DOCSLIB.ORG

UC Santa Barbara Electronic Theses and Dissertations

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
UC Santa Barbara Electronic Theses and Dissertations UC Santa Barbara UC Santa Barbara Electronic Theses and Dissertations Title Diasporic Ethnopoetics Through “Han-Gook”: An Inquiry into Korean American Technicians of the Enigmatic Permalink https://escholarship.org/uc/item/3zc4f1mk Author Hur, David Publication Date 2020 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA Santa Barbara Diasporic Ethnopoetics Through “Han-Gook”: An Inquiry into Korean American Technicians of the Enigmatic A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Comparative Literature by David Hur Committee in charge: Professor Yunte Huang, co-Chair Professor Stephanie Batiste, co-Chair Professor erin Khuê Ninh Professor Sowon Park September 2020 The dissertation of David Hur is approved. ____________________________________________ erin Khuê Ninh ____________________________________________ Sowon Park ____________________________________________ Stephanie Batiste, Committee Co-Chair ____________________________________________ Yunte Huang, Committee Co-Chair September 2020 Diasporic Ethnopoetics Through “Han-Gook”: An Inquiry into Korean American Technicians of the Enigmatic Copyright © 2020 by David Hur iii ACKNOWLEDGEMENTS This journey has been made possible with support from faculty and staff of both the Comparative Literature program and the Department of Asian American Studies. Special thanks to Catherine Nesci for providing safe passage. I would not have had the opportunities for utter trial and error without the unwavering support of my committee. Thanks to Yunte Huang, for sharing poetry in forms of life. Thanks to Stephanie Batiste, for sharing life in forms of poetry. Thanks to erin Khuê Ninh, for sharing countless virtuous lessons. And many thanks to Sowon Park, for sharing in the witnessing. Thirdly, much has been managed with a little help from the real ones. I dedicate this to my mother, my father, and my sister, for enduring and undying love of family. iv VITA OF DAVID HUR September 2020 EDUCATION Bachelor of Arts in English, Rutgers University, June 2010 (summa cum laude) Master of Arts in East Asian Languages and Cultures, University of Hawai’i, Manoa, June 2012 Doctor of Philosophy in Comparative Literature, University of California, Santa Barbara, September 2020 (expected) PROFESSIONAL EMPLOYMENT 2013-2018: Teaching Assistant, Department of Asian American Studies, University of California, Santa Barbara AWARDS IHC Public Humanities Graduate Teaching Fellow Program, University of California, Santa Barbara, 2018 Graduate Research Mentorship Fellowship, University of California, Santa Barbara, 2017 FIELDS OF STUDY Asian American Literature and Culture Modern Korean Literature Global Poetic Productions v ABSTRACT Diasporic Ethnopoetics Through “Han-Gook”: An Inquiry into Korean American Technicians of the Enigmatic by David Hur This dissertation proposes an alternative reading and grouping of Korean American cultural production as diasporic ethnopoetics, and focuses on how vernacular works unfold aesthetic space for the mediation of transpacific histories and local memories. This approach does not yield to conventional limits by which Asian American works are contained and constrained as engagements with (im)positions of loss, but rather, draws out the (com)positional wordplay that is often limned by racial melancholia. Each chapter explores the work of a Korean American artist who draws out discursive space by means of modes of production that are available in each social milieu. By reading out diasporic ethnopoetics in the avant-garde cinematic poetry of Theresa Hak Kyung Cha, the verbal arts of Denizen Kane (né Dennis Kim), Justin Chon’s filmic text Gook, and the popular (sub)cultural stylings of Dumbfoundead (né Jonathan Park), this dissertation inquires into how each of the vi four artists negotiate and navigate discursive terrain through re-orienting play with language. The discursive terrain is significantly informed by transpacific histories, and it is by way of diaspora that each artist echolocates a Korean American identification through cultural media. Diaspora thus provides a different way of imagining relations and identifications in the present, as a present absence of relations. This dissertation also focuses on representation and language with the aim of listening to the sound play in the ethnopoetics. In this way, each chapter proposes a reading that is also a writing attuned to the work of the Korean American technicians and the space of sound that may cohere as Korean American. Put differently, this dissertation proposes a reading of select and disparate Korean American cultural production as diasporic ethnopoetics in order