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İNAN SİNEMASINDA KAİHN Fci1/'» Fimufrtv U J* Fatin Kanat
İNAN SİNEMASINDA KAİHN fci1/'» fimufrtv U j* Fatin Kanat İRAN SİNEMASINDA KADIN Kadın Temsili ve Kadın Yönetmenler IRAN SİNEMASINDA KADIN Kadın Temsili ve Kadın Yönetmenler © Dipnot Yayınlan Editör: Ahmet Gürata Kapak Tasarımı: İdil Tuncalı Dizgi ve Baskı Öncesi Hazırlık: Dipnot Bas. Yay. Ltd.Şti Dipnot Yayınları 38 Sinema Dizisi 2 1. Baskı 2007 / Ankara ISBN:978- 975-9051-44-0 Baskı: Mattek Matbaacılık Bas. Yay. Tan. Tic. San. Ldt Şti GMK Bulvan No 83 / 32 Maltepe/ Ankara Dipnot Yayınlan Selanik Cad. No: 82/32 Kızılay/ ANKARA Tel: (0 312) 4192932 ■ Faks: (0 312)4192532 E-posta: [email protected] Anneme, babama ve boyun eğmeyen tüm kadınlara İÇİNDEKİLER ÖNSÖZ- Nejat Ulusay............................................................................. 7 GİRİŞ........................................................................................................15 I.Böliim İRAN VE İSLAM: DEVRİM’İN GÖLGESİNDEKİ SİNEMA VE KADIN............................................................................21 1. Binbir Gece Masalları’nın Son Versiyonu............................... 21 2. İslam Devrimi............................................................................ 23 3. Devrim Öncesi İran Sineması................................................... 29 4. Devrim Sonrası Sinema............................................................ 33 5. Kurallarla Örülü ve Sınırlı bir Sinema: Sansür ve otosansür....35 6. Sistemin ve İran Sinemasının Başağnsı: Kadın.......................36 7. Maym Tarlasından Geçen Kadınlar......................................... -
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Volume 15 - Number 2 February – March 2019 £4 TTHISHIS ISSUEISSUE: IIRANIANRANIAN CINEMACINEMA ● IIndianndian camera,camera, IranianIranian heartheart ● TThehe lliteraryiterary aandnd dramaticdramatic rootsroots ofof thethe IranianIranian NewNew WaveWave ● DDystopicystopic TTehranehran inin ‘Film‘Film Farsi’Farsi’ popularpopular ccinemainema ● PParvizarviz SSayyad:ayyad: socio-politicalsocio-political commentatorcommentator dresseddressed asas villagevillage foolfool ● TThehe nnoiroir worldworld ooff MMasudasud KKimiaiimiai ● TThehe rresurgenceesurgence ofof IranianIranian ‘Sacred‘Sacred Defence’Defence’ CinemaCinema ● AAsgharsghar Farhadi’sFarhadi’s ccinemainema ● NNewew diasporicdiasporic visionsvisions ofof IranIran ● PPLUSLUS RReviewseviews andand eventsevents inin LondonLondon Volume 15 - Number 2 February – March 2019 £4 TTHISHIS IISSUESSUE: IIRANIANRANIAN CCINEMAINEMA ● IIndianndian ccamera,amera, IIranianranian heartheart ● TThehe lliteraryiterary aandnd ddramaticramatic rootsroots ooff thethe IIranianranian NNewew WWaveave ● DDystopicystopic TTehranehran iinn ‘Film-Farsi’‘Film-Farsi’ ppopularopular ccinemainema ● PParvizarviz SSayyad:ayyad: ssocio-politicalocio-political commentatorcommentator dresseddressed aass vvillageillage ffoolool ● TThehe nnoiroir wworldorld ooff MMasudasud KKimiaiimiai ● TThehe rresurgenceesurgence ooff IIranianranian ‘Sacred‘Sacred DDefence’efence’ CinemaCinema ● AAsgharsghar FFarhadi’sarhadi’s ccinemainema ● NNewew ddiasporiciasporic visionsvisions ooff IIranran ● PPLUSLUS RReviewseviews aandnd eeventsvents -
Film & Event Calendar
1 SAT 17 MON 21 FRI 25 TUE 29 SAT Events & Programs Film & Event Calendar 12:00 Event 4:00 Film 1:30 Film 11:00 Event 10:20 Family Gallery Sessions Tours for Fours: Art-Making Warm Up. MoMA PS1 Sympathy for The Keys of the #ArtSpeaks. Tours for Fours. Daily, 11:30 a.m. & 1:30 p.m. Materials the Devil. T1 Kingdom. T2 Museum galleries Education & 4:00 Film Museum galleries Saturdays & Sundays, Sep 15–30, Research Building See How They Fall. 7:00 Film 7:00 Film 4:30 Film 10:20–11:15 a.m. Join us for conversations and T2 An Evening with Dragonfly Eyes. T2 Dragonfly Eyes. T2 10:20 Family Education & Research Building activities that offer insightful