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Wildlife & Wilderness 2022
ILDLIFE ILDERNESS WALASKAOutstanding & ImagesW of Wild 2022Alaska time 9winner NATIONAL CALENDAR TM AWARDS An Alaska Photographers’An Alaska Calendar Photographers’ Calendar Eagle River Valley Sunrise photo by Brent Reynolds Celebrating Alaska's Wild Beauty r ILDLIFE ILDERNESS ALASKA W & W 2022 Sunday Monday Tuesday Wednesday Thursday Friday Saturday The Eagle River flows through the Eagle River NEW YEAR’S DAY ECEMBER EBRUARY D 2021 F Valley, which is part of the 295,240-acre Chugach State Park created in 1970. It is the third-largest 1 2 3 4 1 2 3 4 5 state park in the entire United States. The 30 31 1 6 7 8 9 10 11 12 scenic river includes the north and south fork, 5 6 7 8 9 10 11 surrounded by the Chugach Mountains that 12 13 14 15 16 17 18 13 14 15 16 17 18 19 arc across the state's south-central region. • 19 20 21 22 23 24 25 20 21 22 23 24 25 26 The Eagle River Nature Center, a not-for 26 27 28 29 30 31 27 28 -profit organization, provides natural history City and Borough of Juneau, 1970 information for those curious to explore the Governor Tony Knowles, 1943- park's beauty and learn about the wildlife Fairbanks-North Star, Kenai Peninsula, and that inhabits the area. Matanuska-Susitna Boroughs, 1964 New moon 2 ● 3 4 5 6 7 8 Alessandro Malaspina, navigator, Sitka fire destroyed St. Michael’s 1754-1809 Cathedral, 1966 President Eisenhower signed Alaska Federal government sold Alaska Railroad Barry Lopez, author, 1945-2020 Robert Marshall, forester, 1901-1939 statehood proclamation, 1959 to state, 1985 Mt. -
JUNEAU, ALASKA. FUNERAL RECORDS MASTER INDEX Jan 2, 1898 – March 20, 1964
MS 114 and MFMS 51: JUNEAU, ALASKA. FUNERAL RECORDS MASTER INDEX Jan 2, 1898 – March 20, 1964 Note: Individual funeral records described in this index may be obtained by contacting the Alaska State Library Historical Collections, Reference Services. Telephone: 907 465-2925 E-mail: [email protected] FUNERAL. RECORDS JUNEAU~ ALASKA. MASTER INDEX (REv. 12/88) TO THE FUNERAL RECORDS OF: THE C. W. YOUNG COMPANY. (MOR±UARY)J THE JUNEAU—YOUNG COMPANY (MORTUARY)J AND THE CHARLES W. CARTER MORTUARY COVERING THE PERIOD OF: 2 JANUARY 1898 THRU 20 MARCH 196’4, MASTER INDEX COPYRIGHT 1989 BY: GASTINEAU GENEALOGICAL SOCIETY 3270 NOWELL AVENUE JUNEAU, ALASKA 99801 FUNERAL RECORDS JUNEAUI ALASKA OF THE C. WI YOUNG Co. (MORTUARY); THE JUNEAUYOUNG Co. (MORTUARY); AND THE CHARLES W. CARTER MORTUARY COVERING THE PERIOD OF: 2 JANUARY 1898 THROUGH 20 MARCH 196~ ORIGINALLY RECORDED IN: 19 VoLUMES MICROFILMED ON: 5 ROLLS OF 16MM MICROFILM THIS Is——--EILM No1 6(38-ER-i: MASTER INDEX FILM No. GGS—ER—2: VOLUMES LTHRU 6, INCL. FILM No. GGS—FR—3: VOLUMES 7 THRU 12, INCL. FILM No. GGS—FR—’4: VOLUMES 13 THRU 17, INCH FILM No. GGS-FR-5: VOLUMES 18 & 19. a) NOTE$: 1. EVERYIHING FOUND WITHIN THE COVERS OF THE ORIGINAL 19 VOLUMES HAS BEEN MICROFILMED) FUNERAL RELATED OR OTHERWISE. 2, FILMS GGS-ER-2 THROUGH 665-FR-S ALSO H (EACH) CONTAIN A “DICTIONARY OF PLACE NAMES” (A MINI—GAZETTEER) TOGETHER WITIhA MAPS/CHARTS SECTION TO~FACILITATE YOUR LOCATING PERTINENT PLACES. MICROFILMED BY: GASTINEAU GENEALOGICAL SOCIETY COPYRIGHT: JULY 1987 ACKNOWLEDGMENTS The Gastineau Genealogical Society is extremely grateful to Alaskan Memorial Parks, Inc. -
A Critical Introduction and Commentary on the Acts Of
A CRITICAL INTRODUCTION AND COMMENTARY ON THE ACTS OF PAUL AND THECLA by Jeremy W. Barrier Bachelor of Science, 2000 Freed-Hardeman University Henderson, TN Master of Arts, 2002 Freed-Hardeman University Henderson, TN Dissertation Presented to the Faculty of the Brite Divinity School in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Biblical Interpretation Fort Worth, TX May 2008 3 WARNING CONCERNING COPYRIGHT RESTRICTIONS The copyright law of the United States (title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted materials. Under certain conditions specified in the law, libraries and archives are authorized to furnish photocopy or reproduction. One of these specified conditions is that the photocopy or reproduction is not to be used for any purpose other than private study, scholarship, or research. If a user makes a request for, or later uses, a photocopy or reproduction for purposes excess of “fair use,” that user may be liable for copyright infringement. This institution reserves the right to refuse a copying order if, in its judgment, fulfillment of the order would involve violation of copyright law. 4 TABLE OF CONTENTS: • Title Page….