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Livin' a Boss' Life
REAL, RAW, & UNCENSORED WEST COAST RAP SHIT TURF TALK BEEDA WEEDA CLYDE CARSON MAC MALL DAMANI & MORE BAY AREA AMBASSADOR - LIVIN’ AE BOSS’40 LIFE * WEST COAST DJs SOUND OFF ON MIXTAPE DRAMA * THE GAME’S BROTHER BIG FASE100 * BUMSQUAD’S LATIN PRINCE & MORE // OZONE WEST Publisher EDITOR’S NOTE Julia Beverly Editor-IN-Chief N. Ali Early Music Editor Randy Roper Art Director Tene Gooden Contributors D-Ray DJ BackSide Joey Colombo Toby Francis Wendy Day Street Reps Anthony Deavers Bigg P-Wee Dee1 Demolition Men DJ E-Z Cutt DJ Jam-X DJ K-Tone DJ Quote MUST BE DREAMIN’ DJ Strong & DJ Warrior John Costen Kewan Lewis Lisa Coleman Maroy been living in Atlanta a good decade and I still haven’t gotten completely accus- Rob J Official tomed to it, nor have I embraced it all the way. What can I say? I’m a Bayboy to the Rob Reyes heart. Anyone who knows me, knows that I rep the Bay – all day, every day. I went Sherita Saulsberry I’vehome for Xmas and all I could think about was what kind of Bay Tees I was gonna snatch so I could have William Major the option of reppin’ my soil every day for two weeks straight (that’s 14, but who’s counting?). Took Moms in there and scooped about eight of ‘em REAL QUICK (already had 6). Alas, I didn’t leave my heart in San Francisco ala Tony Bennett. It’s somewhere in Tha Rich! But I gotta love the A and I gotta give JB props for bringing me on board, ‘cause without the move from Orlando this opportunity may have never cracked off. -
A New Year's Greetin
THE 8ID0HANTA DEEPIKA OR The Light of Truth. A Monthly Journal, Devoted to ReligioM, Philosophy^ Littrat%tt\ Scknu 6<. •n tlM qummn'u CoflUMmonUiaii Dkj, IMT, VolVn APRIL 1906 No I A NEW YEAR'S GREETIN This Agaval is by a minstrel, known to us as Kanyan or *'Singer' of the flowery hill, who was a court poet and friend of Ko Pferum Coran of Urraiyur—a little, it may be, before the data of the Kurral. See Purra Nannurru 67, 191, 192, 212. mekjuu^ tSpa-^ir €Uirjnr;^ QKirft£fiLti ^ea^^^ti ^eu^Qt^ir ^csr«r:—^ Si^O/fmr LuS^^jfuh SjtoQut;—Qp^Mr fill^DHAKTA DKKPTKA, euTssrii ^^a^Slaff? lu/r^^i sisoQuTQ^ Lpei>ei€0 Qu.iturfpjM li/rsuyS^u u(B^Ui i^dsasrQuir^ ^tsST (ipsnpsuij^u zjCFe-ii) gtcstu^ ^p(peo/r/r QuiPiQfUir^ff tSoj^^Sfiiii -r- THE SAGES. To lis all toAvns arc one, all men our kin. Life's gooi comes not from others' gift, nor ill Man s pains and pains' relief ?.re from within. Death s no new thing; nor do our bosoms thrill When joyous life seems like a luscious draught. AVhen grieved, y\c patient suffer; for, we deem This much-praised life of ours a fragile raft Borne dowii tiie waters of some mountain stream That o'er Jiuge bouldere roaring seeks the plain. Tho' storms Avith lightnings' ilash from darken d skica Descend, tho raft goes on as fates ordain. Thus have we seen in visions of the wsc!— We marvel Jiiot at greatness of tlie great; Still less despise we men of low estate. -
K-Pop in Latin America: Transcultural Fandom and Digital Mediation
International Journal of Communication 11(2017), 2250–2269 1932–8036/20170005 K-Pop in Latin America: Transcultural Fandom and Digital Mediation BENJAMIN HAN Concordia University Wisconsin, USA This article examines the transnational popularity of K-pop in Latin America. It argues K- pop as a subculture that transforms into transcultural fandom via digital mediation, further resulting in its accommodation into Latin American mass culture. The article further engages in a critical analysis of K-pop fan activism in Latin America to explore the transcultural dynamics of K-pop fandom. In doing so, the article provides a more holistic approach to the study of the Korean Wave in Latin America within the different “scapes” of globalization. Keywords: K-pop, fandom, Latin America, digital culture, Korean Wave The popularity of K-pop around the globe has garnered mass media publicity as Psy’s “Gangnam Style” reached number two on the Billboard Charts and became the most watched video on YouTube in 