and Yvonne Rainer. T2 A Closer Look for 7:00 Film 7:30 Film 7:00 Film unusual ways to engage with art. Look, listen, and share ideas TUE FRI MON SAT Kids. Education & A Self-Made Hero. 7:00 Film The Wind Will Carry Pig. T2 while you explore art through Research Building Limited to 25 participants T2 4 7 10 15 A Moment of Us. T1 movement, drawing, and more. 7:00 Film 1:30 Film 4:00 Film 10:20 Family Innocence. T1 4:00 Film WED Art Lab: Nature For kids age four and adult companions. SUN Dheepan. T2 Brigham Young. T2 This Can’t Happen Tours for Fours. SAT The Pear Tree. T2 Free tickets are distributed on a 26 Daily. Education & Research first-come, first-served basis at Here/High Tension. -
Course Catalog 2013-2014
CATALOGUE 2013-2014 1 2 Table of Contents The Evolution of an Educational Innovation 5 Political Studies 173 Learning at Simon’s Rock 6 Psychology 178 The Goals of the Academic Program 6 Social Sciences 181 Degree Requirements 7 Sociology 183 The Lower College Program 8 Courses in the Interdivisional Studies 185 Sophomore Planning: Moderation or Transfer 11 African American and African Studies 186 The Upper College Program 12 Asian Studies 187 Signature Programs 13 Communication 188 International 13 Environmental Studies/Ecology 189 Domestic 14 Gender Studies 190 In-House 15 Intercultural Studies 192 Special Study Opportunities 16 Learning Resources 193 Study at Bard’s Other Campuses 18 Off-Campus Program 194 Academic Policies 20 Young Writers Workshop 195 Upper College Concentrations 27 Faculty 196 Courses 82 Faculty 196 General Education Seminars 82 Adjunct Faculty 215 The Senior Thesis 83 Faculty Emeritus 218 Courses in the Division of the Arts 84 Community Music Program Faculty 222 Art History 85 Boards Arts 89 Board of Trustees 225 Dance 90 Board of Overseers 225 Music 94 Our Location 226 Studio Arts 100 Campus Map 227 Theater 106 Index 228 Courses in the Division of Languages & Literature 114 Academic Calendar 232 World Languages, Cultures, and Literatures 115 Linguistics 121 Literature and Creative Writing 122 Courses in the Division of Science, Mathematics, and Computing 137 Biology 138 Chemistry 142 Computer Science 144 Mathematics 146 Natural Sciences 149 Physics 151 Courses in the Division of Social Studies 154 Anthropology 155 Economics 158 Geography 161 History 165 Philosophy 168 3 Bard College at Simon’s Rock is the nation’s only four- year residential college specifically designed to provide bright, highly motivated students with the opportunity to begin college after the tenth or eleventh grade. -
Title: Location: Date: Artist: Period/Style: Patron
TITLE:Buddha LOCATION:Bamiyan, Afghanistan DATE: C. 400-800 C.E. ARTIST: PERIOD/STYLE: Gandharan PATRON: MATERIAL/TECHNIQUE:Cut sandstone with plaster and polychrome paint. FORM: Details such as facial features and hands were modeled using mud mixed with straw and then coated with stucco and painted bright colors. Stucco is a kind of plaster that is sometimes put on the exterior of houses as a protective coating against the elements. The stucco wore off long ago, but we do know that the larger Buddha figure was painted a deep red and the smaller Buddha was multi-colored with both jewels and copper. The legs were carved in the round which allowed for circumambulation. FUNCTION: The Silk Road comprosed an overland network of trade routes linking China and Central Asia with India and ultimately the Medi- terranean Sea. The Bamiyan Valley’s fertile fields attracted merchants and Buddhist missionaries. Thus between 500 and 750, the region served as both a commercial hub and an important Buddhist spiritual center. CONTENT: The Bamiyan Buddhas served as centerpieces of a flourishing Buddhist community. Both statues manifested the power and piety of their royal benefactors. Visible for miles, they provided pilgrims and merchants with a dramatic reminder to follow Buddhist practices, The two timeless images also marked a momentous development in Buddhist art. The gigantic Bamiyan statues represented Buddha as more than a gifted teacher; he was now presented as a guiding, enduring, and universal spiritual presence. CONTEXT: Bamiyan was situated right on the Silk Route as it went through the Hindu Kush mountain region in the Bamiyan valley of Afghanistan. -