….….….….….….….….….….….….….….….….….….….…...1 • Dissertation Approval…………………………………………………………2 • Copyright Acknowledgment………………………………………………......3 • Table of Contents……………………………………………………………...4 • Abbreviations….….….….….….….….….….….….….….….….….….….…..6 • Abbreviations of Textual Witnesses.….….….….….….….….….….….….….7 • Key to the Numeration of various Acts of Paul texts………………………...10 • Foreword…..….….….….….….….….….….….….….….….….….….….….14 • Introduction:………………………………………………………………….15 o 1. The Ancient Novel..…………………………………………..…...15 1.1 The Ancient Novel and the Early Christian Novel..……..15 1.2 The Ancient Novel and the Acts of Paul and Thecla …….24 1.3 Historical Reliabilty……………………………………...29 1.4 Intended/Actual Readers of the Ancient Novel...………..30 1.5 Intended/Actual Readers of the Acts of Paul ..…………...34 o 2. -
2O18-2O19 Annual Report
2018-2019 Annual Report contents welcome 2 WELCOME 3 A YEAR BY THE NUMBERS 4 JAZZ IMMERSION PROGRAMS 7 JAZZ IMMERSION PROGRAM FACULTY 8 MENTOR FELLOWSHIP PROGRAM 9 STANFORD JAZZ FESTIVAL 17 SJW 50/50 VISION 18 YEAR-ROUND PROGRAMS 19 FREE EVENTS 20 PEOPLE AND FINANCES 21 DONORS 22 PARTNERS Stanford Jazz Workshop is neither legally nor financially affiliated with Stanford University. This report summarizes activity from September 1, 2018 through August 31, 2019. On behalf of the Board of Directors of Stanford Jazz Workshop, I am PHOTO CREDITS: TERESA TAM: HTTP://WWW.TERESATAMSTUDIO.COM/ privileged to present this look back JEFFREY DEAN: HTTP://JADIENT.COM/ ANNUAL REPORT DESIGN: SAM MIRANDA at our 2018-19 season. Through facts, stories, and images you will explore what we accomplished for jazz perfor- mance and education. It was the work of many hands: students and families, teachers and performers, staff and volunteers, audiences of all kinds — and the donors whose generosity STANFORD JAZZ WORKSHOP IS NEITHER LEGALLY NOR made everything possible. FINANCIALLY AFFILIATED WITH STANFORD UNIVERSITY. THIS REPORT SUMMARIZES ACTIVITY FROM SEPTEMBER 1, 2018 THROUGH AUGUST 31, 2019. PHOTO CREDITS: TERESA TAM: HTTP://WWW.TERESATAMSTUDIO.COM/ JEFFREY DEAN: HTTP://JADIENT.COM/ ANNUAL REPORT DESIGN: SAM MIRANDA Jim Nadel FOUNDER & ARTISTIC DIRECTOR STANFORDJAZZ.ORG | 2018-2019 ANNUAL REPORT 2 PERFORMANCES by the numbers 11,057 2,156 68 12 29 TOTAL CONCERT ATTENDANCE FREE TICKETS FOR STUDENTS FREE EVENTS STUDENT TICKETED SHOWCASES PERFORMANCES EDUCATION PEOPLE 646 4 200 30 8 $108,236 9 47 123 59 56 462 14 SUMMER WEEKS OF E.P.A. -
The Old Oregon Trail—The World's Most Historical Highway
7(7.).7JE The Old Oregon Trail—The World's Most Historical Highway The history of the Old Oregon Trail is a story of the great big out of doors, a tale of the hills, a story of human endeavor, suffering, privation, determination, and final accomplishment. Remarks of o Adcason of Idaho in the House of Representatives Tuesday, January 13, 1925 Washington Government Printing Office 1925 20381-1551 EXTENSION OF REMARKS OF HON. ADDISON T. SMITH Mr. SMITH. Mr. Speaker, on the 31St of March last I in- troduced Joint Resolution 232, to provide for designating the route of the Old Oregon Trail, which is as follows: Joint resolution to provide for designating the route of the Old Oregon Trail Whereas the Old Oregon Trail, which originated at Missouri River points and traversed half a continent, and was the route over which the " great migration of covered wagons and ox teams went in 1843 and saved the Oregon country to the United States, and over which for many years the homeseckers and empire builders went in great numbers and made a great producing territory out of what was for- msrly a wilderness ; and Whereas the Oregon country at that time consisted of all that territory between the summit of the Rocky Mountains and the shores of the Pacific Ocean and between the California and Canadian borders, and was held under a joint sovereignty of England and the United States, and whose fate for all time was settled by the migration of 1843, when approximately 1,000 American men and Women laced the perils of the desert and the wilderness to carve out -
