È Stata Una Bomba

Total Page:16

File Type:pdf, Size:1020Kb

È Stata Una Bomba il diano aWOUIlM li aiano MEBCOLEDI e TECNOLOGIA di Anna Frank GIOVEDÌ HI & NATURA l'Unità + libro lire 2000 ANNO 6». N, 282 irto, IN »•». POST, OR. 1 '70 . F "UnitGIORNALE FONDATO DA ANTONIO GRAMSCI à DOMENICA 2» NOVEMBRE 1**2 L. 1 SOO »*«. L. 30OO Condanna severa per il Pio Albergo LA TRAGEDIA DI LIVORNO Terza superperizia conferma il sospetto del magistrato i cettfo ÀIWI È polemica sui giudici di Mani pulite «Con buona probabilità prima lo scoppio poi lo scontro» DEI. PS' 3 V£D64| CHE Tangentopoli RlCORRCR/O Sei anni È stata una bomba IN APPCUO a Mario Chiesa La Procura riapre il caso Moby Prince L'imputato-ptoniere di Tangentopoli Mano Chiesa, «Una bomba esplose a bordo della Moby Prince po­ è stato condannato a sei anni Accolte in sostanza co prima della collisione con la petroliera Agtp le richieste del pm Antonio Di Pietro II presidente Abruzzo» è questa la «logica» convinzione a cui ò del Pio Albergo Tnvulzio deve anche pagare sei mi­ giunto il procuratore Luigi De Franco dopo aver let­ liardi un acconto in attesa delle decisioni del tribu­ to la superperizia effettuata sulle tracco di esplosivo Un giorno nale civile Intanto il finanziere Ligresti ha ammesso trovate nella nave Esclusa I ipotesi che a innescare di aver pagato al Psi e aHa De tangenti per 15 miliar­ l'esplosivo sia stato il calore o I urto Ma tra i familia­ a casa di per «ottenere attenzione» verso il suo gruppo ri delle 140 vittime c'è grande perplessità diGelli DAL NOSTRO INVIATO PIERO BENASSAI Giudici indipendenti ••LIVORNO Sul traghetto esplosivo redatta dall espi r La shunta Borghini è ormai diventata un autentico og­ Moby Prince a bordo del to della Cnminalpol Ales­ getto di culto per numerosi appassionati Alle ammi­ quale trovarono la morte sandro Massari nistrazioni rabelaisiane che I hanno preceduta cia- da difendere MO persone «con buona Sulla tragedia avvenuta il pulonc e allegramente corrotte contrappone una co­ probabilità è esplosa una 10 aprile dello scorso anno micità dell'assurdo malinconica e ali inglese perfet­ bomba ed e esplosa prima nella r<ui i di I porto di I ivor tamente intonata al suo sindaco CARLO SMURAGLI A della collisione con la petro­ no si aprono cosi a \H mesi Non passa giorno senza che qualcuno si dimetta e liera Agip Abruzzo L ipotesi di distanza nuovi ed inquie­ a condanna di Mano per i rispettivi partiti) Dun­ qualcun altro (a volte un consigliere a volte un sem­ di un attentato adesso ò tanti interrogativi Nelle tri- plice passante) ne prenda il posto Lo stesso sindaco L Chiesa a sei anni di re que ci sono molti molivi per meno improbabile clusione accompagnata non ridurre la vigilanza Bi cento cartelle della superpe tutte le mattine, stenta a identificare i suoi colleglli Ma Questa i> la conclusione nzia lo conclusioni del dot­ dalla restituzione di almeno sogna che le indagini e i prò e un politico abilissimo e riesce comunque7 a trovare una parte del maltolto rap cessi proseguano fino in logica a cui e giunto il sosti tor Massari non sono cosi una parola buona per tutti «l,ci chi è scusi » «Ma si­ presenta un punto fermo di fondo perché solo cono Ulto prrx uratore di I ivorno nette ma vengono escluse gnor sindaco sono il nuovo vicesmdaco » «Bravo grande importala nella vi scendo la venta potremo ca Luigi De Trance) che sta alcune ipotesi e confermati Bar/aghi Volevo metterla alla prova» «Veramente, si cenda delle tangenti Dimo pire fin dove il marcio era conducendo I inchiesta do­ alcuni dati già emersi dalle gnorsindaco mi chiamo Corchi » «Oh insomma (To­ stra che I ipotesi accusatona riuscito a penetrare e co .a po aver letto i risultati della prime analisi compiute ne I relli Barzaghi che differenza può fare7 L importante e degli iquirenti