2021 Song Index

Total Page:16

File Type:pdf, Size:1020Kb

2021 Song Index AUG 7 2021 SONG INDEX 200 COPAS (Girl Power Publishing, ASCAP/ BALL IF I WANT TO (David’s Art LLC, ASCAP/ BY YOUR SIDE (EMI April Music, Inc., ASCAP/ DEJA VU (Sony Tunes LLC, ASCAP/Liv Laf Luv, FRIDAY (BMG Limited, MCPS/BIEM/Concord HEAVENLY SIDE (ILLENIUM Publishing, BMI/ Kobalt Songs Music Publishing LLC, ASCAP/On WC Music Corp., ASCAP/Baby Jesus Publish- EMI Music Publishing Ltd., PRS/John Newman ASCAP/Daniel Leonard Nigro Music, ASCAP/ Music Publihsing, MCPS/BIEM), HL, DES 8 Reservoir 416, BMI/WKMM, ASCAP/Universal The Drums Publishing, ASCAP/Daniel Obar Felix ing, ASCAP/South Coast Music Group, ASCAP/ Publishing Designee, BMI/Concord Publishing, Sony Allegro, ASCAP/Sony Tree Publishing, FULANITO (Rebecca Marshall, ASCAP/Prescrip- Music Corp., ASCAP/Vistaville Music, ASCAP/ Publishing Designee, BMI) LT 28 Universal Music Corp., ASCAP), AMP/HL, H100 BMI/Aldwych, PRS/Sony Songs LLC, BMI/ BMI/Taylor Swift Music, BMI/Sony Songs LLC, tion Songs, ASCAP/Kobalt Songs Music Publish- Steph Jones Who Music, ASCAP/Hipgnosis 2055 (Tegan Chambers Publishing Designee, BMI/ 60 ; RBH 22 ; RS 17 Sony Music Publishing UK Ltd, PRS/Sony Tunes BMI/Ducky Donath Music, BMI/Nail Polish ing LLC, ASCAP/Rafael Rodriguez Publishing Hits, ASCAP/KIDinaKORNER Publishing, ASCAP/ Great John Publishing Designee, BMI/uv killen EL BARCO (Girl Power Publishing, ASCAP/Kobalt LLC, ASCAP/Catherine Songs Limited, PRS), Manifesto, ASCAP/Big Deal Notes, ASCAP), Designee, ASCAP/Sony Discos Music Publishing Have A Nice Jay Music, ASCAP), HL, DES 20 em, ASCAP/The Administration MP, Inc., ASCAP) Songs Music Publishing LLC, ASCAP/On The HL, DES 10 HL, H100 10 LLC, ASCAP/Kira Records, ASACP/Eggplant HELP! (Key Of “A” Music Publishing, ASCAP/ H100 63 ; RBH 23 ; RS 18 Drums Publishing, ASCAP/RSM Publishing, -C- DE MUSEO (RSM Publishing, GMR/Rimas Tears, ASCAP/Dear Cleveland Publishing, BMI/ Tyscot Music, ASCAP/All Essential Music, 2/CATORCE (Warner-Tamerlane Publishing Corp., ASCAP) LT 41 Entertainment LLC, GMR/Universal Music Where Da Kasz At, BMI/Songs Of Kobalt Music ASCAP) GS 17 CALLING MY PHONE (Bag Bag Holdings, LLC, Works, GMR/EMI Blackwood Music Inc., BMI), Publishing America, Inc., BMI/14th Avenue BMI/Duars Publishing, BMI/Jorge E. Pizarro Pub- BE ALRIGHT (Capitol CMG Genesis, ASCAP/ BMI/Sony Songs LLC, BMI/6LACK Publishing, HELP IS ON THE WAY (MAYBE MIDNIGHT) lishing Designee, BMI/WC Music Corp., ASCAP/ Nathan Wing, ASCAP/Redimi2 Records Inc, HL, LT 23 Music, ASCAP/El Jefe Records Publishing, BMI), (Achtober Songs, BMI/Capitol CMG Paragon, BMI/Songs Of Universal, Inc., BMI/LVRN Reper- HL, LT 25 Duars Music Publishing, ASCAP), AMP, LT 15 ASCAP/Evan Craft Music, ASCAP), HL, CST 6 toire, BMI/Ryan Martinez Publishing Designee, DILE A EL (Warner-Tamerlane Publishing Corp., BMI/So Essential Tunes, SESAC/Man Cub 2 VECES (JG