2012. Although newspapers, trade journals, and scholars have examined the growing transnational popularity of K-pop in East Asia, the reception and consumption of K-pop in Latin America have begun to receive serious scholarly consideration only in the last few years. Numerous reasons have been explicated for the international appeal and success of K-pop, but it also is important to understand that the transnational and transcultural fandom of K-pop cannot be confined solely to its metavisual aesthetics that creatively syncretize various genres of global popular music such as Black soul and J-pop. K-pop as hybrid music accentuated with powerful choreography is a form of visual spectacle but also promotes a particular kind of lifestyle represented by everyday modernity in which social mobility in the form of stardom becomes an important facet of the modernization process in Latin America. -
Leopold and Wolfgang Mozart's View of the World
Between Aufklärung and Sturm und Drang: Leopold and Wolfgang Mozart’s View of the World by Thomas McPharlin Ford B. Arts (Hons.) A thesis submitted in fulfilment of the requirements for the degree of Doctor of Philosophy European Studies – School of Humanities and Social Sciences University of Adelaide July 2010 i Between Aufklärung and Sturm und Drang: Leopold and Wolfgang Mozart’s View of the World. Preface vii Introduction 1 Chapter 1: Leopold Mozart, 1719–1756: The Making of an Enlightened Father 10 1.1: Leopold’s education. 11 1.2: Leopold’s model of education. 17 1.3: Leopold, Gellert, Gottsched and Günther. 24 1.4: Leopold and his Versuch. 32 Chapter 2: The Mozarts’ Taste: Leopold’s and Wolfgang’s aesthetic perception of their world. 39 2.1: Leopold’s and Wolfgang’s general aesthetic outlook. 40 2.2: Leopold and the aesthetics in his Versuch. 49 2.3: Leopold’s and Wolfgang’s musical aesthetics. 53 2.4: Leopold’s and Wolfgang’s opera aesthetics. 56 Chapter 3: Leopold and Wolfgang, 1756–1778: The education of a Wunderkind. 64 3.1: The Grand Tour. 65 3.2: Tour of Vienna. 82 3.3: Tour of Italy. 89 3.4: Leopold and Wolfgang on Wieland. 96 Chapter 4: Leopold and Wolfgang, 1778–1781: Sturm und Drang and the demise of the Mozarts’ relationship. 106 4.1: Wolfgang’s Paris journey without Leopold. 110 4.2: Maria Anna Mozart’s death. 122 4.3: Wolfgang’s relations with the Weber family. 129 4.4: Wolfgang’s break with Salzburg patronage. -
6821 Oleander Ave., Fontana, CA 92336
Volume IV Issue V April 2021 https://www.fusd.net/abmiller 6821 Oleander Ave., Fontana, CA 92336 Introduction by Michael Vedo With the vaccination rollout in California reaching unprecedented numbers, we are seeing our cases of COVID-19 plummet daily. On the twelfth of April, California’s vaccination population of those 16 years and older is 28 percent. With 29,034,050 doses being administered, nearly 50% of the population has had at least one dose of the vaccine. As a state, California has handled the efficiency of vaccine distribution better than some countries. In mid-April and as demographics of eligible groups continues to expand, the hope is that with those vaccinated, herd immunity will take hold and phase out the virus altogether. This means that our view of normalcy, inches closer and closer to restoration. This means it is time to return to in-person learning. But with all the excitement of our region heading into orange and yellow tiers, few have stopped to actually ask those that are most affected if they want to return to in-person learning this year: the students. It is almost a forgone conclusion that everyone wants to return at some point to the classroom before the year is over, but realistically, that is a falsified assumption. Some students have legitimate fears and concerns about in person learning, even if that means remaining in isolation for another few months before the start of next school year. Being that this is a student led publication, I felt it very important to allow those that matter most, the students, to voice their position on returning to in-person learning. -
