Volume 1 Issue 1 (ISSN 1945-2519)
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Livin' a Boss' Life
REAL, RAW, & UNCENSORED WEST COAST RAP SHIT TURF TALK BEEDA WEEDA CLYDE CARSON MAC MALL DAMANI & MORE BAY AREA AMBASSADOR - LIVIN’ AE BOSS’40 LIFE * WEST COAST DJs SOUND OFF ON MIXTAPE DRAMA * THE GAME’S BROTHER BIG FASE100 * BUMSQUAD’S LATIN PRINCE & MORE // OZONE WEST Publisher EDITOR’S NOTE Julia Beverly Editor-IN-Chief N. Ali Early Music Editor Randy Roper Art Director Tene Gooden Contributors D-Ray DJ BackSide Joey Colombo Toby Francis Wendy Day Street Reps Anthony Deavers Bigg P-Wee Dee1 Demolition Men DJ E-Z Cutt DJ Jam-X DJ K-Tone DJ Quote MUST BE DREAMIN’ DJ Strong & DJ Warrior John Costen Kewan Lewis Lisa Coleman Maroy been living in Atlanta a good decade and I still haven’t gotten completely accus- Rob J Official tomed to it, nor have I embraced it all the way. What can I say? I’m a Bayboy to the Rob Reyes heart. Anyone who knows me, knows that I rep the Bay – all day, every day. I went Sherita Saulsberry I’vehome for Xmas and all I could think about was what kind of Bay Tees I was gonna snatch so I could have William Major the option of reppin’ my soil every day for two weeks straight (that’s 14, but who’s counting?). Took Moms in there and scooped about eight of ‘em REAL QUICK (already had 6). Alas, I didn’t leave my heart in San Francisco ala Tony Bennett. It’s somewhere in Tha Rich! But I gotta love the A and I gotta give JB props for bringing me on board, ‘cause without the move from Orlando this opportunity may have never cracked off. -
A New Year's Greetin
THE 8ID0HANTA DEEPIKA OR The Light of Truth. A Monthly Journal, Devoted to ReligioM, Philosophy^ Littrat%tt\ Scknu 6<. •n tlM qummn'u CoflUMmonUiaii Dkj, IMT, VolVn APRIL 1906 No I A NEW YEAR'S GREETIN This Agaval is by a minstrel, known to us as Kanyan or *'Singer' of the flowery hill, who was a court poet and friend of Ko Pferum Coran of Urraiyur—a little, it may be, before the data of the Kurral. See Purra Nannurru 67, 191, 192, 212. mekjuu^ tSpa-^ir €Uirjnr;^ QKirft£fiLti ^ea^^^ti ^eu^Qt^ir ^csr«r:—^ Si^O/fmr LuS^^jfuh SjtoQut;—Qp^Mr fill^DHAKTA DKKPTKA, euTssrii ^^a^Slaff? lu/r^^i sisoQuTQ^ Lpei>ei€0 Qu.iturfpjM li/rsuyS^u u(B^Ui i^dsasrQuir^ ^tsST (ipsnpsuij^u zjCFe-ii) gtcstu^ ^p(peo/r/r QuiPiQfUir^ff tSoj^^Sfiiii -r- THE SAGES. To lis all toAvns arc one, all men our kin. Life's gooi comes not from others' gift, nor ill Man s pains and pains' relief ?.re from within. Death s no new thing; nor do our bosoms thrill When joyous life seems like a luscious draught. AVhen grieved, y\c patient suffer; for, we deem This much-praised life of ours a fragile raft Borne dowii tiie waters of some mountain stream That o'er Jiuge bouldere roaring seeks the plain. Tho' storms Avith lightnings' ilash from darken d skica Descend, tho raft goes on as fates ordain. Thus have we seen in visions of the wsc!— We marvel Jiiot at greatness of tlie great; Still less despise we men of low estate. -
UC Santa Barbara Electronic Theses and Dissertations
UC Santa Barbara UC Santa Barbara Electronic Theses and Dissertations Title Diasporic Ethnopoetics Through “Han-Gook”: An Inquiry into Korean American Technicians of the Enigmatic Permalink https://escholarship.org/uc/item/3zc4f1mk Author Hur, David Publication Date 2020 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA Santa Barbara Diasporic Ethnopoetics Through “Han-Gook”: An Inquiry into Korean American Technicians of the Enigmatic A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Comparative Literature by David Hur Committee in charge: Professor Yunte Huang, co-Chair Professor Stephanie Batiste, co-Chair Professor erin Khuê Ninh Professor Sowon Park September 2020 The dissertation of David Hur is approved. ____________________________________________ erin Khuê Ninh ____________________________________________ Sowon Park ____________________________________________ Stephanie Batiste, Committee Co-Chair ____________________________________________ Yunte Huang, Committee Co-Chair September 2020 Diasporic Ethnopoetics Through “Han-Gook”: An Inquiry into Korean American Technicians of the Enigmatic Copyright © 2020 by David Hur iii ACKNOWLEDGEMENTS This journey has been made possible with support from faculty and staff of both the Comparative Literature program and the Department of Asian American Studies. Special thanks to Catherine Nesci for providing safe passage. I would not have had the opportunities for utter trial and error without the unwavering support of my committee. Thanks to Yunte Huang, for sharing poetry in forms of life. Thanks to Stephanie Batiste, for sharing life in forms of poetry. Thanks to erin Khuê Ninh, for sharing countless virtuous lessons. And many thanks to Sowon Park, for sharing in the witnessing. -
2021 Song Index
AUG 7 2021 SONG INDEX 200 COPAS (Girl Power Publishing, ASCAP/ BALL IF I WANT TO (David’s Art LLC, ASCAP/ BY YOUR SIDE (EMI April Music, Inc., ASCAP/ DEJA VU (Sony Tunes LLC, ASCAP/Liv Laf Luv, FRIDAY (BMG Limited, MCPS/BIEM/Concord HEAVENLY SIDE (ILLENIUM Publishing, BMI/ Kobalt Songs Music Publishing LLC, ASCAP/On WC Music Corp., ASCAP/Baby Jesus Publish- EMI Music Publishing Ltd., PRS/John Newman ASCAP/Daniel Leonard Nigro Music, ASCAP/ Music Publihsing, MCPS/BIEM), HL, DES 8 Reservoir 416, BMI/WKMM, ASCAP/Universal The Drums Publishing, ASCAP/Daniel Obar Felix ing, ASCAP/South Coast Music Group, ASCAP/ Publishing Designee, BMI/Concord Publishing, Sony Allegro, ASCAP/Sony Tree Publishing, FULANITO (Rebecca Marshall, ASCAP/Prescrip- Music Corp., ASCAP/Vistaville Music, ASCAP/ Publishing Designee, BMI) LT 28 Universal Music Corp., ASCAP), AMP/HL, H100 BMI/Aldwych, PRS/Sony Songs LLC, BMI/ BMI/Taylor Swift Music, BMI/Sony Songs LLC, tion Songs, ASCAP/Kobalt Songs Music Publish- Steph Jones Who Music, ASCAP/Hipgnosis 2055 (Tegan Chambers Publishing Designee, BMI/ 60 ; RBH 22 ; RS 17 Sony Music Publishing UK Ltd, PRS/Sony Tunes BMI/Ducky Donath Music, BMI/Nail Polish ing LLC, ASCAP/Rafael Rodriguez Publishing Hits, ASCAP/KIDinaKORNER Publishing, ASCAP/ Great John Publishing Designee, BMI/uv killen EL BARCO (Girl Power Publishing, ASCAP/Kobalt LLC, ASCAP/Catherine Songs Limited, PRS), Manifesto, ASCAP/Big Deal Notes, ASCAP), Designee, ASCAP/Sony Discos Music Publishing Have A Nice Jay Music, ASCAP), HL, DES 20 em, ASCAP/The Administration -
Hybrid Gangs and the Hyphy Movement: Crossing the Color Line in Sacramento County
HYBRID GANGS AND THE HYPHY MOVEMENT: CROSSING THE COLOR LINE IN SACRAMENTO COUNTY Antoinette Noel Wood B.S., California State University, Sacramento, 2008 THESIS Submitted in partial satisfaction of the requirements for the degree of MASTER OF SCIENCE in CRIMINAL JUSTICE at CALIFORNIA STATE UNIVERSITY, SACRAMENTO SPRING 2011 © 2011 Antoinette Noel Wood ALL RIGHTS RESERVED ii HYBRID GANGS AND THE HYPHY MOVEMENT: CROSSING THE COLOR LINE IN SACRAMENTO COUNTY A Thesis by Antoinette Noel Wood Approved by: __________________________________, Committee Chair Dimitri Bogazianos, Ph.D. __________________________________, Second Reader Dan Okada, Ph.D. ____________________________ Date iii Student: Antoinette Noel Wood I certify that this student has met the requirements for format contained in the University format manual, and that this thesis is suitable for shelving in the Library and credit is to be awarded for the thesis. __________________________, Graduate Coordinator ________________ Yvette Farmer, Ph.D. Date Division of Criminal Justice [Thesis Abstract Form] iv [Every thesis or project mustracts for some creative works such as in art or creative writing may vary somewhat, check with your Dept. Advisor.] Abstract of HYBRID GANGS AND THE HYPHY MOVMENT: CROSSING THE COLOR LINE IN SACRAMENTO COUNTY by Antoinette Noel Wood [Use of the next optional as long as te content is supplied.]three headings is Statement of Problem Crips and Bloods-traditional gangs whose mere names conjure up fearful images of violence and destruction-are no longer at the forefront of the gang reality in Sacramento. Instead, influenced by the Bay Area-based rap music subculture of Hyphy, gangs calling themselves "Families," "Mobbs," and "Camps" are believed to be creating a new, hybridized gang culture. -