to listen to noises and voices channeled through representation and language. In this impossible challenge to realize the other in relation, the Korean concept of Han is an invaluable analytic for listening through the cuts of racial melancholia where language and representation may fail. Through close-reading and close-listening, this dissertation explores how each artist leads audiences to listen to channels of capacious cultural bricolage that may break with conventional understandings of language and representation. With a noticeable shift in focus from Cha’s work in the early 1980s to three Korean American male voices in the post-1992 context of the new millennium, this dissertation aims to listen to different locations in a Korean American constellation of transpacific histories for critical sound play in the colloquial Korean shorthand for the Republic of Korea: “Han-Gook.” vii TABLE OF CONTENTS Preface ......................................................................................................................... 1 A. Diaspora ................................................................................................ 2 B. Han ........................................................................................................ 6 C. Ethnopoetics ........................................................................................ 10 I. 詩 : “SHE becomes HER” : A Muse, A Ghoul, & Enigmatic Signifier ................ 24 A. Epigraph: Hear & the Call .................................................................. 27 B. Dictation: Hearing, the Caul ............................................................... 36 C. Transcription: Here In the Call ........................................................... 48 D. Reverse-Transcription: Hearing, the Gall ........................................... 55 II. Han Love : “Living in Sound” ............................................................................. 63 A. Check, "hana, dul" .............................................................................. 67 1. Sound & Noise ................................................................... 69 2. Feedback Loop, Fracturing ................................................ 74 B. Unfolding Resonance .......................................................................... 77 1. Twist of Melody ................................................................ 82 2. Melody of Jeong ................................................................ 83 C. Echoing Half the World in Resonance ................................................ 88 1. Breaking with, Enjambment .............................................. 91 2. Fire Burning in the Chest ................................................... 94 III. “Ain’t Nobody Watching Over Us, It’s Just Us” : Mo(u)rning in Mi-Gook ....... 97 A. The Objective, Toward Transfiguration ............................................. 99 B. Cultural Contingencies ...................................................................... 104 viii C. Language Lesson ............................................................................... 111 D. Desublimation of the Defamiliarized ................................................ 116 E. Re-membering as Utopia in Mourning .............................................. 123 IV. “BORN CTZN" ................................................................................................. 130 A. Drift of Divergence/Diversion .......................................................... 131 B. "Murals": "Mural, mural…" .............................................................. 141 C. Rhymes & Rhythms .......................................................................... 153 References ................................................................................................................ 164 ix PREFACE: 1. This dissertation is interested in interstitial spaces. On one hand, there is the transpacific, what Yunte Huang implicates as “the deadly space between,” drawing on American novelist Herman Melville’s borrowing from Scottish poet Thomas Campbell to describe “wars of discourses on the destiny of the Pacific” and “the epistemological battle between the documentary and the fictional” (4). On another hand, there is the “deathly embrace.” Sheng- mei Ma writes, “The paradox of deathly embrace [ethnic identity’s atrophy in its relation to white hegemony] brings out the love-hate relationship between Orientalism and Asian American identity, a stormy marriage with no end in sight” (xxiii). My interest here in drawing out this liberal rhyme is to move into the smoke and mirrors of language-games that produce the “counterpoetics” and “mortal kombat” in the transpacific. In the words of the hermeneut
Load more

Recommended publications