Publishing, SESAC/11Once Music, BEAUTIFUL LIES (Greene Street Music Clean BMI/Warner-Tamerlane Publishing Corp., BMI/ BMI/Music By Duars Publishing, BMI/Jose -G- Muzak House, SESAC) CST 5 BMI/Sony Bailar, BMI/Editora Jago, SESAC), Stain Songs, BMI/EMPIRE Strikes First, BMI/ BORDEAUX Publishing.SOCAN/Non Native M. Collazo Publhshing Designee, BMI/Jorge HE’S MY ROCK (Briana Babineaux Music, E. Pizarro Publishing Designee, BMI/Songs Of GIVE HEAVEN SOME HELL (Relative Music HL, LT 46 Kehlani Music, ASCAP/These Are Songs Of Publishing, SOCAN/Henock Siyoum Publishing Group, BMI/Rednecker Music, BMI/Sony Tree ASCAP/Tyscot Music, ASCAP/Integrity Worship Pulse, ASCAP/Concord Sounds, ASCAP/Radio Designee, BMI/BeatStars Publishing Worldwide, Universal, Inc., BMI/Risamar Publishing, BMI/ Music, ASCAP/KeyemupMusic, ASCAP/Let 4 DA GANG (Dion Hayes Publishing Designee, Adrian Sanchez Publishing Designee, BMI/WC Publishing, BMI/Round Hill Songs II, ASCAP/ ASCAP/Narquise, ASCAP/Universal Music - Artist Of America, LLC, ASCAP/Blessed Songs BMI), AMP/HL, RBH 18 ; RS 14 Caleb’s College Fund, ASCAP/8 Minutes Twenty Them Hear, ASCAP/Integrity’s Praise! Music, Inc., ASCAP/Days Of Age Music Group, ASCAP) Music Corp., ASCAP/Duars Music Publishing, BMI/All Essential Music, ASCAP/Capitol CMG MGB Songs, ASCAP/Arabella Musikverlage CALL ON ME (ANCIENT DOOR PUBLISHING, ASCAP), AMP/HL, LT 42 Seconds Publishing, BMI/Artist Publishing GmbH, GEMA), HL, RBH 42 RBS 13 BMI/Warner-Tamerlane Publishing Corp., BMI/ Group West, ASCAP/Nontypical Music, ASCAP/ Genesis, ASCAP/Capitol CMG Paragon, BMI), BEAUTIFUL MISTAKES (Sudgee 2 Music, Stephaniesays Music, ASCAP/Downtown DLJ DON’T BE AFRAID (I Like Turtles Music, ASCAP/ Big Blue Nation Music, ASCAP/Who Wants To HL, GS 15 5500 DEGREES (George Stone III Publishing Des- KMR II Music Royalties II SCSp, ASCAP/Kobalt ignee, BMI/Four Entertainment Music, ASCAP/ BMI/Songs Of Universal, Inc., BMI/Bear Trap Songs, ASCAP/Warner Chappell Music LTD., Buy My Publishing, ASCAP/WC Music Corp., HIGHER POWER (Universal Music - MGB Songs, Publishing, BMI/FRNDzone Music, BMI/Songs PRS/Copyright Control/Songs Of Universal, Songs Music Publishing LLC, ASCAP/Kobalt ASCAP), AMP/HL, CS 42 ASCAP/MXM, ASCAP/Kobalt Songs Music Wolf Pack Global Music Publishing, ASCAP/ Music Publishing, PRS) DES 26 Quality Control QC Pro, ASCAP/Universal Music Of Kobalt Music Publishing America, Inc., BMI/ Inc., BMI/Irving Music, Inc., BMI/Blue Sky Rider GLAD YOU EXIST (Monet Music, BMI/Warner- Publishing LLC, ASCAP/Fede Vindver Publishing, Corp., ASCAP/Dion Hayes Publishing Designee, Warner-Tamerlane Publishing Corp., BMI/Music Songs, BMI/Hipgnosis SFH I Limited, PRS/Kobalt DON’T GO YET (Milamoon Songs, BMI/Maid- Tamerlane Publishing Corp., BMI/Spokane Boy SESAC/W.C.M. Music Corp., SESAC/TheLady ASCAP/CMG Publishing, ASCAP/WC Music By Whiskey Water, BMI/Rap Kingpin Music, Music Publishing, PRS), AMP/HL, DES 