John Mccracken Born 1934 in Berkeley, California
This document was updated February 18, 2021. For reference only and not for purposes of publication. For more information, please contact the gallery. John McCracken Born 1934 in Berkeley, California. Died 2011. EDUCATION 1964-1965 California College of Arts and Crafts, Oakland 1957-1962 California College of Arts and Crafts, Oakland SOLO EXHIBITIONS 2021 William Eggleston and John McCracken: True Stories, David Zwirner, New York [two-person exhibition] 2017 John McCracken, David Zwirner, New York 2016 John McCracken, The Elkon Gallery, New York 2015 John McCracken: Red, Black, Blue, Franklin Parrasch Gallery, New York Florain Hecker/John McCracken, Künstlerhaus KM-, Halle für Kunst & Medien, Graz, Austria [two-person exhibition] [catalogue published in 2016] 2013 John McCracken: Works from 1963-2011, David Zwirner, New York [catalogue published in 2014] 2012 John McCracken, Henry Moore Institute, Leeds, England 2011 John McCracken, Castello di Rivoli - Museo d’Arte Contemporanea, Turin [catalogue] 2010 John McCracken: New Works in Bronze and Steel, David Zwirner, New York 2009 John McCracken, Inverleith House, Royal Botanic Garden Edinburgh 2008 John McCracken, David Zwirner, New York 2006 Donald Judd & John McCracken: Selected Sculpture, John Berggruen Gallery, San Francisco [two- person exhibition] John McCracken: New Work, David Zwirner, New York 2005 John McCracken: Early Sculpture, Zwirner & Wirth, New York [catalogue] John McCracken: Eighties, Galleria Massimo De Carlo, Milan John McCracken, Paul McCarthy, Hauser & Wirth, Zurich [two-person exhibition] Turrell + McCracken, Godt-Cleary Projects, Las Vegas [two-person exhibition] 2004 John McCracken, Stedelijk Museum voor Actuele Kunst (S.M.A.K.), Ghent [catalogue] John McCracken: New Sculpture, David Zwirner, New York 2003 John McCracken: New Sculpture, L.A. -
Group Spiritual Direciton Program for Depmssed Persons
GROUP SPIRITUAL DIRECITON PROGRAM FOR DEPMSSED PERSONS by Peter John. Barnes B.Sc., Memorial University of Newfioundland, 197 1 M.Div., Trinity College, 1974 Submitted to the Faculty of Theology, Acadia Divinity CoUege, in partial fulfillment of the requirements for the Degree of Doctor of Ministry Acadia DiWiity College, Acadia University Fall Convocation 1998 O by Peter John Bames 1998 I, Peter John Barnes, grant permission to the University Librarian at Acadia University to reproduce, loan, or distrubute copies of my thesis in microform, paper or electronic formats on a non-profit basis. I, however, retain the copyright in my thesis. Signature of Author Date TABLE OF CONTENTS ABSTRACT ....................................................................... vii ..- ACKNOWLEDGEMENTS ............................................... vui LIST OF ILLUSTRATIONS ................................O............. ix LIST OF TABLES ............................. ... .......................... x Chapter 1. INTRODUCTION: SUEWEYING THE HORIZONS .............................................................. 1 2. SURVEYING THE LANDSCAPE: DEFINITIONS AND LITERATURE REVIEW ................................ 9 Ministry and Theological Perspective Depression Group Process Conclusion 3. THE FOUNDATION: THE BUILDING BLOCKS ................................................................. 3 1 Fust Building Block: The Treatment of Depression Second Building Block: Group Spiritual Direction Thkd Building Block: Transfomative Learning 4, SPIRITUAL MORTAR: THEOLOGICAL -
Grad School Formatted Final
