DOCSLIB.ORG

Curriculum Vitae James Norman Grier, FRSC

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Curriculum Vitae James Norman Grier, FRSC Curriculum Vitae James Norman Grier, FRSC Faculty of Music Email: [email protected] University of Western Ontario Telephone: 519-661-2111 EXT 85340 Talbot College FAX: 519-661-3531 London, Ontario N6A 3K7 CANADA Date and Place of Birth: 27 October 1952; Toronto, Ontario. Citizenship: Canadian. Naturalized citizen of the United States. EDUCATION: MusBac Faculty of Music, University of Toronto; Composition, minor in History and Literature; 1975. BA University of Toronto; Latin Literature; 1977. MA University of Toronto; Medieval Studies; 1979. PhD University of Toronto; Medieval Studies; 1985. Dissertation: Transmission in the Aquitanian Versaria of the Eleventh and Twelfth Centuries. ACADEMIC AWARDS: Grasett Memorial Scholarship for Classics (shared); 1976. Moss Scholarship for Classics; 1977. Ontario Graduate Scholarships; 1978, 1979, 1981, 1982. Imperial Order of Daughters of the Empire, War Memorial Scholarship; 1980, 1981. Massey College, Resident Junior Fellow; 1979-82. Associates of the University of Toronto, Travel Grant; 1983. Mount Allison University, Research Committee, Research Grant; 1986. Queen’s University, Principal’s Development Fund, Research Grant; 1987, 1988. Queen’s University, Advisory Research Committee, Research Grant; 1987 (two awards), 1988 (two awards), 1989. Social Sciences and Humanities Research Council of Canada, Research Grant; 1989-90, 1998-2001, 2002-5, 2006-9, 2010-13. Yale University, A. Whitney Griswold Faculty Research Fund Grant; 1990, 1991, 1992, 1993, 1994, 1995, 1997. Yale University, John F. Enders Research Assistance Grant; 1991. Yale University, Morse Fellowship; 1993-94. Yale University, Frederick W. Hilles Publications Fund, subvention for the publication of The Critical Edit- ing of Music: History, Method, and Practice; 1995. University of Western Ontario, Vice-President’s Research Award; 1997. Social Sciences and Humanities Research Council of Canada, Travel Grant; 1998, 2005. University of Western Ontario, Social Sciences and Humanities Research Council of Canada, Internal Re- search Grant; 2001. Institute for Advanced Study, Princeton, Edward T. Cone Member in Music Studies, School of Historical Studies; 2002-3. University of Windsor, Humanities Research Group, Visiting Humanities Fellow; 2003-5. American Council of Learned Societies Fellowship; 2009. National Endowment for the Humanities Fellowship; 2009-10. Killam Research Fellowship; 2009-11. 2 Social Sciences and Humanities Research Council of Canada, Insight Grant; 2014-19. Canadian Society of Medievalists, Margaret Wade Labarge Prize for Ademari Cabannensis Opera Omnia Pars II. Opera liturgica et poetica: Musica cum textibus; 2014. Royal Society of Canada, elected Fellow; 2016. Canadian Society of Medievalists, Margaret Wade Labarge Prize for Ademarus Cabannensis monachus et musicus; 2019. TEACHING EXPERIENCE: University of Waterloo, Department of Classical Studies; lecturer, 1983-85. Mount Allison University, Department of Classics; assistant professor, 1985-86. Queen’s University, School of Music; assistant professor, 1986-90. Cross-appointed to Department of Clas- sics, 1988. Yale