i'i:llccti\c \lllll1ill\\L'\illL'il\l§ll iii a iittiltilticctcil. |1tIil\il\'\i \.'illtI|llk' ltttiiiu in \\hich i‘elluc- lltill ~l1llilL‘L‘ h\'L'U|ilL'\ the ll\'\\ icalit_\. lit the liittiic acciwitliitg in t'_\i\'lPlllll\ (Sis in tlic Pl&‘\L‘tll il\'\'\\ltilll1.! tit ll'|it\|lL‘\. C_\i’\\\l':_!\. and lliliilltllllllliills iitti.-iittiiti_'lc in a \\4\likl \\hcie Ct)]1l\'\ aic itltcit huttut iltait iiiigiiizils. ttltcic alntiist i.'\ci_\- thing l'L‘lit‘\'l\. lL‘|1l|Clll\‘\_ iii llilllillcs \iIlllClillllQ clsc. "li_\ hitlin;_'thec)c~."u\|1liiitt~ “aiulic_\hei'ptittl\" liitice Sici- ling. Pt‘lil1t[1\ thi; iiiiiteitii.-iit\ ttiust\ivc;ils|1iii\u\pc|\i\tt."ttti|~ l'tIl\il£ltlC\|1lL'\L'lllli1L'lUl'CU\iil iiiii'iti;ilc) liuni icaili/ing that \I|lL' l\\.‘l'1l/Uti and [1ti\\li'\i_\ dan- Director Ridley Scott brilliantly envisioned Philip K. Dick's vision oi the Iuture in BLADERUNNER (I982). thanks to lhe ¥\"'""‘- I l1\'.\ ="'~'1l"~' *.\ "‘h*‘] "l iDC3I\d9SCE!tl special visual etlecls oi Douglas Trumbull. a sial lllm that helped spawn cyberpunk. science lii:\ion‘s new wave. ll'lL' stiit-startiti: \l\lttllill_\. the i1ll\L'l. the rocket‘. the police- initn.:iniI siiniliiriuitlii\\s."liiit BR.-\lll \\eii: tit SF Iilin and th- ‘\l'\'l' tiitl\ ill iixll ttt that \\ltat M.-\.\ ll|':\l)R()().\l ' ' ' '

_ _ . . F‘ . » . . . Cyberpunk writer William Gibson titii tut ‘glass \\.ill~“ lll\\\‘ ‘inst .i~ ma} Plt\\L lUi"lL to l \ .l |l\\ tltt . . ~urel_\ itleiitii) mtiltinatiiiiial I \' ads int" SUI iL‘lll'l\lIl' .\l l\"\ on lllllflll the Sfllll fill’ ci»i'piii'iitc ilL‘ilLi\]llill'lL'l\ aittl it\\n prninit spots. i;\hci'ptiiil\ WW W ~~~~Wi . . . - . i th't 'd't‘|' "l'dt haitl-t l’Vllli(llIlll\. aittl tltc c\bei'- iatliates ll\ scll-civitsciiitts ltip- B3 B'q95§La_"l|g'.'_,i W, -d mi-mg M '7) Jp.pw_L U _~ > . . O I h_h. h d hint. (iihsiiii saidthai lie can ptiitk lllllllL' itlstt il\\lllI1L‘\ that llC.\s, it.\t'oitlttlci_tcc that it l\IlUl "\ 5’ "R {'8 l\>l*"_‘ W551) mini‘ i,| ih,_- ,m,i,_.> y the must dziiiui:i'iiii~ i\utla\\~ viiist the l1L'i1l thinu at the riuht '“f’*‘ "‘§‘|3_ ">‘" ;“_‘"“ °' /\|_|E:\; and /\|_|gy\'§;,, imp. ma) ttcll he the L‘\Ct.'llli\i:\ oi tintc. htit the iinli‘ right thing ".°'°"°§'.""1'°'T“'“'ng‘ Wu’ pcningnft world inthuiuiurc l liam (nbsurt author ul the big l’1ll\lllU\s_ an ilssllillpllll liir \Illl'lIl1lL‘. lhc high citt-i‘_u\ ‘ . posited in his licliun. '1'“ 1 H l I . I h__ k » ; ¢I\\dl'd-5\\L‘Lpll'|g.\l’ll!‘UIHllI|- .i_ it.it_\ .i i_i Lil in tilt ~ itttn ll\|(lll t\ t_\ klptlll \\iitini_. was wmmhing “fa \~i,,|¢ (,,hM,,, _, pim, hm-C §l- lilins. |llL.iL't.‘kl_ ili\L’ ntan_\ Sl- l1illl.ill1(i t~nittei_iipi»i';ii_\ l\_ sllrprm chum wd“ ‘he had much Hid‘, “iii, --C)-b,_-r. rcccnt .\l- llill:\ (R()| I |' R- lp£\l‘llk'lll£ll'l_\ M I \ and M.-\.\ “H-ipl for ,\i_|EN5 |||' N0‘ a space."a virtual. dramatiled B.'\l.l.. Bl..4\l)l- Rl'.\K\‘l~'R. lllz-\l)R()()!\ll mat) tin lat" big fanaigriiimin gcni_‘|'al_ *'~‘"|v"L1"'i'l{i"'i‘f"1P"l"P'°' .