  • Msgr. Gutierrez Ben Maynigo Election 2014
    Msgr. Gutierrez Election 2014 Ben Maynigo East is East and Ballotpedia: CA Raul S. Manglapus West is West - p. 14 Props 1 & 2 -- p. 10 - p.8 OctoberOctober 24-30, 24-30, 2014 2014 The original and first Asian Journal in America PRST STD U.S. Postage Paid Philippine Radio San Diego’s first and only Asian Filipino weekly publication and a multi-award winning newspaper! Online+Digital+Print Editions to best serve you! Permit No. 203 AM 1450 550 E. 8th St., Ste. 6, National City, San Diego County CA USA 91950 | Ph: 619.474.0588 | Fx: 619.474.0373 | Email: [email protected] | www.asianjournalusa.com Chula Vista M-F 7-8 PM CA 91910 Aquino: I’m willing to go to jail… By Nikko Dizon, Inquirer. Prologue net | MANILA, Philippines–In Binay, Enrile, Estrada, so many words, yes, President Aquino said he was willing to Revilla: Stop the BS Fantasy Land go to jail for decisions he had Enrile, Revilla, Estrada, and Binay are by media reports. We are innocent until made, such as approving the paying their publicists and lawyers with proven guilty.” We can prove, they say, By Simeon G. Silverio, Jr. Disbursement Acceleration money taken from government coffers. that everything we touched was above Publisher & Editor Don’t they at least have the responsibil- board. Program (DAP), which the ity to come up with something less trite Until, of course, the evidence does be- San Diego Asian Journal Supreme Court subsequently and more entertaining? gin to come out, in these cases through The Original and First Asian Journal In America declared unconstitutional.
    [Show full text]
  • 1 the Politics of Ethnopoetics by Gary Snyder This “Politics” Is
    1 The Politics of Ethnopoetics by Gary Snyder This \politics" is fundamentally the question of what occidental and indus- trial technological civilization is doing to the earth. The earth: (I'm just going to remind us of a few facts), is 57 million square miles, 3.7 billion human be- ings, evolved over the last 4 million years; plus, 2 million species of insects, 1 million species of plants, 20 thousand species of fish, and 8,700 species of birds; constructed out of 97 naturally occurring surface elements with the power of the annual solar income of the sun. That is a lot of diversity. Yesterday, (who was it), David Antin, I believe, told how the Tragedians asked Plato to let them put on some tragedies. Plato said, \Very interesting, gentlemen, but I must tell you something. We have prepared here the greatest tragedy of all. It is called The State." From a very early age I found myself standing in an undefinable awe before the natural world. An attitude of gratitude, wonder, and a sense of protection especially as I began to see the hills being bulldozed down for roads, and the forests of the Pacific Nothwest magically float away on logging trucks. I grew up in a rural family in the state of Washington. My grandfather was a homesteader in the Pacific Northwest. The economic base of the whole region was logging. In trying to grasp the dynamics of what was happening, rural state of Washington, 1930's, depression, white boy out in the country, German on one side, Scotch- Irish on the other side, radical, that is to say, sort of grass roots Union, I.W.W., and socialist-radical parents, I found nothing in their orientation, (critical as it was of American politics and economics), that could give me an access to understanding what was happening.
    [Show full text]
  • An Introduction to Cultural Anthropology
    An Introduction to Cultural Anthropology An Introduction to Cultural Anthropology By C. Nadia Seremetakis An Introduction to Cultural Anthropology By C. Nadia Seremetakis This book first published 2017 Cambridge Scholars Publishing Lady Stephenson Library, Newcastle upon Tyne, NE6 2PA, UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2017 by C. Nadia Seremetakis All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. ISBN (10): 1-4438-7334-9 ISBN (13): 978-1-4438-7334-5 To my students anywhere anytime CONTENTS Introduction ................................................................................................. 1 Part I: Exploring Cultures Chapter One ................................................................................................. 4 Redefining Culture and Civilization: The Birth of Anthropology Fieldwork versus Comparative Taxonomic Methodology Diffusion or Independent Invention? Acculturation Culture as Process A Four-Field Discipline Social or Cultural Anthropology? Defining Culture Waiting for the Barbarians Part II: Writing the Other Chapter Two .............................................................................................. 30 Science/Literature Chapter Three ...........................................................................................