University, Department of Music; assistant professor, 1990-94; associate professor, 1994-97. University of Western Ontario, Faculty of Music; associate professor, 1997-99; professor with tenure, 1999-. PUBLICATIONS: BOOKS The Critical Editing of Music: History, Method, and Practice (Cambridge: Cambridge University Press, 1996), pp. xiv, 267. Spanish translation: La edición crítica de música: Historia, método y práctica, trans. Andrea Giráldez, Akal Música, 22 (Madrid: Ediciones Akal, 2008), pp. 232. The Musical World of a Medieval Monk: Adémar de Chabannes in Eleventh-Century Aquitaine (Cam- bridge: Cambridge University Press, 2006), pp. xvi, 367. Ademari Cabannensis Opera Omnia Pars II. Opera liturgica et poetica: Musica cum textibus, 2 vols., Cor- pus Christianorum Continuatio Mediaevalis, 245, 245A (Turnhout: Brepols, 2012) pp. cxxxvii, 699, 468. Ademarus Cabannensis monachus et musicus, Corpus Christianorum, Autographa Medii Aevi, 7 (Turn- hout: Brepols, 2018), pp. 219. ARTICLES: “The Stemma of the Aquitanian Versaria,” Journal of the American Musicological Society 41 (1988): 250-88. “Lachmann, Bédier and the Bipartite Stemma: Towards a Responsible Application of the Common-Error Method,” Revue d’Histoire des Textes 18 (1988): 263-78. “Ecce sanctum quem deus elegit Marcialem apostolum: Adémar de Chabannes and the Tropes for the Feast of Saint Martial,” in Beyond the Moon: Festschrift Luther Dittmer, ed. Bryan Gillingham and Paul Merkley, Wissenschaftliche Abhandlungen, 53 (Ottawa: Institute of Mediaeval Music, 1990), pp. 28-74. “Some Codicological Observations on the Aquitanian Versaria,” Musica Disciplina 44 (1990): 5-56. “Scribal Practices in the Aquitanian Versaria of the Twelfth Century: Towards a Typology of Error and Variant,” Journal of the American Musicological Society 45 (1992): 373-427. “Les pratiques des copistes des versaria aquitains du XIIe siècle,” in Polyphonies de tradition orale: His- toire et traditions vivantes, ed. Christian Meyer, Rencontres à Royaumont (Paris: Éditions Créaphis, 1993), pp. 31-58. “A New Voice in the Monastery: Tropes and Versus from Eleventh- and Twelfth-Century Aquitaine,” Spe- culum 69 (1994): 1023-69. Reprinted in Embellishing the Liturgy: Tropes and Polyphony, ed. Alejan- dro Enrique Planchart, Music in Medieval Europe (Farnham: Ashgate, 2009), pp. 227-73. “Musical Sources and Stemmatic Filiation: A Tool for Editing Music,” Journal of Musicology 13 (1995): 73- 102. “Roger de Chabannes (d. 1025), Cantor of St Martial, Limoges,” Early Music History 14 (1995): 53-119. “On the Critical Editing of Music,” in Irish Musical Studies, 4/5, The Maynooth International Musicological Conference 1995, Selected Proceedings, 2 vols., ed. Patrick F. Devine and Harry White (Kill Lane, Black- rock, Co. Dublin: Four Courts Press, 1996), 2:119-30. “Editing Adémar de Chabannes’ Liturgy for the Feast of Saint Martial,” in Music Discourse from Classical to Early Modern Times: Editing and Translating Texts, ed. Maria Rika Maniates, Conference on Edito- 3 rial Problems, no. 26: 1990 (Toronto: University of Toronto Press, 1997), pp. 17-43. Revised and up- dated version in Plainsong and Medieval Music 6 (1997): 97-118. “Scriptio interrupta: Adémar de Chabannes and the Production of Paris, Bibliothèque Nationale