Saint Martial De Limoges
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1 Liturgical Year 2020 of the Celtic Orthodox Church Wednesday 1St
Liturgical Year 2020 of the Celtic Orthodox Church Wednesday 1st January 2020 Holy Name of Jesus Circumcision of Our Lord and Savior Jesus Christ Basil the Great, Bishop of Caesarea of Palestine, Father of the Church (379) Beoc of Lough Derg, Donegal (5th or 6th c.) Connat, Abbess of St. Brigid’s convent at Kildare, Ireland (590) Ossene of Clonmore, Ireland (6th c.) ♦ Liturgy: Wis 3:10-19 Eph 3:1-7 Lk 6:5-11 Holy Name of Jesus: ♦ Vespers: Ps 8 and 19 ♦ 1st Nocturn: Ps 64 1Tm 2:1-6 Lk 6:16-22 ♦ 3rd Nocturn: Ps 71 and 134 Phil 2:6-11 ♦ Matins: Jn 10:9-16 ♦ Liturgy: Gn 17:1-14 Ps 112 Col 2:8-12 Lk 2:20-21 ♦ Sext: Ps 53 ♦ None: Ps 148 1 Thursday 2 January 2020 Seraphim, priest-monk of Sarov (1833) Adalard, Abbot of Corbie, Founder of New Corbie (827) John of Kronstadt, priest and confessor (1908) Seiriol, Welsh monk and hermit at Anglesey, off the coast of north Wales (early 6th c.) Munchin, monk, Patron of Limerick, Ireland (7th c.) The thousand Lichfield Christians martyred during the reign of Diocletian (c. 333) ♦ Liturgy: Wis 4:1-6 Eph 3:8-13 Lk 8:24-36 Friday 3 January 2020 Genevieve, virgin, Patroness of Paris (502) Blimont, monk of Luxeuil, 3rd Abbot of Leuconay (673) Malachi, prophet (c. 515 BC) Finlugh, Abbot of Derry (6th c.) Fintan, Abbot and Patron Saint of Doon, Limerick, Ireland (6th c.) ♦ Liturgy: Wis 4:7-14a Eph 3:14-21 Lk 6:46-49 Saturday 4 January 2020 70 Disciples of Our Lord Jesus Christ Gregory, Bishop of Langres (540) ♦ Liturgy: Wis 4:14b-20 Eph 4:1-16 Lk 7:1-10 70 Disciples: Lk 10:1-5 2 Sunday 5 January 2020 (Forefeast of the Epiphany) Syncletica, hermit in Egypt (c. -
2010 Romanesque Confererence Abstracts
ROMANESQUE AND THE PAST ABSTRACTS John McNeill An Introduction to 11th and 12th-Century Attitudes to the Past One of the questions the conference is implicitly posing is whether there is a discernably Romanesque sense of the Past - an attitude or set of approaches to the past different to that of, say, the fourteenth century - or the fourth? And whether there is any consistency in the way this might be expressed - both across media - and across regions. By way of an introduction this paper will largely concentrate on architecture, and look at the ways in which spolia - material fragments of the past - were reused. It will suggest that the allusive capacity of spolia was important in certain areas of Europe in creating an architecture which attempted to emulate the architecture of Late Antiquity, particularly in the second half of the 11th century, though for the most part spolia was used for very specific and local reasons. It will conclude with a very brief consideration of emulation and architectural referentiality. Eric Fernie The Concept of the Romanesque The Romanesque style is one of the most loosely defined and controversial of art historical periods. The paper will assess the case against it and then that for it, concentrating on architecture and examining in particular when it is supposed to have begun, how it related to the political units of the time, and how it is used in conjunction with other period labels. The presentation concludes with an assessment of the origins of the Romanesque in a broad historical context. Richard Gem St Peter’s Basilica in Rome c.1024-1159: a model for emulation? The aim of this contribution is to evaluate the possible role of the ancient basilica of St Peter in Rome as a model for architectural design and for religious practice in Europe between the second quarter of the eleventh century and the middle of the twelfth (from Pope John XIX to Pope Hadrian IV). -
Onomastica Uralica 8