era fondata e bisogna fare per estirparlo superperizia sui residui di febbraio scorso lavorare tutti per Milano» da un colpo decisivo al mito definitivamente È ben vero della impunita sul quale, per che ci sono anche segnali A PAGINA 9 W SETTIMELLI A PAGINA S MICHELE SERRA anni avevano riposto le pro­ positivi e è una vigile atten prie fortune importanti uo­ zione dell'opinione pubbli mini politici imprenditori ca che pretende che si vada fino in fondo e solidarizza A Gerusalemme l'opposizione e un ministro propongono misure anti-ledesche faccendieri di vario livello con chi fa il proprio dove'e Lo si deve certamente ali irn celi momento alto che s è pegno ed alla capacita di un trulla/alo nella eommivsio ^rullilo di rrmglstruil ma un ne Bicamerale dove si e if che a quella iiidipendeuza- fermato il principio della Israele in subbuglio: «Boicottiamo Berlino» dcll,. magistratura che più unita della giurisdizione volle abbiamo segnalato co (che vuol dire affrancare me garanzia fondamentale una parte della magistratu non tanto per i singoli magi ra ancora troppo legata al strati quanto per la collettivi A Roma armi nazi per l'assalto allo stadio I esecutivo da vincoli ormai ta Se es.sa non fos.se stata insostenibili) e sia procla consacrata solennemente mato il divieto per i magi­ Se non sarà posta fine alla violenza contro gli ebrei nella Costituzione se tanti strati di aisumere ogni tipo tedeschi, Israele dovrà boicottare la Germania e magistrati non I avessero di incarico extragiuduiano a concretamente praticata e sfondo economico (che si questa la proposta avanzata ieri da un ministro del se non I avessimo conside grufica liberarli da un altro ti qoverno Rabin che il premier esaminerà «attenta­ rat i come una grande con pò di attenlato ali indipen Peter Glotz mente» Un giovane turco ucciso a Colonia ma la Anche l'Italia è pronta qu sta democratica certo la denza non meno insinuar! polizia esclude una matrice razzista A Roma e Mila­ vicenda delle tangenti non te e pericoloso di quello che «Ci vuole a inviare truppe sarebbe neppure nata o, co può venire direttamente dai no migliaia di studenti in piazza per dire no al razzi­ munente non avrebbe potu poteri politici) smo e all'antisemitismo «La libertà è di tutti ì colon» to conseguire alcun nsulta muso duro» per gli aiuti in Somalia lo È anche per questo che nche qui però non e è noi dobbiamo considerare il ALESSANDRA BADUEL PAOLO SOLDINI L Italia ò pronta a far parte di un contingente ar­ provvedimento di ieri soltan A da cullarsi sugli allori la settimana prossima alla mato in difesa dei convogli di aiuti umanitari in to come una prima pietra In piazza 50 mila donne •i Israele li t ae ce nluato ieri esplosivi coltelli e liste di av miliare e soprattutto non Bicamerale si parlerà della Somalia se il Consiglio di sicurezza dell'Onu do­ posizione del pubblico mini le critic he al gove mo lede sco vcrsari d i eliminare Un giova dobbiamo dare per pacific. per lo -se arso vicjori » nel repn vesse decidere di ricorrere all'impiego di reparti stero e ancora una volta bi contro la finanziaria ne turco ucciso a Colonia armati per garantire una regolare distribuzione percorsi e vicende giudi/ia sognerà difenderla con in mere i neon izisti II ministro «Nessuna matrice pollile i o xe rie che ancora sono attesi al transigenza da ogni ipotesi dell Istruzione Miniami! Aloni liofoba» sostiene la polizia In di medicine e generi alimentari 11 ministro Co­ varco da mille insidie Ce «Dateci il pane e le rose» di dipendenza dallesecuti propone il boicottaggio nei Itali,i migli uà di giovani sono lombo a questo proposito si e consultato ieri chi non ha ancora rinuncia vo Quanto poi ali assunto di confronti eli 111 Cirmani i se gli to ad attaccare questi giudi scesi in piazza a Komj e Mila con il ministro