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Nnnnãvr-N Paznû
THE MANUSCRTpTs or ð¿Nen ¿NenÃðn-N,iua n¡vn ;n¿j vt-vI nà r-NÃtw ø BY zARToSr-n nnnnÃvr-n paZnû Olga Yastrebova Zarto$t-e Bahrãm was a Zoroastrian poet who lived in Iran in the late 13th century. He is one of the few Zoroastrian authors who wrote in Persian and whose name and scraps of biographical information have been preserved to our days. The most significant and well known of his works are Ardãya-Wrãf-nãmet, ëangranghãðe' nãme2, andQesse-ye 'lJmar Xattãb va iãhzdde'ye irãn-zamr-n3, a collection of parables on the perishable nature of this world.a All of them were written in hazaj- e mosaddas metre. For several centuries tradition ascribed to him the authorship of Zarto!çnãme (onginally Mowlûd-Zartoflt)s, but as Ch. Rempis and R. Ahfi showed in their studies published independently in 1963 and 1964, the real author was another Zoroastrian, named Kay-Kâüs b. Kay-Xosrow b. Dãrã, from the city of Ray.6 The episode of Zaratustra's biography which is the subject of Õangranghãëe- nãme, is nol found in any other source except this poem. After Zaratu$tra's religion had been successfully disseminated in the kingdom of Go5tasp, the news reached the Indian sage Õangranghãðe. This wise man is said to have been one of the teachers of GoStasp's famous counsellor Jãmãsp. ðangranghaðe summoned Zarto5t to take part in a dispute, and spent two years preparing for it. He devoted all his time to gathering difficult questions and riddles. After the long period of I Text published twice: Jamasp Asa 1902; Afift 1964. -
Mah Tir, Mah Bahman & Asfandarmad 1 Mah Asfandarmad 1369
Mah Tir, Mah Bahman & Asfandarmad 1 Mah Asfandarmad 1369, Fravardin & l FEZAN A IN S I D E T HJ S I S S U E Federation of Zoroastrian • Summer 2000, Tabestal1 1369 YZ • Associations of North America http://www.fezana.org PRESIDENT: Framroze K. Patel 3 Editorial - Pallan R. Ichaporia 9 South Circle, Woodbridge, NJ 07095 (732) 634-8585, (732) 636-5957 (F) 4 From the President - Framroze K. Patel president@ fezana. org 5 FEZANA Update 6 On the North American Scene FEZ ANA 10 Coming Events (World Congress 2000) Jr ([]) UJIR<J~ AIL '14 Interfaith PUBLICATION OF THE FEDERATION OF ZOROASTRIAN ASSOCIATIONS OF '15 Around the World NORTH AMERICA 20 A Millennium Gift - Four New Agiaries in Mumbai CHAIRPERSON: Khorshed Jungalwala Rohinton M. Rivetna 53 Firecut Lane, Sudbury, MA 01776 Cover Story: (978) 443-6858, (978) 440-8370 (F) 22 kayj@ ziplink.net Honoring our Past: History of Iran, from Legendary Times EDITOR-IN-CHIEF: Roshan Rivetna 5750 S. Jackson St. Hinsdale, IL 60521 through the Sasanian Empire (630) 325-5383, (630) 734-1579 (F) Guest Editor Pallan R. Ichaporia ri vetna@ lucent. com 23 A Place in World History MILESTONES/ ANNOUNCEMENTS Roshan Rivetna with Pallan R. Ichaporia Mahrukh Motafram 33 Legendary History of the Peshdadians - Pallan R. Ichaporia 2390 Chanticleer, Brookfield, WI 53045 (414) 821-5296, [email protected] 35 Jamshid, History or Myth? - Pen1in J. Mist1y EDITORS 37 The Kayanian Dynasty - Pallan R. Ichaporia Adel Engineer, Dolly Malva, Jamshed Udvadia 40 The Persian Empire of the Achaemenians Pallan R. Ichaporia YOUTHFULLY SPEAKING: Nenshad Bardoliwalla 47 The Parthian Empire - Rashna P. -
THE CHRONOLOGICAL LIST of RULERS the SASSANIAN DYNASTY (CE 224-641) [ PAPAK, King of Pars (Circa CE 211- 223)] [SHAHPUR, King O
