, culture and travel in China through our news and special reports or find business partners through our online Business Directory. About two thirds of the voters decided in favor of the proposition. FC Bayern Muenchen München vs. Frank Lampard of Chelsea celebrates scoring the opening goal from the penalty spot with teammate Didier Drogba during the Barclays Premier League. This site uses Akismet to reduce spam. Eintracht Frankfurt on Thursday. Their second penalty was more successful, but hardly signalled confidence from the spot, it all looked like Burghausen left their heart on the pitch and had nothing to give anymore. -
Set Name Card Description Auto Mem #'D Base Set 1 Harold Sakata As Oddjob Base Set 2 Bert Kwouk As Mr
Set Name Card Description Auto Mem #'d Base Set 1 Harold Sakata as Oddjob Base Set 2 Bert Kwouk as Mr. Ling Base Set 3 Andreas Wisniewski as Necros Base Set 4 Carmen Du Sautoy as Saida Base Set 5 John Rhys-Davies as General Leonid Pushkin Base Set 6 Andy Bradford as Agent 009 Base Set 7 Benicio Del Toro as Dario Base Set 8 Art Malik as Kamran Shah Base Set 9 Lola Larson as Bambi Base Set 10 Anthony Dawson as Professor Dent Base Set 11 Carole Ashby as Whistling Girl Base Set 12 Ricky Jay as Henry Gupta Base Set 13 Emily Bolton as Manuela Base Set 14 Rick Yune as Zao Base Set 15 John Terry as Felix Leiter Base Set 16 Joie Vejjajiva as Cha Base Set 17 Michael Madsen as Damian Falco Base Set 18 Colin Salmon as Charles Robinson Base Set 19 Teru Shimada as Mr. Osato Base Set 20 Pedro Armendariz as Ali Kerim Bey Base Set 21 Putter Smith as Mr. Kidd Base Set 22 Clifford Price as Bullion Base Set 23 Kristina Wayborn as Magda Base Set 24 Marne Maitland as Lazar Base Set 25 Andrew Scott as Max Denbigh Base Set 26 Charles Dance as Claus Base Set 27 Glenn Foster as Craig Mitchell Base Set 28 Julius Harris as Tee Hee Base Set 29 Marc Lawrence as Rodney Base Set 30 Geoffrey Holder as Baron Samedi Base Set 31 Lisa Guiraut as Gypsy Dancer Base Set 32 Alejandro Bracho as Perez Base Set 33 John Kitzmiller as Quarrel Base Set 34 Marguerite Lewars as Annabele Chung Base Set 35 Herve Villechaize as Nick Nack Base Set 36 Lois Chiles as Dr. -
Resisting Hollywood Dominance in Sixties British Cinema : the NFFC/Rank Joint Financing Initiative
This is a repository copy of Resisting Hollywood Dominance in Sixties British Cinema : The NFFC/Rank Joint Financing Initiative. White Rose Research Online URL for this paper: https://eprints.whiterose.ac.uk/94238/ Version: Published Version Article: Petrie, Duncan James orcid.org/0000-0001-6265-2416 (2016) Resisting Hollywood Dominance in Sixties British Cinema : The NFFC/Rank Joint Financing Initiative. Historical Journal of Film, Radio and Television. ISSN 1465-3451 https://doi.org/10.1080/01439685.2015.1129708 Reuse Items deposited in White Rose Research Online are protected by copyright, with all rights reserved unless indicated otherwise. They may be downloaded and/or printed for private study, or other acts as permitted by national copyright laws. The publisher or other rights holders may allow further reproduction and re-use of the full text version. This is indicated by the licence information on the White Rose Research Online record for the item. Takedown If you consider content in White Rose Research Online to be in breach of UK law, please notify us by emailing [email protected] including the URL of the record and the reason for the withdrawal request. [email protected] https://eprints.whiterose.ac.uk/ Historical Journal of Film, Radio and Television ISSN: 0143-9685 (Print) 1465-3451 (Online) Journal homepage: http://www.tandfonline.com/loi/chjf20 Resisting Hollywood dominance in sixties British cinema: the NFFC/rank joint financing initiative Duncan Petrie To cite this article: Duncan Petrie (2016): Resisting Hollywood dominance in sixties British cinema: the NFFC/rank joint financing initiative, Historical Journal of Film, Radio and Television, DOI: 10.1080/01439685.2015.1129708 To link to this article: http://dx.doi.org/10.1080/01439685.2015.1129708 © 2016 The Author(s). -