Contextualizing Sixteenth-Century Lutheran Epitaphs by Lucas Cranach the Younger: The Influence of Luther’s Two Realms on the Composition and Content of a Set of Reformation Funerary Monuments DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Anastasia Christine Nurre Graduate Program in History of Art The Ohio State University 2015 Dissertation Committee: Professor Barbara Haeger, Advisor Professor Christian Kleinbub Professor Andrew Shelton Copyright by Anastasia Christine Nurre 2015 Abstract Painted epitaphs dominated the visual landscape of newly claimed or constructed sixteenth-century Lutheran churches. In consideration of Lutheran attitudes toward art, icons, and the worship of saints, the appearance and proliferation of memorials dedicated to prominent Lutheran leaders is noteworthy. Careful study of set of extant epitaphs by Wittenberg-based artist Lucas Cranach the Younger uncovers continuities between compositional format, subject matter, and types of donors, pointing to a connection between cultural factors and the role of epitaphs in the space of the Lutheran church. Within the historical context of Reformation Saxony, the continuities in the appearance of Lucas Cranach the Younger’s Lutheran epitaphs indicate that the artist harnessed the concept of Luther’s two realms, an earthly realm and a spiritual realm, as inspiration for a new epitaph format. Adapting the visual language of pre-Reformation devotional artworks, Cranach depicted donors demonstrating their adherence to and confession of the ‘true’ faith in the terrestrial realm, pictorializing the donor’s desire for their constituents’ continued adherence to a Lutheran confession in the face of sixteenth- century religious upheaval. -
Heliopolitan Capitolia: from Greek Games to Christian Pilgrimage Julien Aliquot
Heliopolitan Capitolia: From Greek games to Christian pilgrimage Julien Aliquot To cite this version: Julien Aliquot. Heliopolitan Capitolia: From Greek games to Christian pilgrimage. Religion in the Roman Empire, Mohr Siebeck, 2019, 5, pp.145-169. 10.1628/rre-2019-0011. halshs-02434356 HAL Id: halshs-02434356 https://halshs.archives-ouvertes.fr/halshs-02434356 Submitted on 1 Feb 2020 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Religion in the Roman Empire Volume Open Submissions No. Julien Aliquot Heliopolitan Capitolia: From Greek Games to Christian Pilgrimage Jonathan A. Pomeranz The Humility of God in Rabbinic Judaism. Rabbinic Myth in the Roman Empire Jason J. Ripley The Genre of John and the Rule of Rome. Imperial Readers, Johannine Testimony, and the Death of the Author Jan N. Bremmer Simon Magus: The Invention and Reception of a Magician in a Christian Context Maik Patzelt Praying as a ‘Woman among Men’. Reconsidering Clodius’ Failed Prayer in Cicero’s Speech On his House Jörg Rüpke Roman Gods and Private Property: The Invention of State Religion in Cicero’s Speech On His House Mohr Siebeck Julien Aliquot Heliopolitan Capitolia: From Greek Games to Christian Pilgrimage Abstract This article offers a comprehensive study of the Capitoline games celebrated at Heliopolis in Roman Syria. -
Bible, Art, and Ritual at Dura- Europos, Syria
The World’s Oldest Church Synkrisis Comparative Approaches to Early Chris tian ity in Greco- Roman Culture Series Editors Dale B. Martin (Yale University) and L. L. Welborn (Fordham University) Synkrisis is a pro ject that invites scholars of early Chris tian ity and the Greco- Roman world to collaborate toward the goal of rigorous comparison. Each volume in the series provides immersion in an aspect of Greco- Roman culture, so as to make possi ble a comparison of the controlling logics that emerge from the dis- courses of Greco- Roman and early Christian writers. In contrast to older “history of religions” approaches, which looked for similarities between religions in order to posit relations of infl uence and de pen dency, Synkrisis embraces a fuller concep- tion of the complexities of culture, viewing Greco- Roman religions and early Chris tian ity as members of a comparative class. The diff erential comparisons pro- moted by Synkrisis may serve to refi ne and correct the theoretical and historical models employed by scholars who seek to understand and interpret the Greco- Roman world. With its allusion to the rhetorical exercises of the Greco- Roman world, the series title recognizes that the comparative enterprise is a construction of the scholar’s mind and serves the scholar’s theoretical interests. Editorial Board Loveday Alexander (Sheffi eld University) John Bodell (Brown University) Kimberly Bowes (University of Pennsylvania) Daniel Boyarin (University of California, Berkeley) Fritz Graf (Ohio State University) Ronald F. Hock (University of Southern California) Hans- Josef Klauck (University of Chicago) Stanley K. Stowers (Brown University) Angela Standhartinger (Marburg University) The World’s Oldest Church Bible, Art, and Ritual at Dura- Europos, Syria Michael Peppard New Haven & London Copyright © 2016 by Yale University. -