de France, MS latin 909,” Scriptorium 51 (1997): 234-50 and plates 17-27. “The Divine Office at Saint-Martial in the Early Eleventh Century: Paris, BNF lat. 1085,” in The Divine Office in the Latin Middle Ages: Methodology and Source Studies, Regional Developments, Hagio- graphy, Written in Honor of Professor Ruth Steiner, ed. Margot E. Fassler and Rebecca A. Baltzer (New York: Oxford University Press, 2000), pp. 179-204. “The Mothers of Invention and Uncle Meat: Alienation, Anachronism and a Double Variation,” Acta Mu- sicologica 73 (2001): 77-95. “Liturgy and Rhetoric in the Service of Fraud: Adémar de Chabannes and the Apostolicity of Saint Mar- tial,” in Latin Culture in the Eleventh Century: Proceedings of the Third International Conference on Medieval Latin Studies, Cambridge, September 9-12 1998, 2 vols., ed. Michael W. Herren, C. J. McDon- ough and Ross G. Arthur, Publications of the Journal of Medieval Latin, 5 (Turnhout: Brepols, 2002), 1:384-97. “Adémar de Chabannes, Carolingian Musical Practices, and Nota Romana,” Journal of the American Mu- sicological Society 56 (2003): 43-98. “The Music is the Message: Music in the Apostolic Liturgy of Saint Martial,” Plainsong and Medieval Mu- sic 12 (2003): 1-14. “The Musical Autographs of Adémar de Chabannes (989-1034),” Early Music History 24 (2005): 125-68. “Authority of the Composer, Authority of the Editor,” in Nordic Music Editions: Symposium 1-2 Septem- ber 2005, ed. Niels Krabbe (Copenhagen: The Royal Library, 2006), pp. 17-29. “The Music is the Message II: Adémar de Chabannes’ Music for the Apostolic Office of Saint Martial,” Plainsong and Medieval Music 15 (2006): 43-54. “An Urbane Fraud: Limoges and Adémar de Chabannes’ Liturgy for Saint-Martial, 3 August 1029,” in Saint-Martial de Limoges: Ambition politique et production culturelle (Xe-XIIIe siècles), ed. Claude Andrault-Schmitt (Limoges: Presses Universitaires de Limoges, 2006), pp. 455-67. “Biblical and Classical Imagery in the Liturgical Poetry of Adémar de Chabannes (989-1034),” Journal of Medieval Latin 16 (2006): 76-94. “Adémar de Chabannes at the Nexus of Tradition and Innovation,” in Identity and Locality in Early Euro- pean Music, 1028-1740, ed. Jason Stoessel (Farnham: Ashgate, 2009), pp. 13-26. “The Reinstatement of Polyphony in Musical Composition: Fugal Finales in Haydn’s Op. 20 String Quar- tets,” Journal of Musicology 27 (2010): 55-83. “Ego and Alter Ego: Artistic Interaction between Bob Dylan and Roger McGuinn,” in Sounding Out Pop: Analytical Essays in Popular Music, ed. Mark Spicer and John Covach, Tracking Pop (Ann Arbor: Uni- versity of Michigan Press, 2010), pp. 42-62. “An Editor of Medieval Music Looks Backwards . and Forwards: The Critical Edition of Music Written in the Hand of Adémar de Chabannes (989-1034),” Philomusica 9 no. 2 (2010): 1-9 <riviste.paviauniversitypress.it/index.php/phi/article/view/643/pdf_3>. “Hoax, History, and Hagiography in Adémar de Chabannes’s Texts for the Divine Office,” in Representing History, 1000-1300: Art, Music, History, ed. Robert A. Maxwell (University Park, PA: Pennsylvania State University Press, 2010), pp. 67-72. “Adémar de Chabannes and
Load more

Recommended publications
  • 1 Liturgical Year 2020 of the Celtic Orthodox Church Wednesday 1St