THE CHRONOLOGICAL LIST OF RULERS THE SASSANIAN DYNASTY (CE 224-641) [ PAPAK, King of Pars (circa CE 211- 223)] [SHAHPUR, King of Pars (circa CE 211-?220)] ARDESHIR I, King of Kings of Airan (CE 224-240), son of Papak SHAHPUR I (CE 240-271), son of Ardeshir I HORMAZD I (CE 271-272) son of Shahpur I (British Museum coin) VARAHRAN I (CE 272-276), son of Ardeshir I VARAHRAN II (CE 276-293), son of Varahran I VARAHRAN III (CE 293), son of Hormazd I. No coins known to have been minted. NARSEH (CE 293-303), son of Shahpur I HORMAZD II (CE 303-309) son of Narseh SHAHPUR II (CE 309-379) The Great, son of Hormazd II ARDESHIR II (CE 379-383), son of Hormazd II SHAHPUR III (CE 383-388), son of Shahpur II VARAHRAN IV (CE 388-399), son of Shahpur II YAZDEGARD I (CE 399-420), son of Shahpur III VARAHRAN V (CE 420-438), son of Shahpur III YAZDEGARD II (CE 438-457), son of Varahran V HORMAZD III (CE 457-459), son of Yazdegard II. No coins known to have been minted. PIRUZ I (CE 459-484), son of Yazdegard II VALAKHSH (CE 484-488), son of Yazdegard II First reign QOBAD I (CE 489-497), son of Piruz I ZAMASP (CE 497-499), son of Piruz I Second reign QOBAD I (CE 499-531) KHUSRU I (CE 531-579), 3rd son of Qobad I HORMAZD IV (CE 579-590), son of Khusru I VARAHRAN VI (CE 590), army commander [VISTAKHM (in Khorasan CE 592-596)], Khusru II's uncle KHUSRU II (CE 590-628), son of Hormazd IV QOBAD II (CE 25 Feb 628-6 Sept 628) Eldest son of Khusru II. -
L2/20-246 Teeth and Bellies: a Proposed Model for Encoding Book Pahlavi
L2/20-246 Teeth and bellies: a proposed model for encoding Book Pahlavi Roozbeh Pournader (WhatsApp) September 7, 2020 Background In Everson 2002, a proposal was made to encode a unified Avestan and Pahlavi script in the Unicode Standard. The proposal went through several iterations, eventually leading to a separate encoding of Avestan as proposed by Everson and Pournader 2007a, in which Pahlavi was considered non-unifiable with Avestan due to its cursive joining property. The non-cursive Inscriptional Pahlavi (Everson and Pournader 2007b) and the cursive Psalter Pahlavi (Everson and Pournader 2011) were later encoded too. But Book Pahlavi, despite several attempts (see the Book Pahlavi Topical Document list at https://unicode.org/L2/ topical/bookpahlavi/), remains unencoded. Everson 2002 is peculiar among earlier proposals by proposing six Pahlavi archigraphemes, including an ear, an elbow, and a belly. I remember from conversations with Michael Everson that he intended these to be used for cases when a scribe was just copying some text without understanding the underlying letters, considering the complexity of the script and the loss of some of its nuances to later scribes. They could also be used when modern scholars wanted to represent a manuscript as written, without needing to over-analyze potentially controversial readings. Meyers 2014 takes such a graphical model to an extreme, trying to encode pieces of the writing system, most of which have some correspondence to letters, but with occasional partial letters (e.g. PARTIAL SHIN and FINAL SADHE-PARTIAL PE). Unfortunately, their proposal rejects joining properties for Book Pahlavi and insists that “[t]he joining behaviour of the final stems of the characters in Book Pahlavi is more similar to cursive variants of Latin than to Arabic”. -
Persian Heri Tage