45 metal Limited, PRS/Sony Songs LLC, BMI/Sony Music, BMI/Jreynmusic, ASCAP/Buckeye26, Productions, BMI), AMP/HL, RO 17 Corp., ASCAP/Rylo Rodriguez Publishing Des- ASCAP/Prescription Songs, ASCAP/Hot Girl CAMBIA EL PASO (Sony Discos Music Publish- Ballad, BMI/Mae Jesse And Ried Music, BMI/ ASCAP/Shay Mooney Music, BMI/WC Music HOLD ON TO ME (Centricity Songs, BMI/Pubali- ignee, ASCAP/Enrgy Beats Publishing, ASCAP/ Music, BMI), AMP/HL, H100 27 ing LLC, ASCAP/Contenido Autentico Music LLC, Sony Tunes LLC, ASCAP/Songs By Work Of Art, Corp., ASCAP/Beats And Banjos, ASCAP), AMP, cious, BMI/Centricity Music Publishing, ASCAP/ Sony Tunes LLC, ASCAP), AMP/HL, H100 92 BED (Universal Music Publishing Ltd. (UK), PRS/ ASCAP/Baluarte Music Publishing Inc., ASCAP/ ASCAP/Scottharriswritesongs, ASCAP/Modern CS 6 ; H100 31 So Essential Tunes, SESAC/Flychild Publishing, Arts Melody, ASCAP), HL, H100 42 ; RBH 34 Sony Music Publishing UK Ltd, PRS/Spirit GKu Music, BMI/Primary Wave Beats, BMI/ GOING DUMB (Alefune, STIM/Warner Chappell SESAC) CST 3 911 (Rich Music LTD, BMI/Universal Musica B-Unique Hits, BMI/JackBack Publishing Ltd., BMG Platinum Songs US, BMI/Sony Tunes LLC, DRINKIN’ BEER. TALKIN’ GOD. AMEN. (Sony Music Scandinavia AB, STIM/Universal Music HOLY SMOKES (Michael Lamar White IV, BMI/ Unica Publishing, BMI/Omar Maldonado Rivera SACEM/Write Here Music, SACEM/Shapiro, ASCAP/Buddys, TONO/Sony Music Publishing Countryside, BMI/Dack Janiels Publishing, BMI/ Sweden AB, STIM), AMP/HL, DES 36 Songs Of Universal, Inc., BMI/ASCAPUZI, Bernstein & Co., Inc., ASCAP), AMP/HL, DES 13 Scandinavia AB, STIM/Warner-Tamerlane Georgia Song Vibez, ASCAP/Big Crowd Publish- Publishing Designee, ASCAP/Eduardo Fernandez GONE (Warner-Tamerlane Publishing Corp., ASCAP/WC Music Corp., ASCAP/Copyright Publishing Designee, BMI/A Million Dollar BEEN LIKE THIS (Doja Cat Music, BMI/Prescrip- Publishing Corp., BMI/Music By Duars Publish- ing, ASCAP/WC Music Corp., ASCAP/Nontypical Control), AMP/HL, H100 98 ; RBH 36 ing, BMI/Risamar Publishing, BMI/Sony Songs Music, ASCAP/Who Wants To Buy My Publish- BMI/A Boy Named Ford, BMI/Ben There Wrote Dream, ASCAP/WC Music Corp., ASCAP/Songs tion Songs, BMI/Trism, ASCAP/Kobalt Songs That Publishing, BMI/Artist 101 Publishing HOME SWEET (BMG Platinum Songs US, BMI/ Of Juju, BMI/Warner-Tamerlane Publishing Music Publishing LLC, ASCAP/Aaron Bow LLC, BMI/Nuyorican Publishing, BMI), AMP/ ing, ASCAP/Cale Dodds Publishing, ASCAP), HL, LT 39 AMP/HL, CS 7 ; H100 32 Group, BMI/Songs Of Kobalt Music Publishing Music That Is Russelled, BMI/Blue Corolla Okla- Corp., BMI), AMP/HL, LT 8 Publishing Designee, BMI/Yeti Yeti Yeti Music, America, Inc., BMI/Hits From The Tape Room, homa, SESAC/Feel Your Creative Pulse Music, -A- ASCAP/WC Music Corp., ASCAP), AMP, RBS 18 CAN’T LET IT SHOW (Tank 1176 Music, ASCAP/ DRUNK (AND I DON’T WANNA GO HOME) (Elle BMI/Round Hill