Wildlife & Wilderness 2022
ILDLIFE ILDERNESS WALASKAOutstanding & ImagesW of Wild 2022Alaska time 9winner NATIONAL CALENDAR TM AWARDS An Alaska Photographers’An Alaska Calendar Photographers’ Calendar Eagle River Valley Sunrise photo by Brent Reynolds Celebrating Alaska's Wild Beauty r ILDLIFE ILDERNESS ALASKA W & W 2022 Sunday Monday Tuesday Wednesday Thursday Friday Saturday The Eagle River flows through the Eagle River NEW YEAR’S DAY ECEMBER EBRUARY D 2021 F Valley, which is part of the 295,240-acre Chugach State Park created in 1970. It is the third-largest 1 2 3 4 1 2 3 4 5 state park in the entire United States. The 30 31 1 6 7 8 9 10 11 12 scenic river includes the north and south fork, 5 6 7 8 9 10 11 surrounded by the Chugach Mountains that 12 13 14 15 16 17 18 13 14 15 16 17 18 19 arc across the state's south-central region. • 19 20 21 22 23 24 25 20 21 22 23 24 25 26 The Eagle River Nature Center, a not-for 26 27 28 29 30 31 27 28 -profit organization, provides natural history City and Borough of Juneau, 1970 information for those curious to explore the Governor Tony Knowles, 1943- park's beauty and learn about the wildlife Fairbanks-North Star, Kenai Peninsula, and that inhabits the area. Matanuska-Susitna Boroughs, 1964 New moon 2 ● 3 4 5 6 7 8 Alessandro Malaspina, navigator, Sitka fire destroyed St. Michael’s 1754-1809 Cathedral, 1966 President Eisenhower signed Alaska Federal government sold Alaska Railroad Barry Lopez, author, 1945-2020 Robert Marshall, forester, 1901-1939 statehood proclamation, 1959 to state, 1985 Mt. -
A Critical Introduction and Commentary on the Acts Of
A CRITICAL INTRODUCTION AND COMMENTARY ON THE ACTS OF PAUL AND THECLA by Jeremy W. Barrier Bachelor of Science, 2000 Freed-Hardeman University Henderson, TN Master of Arts, 2002 Freed-Hardeman University Henderson, TN Dissertation Presented to the Faculty of the Brite Divinity School in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Biblical Interpretation Fort Worth, TX May 2008 3 WARNING CONCERNING COPYRIGHT RESTRICTIONS The copyright law of the United States (title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted materials. Under certain conditions specified in the law, libraries and archives are authorized to furnish photocopy or reproduction. One of these specified conditions is that the photocopy or reproduction is not to be used for any purpose other than private study, scholarship, or research. If a user makes a request for, or later uses, a photocopy or reproduction for purposes excess of “fair use,” that user may be liable for copyright infringement. This institution reserves the right to refuse a copying order if, in its judgment, fulfillment of the order would involve violation of copyright law. 4 TABLE OF CONTENTS: • Title Page….….….….….….….….….….….….….….….….….….….….…...1 • Dissertation Approval…………………………………………………………2 • Copyright Acknowledgment………………………………………………......3 • Table of Contents……………………………………………………………...4 • Abbreviations….….….….….….….….….….….….….….….….….….….…..6 • Abbreviations of Textual Witnesses.….….….….….….….….….….….….….7 • Key to the Numeration of various Acts of Paul texts………………………...10 • Foreword…..….….….….….….….….….….….….….….….….….….….….14 • Introduction:………………………………………………………………….15 o 1. The Ancient Novel..…………………………………………..…...15 1.1 The Ancient Novel and the Early Christian Novel..……..15 1.2 The Ancient Novel and the Acts of Paul and Thecla …….24 1.3 Historical Reliabilty……………………………………...29 1.4 Intended/Actual Readers of the Ancient Novel...………..30 1.5 Intended/Actual Readers of the Acts of Paul ..…………...34 o 2. -
2O18-2O19 Annual Report
