Bronze Work of the Geometric Period and Its Relation to Later Art Author(s): S. Casson Source: The Journal of Hellenic Studies, Vol. 42, Part 2 (1922), pp. 207-219 Published by: The Society for the Promotion of Hellenic Studies Stable URL: http://www.jstor.org/stable/625903 . Accessed: 08/01/2015 16:28 Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at . http://www.jstor.org/page/info/about/policies/terms.jsp . JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact
[email protected]. The Society for the Promotion of Hellenic Studies is collaborating with JSTOR to digitize, preserve and extend access to The Journal of Hellenic Studies. http://www.jstor.org This content downloaded from 128.235.251.160 on Thu, 8 Jan 2015 16:28:00 PM All use subject to JSTOR Terms and Conditions BRONZE WORK OF THE GEOMETRIC PERIOD AND ITS RELATION TO LATER ART 'IN the pottery of the Geometric style,' says Dr. Buschor in his Greek Vase Painting,1 'are latent the forces which we see afterwards expanding in contact with the East as well as the oldest beginnings that we can trace of that brilliant continuous development which led to the proud heights of Klitias, Euphronios and Meidias. Its producers may be unreservedly described as Greeks.' The statement.