    Liturgical Year 2020 of the Celtic Orthodox Church Wednesday 1st January 2020 Holy Name of Jesus Circumcision of Our Lord and Savior Jesus Christ Basil the Great, Bishop of Caesarea of Palestine, Father of the Church (379) Beoc of Lough Derg, Donegal (5th or 6th c.) Connat, Abbess of St. Brigid’s convent at Kildare, Ireland (590) Ossene of Clonmore, Ireland (6th c.) ♦ Liturgy: Wis 3:10-19 Eph 3:1-7 Lk 6:5-11 Holy Name of Jesus: ♦ Vespers: Ps 8 and 19 ♦ 1st Nocturn: Ps 64 1Tm 2:1-6 Lk 6:16-22 ♦ 3rd Nocturn: Ps 71 and 134 Phil 2:6-11 ♦ Matins: Jn 10:9-16 ♦ Liturgy: Gn 17:1-14 Ps 112 Col 2:8-12 Lk 2:20-21 ♦ Sext: Ps 53 ♦ None: Ps 148 1 Thursday 2 January 2020 Seraphim, priest-monk of Sarov (1833) Adalard, Abbot of Corbie, Founder of New Corbie (827) John of Kronstadt, priest and confessor (1908) Seiriol, Welsh monk and hermit at Anglesey, off the coast of north Wales (early 6th c.) Munchin, monk, Patron of Limerick, Ireland (7th c.) The thousand Lichfield Christians martyred during the reign of Diocletian (c. 333) ♦ Liturgy: Wis 4:1-6 Eph 3:8-13 Lk 8:24-36 Friday 3 January 2020 Genevieve, virgin, Patroness of Paris (502) Blimont, monk of Luxeuil, 3rd Abbot of Leuconay (673) Malachi, prophet (c. 515 BC) Finlugh, Abbot of Derry (6th c.) Fintan, Abbot and Patron Saint of Doon, Limerick, Ireland (6th c.) ♦ Liturgy: Wis 4:7-14a Eph 3:14-21 Lk 6:46-49 Saturday 4 January 2020 70 Disciples of Our Lord Jesus Christ Gregory, Bishop of Langres (540) ♦ Liturgy: Wis 4:14b-20 Eph 4:1-16 Lk 7:1-10 70 Disciples: Lk 10:1-5 2 Sunday 5 January 2020 (Forefeast of the Epiphany) Syncletica, hermit in Egypt (c.
    [Show full text]
  • VAR-840108-1001 06-09-2017 14-08-25 Abbyy.Pdf
    Martial, Sernin, Trophime et les autres : à propos des évangélisateurs et des apôtres en Gaule Alain DlERKENS* Université Libre de Bruxelles Le culte de saint Martial, dont la vigueur est bien attestée au Vr' s., connaît un moment fort aux environs de l'an mil. Considéré d'abord comme un des sept évêques évangélisateurs de la Gaule au milieu du Iir s. (Grégoire de Tours), puis comme un des évêques désignés à Rome par saint Pierre pour porter la bonne parole en Gaule (Vita Martialis aniiquior, des environs de 850), Martial devient alors un parent de Pierre, un compagnon de Jésus, un véritable apôtre (notamment Vita Martialis prolixior). Cette prétention, défendue avec fougue par les moines de Saint-Martial de Limoges et amplifiée par Adémar de Chabannes, se heurte immédiatement à une série d'objections lourdes... avant d'être progressivement reprise, acceptée et de trouver une ultime (et éphémère) consécration au milieu du XIX'' s. lorsqu'en 1854, le culte apostolique de Martial obtient une fois encore Vapprobatur de Rome'. Je tiens à remercier chaleureusement Claude Andrault qui m'a fait l'amitié de m'inviter à son beau colloque sur Saint-Martial. Le bref article qui suit reprend les lignes de force de l'exposé que j'ai présenté à Poitiers le 26 mai 2005. Je voudrais dédier ces quelques lignes à la mémoire de Valérie Fortunier, décédée inopinément peu avant le colloque (8 mai 2005) ; cette jeune et dynamique historienne préparait une thèse de doctorat, sous la direction de Christian Lauranson-Rosaz, sur les mouvements de paix dans les « pays du centre de la Gaule » aux environs de l'an mil.