della Difesa Salvo Ando i^a Far­ coloro che tentano di far le «Non lo sa Giuliano Amato che abbiamo già paga­ ebrei tedeschi non sartnno no per ribadire il no al razzi ci anche se I arroganza e la aelegii itameiite protetli «l.sa nesina ha fatto sapere che vede con favore un va su un preteso uso abnor to'» Cinquantamila donne hanno sfilato ieri per le sino e ali antisemitismo Cortei violenza con cui Craxi si nfe me della carcerazione pre­ nulli ro atte ni imenk la nehie intervento sia italiano che europeo sotto I egida nva a loro nell agosto scorso vie di Roma cantando e gridando la loro rabbia e pac mei e molti slogan «Ui li ventiva basterà ricordare si i» die tnar i il primo ministro 1 delle Nazioni Unite Secondo ipotesi che circo­ hanno dovuto subire qual­ che ormai il nostro sistema la loro opposizione a un governo che penalizza Kibin Contro i neon izisti for ix-rta e" eli tutti i colon» «ogni lano negli ambienti del ministero della Difesa, che e forzata) mitigazione È processuale prevede un sempre i più deboli Hanno chiesto liberta, giusti­ se si cominci i 1 fare sul serio uomo nasce libero e uguale» Alla vigilia del derby Inizio Ro per assicurare i soccorsi umanitari si potrebbe di ier la notizia che un orga complesso di garanzie an zia solidarietà Quelli che Livia Turco ha definito in de rmanui Dopo li messa ricorrere ali impiego di forze professionali co­ niz^azione internazionale a che rispetto ali opera degli «i valori costitutivi della sinistra» Occhietto «Il mo fuorilegge elei Stìlioluih^ttiÌH' ma trovato vicino alla stadio Parigi sulla base di accerta inquirenti chevannodai ne f ronf sono se iti iti nrcsti e elelli capitale un mucchio di me il battaglione paracadutisti «Col Moschin» e menti a dir poco unilaterali cessan interventi del giudice vimento delle donne e a un nuovo inizio» Uno pe rcjiiisizioni nel covi dell e spranghe e striscioni eli propa gli ine urson della manna del «San Marco» faziosi e sommari e di argo per le indagini preliminari al striscione diceva 'Vogliamo il pane e le rose» strem i distra ritrovili lucili
Recommended publications
  • Application of the Public Advocates Office for Rehearing of Resolution E
    BEFORE THE PUBLIC UTILITIES COMMISSION OF THE STATE OF CALIFORNIA FILED 05/19/21 04:59 PM Application of the Public Advocates Office A2105013 for Rehearing of Resolution E-5139. A.21-05- CERTIFICATE OF SERVICE I hereby certify that I have on this date served a copy of APPLICATION OF THE PUBLIC ADVOCATES OFFICE FOR REHEARING OF RESOLUTION E-5139 to all known parties by either United States mail or electronic mail, to each party named on the official service list attached in R.16-02-007. An electronic copy was sent to the assigned Administrative Law Judge. Executed on May 19, 2021 at San Francisco, California. /s/ Sara J. Powell Sara J. Powell 385030264 1 / 47 CPUC Home CALIFORNIA PUBLIC UTILITIES COMMISSION Service Lists PROCEEDING: R1602007 - CPUC - OIR TO DEVELO FILER: CPUC LIST NAME: LIST LAST CHANGED: APRIL 13, 2021 Parties DAMON FRANZ DAVID LYONS DIR - POLICY & ELECTRICITY MARKETS ATTORNEY TESLA, INC. PAUL HASTINGS LLP EMAIL ONLY EMAIL ONLY EMAIL ONLY, CA 00000 EMAIL ONLY, CA 00000 FOR: TESLA, INC. (FORMERLY: SOLARCITY FOR: LA PALOMA GENERATING COMPANY,LLC CORPORATION) JEFFREY KEHNE JOHN W. LESLIE, ESQ. CHIEF DEVELOPMENT OFFICE / GEN.COUNSEL ATTORNEY MEGELLAN WIND LLC DENTONS US LLP EMAIL ONLY EMAIL ONLY EMAIL ONLY, DC 00000 EMAIL ONLY, CA 00000 FOR: MAGELLAN WIND LLC FOR: SHELL ENERGY NORTH AMERICA (U.S.), L.P. MATTHEW FREEDMAN MERRIAN BORGESON STAFF ATTORNEY SR. SCIENTIST THE UTILITY REFORM NETWORK NATURAL RESOURCES DEFENSE COUNCIL EMAIL ONLY EMAIL ONLY EMAIL ONLY, CA 00000 EMAIL ONLY, CA 00000 FOR: THE UTILITY REFORM NETWORK (TURN) FOR: NATURAL RESOURCES DEFENSE COUNCIL (NRDC) PETER T.