Compositions, BMI/W.C.M. SESAC/The Best I Could Do Publishing, ASCAP/ BEGGIN’ (EMI Longitude Music, BMI/Seasons Sony Music Publishing UK Ltd, PRS), HL, RBS 12 King Music, BMI/EMI Blackwood Music Inc., Music Corp., SESAC/Niko Moon Publishing, WC Music Corp., ASCAP), AMP, CS 40 ADRENALINE (Matthew Cullen Publishing Des- BMI/Real Johnson Publishing, ASCAP/WC Four Music, BMI), HL, H100 38 ; RO 3 CHAIN MY HEART (Edition Tobias Topic, GEMA/ SESAC), AMP, H100 67 HOUSE OF THE LORD (Phil Wickham Music, ignee, BMI/Irving Music, Inc., BMI/Mark Jack- Sony Music Publishing GmbH, GEMA/Universal Music Corp., ASCAP), AMP/HL, CS 16 ; H100 son Music Publishing, BMI/Almo Music Corp., BELIEVE FOR IT (Little Pooky’s Music, BMI/Pure 64 ; RO 6 GOOD 4 U (Sony Tunes LLC, ASCAP/Liv Laf Luv, BMI/Sing My Songs, BMI/Simply Global Songs, Psalms Music, BMI/Fair Trade Tunes, SESAC/ Music Publishing Scandinavia AB, BUMA/BMG ASCAP/Sony Allegro, ASCAP/Daniel Leonard BMI/Be
Recommended publications
  • BAM Presents the New York Premiere of Rules of the Game, by Jonah Bokaer, Daniel Arsham, and Pharrell Williams, As Part of a Triple Bill—Nov 10–12
    BAM presents the New York premiere of Rules Of The Game, by Jonah Bokaer, Daniel Arsham, and Pharrell Williams, as part of a triple bill—Nov 10–12 Bloomberg Philanthropies is the Season Sponsor Rules Of The Game Jonah Bokaer and Daniel Arsham With an original score by Pharrell Williams Arranged and co-composed by David Campbell BAM Howard Gilman Opera House (30 Lafayette Ave) Nov 10–12 at 7:30pm Tickets start at $25 RECESS (2010) Choreography and performance by Jonah Bokaer Scenography by Daniel Arsham Music by Stavros Gasparatos Lighting design by Aaron Copp Costumes by Richard Chai Why Patterns (2011) Choreography and direction by Jonah Bokaer Scenography by Snarkitecture (Daniel Arsham and Alex Mustonen) Music by Morton Feldman and Alexis Georgopoulos/ARP Lighting design by Aaron Copp Costumes by Richard Chai Rules Of The Game (2016) Choreography and direction by Jonah Bokaer Scenography by Daniel Arsham Original score by Pharrell Williams Arranged and conducted by David Campbell Exclusive recording by the Dallas Symphony Orchestra Lighting design by Aaron Copp Costumes by Chris Stamp/STAMPD Talk: Dance as Visual Art With Jonah Bokaer in conversation with Jenny Schlenzka, Associate Curator at MoMA PS1 Nov 11 at 6pm BAM Fisher Hillman Studio Tickets: $25 ($12.50 for BAM Members) Master Class: Jonah Bokaer Co-presented by BAM and Mark Morris Dance Group Nov 5 at 4:30pm, Mark Morris Dance Center (3 Lafayette Ave) Price: $30 For dancers of all levels Visit BAM.org/master-classes for more information and to register Oct 11, 2016/Brooklyn, NY—Rules Of The Game—the centerpiece of a triple bill of New York City premieres—is a new multidisciplinary work created by choreographer Jonah Bokaer, visual artist Daniel Arsham, and composer Pharrell Williams.