    [Show full text]
  • The Aquitanian Sacred Repertoire in Its Cultural Context
    THE AQUITANIAN SACRED REPERTOIRE IN ITS CULTURAL CONTEXT: AN EXAMINATION OF PETRI CLA VIGER! KARl, IN HOC ANNI CIRCULO, AND CANTUMIRO SUMMA LAUDE by ANDREA ROSE RECEK A THESIS Presented to the School ofMusic and Dance and the Graduate School ofthe University of Oregon in partial fulfillment ofthe requirements for the degree of Master of Arts September 2008 11 "The Aquitanian Sacred Repertoire in Its Cultural Context: An Examination ofPetri clavigeri kari, In hoc anni circulo, and Cantu miro summa laude," a thesis prepared by Andrea Rose Recek in partial fulfillment ofthe requirements for the Master ofArts degree in the School ofMusic and Dance. This thesis has been approved and accepted by: Dr. Lori Kruckenberg, Chair ofth xamining Committee Committee in Charge: Dr. Lori Kruckenberg, Chair Dr. Marc Vanscheeuwijck Dr. Marian Smith Accepted by: Dean ofthe Graduate School 111 © 2008 Andrea Rose Recek IV An Abstract ofthe Thesis of Andrea Rose Recek for the degree of Master ofArts in the School ofMusic and Dance to be taken September 2008 Title: THE AQUITANIAN SACRED REPERTOIRE IN ITS CULTURAL CONTEXT: AN EXAMINATION OF PETRI CLA VIGER! KARl, INHOC ANNI CIRCULO, AND CANTU MIRa SUMMA LAUDE Approved: ~~ _ Lori Kruckenberg Medieval Aquitaine was a vibrant region in terms of its politics, religion, and culture, and these interrelated aspects oflife created a fertile environment for musical production. A rich manuscript tradition has facilitated numerous studies ofAquitanian sacred music, but to date most previous research has focused on one particular facet of the repertoire, often in isolation from its cultural context. This study seeks to view Aquitanian musical culture through several intersecting sacred and secular concerns and to relate the various musical traditions to the region's broader societal forces.
    [Show full text]
  • The Church and Vernacular Literature in Medieval France Edited by Dorothea Kullmann
    00-frontmatter.qxd 28/07/2009 4:11 PM Page i Prologue | i The Church and Vernacular Literature in Medieval France edited by dorothea kullmann The rapid rise of vernacular literature in medieval France, within a culture which continued to acknowledge Latin as its vehicular language, is a fact that literary historians tend too easily to take for granted. Within a rela- tively short period, stretching roughly from the end of the eleventh century to the thirteenth century, French and Occitan literatures acquired an output and a level of sophistication that made them the leading models for other European literatures. New genres and new subject matters appear one after the other; new ideologies (such as the concept of love developed by the troubadours) are first expressed in vernacular creations; and even learned Latin authors soon feel obliged to take notice of these developments. Should we describe this astonishing chapter of cultural history as the development of a “lay”, or “profane”, literature alongside a Church- dominated learned and religious one, or as the emancipation of vernacular literature from the tutorship of the Church? Is the borderline between “lay” and “religious” texts and genres really as clear-cut as some literary histories would make us believe? How then did these new genres of written literature come into being in a culture in which the Church held the monopoly on education, including training in writing? Did the Church as an institution play any role in the birth and expansion of vernacular literature? In the present volume, specialists from the disciplines of linguistics, lit- erature, history and musicology address the various aspects of this complex of questions.