-\l.ll"\'S. R()l§()('()l’. M.-\\ tiituiitl \llil|’\lIl_l_llit\,' ltittiri:iila|l Gibson had been strongly C“-*-""l.1;l1"'-* '-l"'¢k_“f "*_"\{ ll [Z :\ l)l(()()M I. c_\ but Plltll\ tltrci: ntcdia. \\'hat nta_\ littall} intprcssed by both /tl.lEN fix" ll“ * “m '_°a|_£'~"‘*h'_§"¢ .\L'L'Il1\ ill ptI\ll at luture ttlicrc hcstesp|;iiiitlii:i:i'ippiiii: pt\|"ill— “"4 M-|EN5~1d°"l'l)""Ev “h""',.c°';".p““'§‘__"8":‘g.'“_ L't\lillllCl'L‘ii|il_\lll has ittit iiniitk. ltit‘it\ l\l these nc\\ \\l'ilL‘l'.\l\lllL' ‘_!“"“ 3" ahm“ "W “"|Y_M' UL If “_‘?rl':§‘ “L ‘ ‘"5 _ ...... _' _ _ . . _-. _ l|ll'I'l.\ out ol'Holl\'\tood in the ‘ d'd " 5"“ d ‘ml ""3 r-‘l \\ilLlL L()l[‘lt\|dlltlIl.\ L.\t.l£l\u tiigtnt rtluaittt iii tltui lIlL.\- 7 ~ . Wm/\| IFN mm-_‘ hm" _ ‘ ‘ . '." ‘ met‘ Ul 't\\L'|'lllllL'l1l and ‘l \l' ' s ' ' t' ~|‘l - ‘t “ml '0 yea“ I gm 3 kwk ‘ml ‘. ‘\"r‘ 1 lt'\ P‘ E ~* _‘* l-\-" l‘ ‘ \\l1‘ll~ it K 3" K Ll K 0[_-~km was how rapid gains 1l'l com- iitziteriailisiit. the t'L'lL‘Illlt‘s\ in c_\ hcrptinit s ll'lll‘l'tl|'\i1\lL'\ Expressing his prdcrcncc pm" graphic icchm,|‘,gy ha“. need int" hi"aiid-iiamc .\ltlll_ l.\ ma) hr nothing less than nut» for mo“. marginal kinds of aimidy m;ii_1¢ ihq iimiggg iin the onl) Lil l\ mg litrcc. .\t‘l\ es. the cli;ii'gi:d-tip I tittirc iii 5F mm, “ch as tho“. dam the >pL\L‘€§i\l]1 monitors seem ('_\ hei'piinl\ l\ in SF ttriiing thcii .\ltIl'lL‘\ilLill'CtIlL‘\ll'il[1Ol£|- by David ("mi1¢nt,¢;g_ Gib. llldillvd» \\l‘litl Hl..4\l)l~ Rl'Y\I\'l~.R and ll()l'l iii our prcseiit. El son also mentioned his respect (iitcn a story for ALIENS for John Carpenter's ESCAPE Ill by priiduccrs Walter Hill FROM .’§‘EW YOR K._ "par- and l)a\'id Giler. Gibson was Ripley’: b_elleve-ll-or-not mveiiium In ALIENS will be continued In ALIEN iii. ticularly Il.\ rst ten minutes.“ delighted to nd that. “as it being scnpted by cyberpunk writer Wllllam Gibson. lumor oi “Neuromnncerf which tic idgmigd as 1hg [§| just wmkcd mm ii Combined 1? lllm lhBl"l1d lhl llt“ HOW aspects oltwo separate scena~ associated with BLADE rios_" hc had comc up with RUNNER and music video. himself. He reports that hc is At rst glance. the eompu- niwt about one-hall way l¢_Y'§3\"}' °)'§"PlIttk world of through with the screenplay. Glbwn 5 FICIIOH ( .Neum- Unable to discuss s ecie . P niulirer, Burning Chrniiie. matters of thc scripting and Cutuil Zero). might sccm far casting fur ALIENS lll. Gib- removed from thc deep spacc son onlv mentioned that he guthic horror ofthi: two hopes to “comi: up with ALIEN lms. but strong something that combines tltc connections soon become very interior aspects of apparent. Gibson credits ALIEN with the more exte- /\l-|El\' 88 an il1l'|ll&‘tIt-‘Elm rior concerns ol‘ ALIENS." i\'l’llflII)lII('l'ft sin_gling‘out its And. he hints. audiences may “dirty spaceship. livttd-In be in for some major sur- future"lonlt as something prises. D

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