ONOMASTICA PatrocinySettlementNames inEurope Editedby VALÉRIA TÓTH Debrecen–Helsinki 2011 Onomastica Uralica President of the editorial board István Nyirkos, Debrecen Co-president of the editorial board Ritva Liisa Pitkänen, Helsinki Editorial board Terhi Ainiala, Helsinki Sándor Maticsák, Debrecen Tatyana Dmitrieva, Yekaterinburg Irma Mullonen, Petrozavodsk Kaisa Rautio Helander, Aleksej Musanov, Syktyvkar Guovdageaidnu Peeter Päll, Tallinn István Hoffmann, Debrecen Janne Saarikivi, Helsinki Marja Kallasmaa, Tallinn Valéria Tóth, Debrecen Nina Kazaeva, Saransk D. V. Tsygankin, Saransk Lyudmila Kirillova, Izhevsk The articles were proofread by Terhi Ainiala, Helsinki Andrea Bölcskei, Budapest Christian Zschieschang, Leipzig Lector of translation Jeremy Parrott Technical editor Valéria Tóth Cover design and typography József Varga The work is supported by the TÁMOP 4.2.1./B-09/1/KONV-2010-0007 project. The project is implemented through the New Hungary Development Plan, co-financed by the European Social Fund and the European Regional Development Fund. The studies are to be found at the Internet site http://mnytud.arts.unideb.hu/onomural/ ISSN 1586-3719 (Print), ISSN 2061-0661 (Online) ISBN 978-963-318-126-3 Debreceni Egyetemi Kiadó University of Debrecen Publisher: Márta Virágos, Director General of University and National Library, University of Debrecen. Contents Foreword ................................................................................................... 5 PIERRE -HENRI BILLY Patrociny Settlement Names in France .............................................. -
VAR-840108-1001 06-09-2017 14-08-25 Abbyy.Pdf
Martial, Sernin, Trophime et les autres : à propos des évangélisateurs et des apôtres en Gaule Alain DlERKENS* Université Libre de Bruxelles Le culte de saint Martial, dont la vigueur est bien attestée au Vr' s., connaît un moment fort aux environs de l'an mil. Considéré d'abord comme un des sept évêques évangélisateurs de la Gaule au milieu du Iir s. (Grégoire de Tours), puis comme un des évêques désignés à Rome par saint Pierre pour porter la bonne parole en Gaule (Vita Martialis aniiquior, des environs de 850), Martial devient alors un parent de Pierre, un compagnon de Jésus, un véritable apôtre (notamment Vita Martialis prolixior). Cette prétention, défendue avec fougue par les moines de Saint-Martial de Limoges et amplifiée par Adémar de Chabannes, se heurte immédiatement à une série d'objections lourdes... avant d'être progressivement reprise, acceptée et de trouver une ultime (et éphémère) consécration au milieu du XIX'' s. lorsqu'en 1854, le culte apostolique de Martial obtient une fois encore Vapprobatur de Rome'. Je tiens à remercier chaleureusement Claude Andrault qui m'a fait l'amitié de m'inviter à son beau colloque sur Saint-Martial. Le bref article qui suit reprend les lignes de force de l'exposé que j'ai présenté à Poitiers le 26 mai 2005. Je voudrais dédier ces quelques lignes à la mémoire de Valérie Fortunier, décédée inopinément peu avant le colloque (8 mai 2005) ; cette jeune et dynamique historienne préparait une thèse de doctorat, sous la direction de Christian Lauranson-Rosaz, sur les mouvements de paix dans les « pays du centre de la Gaule » aux environs de l'an mil. -
The Aquitanian Sacred Repertoire in Its Cultural Context
THE AQUITANIAN SACRED REPERTOIRE IN ITS CULTURAL CONTEXT: AN EXAMINATION OF PETRI CLA VIGER! KARl, IN HOC ANNI CIRCULO, AND CANTUMIRO SUMMA LAUDE by ANDREA ROSE RECEK A THESIS Presented to the School ofMusic and Dance and the Graduate School ofthe University of Oregon in partial fulfillment ofthe requirements for the degree of Master of Arts September 2008 11 "The Aquitanian Sacred Repertoire in Its Cultural Context: An Examination ofPetri clavigeri kari, In hoc anni circulo, and Cantu miro summa laude," a thesis prepared by Andrea Rose Recek in partial fulfillment ofthe requirements for the Master ofArts degree in the School ofMusic and Dance. This thesis has been approved and accepted by: Dr. Lori Kruckenberg, Chair ofth xamining Committee Committee in Charge: Dr. Lori Kruckenberg, Chair Dr. Marc Vanscheeuwijck Dr. Marian Smith Accepted by: Dean ofthe Graduate School 111 © 2008 Andrea Rose Recek IV An Abstract ofthe Thesis of Andrea Rose Recek for the degree of Master ofArts in the School ofMusic and Dance to be taken September 2008 Title: THE AQUITANIAN SACRED REPERTOIRE IN ITS CULTURAL CONTEXT: AN EXAMINATION OF PETRI CLA VIGER! KARl, INHOC ANNI CIRCULO, AND CANTU MIRa SUMMA LAUDE Approved: ~~ _ Lori Kruckenberg Medieval Aquitaine was a vibrant region in terms of its politics, religion, and culture, and these interrelated aspects oflife created a fertile environment for musical production. A rich manuscript tradition has facilitated numerous studies ofAquitanian sacred music, but to date most previous research has focused on one particular facet of the repertoire, often in isolation from its cultural context. This study seeks to view Aquitanian musical culture through several intersecting sacred and secular concerns and to relate the various musical traditions to the region's broader societal forces. -