    [Show full text]
  • Le Clocher-Porche De Saint-Martial. Un Écho Ou Un Prélude À L’Entreprise Du Chevet ? Claude Andrault-Schmitt
    Le clocher-porche de Saint-Martial. Un écho ou un prélude à l’entreprise du chevet ? Claude Andrault-Schmitt To cite this version: Claude Andrault-Schmitt. Le clocher-porche de Saint-Martial. Un écho ou un prélude à l’entreprise du chevet ?. Bulletin Monumental, Societe Francaise d’Archeologie, 2020, Saint-Martial de Limoges Millénaire de l’abbatiale romane (1018-2018) sous la direction d’Éliane Vergnolle, 178 (1), pp.39-54. halshs-02532097 HAL Id: halshs-02532097 https://halshs.archives-ouvertes.fr/halshs-02532097 Submitted on 25 May 2020 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Bulletin monumental Saint-Martial de Limoges Saint-Martial 178 1 78 0 Saint-Martial de Limoges ISBN : 978-2-901837-82-4 Millénaire de l’abbatiale romane (1018-2018) sous la direction d’Éliane Vergnolle société française d’archéologie société française d’archéologie bulletin monumental • 2020 • Tome 178-1 Tome bulletin monumental • 2020 30 € Comité des publications Françoise Boudon Ingénieur de recherches honoraire, CNRS Isabelle Chave Conservateur en chef du patrimoine,
    [Show full text]
  • Index of Chants
    Cambridge University Press 978-1-107-06095-1 - Medieval Music, Legend, and the Cult of St. Martin: The Local Foundations of a Universal Saint Yossi Maurey Index More information Index of chants Ad patriam redit , prosa, 71 , 132 , 149 , 152 , De fructu ventris , ant., 57 155–57 , 166–67 Descendit de celis , resp., 149 , 151 , 153 , 158–62 , Adest multitudo monachorum , ant., 94 164 , 165 Adest namque , seq., 53 , 55 , 59 Dicant nunc Iudei , ant., 66 Agmina sacra angelorum , resp., 105 , 108 , 151 Dicite in nationibus , ver., 63 , 66 Aff erte domino , ant., 227 Divini fuerat , trope, 89 Alma redemptoris mater , ant., 261 Dixerunt discipuli , ant., 224–25 , 227–34 Amplexus parietem , prosa, 70 , 71 , 73 Dixerunt discipuli ad beatum , resp., 95 , 99 Ante sex dies , ant., 53 Domine, iam satis , ant., 94 Anxiatus est , ant., 143 Domine prevenisti , grad., 88 , 104 Apud dominum misericordia , ant., 57 Domine si adhuc populo , ant., 105 , 237–38 Arborius stupens , ant., 98 Domine si adhuc populo , resp., 96 , 99 , 237 Artus febre fatiscentes , ant., 94 Dum sacramenta , ver., 88 Ave Maria , seq., 63 Dum sacramenta off erret , resp., 99 , 105 Ave Maria gracia plena , ver., 261 Ave summa presulum , seq., 87 Ecce ascendimus , ant., 227 Ecce beatus sua , trope, 90 Beata nobis gaudia , hymn, 260 Ecce karissimi , 135 Beate Christi confessor , ant., 192 Ecce magnum et verum , resp., 99 Beatissimus Julianus , resp., 197–98 Ecce sacerdos magnus , int., 90 Beatus antistes , resp., 194–98 Ecce vere israelita , resp., 105 Beatus Gatianus urbem Turonicam ,
    [Show full text]
  • 23Rd International Congress on Medieval Studies
    Dear Colleague: It is my pleasure to invite you to the Twenty-Third International Congress on Medieval Studies to be held May 5-8, 1988 on the campus of Western Michigan University, under the sponsorship of the University's Medieval Institute. Highlights of this year's program are the International Symposium on Medieval Education in the Language Arts and the symposium on Silos in 1088 A.D. sponsored by the International Center of Medieval Art in commemoration of the 900th anniversary of Santo Domingo de Silos. A photographic exhibit of 11th-century Silos and its artistic monuments and a special concert on Thursday evening of Gregorian and Mozarabic chant from Silos manuscripts will complement the symposium. On Wednesday evening, May 4, the Society for Old Music will present Holy Week and Easter Drama and Ceremonies/rom Sweden at the Cathedral Church of Christ the King. On Friday eve­ ning, Paul Hillier will perform Music and Lyrics o/the Troubadours, and following the banquet on Saturday, May 7, Early Music from the Newberry Library will present music of 14th-century France at the Dalton Center Recital Hall, while the Chicago Medieval Players will present their production of the 12th-century music drama Play 0/ Antichrist at the First Baptist Church in downtown Kalamazoo. Transportation to all of these events will be provided, and tickets should be reserved in advance on your registration form. For more details on the above and other scheduled evening events please consult the daily program schedule. Specific information and instructions regarding registration, housing, meals, and transportation is provided on the following pages.