UC Santa Barbara Electronic Theses and Dissertations
UC Santa Barbara UC Santa Barbara Electronic Theses and Dissertations Title Diasporic Ethnopoetics Through “Han-Gook”: An Inquiry into Korean American Technicians of the Enigmatic Permalink https://escholarship.org/uc/item/3zc4f1mk Author Hur, David Publication Date 2020 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA Santa Barbara Diasporic Ethnopoetics Through “Han-Gook”: An Inquiry into Korean American Technicians of the Enigmatic A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Comparative Literature by David Hur Committee in charge: Professor Yunte Huang, co-Chair Professor Stephanie Batiste, co-Chair Professor erin Khuê Ninh Professor Sowon Park September 2020 The dissertation of David Hur is approved. ____________________________________________ erin Khuê Ninh ____________________________________________ Sowon Park ____________________________________________ Stephanie Batiste, Committee Co-Chair ____________________________________________ Yunte Huang, Committee Co-Chair September 2020 Diasporic Ethnopoetics Through “Han-Gook”: An Inquiry into Korean American Technicians of the Enigmatic Copyright © 2020 by David Hur iii ACKNOWLEDGEMENTS This journey has been made possible with support from faculty and staff of both the Comparative Literature program and the Department of Asian American Studies. Special thanks to Catherine Nesci for providing safe passage. I would not have had the opportunities for utter trial and error without the unwavering support of my committee. Thanks to Yunte Huang, for sharing poetry in forms of life. Thanks to Stephanie Batiste, for sharing life in forms of poetry. Thanks to erin Khuê Ninh, for sharing countless virtuous lessons. And many thanks to Sowon Park, for sharing in the witnessing. -
Selling Or Selling Out?: an Exploration of Popular Music in Advertising
Selling or Selling Out?: An Exploration of Popular Music in Advertising Kimberly Kim Submitted to the Department of Music of Amherst College in partial fulfillment of the requirements for the degree of Bachelor of Arts with honors. Faculty Advisor: Professor Jason Robinson Faculty Readers: Professor Jenny Kallick Professor Jeffers Engelhardt Professor Klara Moricz 05 May 2011 Table of Contents Acknowledgments............................................................................................................... ii Chapter 1 – Towards an Understanding of Popular Music and Advertising .......................1 Chapter 2 – “I’d Like to Buy the World a Coke”: The Integration of Popular Music and Advertising.........................................................................................................................14 Chapter 3 – Maybe Not So Genuine Draft: Licensing as Authentication..........................33 Chapter 4 – Selling Out: Repercussions of Product Endorsements...................................46 Chapter 5 – “Hold It Against Me”: The Evolution of the Music Videos ..........................56 Chapter 6 – Cultivating a New Cultural Product: Thoughts on the Future of Popular Music and Advertising.......................................................................................................66 Works Cited .......................................................................................................................70 i Acknowledgments There are numerous people that have provided me with invaluable -
2021 Song Index