The Count of Saint-Gilles and the Saints of the Apocalypse
University of Tennessee, Knoxville Trace: Tennessee Research and Creative Exchange Doctoral Dissertations Graduate School 8-2015 The ounC t of Saint-Gilles and the Saints of the Apocalypse: Occitanian Piety and Culture in the Time of the First Crusade Thomas Whitney Lecaque University of Tennessee - Knoxville, [email protected] Recommended Citation Lecaque, Thomas Whitney, "The ounC t of Saint-Gilles and the Saints of the Apocalypse: Occitanian Piety and Culture in the Time of the First Crusade. " PhD diss., University of Tennessee, 2015. http://trace.tennessee.edu/utk_graddiss/3434 This Dissertation is brought to you for free and open access by the Graduate School at Trace: Tennessee Research and Creative Exchange. It has been accepted for inclusion in Doctoral Dissertations by an authorized administrator of Trace: Tennessee Research and Creative Exchange. For more information, please contact [email protected]. To the Graduate Council: I am submitting herewith a dissertation written by Thomas Whitney Lecaque entitled "The ounC t of Saint-Gilles and the Saints of the Apocalypse: Occitanian Piety and Culture in the Time of the First Crusade." I have examined the final electronic copy of this dissertation for form and content and recommend that it be accepted in partial fulfillment of the requirements for the degree of Doctor of Philosophy, with a major in History. Jay Rubenstein, Major Professor We have read this dissertation and recommend its acceptance: Thomas Burman, Jacob Latham, Rachel Golden Accepted for the Council: Carolyn R. Hodges Vice Provost and Dean of the Graduate School (Original signatures are on file with official student records.) The Count of Saint-Gilles and the Saints of the Apocalypse: Occitanian Piety and Culture in the Time of the First Crusade A Dissertation Presented for the Doctor of Philosophy Degree The University of Tennessee, Knoxville Thomas Whitney Lecaque August 2015 ii Copyright © 2015 by Thomas Whitney Lecaque All rights reserved. -
Guide of Pamplona
GUIDE OF PAMPLONA PROPOSALS TO DISCOVER AND ENJOY THE CITY Index WHERE TO FIND US ............... 3 A BIT OF HISTORY .................. 4 PAMPLONA IS... WALLS .............................10 SAN FERMÍN ...................16 THE WAY ..........................23 GREEN .............................26 FOOD ................................32 WHAT TO BUY? .....................36 PAMPLONA ES MUCHO MÁS PRACTICAL INFORMATION ..38 Pamplona -Iruña in Basque- is a comfortable, warm, friendly and safe city for visitors, and one which is always eager to make itself known. Located on the Way of St James, Pamplona is the first city pilgrims come across on their way from Roncesvalles, a fact which has conditioned its history and character since ancient times. Its Renaissance fortifications are among the finest in Europe. Its parks and gardens never cease to amaze visitors. And in addition to all this, it has outstanding traditional food, based on the high quality of its local products, and a varied cultural agenda. Whatever the time of year, it is well worth taking a break to enjoy Pamplona’s cultural programme, its small music, food and art festivals, and all the events it hosts at both its smaller concert halls and larger venues: Teatro Gayarre, Navarra Arena and the Baluarte conference centre and auditorium. Finally, from the 6th to the 14th of July the unique and endearing Festival of San Fermín turns Pamplona into the place to be both for partying and culture of the highest order for locals and visitors of all types and ages. All these things and many more make Pamplona a capital full of history and stories with a highly distinctive identity, the fruit of its historical relevance and age-old culture. -
Über Alle Zweifel Erhaben? Das Phänomen Der