2018-2019 Annual Report contents welcome 2 WELCOME 3 A YEAR BY THE NUMBERS 4 JAZZ IMMERSION PROGRAMS 7 JAZZ IMMERSION PROGRAM FACULTY 8 MENTOR FELLOWSHIP PROGRAM 9 STANFORD JAZZ FESTIVAL 17 SJW 50/50 VISION 18 YEAR-ROUND PROGRAMS 19 FREE EVENTS 20 PEOPLE AND FINANCES 21 DONORS 22 PARTNERS Stanford Jazz Workshop is neither legally nor financially affiliated with Stanford University. This report summarizes activity from September 1, 2018 through August 31, 2019. On behalf of the Board of Directors of Stanford Jazz Workshop, I am PHOTO CREDITS: TERESA TAM: HTTP://WWW.TERESATAMSTUDIO.COM/ privileged to present this look back JEFFREY DEAN: HTTP://JADIENT.COM/ ANNUAL REPORT DESIGN: SAM MIRANDA at our 2018-19 season. Through facts, stories, and images you will explore what we accomplished for jazz perfor- mance and education. It was the work of many hands: students and families, teachers and performers, staff and volunteers, audiences of all kinds — and the donors whose generosity STANFORD JAZZ WORKSHOP IS NEITHER LEGALLY NOR made everything possible. FINANCIALLY AFFILIATED WITH STANFORD UNIVERSITY. THIS REPORT SUMMARIZES ACTIVITY FROM SEPTEMBER 1, 2018 THROUGH AUGUST 31, 2019. PHOTO CREDITS: TERESA TAM: HTTP://WWW.TERESATAMSTUDIO.COM/ JEFFREY DEAN: HTTP://JADIENT.COM/ ANNUAL REPORT DESIGN: SAM MIRANDA Jim Nadel FOUNDER & ARTISTIC DIRECTOR STANFORDJAZZ.ORG | 2018-2019 ANNUAL REPORT 2 PERFORMANCES by the numbers 11,057 2,156 68 12 29 TOTAL CONCERT ATTENDANCE FREE TICKETS FOR STUDENTS FREE EVENTS STUDENT TICKETED SHOWCASES PERFORMANCES EDUCATION PEOPLE 646 4 200 30 8 $108,236 9 47 123 59 56 462 14 SUMMER WEEKS OF E.P.A. -
CATALOG Contents
CATALOG Contents Page Contents Numbers 3 – 7 PSA recognition statement, Acknowledgements, Salon Calendar and sections, Salon Chair and Jury 8-9 Section wise Awards and Acceptances Gallery Link (may be deleted after November 2020) 10 Salon statistics 11-15 Section wise Award List and Awarded Photos 16-49 Acceptance Lists 2 PSA Recognition statement 3 Acknowledgements Mr. Suman Bhattacharyya, MPSA, ARPS, EFIAP/b ESD, Region 2, Photographic Society of America for his approval and guidance in conducting the circuit. We thank respected participants for your valuable participation and trust. We are thankful to respected jury members for their valuable time and judgement. We also like to thank salon software provider for their help and co-operation. 4 Salon Calendar & Sections Closing Date 24th February 2020 Judging 10th March 2020 Notification email sent 15th March 2020 31st March 2020 EDAS Awards and Digital 25th May 2020 Catalog Open Color (PIDC), Open Monochrome (PIDM), Nature (ND) and Photo Travel (PTD) 5 Circuit Chair Ms. RUNA DAS Contact: [email protected] https://www.triumphsalon.club 6 Honorable Jury Mr. TUHIN KANTI DAS,MPSA,EFIAP (India) Mr. KOSHAL BASU, PPSA,EFIAP(India) Dr. AVIK SETT, EPSA, EFIAP (India) 7 Awards and Accepted Gallery Note: Awards and Accepted Gallery may be removed after November 2020 8 Awards and Acceptances Gallery Awards: Open Color Open Monochrome Nature Photo Travel Acceptances: Open Color Open Monochrome Nature Photo Travel 9 Salon Statistics Number of Number of Percentage Section Submitted Accepted of -
An Impossible Task? Scripting the Chilian Club
Chapter 5 An Impossible Task? Scripting The Chilian Club Andrew Spicer Introduction This chapter will explore the multifarious drafting and redrafting of scripts and full screenplays for a film based on George Shipway’s controversial political satire The Chilian Club (1971), the story of a quartet of elderly assassins – former army officers – who believe they are saving their country from Communist subversion. Although The Chilian Club was never produced, ten complete adaptations were written involving four different hands – writer- directors Peter Collinson and Mike Hodges, Benny Green, the well- known radio scriptwriter and broadcaster, and Michael Klinger who was to have been the film’s producer – over a six- year period (1972–7). As discussions of screenwriting often emphasize (Rilla 1973: 12–16; Cook and Spicer 2008: 213–16; Maras 2009: 11–15), it is important to establish what is understood to be the object of study. Thus, although there will be a detailed examination