    [Show full text]
  • La Protagonista En Dos Novelas Latinoamericanas Escritas Por Mujeres
    Portland State University PDXScholar Dissertations and Theses Dissertations and Theses 7-10-1996 La Protagonista en Dos Novelas Latinoamericanas Escritas por Mujeres Khatereh K. Sabahi Portland State University Follow this and additional works at: https://pdxscholar.library.pdx.edu/open_access_etds Part of the Spanish and Portuguese Language and Literature Commons Let us know how access to this document benefits ou.y Recommended Citation Sabahi, Khatereh K., "La Protagonista en Dos Novelas Latinoamericanas Escritas por Mujeres" (1996). Dissertations and Theses. Paper 5145. https://doi.org/10.15760/etd.7021 This Thesis is brought to you for free and open access. It has been accepted for inclusion in Dissertations and Theses by an authorized administrator of PDXScholar. Please contact us if we can make this document more accessible: [email protected]. THESIS APPROVAL The abstract and thesis of Khatereh K Sabahi for the Master of Arts in Spanish were presented July 10, 1996, and accepted by the thesis committee and the department. COMMITTEE APPROVALS: ~OTQ"e'~ r. Cabello7 Chair Cynthii Sloan Friedrich E. Schuler Representative of the Office of Graduate Studies DEPARTMENT APPROVAL: Louis Elteto, Chair Department of Foreign Languages ******************************************** ACCEPTED FOR PORTLAND STATE UNIVERSITY BY THE LIBRARY h on L'2a47~/99~ ABSTRACT An abstract of the thesis of Khatereh K Sabahi for the Master of Arts in Spanish presented July 10, 1996. Title: La protagonista en dos novelas latinoamericanas escritas por mujeres Este estudio hace una comparaci6n de las protagonistas de dos novelas escritas por mujeres. Analiza dos sociedades diferentes separada por el tiempo y la distancia. Trata de encontrar respuestas a las diferencias existentes, tomando en cuenta los cambios politicos, sociales y literarios que afectan a las mujeres.
    [Show full text]
  • Pastor Rich Harris After God's Heart Part 2—Take the Power Back 6.20
    Pastor Rich Harris After God’s Heart Part 2—Take the Power Back 6.20.2021 USING THIS SERMON DISCUSSION GUIDE We have provided all the Scriptures references in the sermon and some discussion questions for you to use to discuss the weekend message. This Sermon Discussion Guide is only a tool to aid you in meeting the needs of your group. For most groups, there are too many questions to answer in one session together. Give priority to the needs and pace of your group members. While the questions are important, remember your group’s goal is to create an atmosphere that will foster true friendships. Use the discussion questions as you see fit but emphasize the relationships. (Review) A heart after God is defined by these three things: 1. Complete trust and dependence on God 2. A heart of worship 3. A heart that always returns to God [1 Samuel 16:13-14, NIV] 13 So Samuel took the horn of oil and anointed him in the presence of his brothers, and from that day on the Spirit of the Lord came powerfully upon David. Samuel then went to Ramah. [1 Samuel 16:14, ESV] Now the Spirit of the Lord departed from Saul, and a harmful spirit from the Lord tormented him. [Acts 23:14, ESV] 14 They went to the chief priests and elders and said, “We have strictly bound ourselves by an oath to taste no food till we have killed Paul.” BIBLICAL DISCLAIMERS (from 1 Samuel 16)— 1) The Holy Spirit will never leave you.
    [Show full text]
  • Livin' a Boss' Life
    REAL, RAW, & UNCENSORED WEST COAST RAP SHIT TURF TALK BEEDA WEEDA CLYDE CARSON MAC MALL DAMANI & MORE BAY AREA AMBASSADOR - LIVIN’ AE BOSS’40 LIFE * WEST COAST DJs SOUND OFF ON MIXTAPE DRAMA * THE GAME’S BROTHER BIG FASE100 * BUMSQUAD’S LATIN PRINCE & MORE // OZONE WEST Publisher EDITOR’S NOTE Julia Beverly Editor-IN-Chief N. Ali Early Music Editor Randy Roper Art Director Tene Gooden Contributors D-Ray DJ BackSide Joey Colombo Toby Francis Wendy Day Street Reps Anthony Deavers Bigg P-Wee Dee1 Demolition Men DJ E-Z Cutt DJ Jam-X DJ K-Tone DJ Quote MUST BE DREAMIN’ DJ Strong & DJ Warrior John Costen Kewan Lewis Lisa Coleman Maroy been living in Atlanta a good decade and I still haven’t gotten completely accus- Rob J Official tomed to it, nor have I embraced it all the way. What can I say? I’m a Bayboy to the Rob Reyes heart. Anyone who knows me, knows that I rep the Bay – all day, every day. I went Sherita Saulsberry I’vehome for Xmas and all I could think about was what kind of Bay Tees I was gonna snatch so I could have William Major the option of reppin’ my soil every day for two weeks straight (that’s 14, but who’s counting?). Took Moms in there and scooped about eight of ‘em REAL QUICK (already had 6). Alas, I didn’t leave my heart in San Francisco ala Tony Bennett. It’s somewhere in Tha Rich! But I gotta love the A and I gotta give JB props for bringing me on board, ‘cause without the move from Orlando this opportunity may have never cracked off.