„Über alle Zweifel erhaben?“ Die Stadtpatrone von Arles und Toulouse in den Stürmen der Zeit Referentin: Dr. Anke Napp, Hamburg 1. Arles und der Heilige Trophimus 417: älteste Nachricht über den Heiligen im Zusammenhang mit der Auseinandersetzung um den Primat von Gallien (Brief Papst Zosimus) 5. Jh.: erster hagiographischer Text 6. Jh.: erste Vita feiert Trophimus als Papst und Patron von Arles, der von Petrus selbst nach Gallien entsandt wird Der Hl. Genesius und der Hl. Trophimus Seit dem 5. Jh.: Kultbetrieb für den frühchristlichen Märtyrer Genesius Große Berühmtheit und rasche Verbreitung des Kultes in ganz Europa „Gallierapostel“ Trophimus ist eine lokale Größe, außerhalb von Arles herrscht nicht einmal eine einheitliche Meinung zum Zeitpunkt seiner Sendung: Gregor von Tours situiert ihn in das Jahr 250. Trophimus im Streit Arles mit Vienne 9. Jh.: weiterer Sermon zu Ehren des Hl. Trophimus mit Plagiaten aus der Legende des Germanus von Auxerre. Trophimus als „pater et pastor“ Galliens Kirchenpolitischer Hintergrund: Vienne wurde Haupstadt des Königreichs Niederburgund und die Erzbischöfe waren um Unabhängigkeit vom arelater Metropoliten bemüht. Trophimus wird Patron von Montmajour 10. Jh.: zweite Vita für Trophimus, situiert den Heiligen im Umfeld Jesu und der Apostel Paulus übergibt ihm die Stadt Arles Erzmärtyrer Stephanus Verwandter des Trophimus Trophimus gründet die Kathedrale und eine Petruskirche, in der er Benediktiner einsetzt – die spätere Abtei Montmajour Patron und Legitimator von Montmajour „Vikar des Apostels Trophimus“ 11. Jh.: Arelater Erzbischof nennt sich „Vikar des Apostels Trophimus“ Dionysius Areopagita als Nachfolger und Schüler des Trophimus Kirchenpolitische Hintergründe: Arelater Erzbischof von Reformpapst Gregor VI. exkommuniziert; Arles wird zu einem „Stein des Anstoßes“ Trophimus, der Jünger Christi 12. -
The Church and Vernacular Literature in Medieval France Edited by Dorothea Kullmann
00-frontmatter.qxd 28/07/2009 4:11 PM Page i Prologue | i The Church and Vernacular Literature in Medieval France edited by dorothea kullmann The rapid rise of vernacular literature in medieval France, within a culture which continued to acknowledge Latin as its vehicular language, is a fact that literary historians tend too easily to take for granted. Within a rela- tively short period, stretching roughly from the end of the eleventh century to the thirteenth century, French and Occitan literatures acquired an output and a level of sophistication that made them the leading models for other European literatures. New genres and new subject matters appear one after the other; new ideologies (such as the concept of love developed by the troubadours) are first expressed in vernacular creations; and even learned Latin authors soon feel obliged to take notice of these developments. Should we describe this astonishing chapter of cultural history as the development of a “lay”, or “profane”, literature alongside a Church- dominated learned and religious one, or as the emancipation of vernacular literature from the tutorship of the Church? Is the borderline between “lay” and “religious” texts and genres really as clear-cut as some literary histories would make us believe? How then did these new genres of written literature come into being in a culture in which the Church held the monopoly on education, including training in writing? Did the Church as an institution play any role in the birth and expansion of vernacular literature? In the present volume, specialists from the disciplines of linguistics, lit- erature, history and musicology address the various aspects of this complex of questions. -
Culture and Society in Medieval Galicia
Culture and Society in Medieval Galicia A Cultural Crossroads at the Edge of Europe Edited and Translated by James D’Emilio LEIDEN | BOSTON For use by the Author only | © 2015 Koninklijke Brill NV <UN> Contents Preface ix Acknowledgments xxiv List of Figures, Maps, and Tables XXVI Abbreviations xxxii List of Contributors xxxviii Part 1: The Paradox of Galicia A Cultural Crossroads at the Edge of Europe 1 The Paradox of Galicia A Cultural Crossroads at the Edge of Europe 3 James D’Emilio Part 2: The Suevic Kingdom Between Roman Gallaecia and Modern Myth Introduction to Part 2 126 2 The Suevi in Gallaecia An Introduction 131 Michael Kulikowski 3 Gallaecia in Late Antiquity The Suevic Kingdom and the Rise of Local Powers 146 P. C. Díaz and Luis R. Menéndez-Bueyes 4 The Suevic Kingdom Why Gallaecia? 