AUG 7 2021 SONG INDEX 200 COPAS (Girl Power Publishing, ASCAP/ BALL IF I WANT TO (David’s Art LLC, ASCAP/ BY YOUR SIDE (EMI April Music, Inc., ASCAP/ DEJA VU (Sony Tunes LLC, ASCAP/Liv Laf Luv, FRIDAY (BMG Limited, MCPS/BIEM/Concord HEAVENLY SIDE (ILLENIUM Publishing, BMI/ Kobalt Songs Music Publishing LLC, ASCAP/On WC Music Corp., ASCAP/Baby Jesus Publish- EMI Music Publishing Ltd., PRS/John Newman ASCAP/Daniel Leonard Nigro Music, ASCAP/ Music Publihsing, MCPS/BIEM), HL, DES 8 Reservoir 416, BMI/WKMM, ASCAP/Universal The Drums Publishing, ASCAP/Daniel Obar Felix ing, ASCAP/South Coast Music Group, ASCAP/ Publishing Designee, BMI/Concord Publishing, Sony Allegro, ASCAP/Sony Tree Publishing, FULANITO (Rebecca Marshall, ASCAP/Prescrip- Music Corp., ASCAP/Vistaville Music, ASCAP/ Publishing Designee, BMI) LT 28 Universal Music Corp., ASCAP), AMP/HL, H100 BMI/Aldwych, PRS/Sony Songs LLC, BMI/ BMI/Taylor Swift Music, BMI/Sony Songs LLC, tion Songs, ASCAP/Kobalt Songs Music Publish- Steph Jones Who Music, ASCAP/Hipgnosis 2055 (Tegan Chambers Publishing Designee, BMI/ 60 ; RBH 22 ; RS 17 Sony Music Publishing UK Ltd, PRS/Sony Tunes BMI/Ducky Donath Music, BMI/Nail Polish ing LLC, ASCAP/Rafael Rodriguez Publishing Hits, ASCAP/KIDinaKORNER Publishing, ASCAP/ Great John Publishing Designee, BMI/uv killen EL BARCO (Girl Power Publishing, ASCAP/Kobalt LLC, ASCAP/Catherine Songs Limited, PRS), Manifesto, ASCAP/Big Deal Notes, ASCAP), Designee, ASCAP/Sony Discos Music Publishing Have A Nice Jay Music, ASCAP), HL, DES 20 em, ASCAP/The Administration -
Kingdom Principles
KINGDOM PRINCIPLES PREPARING FOR KINGDOM EXPERIENCE AND EXPANSION KINGDOM PRINCIPLES PREPARING FOR KINGDOM EXPERIENCE AND EXPANSION Dr. Myles Munroe © Copyright 2006 — Myles Munroe All rights reserved. This book is protected by the copyright laws of the United States of America. This book may not be copied or reprinted for commercial gain or profit. The use of short quotations or occasional page copying for personal or group study is permitted and encouraged. Permission will be granted upon request. Unless other- wise identified, Scripture quotations are from the HOLY BIBLE, NEW INTERNA- TIONAL VERSION Copyright © 1973, 1978, 1984 by International Bible Society. Used by permission of Zondervan Publishing House. All rights reserved. Scripture quotations marked (NKJV) are taken form the New King James Version. Copyright © 1982 by Thomas Nelson, Inc. Used by permission. All rights reserved. Please note that Destiny Image’s publishing style capitalizes certain pronouns in Scripture that refer to the Father, Son, and Holy Spirit, and may differ from some publishers’ styles. Take note that the name satan and related names are not capitalized. We choose not to acknowledge him, even to the point of violating grammatical rules. Cover photography by Andy Adderley, Creative Photography, Nassau, Bahamas Destiny Image® Publishers, Inc. P.O. Box 310 Shippensburg, PA 17257-0310 “Speaking to the Purposes of God for this Generation and for the Generations to Come.” Bahamas Faith Ministry P.O. Box N9583 Nassau, Bahamas For Worldwide Distribution, Printed in the U.S.A. ISBN 10: 0-7684-2373-2 Hardcover ISBN 13: 978-0-7684-2373-0 ISBN 10: 0-7684-2398-8 Paperback ISBN 13: 978-0-7684-2398-3 This book and all other Destiny Image, Revival Press, MercyPlace, Fresh Bread, Destiny Image Fiction, and Treasure House books are available at Christian bookstores and distributors worldwide. -
Hybrid Gangs and the Hyphy Movement: Crossing the Color Line in Sacramento County
HYBRID GANGS AND THE HYPHY MOVEMENT: CROSSING THE COLOR LINE IN SACRAMENTO COUNTY Antoinette Noel Wood B.S., California State University, Sacramento, 2008 THESIS Submitted in partial satisfaction of the requirements for the degree of MASTER OF SCIENCE in CRIMINAL JUSTICE at CALIFORNIA STATE UNIVERSITY, SACRAMENTO SPRING 2011 © 2011 Antoinette Noel Wood ALL RIGHTS RESERVED ii HYBRID GANGS AND THE HYPHY MOVEMENT: CROSSING THE COLOR LINE IN SACRAMENTO COUNTY A Thesis by Antoinette Noel Wood Approved by: __________________________________, Committee Chair Dimitri Bogazianos, Ph.D. __________________________________, Second Reader Dan Okada, Ph.D. ____________________________ Date iii Student: Antoinette Noel Wood I certify that this student has met the requirements for format contained in the University format manual, and that this thesis is suitable for shelving in the Library and credit is to be awarded for the thesis. __________________________, Graduate Coordinator ________________ Yvette Farmer, Ph.D. Date Division of Criminal Justice [Thesis Abstract Form] iv [Every thesis or project mustracts for some creative works such as in art or creative writing may vary somewhat, check with your Dept. Advisor.] Abstract of HYBRID GANGS AND THE HYPHY MOVMENT: CROSSING THE COLOR LINE IN SACRAMENTO COUNTY by Antoinette Noel Wood [Use of the next optional as long as te content is supplied.]three headings is Statement of Problem Crips and Bloods-traditional gangs whose mere names conjure up fearful images of violence and destruction-are no longer at the forefront of the gang reality in Sacramento. Instead, influenced by the Bay Area-based rap music subculture of Hyphy, gangs calling themselves "Families," "Mobbs," and "Camps" are believed to be creating a new, hybridized gang culture. -
Research on the Identity Construction of Korean Pop Music's Fandom
Research on the Identity Construction of Korean Pop Music’s Fandom Groups on the Weibo Platform, Exemplified by G-Dragon (Kwon Ji-Yong) Department of Informatics and Media Master Program in Digital Media & Society Uppsala University Author: Yifan Chang Advisor: Göran Svensson 2014 0 I. Abstract In this thesis, I take a research on the identity construction of G-Dragon’s fandom group on the Weibo platform. Through the blended netnography, which consists of online participant observation and offline in-depth interview, I analyze the process of how the self-identity constructs among those fans through their online practical activities and how the fandom group forms their cultural identity from the cross-cultural perspective. In my analysis, I find that the construction of self-identity is realized in several ways, which are self-evaluation and the other’s evaluation, the projection of intention and emotion, anti-group consumption and cosplay. Also, I try to discuss the identity construction from the cross-cultural perspective. Because the K-pop music is a cross-cultural media product, so the fans have to face two identities: Chinese and Korean pop music fans. Through an analysis of cultural similarity and cultural conflict, I aim to discuss how the cultural similarity affects the construction process of self-identity, how the fandom group struggles in the cultural conflict in order to construct their self-identity and how we consider the abroad fandom group constructing their self-identity from the cultural hybridity perspective. In my discussion chapter, I will try to set some further prospects for the future research field. -
2021 Song Index
JUN 5 2021 SONG INDEX 100.MIL’ (Dreamvillain, BMI/Lucky Three Music AMOR EN COMA (Matuza Publishing, SESAC/ BODY IN MOTION (Give Thanks Publishing, COME BACK HOME (PeteyPan Publishing, FIEL (Yele Publishing, BMI/Sony Latin Music GUNS (Not Listed) DES 37 Publishing, BMI/Industrial Strenght Music, BMI/ Jutuza Publishing, SESAC/Sony Sounds LLC, BMI/BMG Platinum Songs US, BMI/Sony Ballad, ASCAP/Kobalt Songs Music Publishing LLC, Publishing, LLC, BMI/Hyde School Sounds, Six Strings Music, BMI/Warner-Tamerlane Pub- SESAC/La Industria Inc., SESAC/Sony Accorde, BMI/Four Entertainment Music, ASCAP/Wolf ASCAP/Pubalicious, BMI/Centricity Songs, BMI/ ASCAP/A Million Dollar Dream, ASCAP/ -H- lishing Corp., BMI/Reservoir 416, BMI/Fiend Bas ASCAP/KC Music, ASCAP/JCV Music, ASCAP/ Pack Global Music Publishing, ASCAP/Quality Capitol CMG Paragon, BMI), HL, DES 44 WC Music Corp., ASCAP/KOA & LUNA, BMI/ HALF OF MY HOMETOWN (Sony Accent, Music, ASCAP/Songs Of Universal, Inc., BMI), Sony Discos Music Publishing LLC, ASCAP/Sony Control QC Pro, ASCAP/Universal Music Corp., COME THROUGH (Songs Of Universal, Inc., Songs Of Juju, BMI/Universal Music Corp., ASCAP/Tempo Investments-Smack Hits, GMR/ AMP/HL, H100 80 ; RBH 33 Bailar, BMI/11Once Music, BMI/Royalty Sound, ASCAP/Roderick Moore, Jr Publihsing Designee, BMI/I Am H.E.R. Publishing, ASCAP/Heartfelt ASCAP/Sony Discos Music Publishing LLC, Smackstreet Music, GMR/Warner Geo Met Ric 1 STEP FORWARD, 3 STEPS BACK (Sony LLC, ASCAP), HL, LT 24 BMI/Run The Streets Enterprise, BMI/Songs Productions LLC, BMI/Sounds From