    [Show full text]
  • An O'bannon First Burst Onto the Fan- Tasy Cinema Scene with Dark Star
    an O'Bannon first "I got married, had a kid and just lost burst onto the fan­ interest for a while in chasing that con­ tasy cinema scene stant Hollywood grind," O'Bannon says. "I with Dark Star­ was interested in my family, taking it easy which he co-wrote with and stuff. I tried to completely write down director John Carpenter and starred in­ movies in my own heart, because they've and subsequently with his darker version changed so much.n (co-scripted by Ronald Shusett) of the Luckily, he thought about it again and same story, Alien. The film was an imme­ one simple element changed his mind. "I diate hit, made stars of Sigourney Weaver haven't completely ruled Hollywood out and director Ridley Scott and is regarded because I can't think of a better way of as one of the best horror films ever. making money, n he laughs. "Two years ago O'Bannon has since had a strange I had decided to forego Hollywood, but career as a filmmaker, with Return of the lately I thought about that decision and Living Dead-which spawned numerous said, 'Wait a minute, that's stupid. There's imitations and (now four) sequels-and a lot of money there!' There's still a pro­ The Resu"ected his only directorial efforts ject or two of mine that I would very much to date. He has been busier as a screen­ like to put on the big screen. If I get lucky writer, and his work has been helmed by and sell an occasional script, I can get a many of the genre's best-known filmmak­ lot of cash.
    [Show full text]
  • Cinema's Darkest Vision: Looking Into the Void in John Carpenter's the Thing (1982)
    Journal of Popular Film and Television ISSN: 0195-6051 (Print) 1930-6458 (Online) Journal homepage: https://www.tandfonline.com/loi/vjpf20 Cinema's Darkest Vision: Looking into the Void in John Carpenter's The Thing (1982) Heather Addison To cite this article: Heather Addison (2013) Cinema's Darkest Vision: Looking into the Void in John Carpenter's TheThing (1982), Journal of Popular Film and Television, 41:3, 154-166, DOI: 10.1080/01956051.2012.755488 To link to this article: https://doi.org/10.1080/01956051.2012.755488 Published online: 02 Sep 2013. Submit your article to this journal Article views: 837 Full Terms & Conditions of access and use can be found at https://www.tandfonline.com/action/journalInformation?journalCode=vjpf20 Figure 1. Blair confronts the horror of the Thing as he performs an autopsy on its apparently dead remains. (Color figure available online.) N ALL OF CINEMA of laboratory-concocted special effects, a short volume on The Thing published with the actors used merely as props to by the British Film Institute, praised HISTORY, perhaps there has be hacked, slashed, disemboweled, and the film for preserving her “faith in the Inever been a more unfortunate decapitated,” and Desmond Ryan of The movies” and referred to it as “one of the release date than the one suffered by Philadelphia Inquirer sneered, “This is greatest horror movies of all time” (12– director John Carpenter’s The Thing, a monster movie of incredible ferocity 13). She glibly attributed The Thing’s an apocalyptic horror film about a hos- and graphic gore that asks no more than poor reception among 1982 critics to a tile alien with the ability to absorb and utter passivity and a strong stomach.
    [Show full text]
  • The Hollywood Cinema Industry's Coming of Digital Age: The
    The Hollywood Cinema Industry’s Coming of Digital Age: the Digitisation of Visual Effects, 1977-1999 Volume I Rama Venkatasawmy BA (Hons) Murdoch This thesis is presented for the degree of Doctor of Philosophy of Murdoch University 2010 I declare that this thesis is my own account of my research and contains as its main content work which has not previously been submitted for a degree at any tertiary education institution. -------------------------------- Rama Venkatasawmy Abstract By 1902, Georges Méliès’s Le Voyage Dans La Lune had already articulated a pivotal function for visual effects or VFX in the cinema. It enabled the visual realisation of concepts and ideas that would otherwise have been, in practical and logistical terms, too risky, expensive or plain impossible to capture, re-present and reproduce on film according to so-called “conventional” motion-picture recording techniques and devices. Since then, VFX – in conjunction with their respective techno-visual means of re-production – have gradually become utterly indispensable to the array of practices, techniques and tools commonly used in filmmaking as such. For the Hollywood cinema industry, comprehensive VFX applications have not only motivated the expansion of commercial filmmaking praxis. They have also influenced the evolution of viewing pleasures and spectatorship experiences. Following the digitisation of their associated technologies, VFX have been responsible for multiplying the strategies of re-presentation and story-telling as well as extending the range of stories that can potentially be told on screen. By the same token, the visual standards of the Hollywood film’s production and exhibition have been growing in sophistication.