Persian Heri tage Persian Heritage Vol. 24, No. 93 Spring 2019 www.persian-heritage.com Persian Heritage, Inc. FROM THE EDITOR’S DESK 6 110 Passaic Avenue The First Annual Iranian Film Festival New York 7 Passaic, NJ 07055 E-mail: [email protected] LETTERS TO THE EDITOR 8 Telephone: (973) 471-4283 Fax: 973 471 8534 NEWS Gold for Iran’s Para Shooter, Sareh Javanmardi 10 EDITOR Resket Tower in Sari, Iran 11 SHAHROKH AHKAMI EDITORIAL BOARD COMMENTARY Dr. Mehdi Abusaidi, Shirin Ahkami Raiszadeh, Dr. Mahvash Alavi Naini, Who Owns Iran’s Oil? 12 Mohammad Bagher Alavi, Dr. Talat Bassari, Mohammad H. Hakami, (Khosrow B. Semnani) Ardeshir Lotfalian, K. B. Navi, Dr. Kamshad Raiszadeh, Farhang A. Sadeghpour, Mohammad K. Sadigh, THE ARTS & CULTURE M. A. Dowlatshahi. REVIEWS 15 MANAGING EDITOR Professor Dariush Borbor’s Works 16 HALLEH NIA (Kaveh Farrokh) ADVERTISING Uncle’s Complaint: Tale of Rejuvenation 17 HALLEH NIA (Iraj Bashiri) * The contents of the articles and ad ver tisements in this journal, with the ex ception The Sakas (Michael McClain) 20 of the edi torial, are the sole works of each The Patriots Who Triggered Demise of the Empire 23 in di vidual writers and contributors. This maga zine does not have any confirmed knowledge (M. Reza Vaghefi) as to the truth and ve racity of these articles. all contributors agree to hold harmless and An Interview with J. Golestan-Parast and R. Blake 25 indemnify Persian Heri tage (Mirass-e Iran), Persian Heritage Inc., its editors, staff, board (Brian Appleton) of directors, and all those in di viduals di rectly Reza Abdoh 29 associated with the publishing of this maga zine. -
Composition and Continuity in Sasanian Rock Reliefs
0320-07_Iran_Antiq_43_12_Thompson 09-01-2008 15:04 Pagina 299 Iranica Antiqua, vol. XLIII, 2008 doi: 10.2143/IA.43.0.2024052 COMPOSITION AND CONTINUITY IN SASANIAN ROCK RELIEFS BY Emma THOMPSON (University of Sydney, Australia) Abstract: The cliffs of Iran are adorned with rock reliefs from every period of its long history. During the years that the Sasanian dynasty ruled Iran, artists added to this collection considerably. These monuments are individual capsules of infor- mation on the general political, religious, historical and artistic milieu of the time. This paper presents a method for furthering our understanding of the Sasanian period through an analysis of the composition of each Sasanian relief. The analy- sis is based on the hypothesis that composition will serve as an indicator of artis- tic continuity and change and encode an artistic signature of sorts indicating the artists’ background and training. The initial results suggest that the reliefs of the early Sasanian period reflect the work of artists from at least two schools of art. Keywords: Sasanian, rock reliefs, composition. The kings of the Sasanian dynasty ruled Iran for over four hundred years. During the first eighty-five years of the dynasty (AD 224-309) there were seven changes of crown, many military gains and losses and thirty rock carvings were commissioned to commemorate these events. Most of these were carved in Fars, the homeland of the dynasty: eight were carved in the company of the Achaemenid tombs at Naqsh-i Rustam; six line the way to Shapur’s city at Bishapur; four were carved in the open air grotto at Naqsh- i Radjab; two were carved near Ardashir’s first city at Firuzabad and the rest were carved as single reliefs at various locations across the province of Fars: Barm-i Dilak, Sar Mashhad, Sarab-i Bahram, Guyum, Rayy, Darab- gird, and Tang-i Qandil. -
The Reliefs of Naqš-E Rostam and a Reflection on a Forgotten Relief, Iran