    [Show full text]
  • Livin' a Boss' Life
    REAL, RAW, & UNCENSORED WEST COAST RAP SHIT TURF TALK BEEDA WEEDA CLYDE CARSON MAC MALL DAMANI & MORE BAY AREA AMBASSADOR - LIVIN’ AE BOSS’40 LIFE * WEST COAST DJs SOUND OFF ON MIXTAPE DRAMA * THE GAME’S BROTHER BIG FASE100 * BUMSQUAD’S LATIN PRINCE & MORE // OZONE WEST Publisher EDITOR’S NOTE Julia Beverly Editor-IN-Chief N. Ali Early Music Editor Randy Roper Art Director Tene Gooden Contributors D-Ray DJ BackSide Joey Colombo Toby Francis Wendy Day Street Reps Anthony Deavers Bigg P-Wee Dee1 Demolition Men DJ E-Z Cutt DJ Jam-X DJ K-Tone DJ Quote MUST BE DREAMIN’ DJ Strong & DJ Warrior John Costen Kewan Lewis Lisa Coleman Maroy been living in Atlanta a good decade and I still haven’t gotten completely accus- Rob J Official tomed to it, nor have I embraced it all the way. What can I say? I’m a Bayboy to the Rob Reyes heart. Anyone who knows me, knows that I rep the Bay – all day, every day. I went Sherita Saulsberry I’vehome for Xmas and all I could think about was what kind of Bay Tees I was gonna snatch so I could have William Major the option of reppin’ my soil every day for two weeks straight (that’s 14, but who’s counting?). Took Moms in there and scooped about eight of ‘em REAL QUICK (already had 6). Alas, I didn’t leave my heart in San Francisco ala Tony Bennett. It’s somewhere in Tha Rich! But I gotta love the A and I gotta give JB props for bringing me on board, ‘cause without the move from Orlando this opportunity may have never cracked off.
    [Show full text]
  • Shadows in the Field Second Edition This Page Intentionally Left Blank Shadows in the Field
    Shadows in the Field Second Edition This page intentionally left blank Shadows in the Field New Perspectives for Fieldwork in Ethnomusicology Second Edition Edited by Gregory Barz & Timothy J. Cooley 1 2008 1 Oxford University Press, Inc., publishes works that further Oxford University’s objective of excellence in research, scholarship, and education. Oxford New York Auckland Cape Town Dar es Salaam Hong Kong Karachi Kuala Lumpur Madrid Melbourne Mexico City Nairobi New Delhi Shanghai Taipei Toronto With offices in Argentina Austria Brazil Chile Czech Republic France Greece Guatemala Hungary Italy Japan Poland Portugal Singapore South Korea Switzerland Thailand Turkey Ukraine Vietnam Copyright # 2008 by Oxford University Press Published by Oxford University Press, Inc. 198 Madison Avenue, New York, New York 10016 www.oup.com Oxford is a registered trademark of Oxford University Press All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior permission of Oxford University Press. Library of Congress Cataloging-in-Publication Data Shadows in the field : new perspectives for fieldwork in ethnomusicology / edited by Gregory Barz & Timothy J. Cooley. — 2nd ed. p. cm. Includes bibliographical references and index. ISBN 978-0-19-532495-2; 978-0-19-532496-9 (pbk.) 1. Ethnomusicology—Fieldwork. I. Barz, Gregory F., 1960– II. Cooley, Timothy J., 1962– ML3799.S5 2008 780.89—dc22 2008023530 135798642 Printed in the United States of America on acid-free paper bruno nettl Foreword Fieldworker’s Progress Shadows in the Field, in its first edition a varied collection of interesting, insightful essays about fieldwork, has now been significantly expanded and revised, becoming the first comprehensive book about fieldwork in ethnomusicology.