of the scripts themselves and the aesthetic difficulties of realizing Shipway’s novel, the chapter will also pay close attention to the fluctuating nature of the collaborations involved and contextual factors that shaped them. This was a period of exceptional volatility and uncertainty in the British film industry, and Klinger, as an independent producer, faced extreme difficulties that had a direct bearing on his attempts to film The Chilian Club. Figure 5.1 The strapline for Klinger News with a typical headline; courtesy of Tony Klinger 72 Andrew Spicer My analysis of the deeper forces at work in attempting to realize The Chilian Club will be based on hitherto unused material in the University of the West of England’s Michael Klinger Papers that shed light on the convoluted relationships between screenwriters, distributors, potential investors, public bodies and large corporations, all pivoting round the figure of Michael Klinger as the producer. -
The Old Oregon Trail—The World's Most Historical Highway
7(7.).7JE The Old Oregon Trail—The World's Most Historical Highway The history of the Old Oregon Trail is a story of the great big out of doors, a tale of the hills, a story of human endeavor, suffering, privation, determination, and final accomplishment. Remarks of o Adcason of Idaho in the House of Representatives Tuesday, January 13, 1925 Washington Government Printing Office 1925 20381-1551 EXTENSION OF REMARKS OF HON. ADDISON T. SMITH Mr. SMITH. Mr. Speaker, on the 31St of March last I in- troduced Joint Resolution 232, to provide for designating the route of the Old Oregon Trail, which is as follows: Joint resolution to provide for designating the route of the Old Oregon Trail Whereas the Old Oregon Trail, which originated at Missouri River points and traversed half a continent, and was the route over which the " great migration of covered wagons and ox teams went in 1843 and saved the Oregon country to the United States, and over which for many years the homeseckers and empire builders went in great numbers and made a great producing territory out of what was for- msrly a wilderness ; and Whereas the Oregon country at that time consisted of all that territory between the summit of the Rocky Mountains and the shores of the Pacific Ocean and between the California and Canadian borders, and was held under a joint sovereignty of England and the United States, and whose fate for all time was settled by the migration of 1843, when approximately 1,000 American men and Women laced the perils of the desert and the wilderness to carve out -
50 Years of Stop-And-Frisk a Retrospective of Terry V. Ohio
BY PATRICIA GEORGE & ALEXANDER BENEZRA 50 Years of Stop-and-Frisk A Retrospective of Terry v. Ohio PATRICIA GEORGE is the Assistant Bureau Chief for Community Prosecution at the City of Phoenix Prosecutor’s Office. She has been with the office for 17 years. As part of her duties, she currently oversees the Prosecutor’s Office management for the Phoenix Veterans Court, Phoenix Behavioral Health Court, and Misdemeanor Repeat Offender Program, and she is the Prosecutor’s Office liaison for homeless issues in the City of Phoenix. ALEXANDER BENEZRA has been practicing in the field of criminal defense since 2010, currently at the City of Phoenix Public Defender’s Office. He also serves as the treasurer of the State Bar Criminal Justice Section, a member of the Arizona Supreme Court’s Post Conviction Actions Task Force, and is the President of the Arizona Thurgood Marshall Inn of Court. 14 ARIZONA ATTORNEY DECEMBER 2018 www.azbar.org/AZAttorney The right of the people to be secure in their persons, houses, papers, and effects, against unreasonable searches and seizures, shall not be violated, and no Warrants shall issue, but upon probable cause, supported by Oath or affirmation, and particularly describing the place to be searched, and the persons or things to be seized. Police report on John Terry et al., Oct. 31, 1963. In the early afternoon of he had been with Chilton, and make a slow business for a robbery. McFadden stopped October 31, 1963, on a quiet sidewalk in pass in front of a business, United Air, and all three men and searched them for weap- Cleveland, Ohio, John Woodall Terry and then return to the side of Chilton, who ons for his own safety. -