    [Show full text]
  • Les Origines De L'abbaye Auvergnate Saint-Pierre De Mozac 2
    Alain DIERKENS UNE ABBAYE MéDIéVALE FACE à SON PASSé : SAINT­PIERRE DE MOZAC, DU IX^ AU XIP SIèCLE i Les origines de l'abbaye auvergnate Saint-Pierre de Mozac 2 (diocèse de Clermont) remonteraient à la fin du VU" siècle si l'on en croit une fausse charte de Pépin le Bref, élaborée dans le courant du XIsiècle (?) d'après un acte vrai de 848, aujourd'hui perdu, du roi Pépin II 1 Je dois la découverte de la superbe abbaye de Mozac à Laurence Cabrero­Ravel, que je remercie de tout cœur ; c'est elle qui m'a incité à en étudier le dossier histo­ rique et hagiographique. Certaines des propositions présentées ici ont d'ailleurs été intégrées dans son article, « Saint­Pierre de Mozac : l'abbatiale romane », dans Congrès Archéologique de France, 158e session : Basse-Auvergne. Grande- Limagne (2000), Paris, 2003, p. 313­324. J'ai eu à plusieurs reprises l'occasion de présenter mes idées sur ce beau mais très difficile sujet (au Séminaire d'Histoire de Droit Médiéval de l'Université de Clermont I, le 19 décembre 2000, à l'invitation de Christian Lauranson­Rosaz ; au Centre d'Etudes Supérieures de Civilisation Médiévale de l'Université de Poitiers, le 3 juillet 2003, à l'invitation d'Éric Palazzo, de Claude Andrault et de Marie­Thérèse Camus et, bien sûr, à l'Université Libre de Bruxelles, notamment dans le cadre du Séminaire d'histoire du Haut Moyen Âge que j'anime avec mon ami Jean­Marie Sansterre), mais on voudra bien considérer les quelques pages qui suivent comme un état provisoire d'hypothèses qu'il convien­ drait assurément de mieux étayer.
    [Show full text]
  • Les Lã©Gendes Vengã©Es Ou Saint Grã©Goire De Tours Historien Des
    This is a reproduction of a library book that was digitized by Google as part of an ongoing effort to preserve the information in books and make it universally accessible. http://books.google.com A propos de ce livre Ceci est une copie numérique d’un ouvrage conservé depuis des générations dans les rayonnages d’une bibliothèque avant d’être numérisé avec précaution par Google dans le cadre d’un projet visant à permettre aux internautes de découvrir l’ensemble du patrimoine littéraire mondial en ligne. Ce livre étant relativement ancien, il n’est plus protégé par la loi sur les droits d’auteur et appartient à présent au domaine public. L’expression “appartenir au domaine public” signifie que le livre en question n’a jamais été soumis aux droits d’auteur ou que ses droits légaux sont arrivés à expiration. Les conditions requises pour qu’un livre tombe dans le domaine public peuvent varier d’un pays à l’autre. Les livres libres de droit sont autant de liens avec le passé. Ils sont les témoins de la richesse de notre histoire, de notre patrimoine culturel et de la connaissance humaine et sont trop souvent difficilement accessibles au public. Les notes de bas de page et autres annotations en marge du texte présentes dans le volume original sont reprises dans ce fichier, comme un souvenir du long chemin parcouru par l’ouvrage depuis la maison d’édition en passant par la bibliothèque pour finalement se retrouver entre vos mains. Consignes d’utilisation Google est fier de travailler en partenariat avec des bibliothèques à la numérisation des ouvrages appartenant au domaine public et de les rendre ainsi accessibles à tous.