    [Show full text]
  • Dell H. Hymes: His Scholarship and Legacy in Anthropology and Education
    University of Pennsylvania ScholarlyCommons GSE Faculty Research Graduate School of Education 12-16-2011 Dell H. Hymes: His Scholarship and Legacy in Anthropology and Education Nancy H. Hornberger University of Pennsylvania, [email protected] Follow this and additional works at: https://repository.upenn.edu/gse_pubs Part of the Anthropological Linguistics and Sociolinguistics Commons, Educational Leadership Commons, Higher Education and Teaching Commons, Linguistic Anthropology Commons, Scholarship of Teaching and Learning Commons, and the Social and Cultural Anthropology Commons Recommended Citation Hornberger, N. H. (2011). Dell H. Hymes: His Scholarship and Legacy in Anthropology and Education. Anthropology and Education Quarterly, 42 (4), 310-318. http://dx.doi.org/10.1111/ j.1548-1492.2011.01141.x This paper is posted at ScholarlyCommons. https://repository.upenn.edu/gse_pubs/310 For more information, please contact [email protected]. Dell H. Hymes: His Scholarship and Legacy in Anthropology and Education Abstract Dell Hathaway Hymes, linguistic anthropologist and educational visionary extraordinaire, passed away in November 2009, leaving behind a voluminous scholarship and inspirational legacy in the study of language and inequality, ethnography, sociolinguistics, Native American ethnopoetics, and education. This essay provides a brief account of Hymes's life and scholarly contributions, especially his early and enduring influence in the anthropology of education; and goes on to comment briefly on this AEQ set of essays
    [Show full text]
  • Ethnography and Democracy: Hymes's Political Theory of Language
    Ethnography and democracy: Hymes’s political theory of language JAN BLOMMAERT Abstract Dell Hymes’s oeuvre was explicitly political, and this paper addresses this often overlooked dimension of his work. The project of ethnography was intended by Hymes to be a counterhegemonic and democratic science, which o¤ered voice to the subjects it studied and so created a critical social-scientific paradigm that destabilized and negated established truths by dialogically engaging with reality. This critical and counterhegemonic paradigmatic dimension of ethnography is first sketched and discussed at some length. Next, we discuss Hymes’s ethnopoetic work. In his ethnopoetic work, Hymes’s critical concern with voice, democracy, and inequality is articulated most clearly and persuasively. It is by looking at ethnopoetics that we see the blending of a methodological and a political project. Keywords: Hymes; ethnography; ethnopoetics; critique; democracy. 1. Introduction Dell Hymes’s work is, like that of Bourdieu and Bernstein, but also that of Gumperz and Go¤man, highly political. Texts such as the essay ‘‘Speech and language’’ (Hymes 1996: ch. 3), or the introductory essay to his Reinventing Anthropology (2002 [1969]) explicitly testify to that; most of his oeuvre, however, can be read as a political statement, an at- tempt toward a critical science of language in social life, toward ‘‘a union of knowledge and social values’’ (2002 [1969]: 51). Hymes would often mention his own background as an explanation for this, especially his ex- periences as a GI enlisted so as to gain access to college education under the GI Bill, and stationed in the Far East.
    [Show full text]
  • Korean American Creations and Discontents: Korean American Cultural Productions, Los Angeles, and Post-1992
    Korean American Creations and Discontents: Korean American Cultural Productions, Los Angeles, and Post-1992 A Dissertation SUBMITTED TO THE FACULTY OF THE UNIVERSITY OF MINNESOTA BY Michelle Chang IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY Josephine Lee, Co-Advisor Elliott Powell, Co-Advisor December 2020 © Michelle Chang 2020 i Acknowledgements As I write the last section of my dissertation, I find myself at a loss for words. 55,000+ words later and my writing fails me. While the dissertation itself is an overwhelming feat, this acknowledgements section feels equally heavy. Expressing my gratitude and thanks for every person who has made this possiBle feels quite impossiBle. And as someone who once detested both school and writing, there’s a lot of people I am thankful for. It is a fact that I could not completed a PhD, let alone a dissertation, on my own. Graduate school wears you down, and especially one framed By the 2016 presidential election and 2020 uprisings, rise of white supremacy, and a gloBal pandemic, graduate school is really hard and writing is the last thing you want to do. While I’ve spent days going through mental lists of people and groups who’ve helped me, this is not a complete list and my sincere apologies to anyone I’ve forgotten. First and foremost, this dissertation would not be where it is today without the guidance and support of my advisors Jo Lee and Elliott Powell. The hours of advice and words of wisdom I received from you both not only shaped my project and affirmed its direction, but they also reminded me of the realistic expectations we should have for ourselves.