Women Musicians and Dancers in Post-Revolution Iran
Negotiating a Position: Women Musicians and Dancers in Post-Revolution Iran Parmis Mozafari Submitted in accordance with the requirements for the degree of Doctor of Philosophy The University of Leeds School of Music January 2011 The candidate confIrms that the work submitted is her own and that appropriate credit has been given where reference has been made to the work of others. This copy has been supplied on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement. 2011 The University of Leeds Parmis Mozafari Acknowledgment I would like to express my gratitude to ORSAS scholarship committee and the University of Leeds Tetly and Lupton funding committee for offering the financial support that enabled me to do this research. I would also like to thank my supervisors Professor Kevin Dawe and Dr Sita Popat for their constructive suggestions and patience. Abstract This research examines the changes in conditions of music and dance after the 1979 revolution in Iran. My focus is the restrictions imposed on women instrumentalists, dancers and singers and the ways that have confronted them. I study the social, religious, and political factors that cause restrictive attitudes towards female performers. I pay particular attention to changes in some specific musical genres and the attitudes of the government officials towards them in pre and post-revolution Iran. I have tried to demonstrate the emotional and professional effects of post-revolution boundaries on female musicians and dancers. Chapter one of this thesis is a historical overview of the position of female performers in pre-modern and contemporary Iran. -
Truce Agreement Victory for Yemeni Nation: Abdulsalam
WWW.TEHRANTIMES.COM I N T E R N A T I O N A L D A I L Y 16 Pages Price 20,000 Rials 1.00 EURO 4.00 AED 39th year No.13278 Saturday DECEMBER 15, 2018 Azar 23, 1397 Rabi’ Al thani 6, 1440 We should make Iranian scientist Persepolis beat Pars “Dark Room” sanctions ineffective: Baharvand among winners Jonoubi, Tractor Sazi named best at general 2 of 2019 TWAS Prize 9 beaten by Foolad: IPL 15 Kerala film festival 16 Iran to deal with CNPC according Truce agreement victory for to contract rights: Zanganeh ECONOMY TEHRAN — Irani- contract, when Total left they were to take deskan Oil Minister Bijan over based on the terms of the contract Namdar Zanganeh said CNPC’s leaving otherwise it would be a breach of contract South Pars deal would be a violation of and we will deal with it according to our Yemeni nation: Abdulsalam the contract and Iran will act accordingly, contractual rights. IRNA reported. Earlier in November, Zanganeh had Iran welcomes preliminary deals between Yemeni warring sides 2 In an interview with the national said that China’s state-owned CNPC television on Wednesday, the official had officially replaced France’s Total noted that since the Chinese company in Iran’s multibillion-dollar South Pars is the second biggest shareholder in the gas project. 4 See page 13 Zarif says Iran gets its security from people POLITICS TEHRAN – Foreign he said in speech at annual gathering deskMinister Mohammad of pro-reform Neda-ye Iranian Party Javad Zarif said on Friday that it is (Voice of Iranians). -
The Socioeconomics of State Formation in Medieval Afghanistan