The Quantum of Missus Guide to the James Bond Films
THE QUANTUM OF MISSUS GUIDE TO THE JAMES BOND FILMS Bond : Barry Nelson as CIA agent “card sense” Jimmy Bond Villains : Le Chiffre (Peter Lorre) Allies : Valerie Mathis Clarence Leiter Locations: France Villain’s Plot: Le Chiffre intends to win at baccarat in order to make money for the USSR The one with: black and white TV show Bond : Sean Connery Villains : Dr. No Allies : Honey Ryder (Ursula Andress) Felix Leiter (Jack Lord) M (Bernard Lee) Miss Moneypenny (Lois Maxwell) Sylvia Trench Gadgets: Geiger counter Locations: Jamaica Villain’s Plot: Jamming US and Soviet rocket controls and communications on behalf of SPECTRE and to get revenge for his seeking employment with both superpowers being declined. Theme song : James Bond Theme, Three Blind Mice, Under The Mango Tree The one with: the woman in the white bikini coming out of the sea; Bond being a “very nerrr-vus passin-jurr” Bond : Sean Connery Villains : Ernst Stavro Blofeld (unseen) Rosa Klebb “Red” Grant Allies: Tatiana Romanova Kerim Bey M Major Boothroyd/Q (Desmond Llewelyn) Miss Moneypenny Gadgets: Briefcase containing gold sovereigns, knife, exploding capabilities, compact rifle and ammunition Locations: Istanbul, Venice Villain’s plot: Recently defected SMERSH agent Rosa Klebb is charged by Blofeld, head of SPECTRE, with carrying out a plot to embarrass the Russians and the British by (a) stealing a coding machine from the Russians and (b) filming Bond having sex with the Russian cipher clerk who, believing she is working under Moscow’s orders, will entice him to Istanbul -
John Terry and the Predicament of Englishness: Ambivalence and Nostalgia in the Premier League Era
This is an Accepted Manuscript of an article published by Taylor & Francis in Sport in History on 20 Nov 2013, available online: http://www.tandfonline.com/doi/full/10.1080/17460263.2013.850268 John Terry and the Predicament of Englishness: Ambivalence and Nostalgia in the Premier League Era Neil Ewen This article examines media discourse surrounding the Chelsea and England footballer John Terry and argues that his iconicity embodies multiple anxieties about Englishness and English football in the era of neoliberalism. In a nostalgic culture in search of ‘traditional’ English heroes, Terry is celebrated for his physicality and traditionally ‘English’ style of play; yet, his off-field behaviour is seen to be both emblematic and symptomatic of a celebrity culture considered to betray the values coded as English in football history. Taking Terry’s dilemma as a starting point, this article historicizes the rise of footballers as celebrities; examines widespread anxiety about the loss of the typically English, noble working class footballer; and interrogates the problems of thinking about sporting icons of Englishness without recourse to the dominant nostalgic mode. Introduction [W]hat a lift it would give the footballing nation if the England captaincy reverted to being an honour rather than a public-relations hand grenade. Terry, for all his qualities as a leader and a footballing central defender — his hard-man image belies the Chelsea captain’s excellence as a distributor of the ball from the back — has been a near-disaster in the job, a recurrent source of embarrassment […] England cannot be led out again by someone who comes with more baggage than Louis Vuitton.i The wider question in all this is: why is the Chelsea defender so often given the benefit of the doubt? He continues to command a reputation as the embodiment of the English bulldog spirit, a man who would sacrifice his right arm for club and country.