    [Show full text]
  • A New Year's Greetin
    THE 8ID0HANTA DEEPIKA OR The Light of Truth. A Monthly Journal, Devoted to ReligioM, Philosophy^ Littrat%tt\ Scknu 6<. •n tlM qummn'u CoflUMmonUiaii Dkj, IMT, VolVn APRIL 1906 No I A NEW YEAR'S GREETIN This Agaval is by a minstrel, known to us as Kanyan or *'Singer' of the flowery hill, who was a court poet and friend of Ko Pferum Coran of Urraiyur—a little, it may be, before the data of the Kurral. See Purra Nannurru 67, 191, 192, 212. mekjuu^ tSpa-^ir €Uirjnr;^ QKirft£fiLti ^ea^^^ti ^eu^Qt^ir ^csr«r:—^ Si^O/fmr LuS^^jfuh SjtoQut;—Qp^Mr fill^DHAKTA DKKPTKA, euTssrii ^^a^Slaff? lu/r^^i sisoQuTQ^ Lpei>ei€0 Qu.iturfpjM li/rsuyS^u u(B^Ui i^dsasrQuir^ ^tsST (ipsnpsuij^u zjCFe-ii) gtcstu^ ^p(peo/r/r QuiPiQfUir^ff tSoj^^Sfiiii -r- THE SAGES. To lis all toAvns arc one, all men our kin. Life's gooi comes not from others' gift, nor ill Man s pains and pains' relief ?.re from within. Death s no new thing; nor do our bosoms thrill When joyous life seems like a luscious draught. AVhen grieved, y\c patient suffer; for, we deem This much-praised life of ours a fragile raft Borne dowii tiie waters of some mountain stream That o'er Jiuge bouldere roaring seeks the plain. Tho' storms Avith lightnings' ilash from darken d skica Descend, tho raft goes on as fates ordain. Thus have we seen in visions of the wsc!— We marvel Jiiot at greatness of tlie great; Still less despise we men of low estate.
    [Show full text]
  • BTS Blasts Onto Hot 100 at No. 1 with 'Permission To
    Bulletin YOUR DAILY ENTERTAINMENT NEWS UPDATE JULY 19, 2021 Page 1 of 31 INSIDE BTS Blasts Onto Hot 100 • Olivia Rodrigo’s at No. 1 With ‘Permission to Dance,’ ‘Sour’ Spends Fourth Week at No. The Kid LAROI & Justin Bieber 1 on Billboard 200 Albums Chart Bow at No. 3 With ‘Stay’ • Billboard’s U.S. Money Makers: BY GARY TRUST The Top Paid Musicians of 2020 TS bounds onto the Billboard Hot top. Here’s a deeper look at its entrance. 100 songs chart at No. 1 with its new Streams, airplay & sales: Following its July 9 • Billboard’s 2020 Global Money single “Permission to Dance.” The South release, “Dance” drew 15.9 million U.S. streams and Makers: The 5 Korean septet supplants itself at the top 1.1 million radio airplay audience impressions and sold Top Highest Bspot, as the group’s own “Butter” falls to No. 7 after 140,100 downloads (via its original and instrumental Paid Musicians seven weeks at No. 1. “Dance” launches as the group’s digital versions, each on sale for 69 cents) in the week • Bill Ackman SPAC fifth Hot 100 leader. ending July 15, according to MRC Data. Drops Plan to Buy Plus, The Kid LAROI and Justin Bieber debut on The track debuts atop the Digital Song Sales chart, 10% UMG Stake the Hot 100 at No. 3 with “Stay.” The song marks the where it’s BTS’ eighth No. 1, extending the act’s record former’s second top 10, and a new career high, and the for the most among groups.
    [Show full text]
  • New Vision. New Ideas. New Hope
    NEW VISION. NEW IDEAS. NEW HOPE. 50Pases of People andiapasThat WiUOMrigeOur Lives.Witha , Ways to KeynoteEssay by PRESIDENT BILLCUNTON $3.00 #28... W^ffl esquire.com More Naomi Watts* [ THE CHEF ] You want comfortfood?PSlfi Liebrandt is not your man. You Andbringabbndrold THE IMPRESARIOS There'sa43 percent chanceyou'relis- teningto a song from the NeptUPIGS right now The pair producesevery- onefromNoDoubtto MaryJ.Blige— andmakestiiemsparkle. THE INGREDIENTS—lime blos• soms from Nice, ham from a Dover Sole with Vanilla INTERVIEW NUMBER ONE with Pharrell Williams of ace Spanish pig fed exclusively on andBlackTruffie pop-and-rap production duo the Neptunes is canceled be• acorns—are odd enough. The By Psul Liebrandt fusion of those ingredients— cause he is having a house party. Interview two lasts approxi• eel with watermelon, scallops 24 oz Doversole mately ninety seconds, after which Williams says he has to go with chocolate—is still more (depending on size, get some chicken and will call back from the road. peculiar. But that's not even either 2 small fillets or The return call comes two days later. This is interview three, the end of it. That's not even to 1 large fillet) mention the bizarre ways chef 2 cups duck fat and it lasts all of seventy-five seconds, ending with "Hold on one Paul Liebrandt's bizarre food salt and pepper second" and a promise to call right back. Interview four is quite has been served. Diners have 2 tbsp sherry vinegar been blindfolded, fed dessert spectacular: "I want to do this fucking interview," he says.