The Socioeconomics of State Formation in Medieval Afghanistan George Fiske Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2012 © 2012 George Fiske All rights reserved ABSTRACT The Socioeconomics of State Formation in Medieval Afghanistan George Fiske This study examines the socioeconomics of state formation in medieval Afghanistan in historical and historiographic terms. It outlines the thousand year history of Ghaznavid historiography by treating primary and secondary sources as a continuum of perspectives, demonstrating the persistent problems of dynastic and political thinking across periods and cultures. It conceptualizes the geography of Ghaznavid origins by framing their rise within specific landscapes and histories of state formation, favoring time over space as much as possible and reintegrating their experience with the general histories of Iran, Central Asia, and India. Once the grand narrative is illustrated, the scope narrows to the dual process of monetization and urbanization in Samanid territory in order to approach Ghaznavid obstacles to state formation. The socioeconomic narrative then shifts to political and military specifics to demythologize the rise of the Ghaznavids in terms of the framing contexts described in the previous chapters. Finally, the study specifies the exact combination of culture and history which the Ghaznavids exemplified to show their particular and universal character and suggest future paths for research. The Socioeconomics of State Formation in Medieval Afghanistan I. General Introduction II. Perspectives on the Ghaznavid Age History of the literature Entrance into western European discourse Reevaluations of the last century Historiographic rethinking Synopsis III. -
Eulogy for Dr. Ehsan Yarshater•
178 November - December 2018 Vol. XXVII No. 178 Remembering Professor Ehsan Yarshater • Iranian Novels in Translation • PAAIA National Survey 2018 • Second Annual Hafez Day 2018 • Mehregan Celebration • Nutrition During Pregnancy • Menstrual Cramps • Eulogy For Dr. Ehsan Yarshater • No. 178 November-December 2018 1 178 By: Shahri Estakhry Since 1991 Persian Cultural Center’s Remembering Professor Ehsan Yarshater (1920-2018) Bilingual Magazine Is a bi - monthly publication organized for th When we heard the news of the passing of Professor Ehsan Yarshater on September 20 , our last literary, cultural and information purposes issue of Peyk was at the print shop and we could not pay our deepest respect in his memory at Financial support is provided by the City of that time. Although, many tributes in Persian and English have been written in his memory, we San Diego Commission for Arts and Culture. too would like to remember him with great respect and great fondness. Persian Cultural Center I had the pleasure of meeting him and his wife, Latifeh, in 1996 when, at the invitation of the 6790 Top Gun St. #7, San Diego, CA 92121 Persian Cultural Center they came to San Diego and he gave a talk about the Persian civilization Tel (858) 552-9355 and the Encyclopedia Iranica. While listening to him, mesmerized by his presentation, there was Fax & Message: (619) 374-7335 Email: [email protected] no doubt for anyone that here was a man of true knowledge and great integrity. How privileged www.pccsd.org we were to be in the audience. He was an extraordinary man of accomplishments, easy to respect, easy to hold in your heart with adoration. -
Deciphering Bin Salman's Change of Tone
WWW.TEHRANTIMES.COM I N T E R N A T I O N A L D A I L Y 8 Pages Price 50,000 Rials 1.00 EURO 4.00 AED 42nd year No.13932 Saturday MAY 1, 2021 Ordibehesht 11, 1400 Ramadan 18, 1442 Iran closely watching Iran learn fate at Home appliance Claudio Noce’s Tajikistan-Kyrgyzstan FIBA U19 Basketball production increases “Padrenostro” to compete border conflict Page 2 World Cup Page 3 by 36% Page 4 in Fajr filmfest Page 8 Dozens ‘crushed to death’ in See page 3 Israel pilgrimage stampede Deciphering A stampede at a religious festival attended will not give up until the last victim by tens of thousands of ultra-Orthodox is evacuated.” Jews in northern Israel has killed at least Zaki Heller, spokesman for the Magen 44 people and injured about 150 early David Adom, said that among the 150 Friday, medical officials said. people who had been hospitalized, six