2021 Song Index
JUN 5 2021 SONG INDEX 100.MIL’ (Dreamvillain, BMI/Lucky Three Music AMOR EN COMA (Matuza Publishing, SESAC/ BODY IN MOTION (Give Thanks Publishing, COME BACK HOME (PeteyPan Publishing, FIEL (Yele Publishing, BMI/Sony Latin Music GUNS (Not Listed) DES 37 Publishing, BMI/Industrial Strenght Music, BMI/ Jutuza Publishing, SESAC/Sony Sounds LLC, BMI/BMG Platinum Songs US, BMI/Sony Ballad, ASCAP/Kobalt Songs Music Publishing LLC, Publishing, LLC, BMI/Hyde School Sounds, Six Strings Music, BMI/Warner-Tamerlane Pub- SESAC/La Industria Inc., SESAC/Sony Accorde, BMI/Four Entertainment Music, ASCAP/Wolf ASCAP/Pubalicious, BMI/Centricity Songs, BMI/ ASCAP/A Million Dollar Dream, ASCAP/ -H- lishing Corp., BMI/Reservoir 416, BMI/Fiend Bas ASCAP/KC Music, ASCAP/JCV Music, ASCAP/ Pack Global Music Publishing, ASCAP/Quality Capitol CMG Paragon, BMI), HL, DES 44 WC Music Corp., ASCAP/KOA & LUNA, BMI/ HALF OF MY HOMETOWN (Sony Accent, Music, ASCAP/Songs Of Universal, Inc., BMI), Sony Discos Music Publishing LLC, ASCAP/Sony Control QC Pro, ASCAP/Universal Music Corp., COME THROUGH (Songs Of Universal, Inc., Songs Of Juju, BMI/Universal Music Corp., ASCAP/Tempo Investments-Smack Hits, GMR/ AMP/HL, H100 80 ; RBH 33 Bailar, BMI/11Once Music, BMI/Royalty Sound, ASCAP/Roderick Moore, Jr Publihsing Designee, BMI/I Am H.E.R. Publishing, ASCAP/Heartfelt ASCAP/Sony Discos Music Publishing LLC, Smackstreet Music, GMR/Warner Geo Met Ric 1 STEP FORWARD, 3 STEPS BACK (Sony LLC, ASCAP), HL, LT 24 BMI/Run The Streets Enterprise, BMI/Songs Productions LLC, BMI/Sounds From -
Guns N' Roses Entity Partnership Citizenship California Composed Of: W
Trademark Trial and Appeal Board Electronic Filing System. http://estta.uspto.gov ESTTA Tracking number: ESTTA966168 Filing date: 04/10/2019 IN THE UNITED STATES PATENT AND TRADEMARK OFFICE BEFORE THE TRADEMARK TRIAL AND APPEAL BOARD Notice of Opposition Notice is hereby given that the following party opposes registration of the indicated application. Opposer Information Name Guns N' Roses Entity Partnership Citizenship California Composed Of: W. Axl Rose Saul Hudson Michael "Duff" McKagan Address c/o LL Management Group West, LLC 5950 Canoga Ave., Ste. 510 Woodland Hills, CA 91367 UNITED STATES Attorney informa- Jill M. Pietrini Esq. tion Sheppard Mullin Richter & Hampton LLP 1901 Avenue of the Stars, Suite 1600 Los Angeles, CA 90067 UNITED STATES [email protected], [email protected], [email protected], [email protected], MDan- [email protected], [email protected], RLHud- [email protected] 310-228-3700 Applicant Information Application No 87947921 Publication date 03/12/2019 Opposition Filing 04/10/2019 Opposition Peri- 04/11/2019 Date od Ends Applicant ALDI Inc. 1200 N. Kirk Road Batavia, IL 60510 UNITED STATES Goods/Services Affected by Opposition Class 029. First Use: 0 First Use In Commerce: 0 All goods and services in the class are opposed, namely: cheese, namely, cheddar cheese Grounds for Opposition Priority and likelihood of confusion Trademark Act Section 2(d) False suggestion of a connection with persons, Trademark Act Section 2(a) living or dead, institutions, beliefs, or national symbols, or brings them into contempt, or disrep- ute Mark Cited by Opposer as Basis for Opposition U.S. Application/ Registra- NONE Application Date NONE tion No. -
Official Dictionary of Unofficial English