HISTORIA I ŚWIAT, nr 6 (2017) ISSN 2299 - 2464 Morteza KHANIPOOR (University of Tehran, Iran) Hosseinali KAVOSH (University of Zabol, Iran) Reza NASERI (University of Zabol, Iran) The reliefs of Naqš-e Rostam and a reflection on a forgotten relief, Iran Keywords: Naqš-e Rostam, Elamite, Sasanian, Relief Introduction Like other cultural materials, reliefs play their own roles in order to investigate ancient times of Iran as they could offer various religious, political, economic, artistic, cultural and trading information. Ancient artist tried to show beliefs of his community by carving religious representations on the rock. Thus, reliefs are known as useful resource to identify ancient religions and cults. As the results of several visits to Naqš-e Rostam by the author, however, a human relief was paid attention as it is never mentioned in Persian archaeological resources. The relief is highly similar to known Elamite reliefs in Fars and Eastern Khuzistan (Izeh). This paper attempts to compare the relief with many Elamite and Sasanian works and, therefore, the previous attributed date is revisited. Fig.1. Map showing archeological sites, including Naqš-e Rostam, on the Marvdasht Plain (after Schmidt, 1939: VIII ) PhD. student in Archaeology; [email protected] Assistant Professor, Faculty of Arts and Architecture; [email protected] Assistant Professor, Department of Archaeology; [email protected] Page | 55 Naqš-e Rostam To the south of Iran and north of Persian Gulf, there was a state known as Pars in ancient times. This state was being occupied by different peoples such as Elamite through time resulted in remaining numerous cultural materials at different areas including Marvdasht plain1 confirming its particular significance. -
Parsi-Times.Com Vol
Complimentary Copy Not For Sale RNI NO. MAHBIL06369/13/1/2011-TC :: WWW.PARSI-TIMES.COM VOL. 1 - ISSUE 26 :: PAGES 24 :: ` 2 SATURDAY, OCTOBER 22, 2011 Parsi Times shares with you an enlightened week gone by and bright future prospects. Inside >>> All the way from Iran Pg. 9 P.T. Relevance Pg. 10 Master Chef Bawa Pg. 12 Diwali safety Pg. 13 ZĞŐĚ͘KĸĐĞ͗s͘d͘DĂŶƐŝŽŶ͕ϭϰϰ͕WĞƌŝŶEĂƌŝŵĂŶ^ƚƌĞĞƚ͕&Žƌƚ͕DƵŵďĂŝϰϬϬϬϬϭ͘ dĞů͗͘ϮϮϲϵϵϯϵϵ͕ϮϮϲϱϳϱϵϵͻ&Ădž͗ϮϮϲϵϭϰϵϮ ͲŵĂŝů͗njŵďŚŝůůĂΛŐŵĂŝů͘ĐŽŵͻtĞďƐŝƚĞ͗ǁǁǁ͘ŚŝůůĂďƵŝůĚĞƌƐ͘ĐŽŵ ƌĂŶĐŚKĸĐĞ͗,ŝůůĂdŽǁĞƌƐ͕D͘:͘tĂĚŝĂ&ŝƌĞdĞŵƉůĞŽŵƉůĞdž͕ƌ͘^͘^͘ZĂŽZŽĂĚ͕>ĂůďĂƵŐ͕ WĂƌĞů͕DƵŵďĂŝϰϬϬϬϭϮ͘dĞů͘EŽ͘Ϯϰϳϭϱϰϴϭ SATURDAY, OCTOBER 22, 2011 02 Editorial FROM THE EDITOR’S DESK Dear Readers, Diwali is coming! For all you enthusiastic fatakra busting youngsters… Parsi Times has a list of places where you can get some good quality crackers and lessen the damage to the environment. If you are going to burst crackers, it might be worth your while to go knocking on your colony doors and give the older aunties and uncles some bribe worthy mithai and cotton balls! If you are not, you can always enjoy the season SDLQWLQJGL\DVPDNLQJVZHHWVDQGVKDULQJVWRULHVLQWKHOLJKWRIWKHÁDPH%HWWHU\HWVSHQGWKHGD\UHÁHFWLQJRQKRZ*RRGRYHUFRPHV(YLO in the larger scheme of things, the essence of the festival and the belief within our religion. 7KHSDVWZHHNKDVEURXJKWLQVRPHORYHO\JXHVWVDWWKH3DUVL7LPHVRIÀFH2QHRIWKHPZDVD'DVWXUMLIURP,UDQ+LVVZHHWZRUGVDUHVKDUHG in our pages. I must thank a lovely lady Mrs. Meher Sutaria, for taking the time out to write to us. She writes about her 11 year old granddaughter reading the Parsi Times. Knowing that we at Parsi Times can engage the hearts and the keen interest of young promising community members like Mrs. Sutaria’s granddaughter, is the best gift this Diwali could bring. -
Persian Royal Ancestry