Magen David Adom, the Israeli were in critical condition. bin Salman’s emergency service, said that at least On social media, Benjamin Netanyahu 44 people were killed during the event called it a “heavy disaster” and added: early on Friday, adding “MDA is fighting “We are all praying for the wellbeing of for the lives of dozens wounded, and the casualties.” change of Water, development projects worth over $619m inaugurated TEHRAN - Iranian President Hassan million) in Khuzestan, Mazandaran and Rouhani on Thursday inaugurated three Hormozgan provinces. water supply projects as well as a dam in The projects were inaugurated under tone three provinces through vide conference, the framework of the Energy Ministry’s IRNA reported. -
Iran Sinemasinda Kadin: Kadin Temsili Ve Kadin Yönetmenler
T.C. ANKARA ÜNİVERSİTESİ SOSYAL BİLİMLER ENSTİTÜSÜ RADYO TELEVİZYON SİNEMA BÖLÜMÜ İRAN SİNEMASINDA KADIN: KADIN TEMSİLİ VE KADIN YÖNETMENLER Yüksek Lisans Tezi Fatin Kanat Ankara-2006 T.C. ANKARA ÜNİVERSİTESİ SOSYAL BİLİMLER ENSTİTÜSÜ RADYO TELEVİZYON SİNEMA BÖLÜMÜ İRAN SİNEMASINDA KADIN: KADIN TEMSİLİ VE KADIN YÖNETMENLER Yüksek Lisans Tezi Fatin Kanat Tez Danışmanı Doç. Dr. Nejat Ulusay Ankara-2006 T.C. ANKARA ÜNİVERSİTESİ SOSYAL BİLİMLER ENSTİTÜSÜ RADYO TELEVİZYON SİNEMA BÖLÜMÜ İRAN SİNEMASINDA KADIN: KADIN TEMSİLİ VE KADIN YÖNETMENLER Yüksek Lisans Tezi Tez Danışmanı : Doç. Dr. Nejat Ulusay Tez Jürisi Üyeleri Adı ve Soyadı İmzası Doç. Dr. Nejat Ulusay (Başkan) ........................................ Prof. Dr. Kurtuluş Kayalı (Üye) ........................................ Doç. Dr. S. Ruken Öztürk (Üye) ........................................ Tez Sınavı Tarihi .................................. ÖNSÖZ İran sinemasında kadın temsilini, kadın yönetmenlerin çalışmalarını esas alarak tartışmayı ve yansıtmayı amaçlayan bu çalışmam, belirgin İslami atmosferiyle İran’daki en yakıcı sorunların başında gelen kadın sorunuyla doğrudan ilişkilenmiş ve bu ilişkilenimle elde ettiği bulguları gözönüne çıkarmıştır. Çalışmamın bu alanda yapılacak çalışmalara katkı sunması öncelikli dileğimdir. Tez çalışmamın başlangıcından bitimine karşılıksız katkı sunan insanların sayıca fazlalığı, gelecekteki çalışmalarım için de yüreklenmeme neden olmuştur. Tahmineh Milani, Saklı Yarı filmiyle bu tezin esin kaynağı olmuş, sonra da yardımlarını esirgememiştir. Onun -
The Poet & the Poem 1 EPITOME of the SHAHNAMA Prologue 10 IT
CONTENTS List of Illustrations xiii Preface xvii Introduction: The Poet & the Poem 1 EPITOME OF THE SHAHNAMA Prologue 10 I THE PISHDADIAN DYNASTY 11 REIGN OF GAY UM ARTH 11 REIGN OF HUSHANG 11 REIGN OF TAHMURATH 12 REIGN OF JAMSHID 13 The Splendour of jamshid 13 The Tyranny of Zahhak 13 The Coming of Faridun 15 REIGN OF FARIDUN 16 Faridun & his Three Sons 16 REIGN OF MINUCHIHR 18 Zal & Rudaba 18 Birth & Early Exploits of Rustam 20 REIGNS OF NAWDAR, ZAV & GARSHASP 21 War with Turan 21 Robinson, B.W. digitalisiert durch: The Persian Book of Kings IDS Basel Bern 2014 viii THE PERSIAN BOOK OF KINGS II THE KAYANIAN DYNASTY 23 REIGN OF KAY QUBAD 23 Rustam's Quest for Kay Qubad 23 REIGN OF KAY KA'US 24 Disaster in Mazandaran 24 Rustam's Setzen Stages 26 Wars of Kay Ka'us 30 The Flying Machine 31 Rustam's Raid 32 Rustam & Suhrab 32 The Tragedy of Siyawush 36 Birth of Kay Khusraw 40 Revenge for Siyawush 41 Finding of Kay Khusraw 41 Abdication of Kay Ka'us 43 REIGN OF KAY KHUSRAW 43 Tragedy of Farud 43 Persian Reverses 45 Second Expedition: Continuing Reverses 46 Rustam to the Rescue 47 Rustam's Overthrow of Kamus, the Khaqan, and Others 48 Successful Termination of the Campaign 50 Rustam & the Demon Akwan 51 Bizhan & Manizha 53 Battie of the Twelve Rukhs 57 Afrasiyab's Last Campaign 60 Capture & Execution of Afrasiyab 63 The Last Days of Kay Khusraw 65 REIGN OF LUHRASP 65 Gushtasp in Rum 65 REIGN OF GUSHTASP 68 The Prophet Zoroaster 68 Vicissitudes of Isfandiyar 69 Isfandiyar's Seven Stages 70 Rustam & Isfandiyar 74 Death of Rustam 76 REIGN OF