The Official Dictionary Unofficialof English A Crunk Omnibus for Thrillionaires and Bampots for the Ecozoic Age Grant Barrett Copyright © 2006 by Grant Barrett. All rights reserved. Manufactured in the United States of America. Except as permitted under the United States Copyright Act of 1976, no part of this publication may be reproduced or ditributed in any form or by any means, or stored in a database or retrieval system, without the prior written permission of the publisher. 0-07-149163-5 The material in this eBook also appears in the print version of this title: 0-07-145804-2. All trademarks are trademarks of their respective owners. Rather than put a trademark symbol after every occurrence of a trademarked name, we use names in an editorial fashion only, and to the benefit of the trademark owner, with no intention of infringe- ment of the trademark. Where such designations appear in this book, they have been printed with initial caps. ABOUT THE AUTHOR Grant Barrett is an American lexicographer and dictionary editor specializing in slang and new words. He is part of the team of lexicographers that make the new online dictionary Wordnik.com possible. Grant is also co-host of the American language- related public radio show "A Way With Words" http://www.waywordradio.org and editor of the "Oxford Dictionary of American Political Slang" (2004, Oxford University Press), and is well-known for his prize-winning online Double-Tongued Dictionary. Besides being a widely quoted language authority, Grant has written on language for such newspapers as the Washington Post and the New York Times, has contributed to the British book series "The Language Report," and is a public speaker about dictionaries and slang. -
默读/Silent Reading by Priest - Book 1
默读/Silent Reading by Priest - Book 1 Translated by E. Danglars at edanglarstranslations.com. For comments, questions, and corrections, e-mail [email protected]. 1 CHAPTER 1 - Prologue The truth, the bitter truth.—The Red and the Black1 The zone around Yan City’s North Nanping Road in the Flower Market District was like a demon with half a face of makeup. The broad, straight two-way road split the whole of the Flower Market District in two. The East District was one of the city's busiest commercial centers, while the West District was a forgotten old slum, gathering place of the city's poor. Following several years of properties in the East District successively being auctioned off at sky-high prices by real estate tycoons, the old neighborhood, badly in need of transformation, had caught some reflected glory. The cost of paying off and relocating the residents had risen with the tide, frightening off a clutch of developers and erecting a capital barrier among the cramped and impoverished alleys. Neighbors living in dilapidated houses dreamed all day of using their dozen-square-meter run-down rooms to get rich overnight. Already they were feeling the sense of superiority from the idea that "my home is worth millions torn down.” Of course, these slum millionaires still had to put on their slippers and line up to empty their chamber pots every day. There was still a chill in the air on this early summer night. The summer heat that had accumulated during the day was quickly overwhelmed. The barbecue carts illegally occupying the streets packed up and left one after another; the inhabitants enjoying the cool air went home early, too; occasionally an old streetlamp flickered unsteadily, most likely because the nearby illegally crowded rentals were siphoning electricity off the power line. -
On the Heels of Riverdance: Choreographic Process
ON THE HEELS OF RIVERDANCE: CHOREOGRAPHIC PROCESS IN CONTEMPORARY IRISH STEP DANCE A DISSERTATION SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY IN THE GRADUATE SCHOOL OF THE TEXAS WOMAN’S UNIVERSITY DEPARTMENT OF DANCE COLLEGE OF ARTS AND SCIENCES BY DARRAH EILEEN CARR, B.A., M.F.A. DENTON, TEXAS AUGUST 2017 Copyright © Darrah Carr, 2017 all rights reserved. iii DEDICATION For my giving mother, Eileen, who taught me how to teach my children and my students. For my devoted father, James, who brought me to Ireland to dance. For my loving husband, David, and our precious children— Cavan, Eamonn, Ettamoya, Manus Owen, and B. Byrne. iv ACKNOWLEDGMENTS This dissertation is an outgrowth of my love for Irish step dance and my passion for choreography—dual tracks that originated in the earliest days of my training and upon