176 Fernando López Sánchez 5 The Church in the Suevic Kingdom (411–585 ad) 210 Purificación Ubric For use by the Author only | © 2015 Koninklijke Brill NV <UN> vi Contents Part 3: Early Medieval Galicia Tradition and Change Introduction to Part 3 246 6 The Aristocracy and the Monarchy in Northwest Iberia between the Eighth and the Eleventh Century 251 Amancio Isla 7 The Charter of Theodenandus Writing, Ecclesiastical Culture, and Monastic Reform in Tenth- Century Galicia 281 James D’ Emilio 8 From Galicia to the Rhône Legal Practice in Northern Spain around the Year 1000 343 Jeffrey A. Bowman Part 4: Galicia in the Iberian Kingdoms From Center to Periphery? Introduction to Part 4 362 9 The Making of Galicia in Feudal Spain (1065–1157) 367 Ermelindo Portela 10 Galicia and the Galicians in the Latin Chronicles of the Twelfth and Thirteenth Centuries 400 Emma Falque 11 The Kingdom of Galicia and the Monarchy of Castile-León in the Twelfth and Thirteenth Centuries 429 Francisco Javier Pérez Rodríguez For use by the Author only | © 2015 Koninklijke Brill NV <UN> Contents vii Part 5: Compostela, Galicia, and Europe Galician Culture in the Age of the Pilgrimage Introduction to Part 5 464 12 St. -
Le Clocher-Porche De Saint-Martial. Un Écho Ou Un Prélude À L’Entreprise Du Chevet ? Claude Andrault-Schmitt
Le clocher-porche de Saint-Martial. Un écho ou un prélude à l’entreprise du chevet ? Claude Andrault-Schmitt To cite this version: Claude Andrault-Schmitt. Le clocher-porche de Saint-Martial. Un écho ou un prélude à l’entreprise du chevet ?. Bulletin Monumental, Societe Francaise d’Archeologie, 2020, Saint-Martial de Limoges Millénaire de l’abbatiale romane (1018-2018) sous la direction d’Éliane Vergnolle, 178 (1), pp.39-54. halshs-02532097 HAL Id: halshs-02532097 https://halshs.archives-ouvertes.fr/halshs-02532097 Submitted on 25 May 2020 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Bulletin monumental Saint-Martial de Limoges Saint-Martial 178 1 78 0 Saint-Martial de Limoges ISBN : 978-2-901837-82-4 Millénaire de l’abbatiale romane (1018-2018) sous la direction d’Éliane Vergnolle société française d’archéologie société française d’archéologie bulletin monumental • 2020 • Tome 178-1 Tome bulletin monumental • 2020 30 € Comité des publications Françoise Boudon Ingénieur de recherches honoraire, CNRS Isabelle Chave Conservateur en chef du patrimoine, -
Chickens in the Archaeological Material Culture of Roman Britain, France, and Belgium
Chickens in the Archaeological Material Culture of Roman Britain, France, and Belgium Michael Peter Feider A thesis submitted in partial fulfilment of the requirements of Bournemouth University for the degree of Doctor of Philosophy Bournemouth University April 2017 Copyright Statement This copy of the thesis has been supplied on condition that anyone who consults it is understood to recognise that its copyright rests with its author and due acknowledgement must always be made of the use of any material contained in, or derived from, this thesis. 2 Abstract Chickens first arrived in northwest Europe in the Iron Age, but it was during the Roman period that they became a prominent part of life. Previous research on the domestication and spread of chickens has focused on the birds themselves, with little discussion of their impact on the beliefs and symbolism of the affected cultures. However, an animal that people interact with so regularly influences more than simply their diet, and begins to creep into their cultural lexicon. What did chickens mean to the people of Roman Britain, France, and Belgium? The physical remains of these birds are the clearest sign that people were keeping them, and fragments of eggshell suggest they were being used for their secondary products as well as for their meat. By expanding zooarchaeological research beyond the physical remains to encompass the material culture these people left behind, it is possible to explore answers to this question of the social and cultural roles of chickens and their meaning and importance to people in the Roman world. Other species, most notably horses, have received some attention in this area, but little has been done with chickens.