    [Show full text]
  • Science Fiction Critiquing the Present, Exploring the Future
    1 Science Fiction Critiquing the Present, Exploring the Future Six Week Conceptual Unit Developed By Joshua S. Dyer College of Education University of Georgia 2 Table of Contents Texts Used in the Unit .................................................................................................................... 3 Other Materials Needed for the Unit .............................................................................................. 4 Distribution of Grades in the Unit .................................................................................................. 4 Rationale ......................................................................................................................................... 5 Goals and Accompanying Rubrics................................................................................................ 11 Reading Quiz—Handout and Rubric ...................................................................................... 13 Journal—Handout ................................................................................................................... 15 Journal—Rubric ...................................................................................................................... 16 Literature Circles—Handout................................................................................................... 18 Literature Circles—Handout on Grading................................................................................ 19 Final Project—Handout .........................................................................................................
    [Show full text]
  • AFI PREVIEW Is Published by the Sat, Jul 9, 7:00; Wed, Jul 13, 7:00 to Pilfer the Family's Ersatz Van American Film Institute
    ISSUE 77 AFI.com/Silver AFI SILVER THEATRE AND CULTURAL CENTER JULY 8–SEPTEMBER 14, 2016 44T H AFI LIFE ACHIEVEMENT AWARD HONOREE A FILM RESTROSPECTIVE THE COMPOSER B EHIND THE GREAT EST A MERICAN M OVIES O F OUR TIME PLUS GLORIOUS TECHNICOLOR ★ ’90S C INEMA N OW ★ JOHN C ARPENT E R LOONEY TUNES ★ KEN ADAM REMEMBERED ★ OLIVIA DE HAVILLAND CENTENNIAL Contents AFI Life Achievement Award: John Williams AFI Life Achievement Award: July 8–September 11 John Williams ......................................2 John Williams' storied career as the composer behind many of the greatest American films and television Keepin' It Real: '90s Cinema Now ................6 series of all time boasts hundreds of credits across seven decades. His early work in Hollywood included working as an orchestrator and studio pianist under such movie composer maestros as Bernard Herrmann, Ken Adam Remembered ..........................9 Alfred Newman, Henry Mancini, Elmer Bernstein and Franz Waxman. He went on to write music for Wim Wenders: Portraits Along the Road ....9 more than 200 television programs, including the groundbreaking anthology series ALCOA THEATRE Glorious Technicolor .............................10 and KRAFT TELEVISION THEATRE. Perhaps best known for his enduring collaboration with director Steven Spielberg, his scores are among the most iconic and recognizable in film history, from the edge-of-your- Special Engagements .................. 14, 16 seat JAWS (1975) motif to the emotional swell of E.T. THE EXTRA-TERRESTRIAL (1982) and the haunting UCLA Festival of Preservation ...............14 elegies of SCHINDLER'S LIST (1993). Always epic in scale, his music has helped define over half a century of the motion picture medium.
    [Show full text]
  • Chris Helcermanas-Benge
    Chris Helcermanas-Benge Photographer 6588 Wellington Avenue, West Vancouver, BC V7W 2H9 1-604-921-9882 Email - [email protected] http://www.imdb.me/chrish-b CHRIS HELCERMANAS-BENGE is recognized for his creative and innovative photography. Dual Canadian / American citizenship and EEC work visa enable him to shoot freely throughout the world. 36 years of producing stills for film, industry and government has taken Chris to 72 countries. He has been the photographer 200+ film projects; covered 3 wars, 11 combat zones, numerous world events; won many awards, and been published worldwide. He is a member of IATSE local 600 (USA), founding member of IATSE Locals 667 and 669 (Canada), and the BC. and Yukon Council of Film Unions and serving twice as president of 669. Chris H-B works well with talent, creative, and production to generate the finest images for the client. Chris has a BA in Military History, MA in International Affairs and a diploma in Fine Arts. His Military service included Southeast Asia, Africa, Greece, Germany, Turkey, Africa, the Pentagon, and the Middle East. He is a licensed pilot; a Padi certified diver, and parachutist, trained in desert, jungle, and mountain survival. He is an experienced sailor, a kayaker, mountaineer, Bon vivant, lover of fine wines and avid cross-country skier Chris is a member of C.A.P.I.C., The Overseas Press Club, The American Society of Media Photographers, National Press Photographer's Association, Combat Photographer's Association, I.A.T.S.E. (roster member US Local 600, Canadian Locals 667 and 669).