    [Show full text]
  • A New Year's Greetin
    THE 8ID0HANTA DEEPIKA OR The Light of Truth. A Monthly Journal, Devoted to ReligioM, Philosophy^ Littrat%tt\ Scknu 6<. •n tlM qummn'u CoflUMmonUiaii Dkj, IMT, VolVn APRIL 1906 No I A NEW YEAR'S GREETIN This Agaval is by a minstrel, known to us as Kanyan or *'Singer' of the flowery hill, who was a court poet and friend of Ko Pferum Coran of Urraiyur—a little, it may be, before the data of the Kurral. See Purra Nannurru 67, 191, 192, 212. mekjuu^ tSpa-^ir €Uirjnr;^ QKirft£fiLti ^ea^^^ti ^eu^Qt^ir ^csr«r:—^ Si^O/fmr LuS^^jfuh SjtoQut;—Qp^Mr fill^DHAKTA DKKPTKA, euTssrii ^^a^Slaff? lu/r^^i sisoQuTQ^ Lpei>ei€0 Qu.iturfpjM li/rsuyS^u u(B^Ui i^dsasrQuir^ ^tsST (ipsnpsuij^u zjCFe-ii) gtcstu^ ^p(peo/r/r QuiPiQfUir^ff tSoj^^Sfiiii -r- THE SAGES. To lis all toAvns arc one, all men our kin. Life's gooi comes not from others' gift, nor ill Man s pains and pains' relief ?.re from within. Death s no new thing; nor do our bosoms thrill When joyous life seems like a luscious draught. AVhen grieved, y\c patient suffer; for, we deem This much-praised life of ours a fragile raft Borne dowii tiie waters of some mountain stream That o'er Jiuge bouldere roaring seeks the plain. Tho' storms Avith lightnings' ilash from darken d skica Descend, tho raft goes on as fates ordain. Thus have we seen in visions of the wsc!— We marvel Jiiot at greatness of tlie great; Still less despise we men of low estate.
    [Show full text]
  • 2011 – Cincinnati, OH
    Society for American Music Thirty-Seventh Annual Conference International Association for the Study of Popular Music, U.S. Branch Time Keeps On Slipping: Popular Music Histories Hosted by the College-Conservatory of Music University of Cincinnati Hilton Cincinnati Netherland Plaza 9–13 March 2011 Cincinnati, Ohio Mission of the Society for American Music he mission of the Society for American Music Tis to stimulate the appreciation, performance, creation, and study of American musics of all eras and in all their diversity, including the full range of activities and institutions associated with these musics throughout the world. ounded and first named in honor of Oscar Sonneck (1873–1928), early Chief of the Library of Congress Music Division and the F pioneer scholar of American music, the Society for American Music is a constituent member of the American Council of Learned Societies. It is designated as a tax-exempt organization, 501(c)(3), by the Internal Revenue Service. Conferences held each year in the early spring give members the opportunity to share information and ideas, to hear performances, and to enjoy the company of others with similar interests. The Society publishes three periodicals. The Journal of the Society for American Music, a quarterly journal, is published for the Society by Cambridge University Press. Contents are chosen through review by a distinguished editorial advisory board representing the many subjects and professions within the field of American music.The Society for American Music Bulletin is published three times yearly and provides a timely and informal means by which members communicate with each other. The annual Directory provides a list of members, their postal and email addresses, and telephone and fax numbers.