GRANHOLM GENEALOGY PERSIAN ROYAL ANCESTRY Achaemenid Dynasty from Greek mythical Perses, (705-550 BC) یشنماخه یهاشنهاش (Achaemenid Empire, (550-329 BC نايناساس (Sassanid Empire (224-c. 670 INTRODUCTION Persia, of which a large part was called Iran since 1935, has a well recorded history of our early royal ancestry. Two eras covered are here in two parts; the Achaemenid and Sassanian Empires, the first and last of the Pre-Islamic Persian dynasties. This ancestry begins with a connection of the Persian kings to the Greek mythology according to Plato. I have included these kind of connections between myth and history, the reader may decide if and where such a connection really takes place. Plato 428/427 BC – 348/347 BC), was a Classical Greek philosopher, mathematician, student of Socrates, writer of philosophical dialogues, and founder of the Academy in Athens, the first institution of higher learning in the Western world. King or Shah Cyrus the Great established the first dynasty of Persia about 550 BC. A special list, “Byzantine Emperors” is inserted (at page 27) after the first part showing the lineage from early Egyptian rulers to Cyrus the Great and to the last king of that dynasty, Artaxerxes II, whose daughter Rodogune became a Queen of Armenia. Their descendants tie into our lineage listed in my books about our lineage from our Byzantine, Russia and Poland. The second begins with King Ardashir I, the 59th great grandfather, reigned during 226-241 and ens with the last one, King Yazdagird III, the 43rd great grandfather, reigned during 632 – 651. He married Maria, a Byzantine Princess, which ties into our Byzantine Ancestry. -
To:$M.R$Ahmad$Shahid$ Special$Rapporteur$On$The
To:$M.r$Ahmad$Shahid$ Special$Rapporteur$on$the$human$rights$situation$in$Iran$ $ Dear%Sir,% % such%as%equal%rights%to%education%for%everyone,%preventing%the%dismissal%and%forced%retirements%of% dissident%university%professors,%right%of%research%without%limitations%in%universities%and%to%sum%up% expansion%of%academic%liberties.%Student%activists%have%also%been%pursuing%basic%rights%of%the%people% such%as%freedom%of%speech,%press,%and%rallies,%free%formation%and%function%of%parties,%syndicates,%civil% associations%and%also%regard%of%democratic%principles%in%the%political%structure%for%many%years.% % But%unfortunately%the%regime%has%rarely%been%friendly%towards%students.%They%have%always%tried%to%force% from%education,%banishments%to%universities%in%remote%cities,%arrests,%prosecutions%and%heavy%sentences% of%lashing,%prison%and%even%incarceration%in%banishment,%all%for%peaceful%and%lawful%pursuit%of%the% previously%mentioned%demands.%Demands%which%according%to%the%human%rights%charter%are%considered% the%most%basic%rights%of%every%human%being%and%Islamic%Republic%of%Iran%as%a%subscriber%is%bound%to% uphold.% % The%government%also%attempts%to%shut%down%any%student%associations%which%are%active%in%peaceful%and% lawful%criticism,%and%their%members%are%subjected%to%all%sorts%of%pressures%and%restrictions%to%stop%them.% Islamic%Associations%for%example%which%have%over%60%years%of%history%almost%twice%as%of%the%Islamic% republic%regimeE%and%in%recent%years%have%been%the%only%official%criticizing%student%associations%in% universities,%despite%their%massive%number%of%student%members,%have%been%shut%down%by%the% -
Title: Location: Date: Artist: Period/Style: Patron