    [Show full text]
  • Interview John Carpenter on the Tools of His Trade
    Barnes & Noble.com - Interview file:///C:/Users/Crazygunnar/SES/articles/On The Tools Of His Trade.htm 0 Items BROWSE DVD NEW RELEASES BESTSELLERS COMING SOON RECOMMENDED DVD DEALS TV ON DVD BOX SETS BLU-RAY & HD-DVD Members Save Up To 40% Every Day. All Genres John Carpenter Action/Adventure John Carpenter See all films Animation Art House On the Tools of His Trade Children Classics To call John Carpenter a powerhouse of a director would be an Comedy understatement. Since his early days with Dark Star (1974) and Assault Documentary Drama on Precinct 13 (1976), the multitalented craftsman has proven himself a Fitness/Instructional stalwart cult figure, having written, directed, scored, and even acted in International over 20 films. His crowning achievement may be formulating the slasher Music & Musicals movie with Halloween (1978), but Carpenter continues to this day to Sci-Fi/Horror Sports make a wide variety of cult fiction in the low-budget tradition of B-movies. Television A sampling of his numerous guilty-pleasure classics also includes They Big Trouble in Little All 500 Genres Live (1988), The Fog (1980), Big Trouble in Little China (1986), The China John Carpenter Special Collections Thing (1982), and Escape from New York (1981), the last three of which Our Price: $9.99 Blu-ray & HD-DVD star the filmmaker's favorite leading man, Kurt Russell, as a sneering, Box Sets bad-boy hero. The release of a two-DVD special edition of Escape from DVD Deals New York gave Barnes & Noble.com a chance to speak with Carpenter.
    [Show full text]
  • Science Fiction Cinema
    Science Fiction Cinema One Day Course Tutor: Michael Parkes Science Fiction Cinema This course will examine how the science fiction genre has explored the relationship between humanity, technology and the other, to try to answer the question “what does it mean to be human?” The course will chart the history of the genre; from the early worlds of fantasy depicted in silent films, through to the invasion anxieties of the war years, the body politics of the 70s and 80s and the representation of technology in contemporary sci-fi cinema. The one day course will also examine how the genre is currently being rebranded for contemporary audiences and how fandom has been important to its success. The course will include lots of clips, resources for you to take away and the opportunity to discuss the important questions that science fiction cinema asks. What is Science Fiction? Most film genres are difficult to compartmentalise but there often tends to be one key convention that allows us to understand the nature of the film. Horror films are scary, Comedies make us laugh but Science Fiction appears to be a little more complicated and difficult to tie down. They can be about the future, but then again can be set in the past, they explore themes of identity, technology and the other but then again sometimes don’t! It has been a long standing struggle in Film Studies to really define what science fiction is; some believe it is a sub-genre of Horror whereas others believe it is a genre of its own merit.