    [Show full text]
  • The New Yorker-20180326.Pdf
    PRICE $8.99 MAR. 26, 2018 MARCH 26, 2018 6 GOINGS ON ABOUT TOWN 17 THE TALK OF THE TOWN Amy Davidson Sorkin on White House mayhem; Allbirds’ moral fibres; Trump’s Twitter blockees; Sheila Hicks looms large; #MeToo and men. ANNALS OF THEATRE Michael Schulman 22 The Ascension Marianne Elliott and “Angels in America.” SHOUTS & MURMURS Ian Frazier 27 The British Museum of Your Stuff ONWARD AND UPWARD WITH THE ARTS Hua Hsu 28 Hip-Hop’s New Frontier 88rising’s Asian imports. PROFILES Connie Bruck 36 California v. Trump Jerry Brown’s last term as governor. PORTFOLIO Sharif Hamza 48 Gun Country with Dana Goodyear Firearms enthusiasts of the Parkland generation. FICTION Tommy Orange 58 “The State” THE CRITICS A CRITIC AT LARGE Jill Lepore 64 Rachel Carson’s writings on the sea. BOOKS Adam Kirsch 73 Two new histories of the Jews. 77 Briefly Noted THE CURRENT CINEMA Anthony Lane 78 “Tomb Raider,” “Isle of Dogs.” POEMS J. Estanislao Lopez 32 “Meditation on Beauty” Lucie Brock-Broido 44 “Giraffe” COVER Barry Blitt “Exposed” DRAWINGS Roz Chast, Zachary Kanin, Seth Fleishman, William Haefeli, Charlie Hankin, P. C. Vey, Bishakh Som, Peter Kuper, Carolita Johnson, Tom Cheney, Emily Flake, Edward Koren SPOTS Miguel Porlan CONTRIBUTORS The real story, in real time. Connie Bruck (“California v. Trump,” Hua Hsu (“Hip-Hop’s New Frontier,” p. 36) has been a staff writer since 1989. p. 28), a staff writer, is the author of “A She has published three books, among Floating Chinaman.” them “The Predators’ Ball.” Jill Lepore (A Critic at Large, p.
    [Show full text]
  • MUSIDREVIEW Mr
    MUSIDREVIEW TEXT BYJOEL MARASIGAN mr >WE HIT HARD...LIKE IKE TURNER THE PLATFORM ry lesson on the "language" of the DJ. "Head 2 Head" mimics a boxing match where Dialated Peoples/Capitol Records Spinbad and Rev exchange battle-dj blows. If that isn’t enough, 13 emcees and six True hip-hop lyrical skills and world-class turntablism are what entitle Evidence, Rakaa ’tablists team up to help assist in eight of the 20 inspiring tracks. This is a must- (Iriscience) and DJ Babu are about, as they explore the surface of hip-POP without have LP. Revolution has caused one. fearing contamination of their years spent accumulating underground credibility. Their NuGruv.com first release—a crowd-rocking, emcee jaw-dropper—"Work the Angles" surprisingly Wakeupshow.com takes second-stage to cuts like "No Retreat," and "The Shape of Things to Come." Courtesy Cheapshot at Score Press Moreover, the inclusion of B Real, Tha Alkaholiks, Aceyalone, Planet Asia, Defari, White E. Ford (Everlast) and Phil Tha’ Agony furnish just enough aural trickery to make you UNDERGROUND RAILROAD believe you bought more than The Platform’s 16 tracks. Open your eyes, Dilated Masterminds/NuGruv Alliance/Ground Control Peoples is like a dime surrounded by pennies—smaller but worth much more. New York’s Oracle, Kimani and Epod, the Masterminds, come to collect with this Dialatedpeoples.com debut LP and with bars from L-Fudge, Mr. Lif, J-Treds, Shabaam Sahdeeq, Mr. Hollywoodandvine.com Complex, J-Live and EL-P combo’d with the production of Mr. Khaliyl (of the Bush Courtesy Cheapshot at Score Press Babees), come packed with explosive beats and sword-sharp lyrics.
    [Show full text]