Marquette Law School and the United States Court of Appeals for the Seventh Circuit Table of Contents Marquette University
MarquetteMarquette LawyerLawyer Spring 2005 Marquette University Law Alumni Magazine Marquette Law School and the United States Court of Appeals for the Seventh Circuit table of contents Marquette University Rev. Robert A. Wild, S.J. Marquette Lawyer President Madeline Wake 3 dean’s message Provost Gregory J. Kliebhan 4 marquette lawyers on the seventh circuit Senior Vice President 10 prof. matt mitten—sports law and much more Marquette University Law School 13 richard sherburne, s.j.— Joseph D. Kearney buddhist scholar and law school chaplain Dean and Professor of Law [email protected] (414) 288-1955 16 law school profiles Peter K. Rofes Associate Dean for Academic Affairs and 20 alumni notes Professor of Law Christine Wilczynski-Vogel 25 honor roll of donors Assistant Dean for External Affairs [email protected] 36 alumni association Bonnie M. Thomson Associate Dean for Administration 37 wisconsin tax policy colloquium Paul D. Katzman Assistant Dean for Career Planning 38 service award—why marquette law? Sean P. Reilly Assistant Dean for Admissions 42 teaching excellence—prof. tom hammer Jane Eddy Casper Assistant Director of Part-time Legal speeches Education and Assistant to the Dean for Special Projects 46 graduation remarks of justice ann walsh bradley Marquette Lawyer is published by 48 dean kearney’s remarks Marquette Law School. on the wisconsin court system 52 orientation remarks Please send address changes to: Marquette Law School by michelle behnke and paul connell Office of Alumni Relations 57 professor papke’s remarks Sensenbrenner Hall at the mid-year graduation P.O. Box 1881 Milwaukee, WI 53201-1881 Phone: (414) 288-7090 Law School Fax: (414) 288-6403 http://law.marquette.edu On the cover: Marquette University Law School is well represented on the Copyright 2005 Seventh Circuit by (across the cover) Judges Terence T. -
Commencement May 16, 2010
May 16 Commencement 2010 University of Wisconsin–Milwaukee COMMENCEMENT MAY 16, 2010 Conferral of Degrees 9:00 a.m. and 1:30 p.m. U. S. Cellular Arena Milwaukee, Wisconsin TABLE OF CONTENTS Greetings from the Chancellor ......................................................................................................................5 Story of the UWM Seal .................................................................................................................................6 A Quick History of UWM ............................................................................................................................7 The Meaning of Academic Regalia ..............................................................................................................8 University Officials...................................................................................................................................9-10 Black and Gold Commencement Ceremonies Speaker ..............................................................................11 Black Commencement Order of Ceremony ...............................................................................................12 Gold Commencement Order of Ceremony .................................................................................................13 Honorary Degree Recipient .........................................................................................................................14 Recognition of UWM Alumni Association Distinguished Alumnus Awardees