which I have built my career. Along the way, I have received immeasurable support from numerous colleagues, to whom I am deeply indebted. First, I extend my heartfelt thanks to my advisor, Dr. Rosemary Candelario, for her insight, guidance, and encouragement throughout the lengthy research and writing process. I am very grateful to my committee members, Dr. Linda Caldwell and Department Chair, Professor Mary Williford-Shade, for their time and attention to my work as well as for their expert instruction as faculty members during my coursework. I also thank Cornaro Professor of Dance Emerita, Dr. Penelope Hanstein, who sparked my desire to pursue practice-led research and provided invaluable feedback throughout my coursework and during the early stages of my study. -
Charles Bernstein
POETRY PLASTIQUE POETRY “NOT WORDS AND PICTURES BUT POEMS as visual objects (read: subjects). Not poems about pictures but pictures that are poems. Not words affixed to a blank page but let- ters in time. Not works closed in a book but hanging on a wall or suspended from the ceiling or rising from the floor or sounding from inside a figure or embedded with paint on a canvas or written in the sky or flickering on a screen.” — from the Preface by co-curator Charles Bernstein. “. .W E HAD A GALLERY and we wanted to flood it with poetry. Not with “poet- ic” artwork, but with actual poetry, made by poets. But, we have gallery walls, not pages in a book. So we organized a show of art overrun by poetry and a show of poet- ry riddled with art.” — from the Introduction by co-curator Jay Sanders. POETRY PLASTIQUE Curated by Jay Sanders and Charles Bernstein Curated by Jay Sanders and Charles Bernstein Carl Andre 9 David Antin 9 Arakawa 9 Susan Bee 9 Wallace Berman 9 Mei-mei Berssenbrugge and Kiki Smith 9 Christian Bök 9 John Cage 9 Clark Coolidge and Philip Guston 9 Robert Creeley and Cletus Johnson 9 Johanna Drucker and Brad Freeman 9 Hollis Frampton 9 Madeline Gins and Arakawa 9 Kenneth Goldsmith 9 Robert Grenier 9 Lyn Hejinian 9 Lyn Hejinian and Emilie Clark 9 Tan Lin 9 Jackson Mac Low 9 Steve McCaffery 9 Emily McVarish 9 Tom Phillips 9 Nick Piombino 9 Leslie Scalapino 9 Mira Schor 9 Robert Smithson 9 Michael Snow 9 Richard Tuttle and Charles Bernstein 9 Darren Wershler-Henry Marianne Boesky Gallery Marianne Boesky Gallery and Granary Books, Inc. -
A Study of Fools: Lear's Fool in Shakespeare's King Lear and Vladimir and Estragon in Beckett's Waiting for Godot
LEILA VIEIRA DE JESUS A STUDY OF FOOLS: LEAR'S FOOL IN SHAKESPEARE'S KING LEAR AND VLADIMIR AND ESTRAGON IN BECKETT'S WAITING FOR GODOT PORTO ALEGRE 2012 2 UNIVERSIDADE FEDERAL DO RIO GRANDE DO SUL INSTITUTO DE LETRAS PROGRAMA DE PÓS-GRADUAÇÃO EM LETRAS ÁREA: ESTUDOS DE LITERATURA ESPECIALIDADE: LITERATURAS DE LÍNGUA INGLESA LINHA DE PESQUISA: LITERATURA, IMAGINÁRIO E HISTÓRIA A STUDY OF FOOLS: LEAR'S FOOL IN SHAKESPEARE'S KING LEAR AND VLADIMIR AND ESTRAGON IN BECKETT'S WAITING FOR GODOT Mestranda: Leila Vieira de Jesus Orientadora: Rosalia Angelita Neumann Garcia Dissertação de Mestrado em Literaturas de Língua Inglesa, apresentada como requisito parcial para a obtenção do grau de Mestre em Letras pelo Programa de Pós-Graduação em Letras da Universidade Federal do Rio Grande do Sul. PORTO ALEGRE 2012 3 4 Acknowledgements I would like to thank my supervisor, Professor Rosalia Angelita Neumann Garcia, for her guidance, patience and suggestions, and, most importantly, for introducing me to Samuel Beckett and Waiting for Godot in a Literature class during my under-graduation years; I would like to thank the committee for accepting my invitation and taking the time to read my work; I would also like to thank my family and friends for the support and for putting up with my constant canceling of plans, especially in the last few months of writing this thesis; And Cesar Gemelli for the support, encouragement, and dedication. 5 King Lear: Dost thou call me fool, boy? Fool: All thy other titles thou hast given away; that thou wast born with.