    [Show full text]
  • Son Excellence Monsieur Laurent FABIUS Ministre Des Affaires Étrangères Et Du Développement International 37, Quai D'orsay F - 75351 – PARIS
    EUROPEAN COMMISSION Brussels, 07.05.2014 C(2014) 2609 final PUBLIC VERSION This document is made available for information purposes only. SUBJECT: STATE AID SA.38182 (2014/N) – FRANCE REGIONAL AID MAP 2014-2020 Sir, 1. PROCEDURE (1) On 28 June 2013 the Commission adopted the Guidelines on Regional State Aid for 2014-20201 (hereinafter "RAG"). Pursuant to paragraph 178 of the RAG, each Member State should notify to the Commission, following the procedure of Article 108(3) of the Treaty on the Functioning of the European Union, a single regional aid map applicable from 1 July 2014 to 31 December 2020. In accordance with paragraph 179 of the RAG, the approved regional aid map is to be published in the Official Journal of the European Union, and will constitute an integral part of the RAG. (2) By letter dated 16 January 2014, registered at the Commission on 16 January 2014 (2014/004765), the French authorities duly notified a proposal for the regional aid map of France for the period from 1 July 2014 to 31 December 2020. (3) On 14 February 2014 the Commission requested additional information (2014/016613), which was provided by the French authorities on 11 March 2014 (2014/027539), on 25 March 2014 (2014/033926) and on 2 April 2014 (2014/037495). 1 OJ C 209, 23.07.2013, p.1 Son Excellence Monsieur Laurent FABIUS Ministre des Affaires étrangères et du Développement international 37, Quai d'Orsay F - 75351 – PARIS Commission européenne, B-1049 Bruxelles/Europese Commissie, B-1049 Brussel – Belgium Telephone: 00- 32 (0) 2 299.11.11.
    [Show full text]
  • The Progress of Temptations Christ: My Child, Watch Yourself Especially at the Beginning of a Temptation
    Jesus † Mary † Joseph Chapter 47 - The Progress of Temptations Christ: My child, watch yourself especially at the beginning of a temptation. You will find it easier to overcome the enemy if you resist him at once. Stop him at the threshold, at the very moment when he knocks. He spoke wisely who said, “Resist beginnings; all too late the cure when ills have gathered strength by long delay.” Though it is never too late to turn to Me, you will find it harder to do so, the longer you linger with a temptation. 2. First a simple thought will slip into your mind. This is followed by a strong imagination. Then comes delight, then an evil inclination, and lastly, consent. Thus, little by little, the enemy gains full entrance into your soul, when he is not resisted in the beginning. Think: Many a ruined life could have been prevented, if only one had been wise enough to follow this advice. Too many take chances and linger too long at some pleasure, trying to enjoy as much as possible without falling into the evil that is there. People are so afraid of missing something. And so, they step closer and closer to actual sin, until, like a waiting spider, it reaches out and entangles them. Pray: O Holy Ghost, my God and Sanctifier, in Thee I hope for the wisdom to recognize sin before it overcomes me. Grant me strength to resist whatever would draw me into sin. I would have less faults and sins today if I had turned away from temptation at its very start.
    [Show full text]
  • Masarykova Univerzita Filozofická Fakulta Seminář Dějin Umění Filip
    Masarykova univerzita Filozofická fakulta Seminář dějin umění Filip Kyrc Local Saints, Global Roads, and Images Magisterská diplomová práce Vedoucí práce: doc. Ivan Foletti, MA 2017 Čestne prehlasujem, že som magisterskú diplomovú prácu vypracoval samostatne s využitím uvedených prameňov a literatúry. ……………………………… Podpis autora práce I am using this opportunity to express how much indebted I am to my colleagues, friends, and beloved family for their help. Foremost, I am very grateful to Ivan Foletti, my advisor, for his continuous support, knowledge, infinite patience, and inspiring enthusiasm. I am indebted to Ondrěj Jakubec, head of the Departmend of Art History, for his goodwill and gift of time. My sincere thanks also go to staffs of libraries in Rome and Poitiers, who kindly opened doors for me. I am thankful to my friends Agnese, Alžběta, Jana, Martin, Pavla, Sabina, Sandrina, and Zuzana from Via Giorgio Vasari 6, you were a pleasure to live with; to Amália for keeping my sanity; and to Katarína for her readiness and photographies. Particular I owe the great debt of gratitude to my parents for their generous and endless support. Last but not the least, my greatest debt is to Janka Gazdagová for everything and more. Thank you. Contents Introduction ....................................................................................................................... 9 1. State of Research ........................................................................................................ 11 From the Nineteenth Century to Constitution
    [Show full text]