    [Show full text]
  • The Carillon Nurture the Newsletter of Trinity United Methodist Church Serve
    Celebrate The Carillon Nurture The Newsletter of Trinity United Methodist Church Serve A Message from the Pastor Let’s Cross the River Together I imagine that after 40 years they were all exhausted. They were tired of the almost-there announcement that Moses would make every so often, telling them that the Promised Land was almost within their reach. They were tired of the sun-dried days in the desert. They were Trinity Church is a congregation tired of walking and never arriving. They were tired of putting up their of The United Methodist tents and taking them down. Basically, every day was a reminder that Church and is a Reconciling they were not yet home. Long journeys have a way of exhausting us Congregation. and wearing our souls. I think that is why one of the things that we read in the books of Exodus through Deuteronomy is about their murmuring and WHAT’S INSIDE complaining to Moses: not enough food and water, no meat, where is God? Not the way things used to be, not good enough leadership from Moses, and on and on. I don’t know how many times they complained, Pastor’s Message , Giving Link 1 but to be honest, I don’t blame them. It was a longer journey than they had expected; but I am sure they also had good days when they were Prayers, Thanks, Sympathy, Congratulations 2 immensely grateful to God for God’s presence and provision. A Note From SPRC 3 It reminds me of the many times when I have been through my own Altar Flowers,, Birthdays & Anniversaries 4 deserts.
    [Show full text]
  • The A-Z of Brent's Black Music History
    THE A-Z OF BRENT’S BLACK MUSIC HISTORY BASED ON KWAKU’S ‘BRENT BLACK MUSIC HISTORY PROJECT’ 2007 (BTWSC) CONTENTS 4 # is for... 6 A is for... 10 B is for... 14 C is for... 22 D is for... 29 E is for... 31 F is for... 34 G is for... 37 H is for... 39 I is for... 41 J is for... 45 K is for... 48 L is for... 53 M is for... 59 N is for... 61 O is for... 64 P is for... 68 R is for... 72 S is for... 78 T is for... 83 U is for... 85 V is for... 87 W is for... 89 Z is for... BRENT2020.CO.UK 2 THE A-Z OF BRENT’S BLACK MUSIC HISTORY This A-Z is largely a republishing of Kwaku’s research for the ‘Brent Black Music History Project’ published by BTWSC in 2007. Kwaku’s work is a testament to Brent’s contribution to the evolution of British black music and the commercial infrastructure to support it. His research contained separate sections on labels, shops, artists, radio stations and sound systems. In this version we have amalgamated these into a single ‘encyclopedia’ and added entries that cover the period between 2007-2020. The process of gathering Brent’s musical heritage is an ongoing task - there are many incomplete entries and gaps. If you would like to add to, or alter, an entry please send an email to [email protected] 3 4 4 HERO An influential group made up of Dego and Mark Mac, who act as the creative force; Gus Lawrence and Ian Bardouille take care of business.