    [Show full text]
  • Starlog Magazine
    WATCHMEN WITCH Silk MOUNTAIN Spectre & INKHEART«ELEVENTH Dwayne (The 16 pages WONDER W Rock) Johnson of action! STARLOG Movie Magic presents battles THE SCIENCE Fl HI. , n if Hi put on y 9\*sses tor lift] •KX3 MP* • Hi Clap for Coraline alongside the Other Father, director Henry Selick (page 28) and star Dakota Fanning (page 24). STARLOG 64 BUNNY TOSSING & OTHER EVENTS Open Season 2 promises more toonish antics 16 SINS OF THE SON Joshua Jackson knows not what he has done 69 IN BRENDAN FRASER'S VIEW It almost always involves greenscreen 20 THE PUSH TO DIRECT Paul McGuigan deals with psychic youth 75 LIFE IN THE ELEVENTH HOUR Rufus Sewell looks to science for answers 24 DAKOTA FANNING SPEAKS... And she has two genre films to talk about! 78 STRANGE ADVENTURES IN TIME & COMICS -6 Murphy Anderson drew them & Buck Rogers | 28 CRAFTING CORALINE s Henry Selick fashions a film the novel » from WATCHMEN TALES #2 |N * | 32 NEW MAN ON WITCH MOUNTAIN 36 A SILKEN LEGACY = Johnson returns for fantasy action Carla Cugino explains her heroic past & present Dwayne y 51 MONSTERS VS. ALIENS! 39 KISS OF THE SILK SPECTRE I Can Earth's unwanted save us from 3-D doom? Malin Akerman just loves the family business §o 56 THE ANIMATED AMAZON 42 LOOK ON MY WORKS, YE MIGHTY... I Wonder Woman battles on in a new DVD war Designer Alex McDowell envisions the world I o O 60 HULK'S ALL-STAR, DOUBLE BRAWL 46 THE ABYSS GAZES ALSO % He fights Wolverine & the Mighty Thor, too Director Zack Snyder makes it all a reality £ ON THE WEEKENDS, THOR WASHES HIS THUNDERWEAR- 4 SMm/April 2009 — President BOOK OF NOTE THOMAS DeFEO We have to recommend The Spirit: The Movie Visual Companion by STARLOG Executive Art Director pal Mark Cotta Vaz (Titan, he, $30).
    [Show full text]
  • BAM Presents John Carpenter: Master of Fear, a Tribute to the Legendary Director and Composer, Feb 5—22
    BAM presents John Carpenter: Master of Fear, a tribute to the legendary director and composer, Feb 5—22 Opens with a one-night-only conversation John Carpenter: Lost Themes with Brooke Gladstone Followed by a BAMcinématek retrospective of all of Carpenter’s feature films In conjunction with the release of Carpenter’s debut solo album, Lost Themes, out Feb 3 John Carpenter: Lost Themes with Brooke Gladstone BAM Howard Gilman Opera House (30 Lafayette Ave, Brooklyn) Feb 5 at 8pm Tickets: $25, 35, 50 John Carpenter: Master of Fear film retrospective BAM Rose Cinemas (30 Lafayette Ave, Brooklyn) Feb 6—22 Tickets: $14 general admission, $9 for BAM Cinema Club members Bloomberg Philanthropies is the 2014—2015 Season Sponsor. The Wall Street Journal is the title sponsor for BAM Rose Cinemas and BAMcinématek. Brooklyn, NY/Dec 15, 2014—Renegade auteur John Carpenter makes a rare New York appearance at BAM on Thursday, February 5 to discuss his legendary career and celebrate the release of his first solo album, Lost Themes. Boasting “one of the most consistent and coherent bodies of work in modern cinema” (Kent Jones, Film Comment), Carpenter injects B-movie genres—horror, sci-fi, action—with the bravura stylistic technique of classical Hollywood giants like Howard Hawks, John Ford, and Alfred Hitchcock, and composes the scores for nearly all of his films. He will be joined by Brooke Gladstone, host of NPR’s On the Media, for a wide-ranging discussion of his film and music. Lost Themes will be released in conjunction with the event on February 3 through Sacred Bones Records.
    [Show full text]
  • Proquest Dissertations
    RECYCLED FEAR: THE CONTEMPORARY HORROR REMAKE AS AMERICAN CINEMA INDUSTRY STANDARD A Dissertation by JAMES FRANCIS, JR. Submitted to the Office of Graduate Studies of Middle Tennessee State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY UMI Number: 3430304 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. UMT Dissertation Publishing UMI 3430304 Copyright 2010 by ProQuest LLC. All rights reserved. This edition of the work is protected against unauthorized copying under Title 17, United States Code. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 Approved as to style and content by: ^aJftLtfv^ *3 tu.^r TrsAAO^p P, M&^< David Lavery Martha Hixon Chair of Committee Reader Cyt^-jCc^ C. U*-<?LC<^7 Wt^vA AJ^-i Linda Badley Tom Strawman Reader Department Chair (^odfrCtau/ Dr. Michael D. Allen Dean of Graduate Studies August 2010 Major Subject: English RECYCLED FEAR: THE CONTEMPORARY HORROR REMAKE AS AMERICAN CINEMA INDUSTRY STANDARD A Dissertation by JAMES FRANCIS, JR. Submitted to the Office of Graduate Studies of Middle Tennessee State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY August 2010 Major Subject: English DEDICATION Completing this journey would not be possible without the love and support of my family and friends.
    [Show full text]