TITLE:Buddha LOCATION:Bamiyan, Afghanistan DATE: C. 400-800 C.E. ARTIST: PERIOD/STYLE: Gandharan PATRON: MATERIAL/TECHNIQUE:Cut sandstone with plaster and polychrome paint. FORM: Details such as facial features and hands were modeled using mud mixed with straw and then coated with stucco and painted bright colors. Stucco is a kind of plaster that is sometimes put on the exterior of houses as a protective coating against the elements. The stucco wore off long ago, but we do know that the larger Buddha figure was painted a deep red and the smaller Buddha was multi-colored with both jewels and copper. The legs were carved in the round which allowed for circumambulation. FUNCTION: The Silk Road comprosed an overland network of trade routes linking China and Central Asia with India and ultimately the Medi- terranean Sea. The Bamiyan Valley’s fertile fields attracted merchants and Buddhist missionaries. Thus between 500 and 750, the region served as both a commercial hub and an important Buddhist spiritual center. CONTENT: The Bamiyan Buddhas served as centerpieces of a flourishing Buddhist community. Both statues manifested the power and piety of their royal benefactors. Visible for miles, they provided pilgrims and merchants with a dramatic reminder to follow Buddhist practices, The two timeless images also marked a momentous development in Buddhist art. The gigantic Bamiyan statues represented Buddha as more than a gifted teacher; he was now presented as a guiding, enduring, and universal spiritual presence. CONTEXT: Bamiyan was situated right on the Silk Route as it went through the Hindu Kush mountain region in the Bamiyan valley of Afghanistan. -
Summer/June 2014
AMORDAD – SHEHREVER- MEHER 1383 AY (SHENSHAI) FEZANA JOURNAL FEZANA TABESTAN 1383 AY 3752 Z VOL. 28, No 2 SUMMER/JUNE 2014 ● SUMMER/JUNE 2014 Tir–Amordad–ShehreverJOUR 1383 AY (Fasli) • Behman–Spendarmad 1383 AY Fravardin 1384 (Shenshai) •N Spendarmad 1383 AY Fravardin–ArdibeheshtAL 1384 AY (Kadimi) Zoroastrians of Central Asia PUBLICATION OF THE FEDERATION OF ZOROASTRIAN ASSOCIATIONS OF NORTH AMERICA Copyright ©2014 Federation of Zoroastrian Associations of North America • • With 'Best Compfiments from rrhe Incorporated fJTustees of the Zoroastrian Charity :Funds of :J{ongl(pnffi Canton & Macao • • PUBLICATION OF THE FEDERATION OF ZOROASTRIAN ASSOCIATIONS OF NORTH AMERICA Vol 28 No 2 June / Summer 2014, Tabestan 1383 AY 3752 Z 92 Zoroastrianism and 90 The Death of Iranian Religions in Yazdegerd III at Merv Ancient Armenia 15 Was Central Asia the Ancient Home of 74 Letters from Sogdian the Aryan Nation & Zoroastrians at the Zoroastrian Religion ? Eastern Crosssroads 02 Editorials 42 Some Reflections on Furniture Of Sogdians And Zoroastrianism in Sogdiana Other Central Asians In 11 FEZANA AGM 2014 - Seattle and Bactria China 13 Zoroastrians of Central 49 Understanding Central 78 Kazakhstan Interfaith Asia Genesis of This Issue Asian Zoroastrianism Activities: Zoroastrian Through Sogdian Art Forms 22 Evidence from Archeology Participation and Art 55 Iranian Themes in the 80 Balkh: The Holy Land Afrasyab Paintings in the 31 Parthian Zoroastrians at Hall of Ambassadors 87 Is There A Zoroastrian Nisa Revival In Present Day 61 The Zoroastrain Bone Tajikistan? 34 "Zoroastrian Traces" In Boxes of Chorasmia and Two Ancient Sites In Sogdiana 98 Treasures of the Silk Road Bactria And Sogdiana: Takhti Sangin And Sarazm 66 Zoroastrian Funerary 102 Personal Profile Beliefs And Practices As Shown On The Tomb 104 Books and Arts Editor in Chief: Dolly Dastoor, editor(@)fezana.org AMORDAD SHEHREVER MEHER 1383 AY (SHENSHAI) FEZANA JOURNAL FEZANA Technical Assistant: Coomi Gazdar TABESTAN 1383 AY 3752 Z VOL.