    [Show full text]
  • Mediated Music Makers. Constructing Author Images in Popular Music
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Helsingin yliopiston digitaalinen arkisto Laura Ahonen Mediated music makers Constructing author images in popular music Academic dissertation to be publicly discussed, by due permission of the Faculty of Arts at the University of Helsinki in auditorium XII, on the 10th of November, 2007 at 10 o’clock. Laura Ahonen Mediated music makers Constructing author images in popular music Finnish Society for Ethnomusicology Publ. 16. © Laura Ahonen Layout: Tiina Kaarela, Federation of Finnish Learned Societies ISBN 978-952-99945-0-2 (paperback) ISBN 978-952-10-4117-4 (PDF) Finnish Society for Ethnomusicology Publ. 16. ISSN 0785-2746. Contents Acknowledgements. 9 INTRODUCTION – UNRAVELLING MUSICAL AUTHORSHIP. 11 Background – On authorship in popular music. 13 Underlying themes and leading ideas – The author and the work. 15 Theoretical framework – Constructing the image. 17 Specifying the image types – Presented, mediated, compiled. 18 Research material – Media texts and online sources . 22 Methodology – Social constructions and discursive readings. 24 Context and focus – Defining the object of study. 26 Research questions, aims and execution – On the work at hand. 28 I STARRING THE AUTHOR – IN THE SPOTLIGHT AND UNDERGROUND . 31 1. The author effect – Tracking down the source. .32 The author as the point of origin. 32 Authoring identities and celebrity signs. 33 Tracing back the Romantic impact . 35 Leading the way – The case of Björk . 37 Media texts and present-day myths. .39 Pieces of stardom. .40 Single authors with distinct features . 42 Between nature and technology . 45 The taskmaster and her crew.
    [Show full text]
  • UC Santa Barbara Electronic Theses and Dissertations
    UC Santa Barbara UC Santa Barbara Electronic Theses and Dissertations Title Diasporic Ethnopoetics Through “Han-Gook”: An Inquiry into Korean American Technicians of the Enigmatic Permalink https://escholarship.org/uc/item/3zc4f1mk Author Hur, David Publication Date 2020 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA Santa Barbara Diasporic Ethnopoetics Through “Han-Gook”: An Inquiry into Korean American Technicians of the Enigmatic A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Comparative Literature by David Hur Committee in charge: Professor Yunte Huang, co-Chair Professor Stephanie Batiste, co-Chair Professor erin Khuê Ninh Professor Sowon Park September 2020 The dissertation of David Hur is approved. ____________________________________________ erin Khuê Ninh ____________________________________________ Sowon Park ____________________________________________ Stephanie Batiste, Committee Co-Chair ____________________________________________ Yunte Huang, Committee Co-Chair September 2020 Diasporic Ethnopoetics Through “Han-Gook”: An Inquiry into Korean American Technicians of the Enigmatic Copyright © 2020 by David Hur iii ACKNOWLEDGEMENTS This journey has been made possible with support from faculty and staff of both the Comparative Literature program and the Department of Asian American Studies. Special thanks to Catherine Nesci for providing safe passage. I would not have had the opportunities for utter trial and error without the unwavering support of my committee. Thanks to Yunte Huang, for sharing poetry in forms of life. Thanks to Stephanie Batiste, for sharing life in forms of poetry. Thanks to erin Khuê Ninh, for sharing countless virtuous lessons. And many thanks to Sowon Park, for sharing in the witnessing.
    [Show full text]
  • Pharrell Williams
    Bowling Green State University ScholarWorks@BGSU Media Company Leader Presentations School of Media and Communication Spring 2018 i am OTHER: Pharrell Williams Renei Jackson Bowling Green State University Follow this and additional works at: https://scholarworks.bgsu.edu/mclp Recommended Citation Jackson, Renei, "i am OTHER: Pharrell Williams" (2018). Media Company Leader Presentations. 9. https://scholarworks.bgsu.edu/mclp/9 This Book is brought to you for free and open access by the School of Media and Communication at ScholarWorks@BGSU. It has been accepted for inclusion in Media Company Leader Presentations by an authorized administrator of ScholarWorks@BGSU. i am OTHER Pharrell Williams A Presentation by Renei Jackson Background • Pharrell Lanscilo Williams was born on April 5, 1973 in the city of Virginia Beach, VA • He grew up being “the problem child” at school always making beats on the tables and being sent to detention. • He was born in a predominantly African-American community as a child where he didn’t really fit in because of his mix of inspiration from skaters such as Tony Hawk and Christian Hosoi to renown hip hop artists Dougie Fresh and Slick Rick. • His family later moved to the suburbs where he was surrounded by a primarily White community. Being involved in different environments made him depend on music to connect to other people. Transition into Fame • He first came into fame as a songwriting and production duo, Neptune, with his friend Chad Hugo in the 90s. • They produced hits for artists ranging from Jay-Z to Britney Spears. He produced some artists most well known songs such as Nelly’s “Hot in Herre,” Gwen Stefani’s “Hollaback Girl”, Kelis’ “My Milkshake Brings All the Boys to the Yard,” and Justin Timberlake’s “Senorita.” • In a study done by Complex, during 2003, The Neptunes were responsible for 43% of the songs playing on the radio in the United States.
    [Show full text]