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This Installation Explores the Final Girl Trope. Final Girls Are Used in Horror Movies, Most Commonly Within the Slasher Subgenre
This installation explores the final girl trope. Final girls are used in horror movies, most commonly within the slasher subgenre. The final girl archetype refers to a single surviving female after a murderer kills off the other significant characters. In my research, I focused on the five most iconic final girls, Sally Hardesty from A Texas Chainsaw Massacre, Laurie Strode from Halloween, Ellen Ripley from Alien, Nancy Thompson from A Nightmare on Elm Street and Sidney Prescott from Scream. These characters are the epitome of the archetype and with each girl, the trope evolved further into a multilayered social commentary. While the four girls following Sally added to the power of the trope, the significant majority of subsequent reproductions featured surface level final girls which took value away from the archetype as a whole. As a commentary on this devolution, I altered the plates five times, distorting the image more and more, with the fifth print being almost unrecognizable, in the same way that final girls have become. Chloe S. New Jersey Blood, Tits, and Screams: The Final Girl And Gender In Slasher Films Chloe S. Many critics would credit Hitchcock’s 1960 film Psycho with creating the genre but the golden age of slasher films did not occur until the 70s and the 80s1. As slasher movies became ubiquitous within teen movie culture, film critics began questioning why audiences, specifically young ones, would seek out the high levels of violence that characterized the genre.2 The taboo nature of violence sparked a powerful debate amongst film critics3, but the most popular, and arguably the most interesting explanation was that slasher movies gave the audience something that no other genre was able to offer: the satisfaction of unconscious psychological forces that we must repress in order to “function ‘properly’ in society”. -
Application of the Public Advocates Office for Rehearing of Resolution E
BEFORE THE PUBLIC UTILITIES COMMISSION OF THE STATE OF CALIFORNIA FILED 05/19/21 04:59 PM Application of the Public Advocates Office A2105013 for Rehearing of Resolution E-5139. A.21-05- CERTIFICATE OF SERVICE I hereby certify that I have on this date served a copy of APPLICATION OF THE PUBLIC ADVOCATES OFFICE FOR REHEARING OF RESOLUTION E-5139 to all known parties by either United States mail or electronic mail, to each party named on the official service list attached in R.16-02-007. An electronic copy was sent to the assigned Administrative Law Judge. Executed on May 19, 2021 at San Francisco, California. /s/ Sara J. Powell Sara J. Powell 385030264 1 / 47 CPUC Home CALIFORNIA PUBLIC UTILITIES COMMISSION Service Lists PROCEEDING: R1602007 - CPUC - OIR TO DEVELO FILER: CPUC LIST NAME: LIST LAST CHANGED: APRIL 13, 2021 Parties DAMON FRANZ DAVID LYONS DIR - POLICY & ELECTRICITY MARKETS ATTORNEY TESLA, INC. PAUL HASTINGS LLP EMAIL ONLY EMAIL ONLY EMAIL ONLY, CA 00000 EMAIL ONLY, CA 00000 FOR: TESLA, INC. (FORMERLY: SOLARCITY FOR: LA PALOMA GENERATING COMPANY,LLC CORPORATION) JEFFREY KEHNE JOHN W. LESLIE, ESQ. CHIEF DEVELOPMENT OFFICE / GEN.COUNSEL ATTORNEY MEGELLAN WIND LLC DENTONS US LLP EMAIL ONLY EMAIL ONLY EMAIL ONLY, DC 00000 EMAIL ONLY, CA 00000 FOR: MAGELLAN WIND LLC FOR: SHELL ENERGY NORTH AMERICA (U.S.), L.P. MATTHEW FREEDMAN MERRIAN BORGESON STAFF ATTORNEY SR. SCIENTIST THE UTILITY REFORM NETWORK NATURAL RESOURCES DEFENSE COUNCIL EMAIL ONLY EMAIL ONLY EMAIL ONLY, CA 00000 EMAIL ONLY, CA 00000 FOR: THE UTILITY REFORM NETWORK (TURN) FOR: NATURAL RESOURCES DEFENSE COUNCIL (NRDC) PETER T. -
Siriusxm and Pandora Present Halloween at Home with Music, Talk, Comedy and Entertainment Treats for All
NEWS RELEASE SiriusXM and Pandora Present Halloween at Home with Music, Talk, Comedy and Entertainment Treats For All 10/13/2020 The world is scary enough, so have some spooky fun by streaming Halloween programming on home devices & mobile apps NEW YORK, Oct. 13, 2020 /PRNewswire/ -- SiriusXM and Pandora announced today they will feature a wide variety of exclusive Halloween-themed programming on both platforms. With traditional Halloween activities aected by the Covid-19 pandemic, SiriusXM and Pandora plan to help families and listeners nd creative and safe ways to keep the spirit alive with endless hours of music and entertainment for the whole family. Beginning on October 15, SiriusXM will air extensive programming including everything from scary stories, to haunted house-inspired sounds, to Halloween-themed playlists across SiriusXM's music, talk, comedy and entertainment channels. Pandora oers a lineup of Halloween stations and playlists for the whole family, including the newly updated Halloween Party station with Modes, and a hosted playlist by Halloween-obsessed music trio LVCRFT. All programming from SiriusXM and Pandora is available to stream online on the SiriusXM and Pandora mobile apps, and at home on a wide variety of connected devices. SiriusXM's Scream Radio channel is an annual tradition for Halloween enthusiasts, providing the ultimate bone- chilling soundtrack of creepy sound eects, traditional Halloween favorite tunes, ghost stories, spooky music from classic horror lms, and more. The limited run channel will also feature a top 50 Halloween song countdown, "The Freaky 50" and will play scary score music, sound eects, spoken word stories 24 hours a day, and will set the tone for a spooktacular haunted house vibe. -
John Carpenters Tales for a Halloween Night Kindle
JOHN CARPENTERS TALES FOR A HALLOWEEN NIGHT PDF, EPUB, EBOOK John Carpenter | 96 pages | 17 Nov 2015 | Storm King Productions | 9780985325893 | English | CA, United States John Carpenters Tales For A Halloween Night PDF Book John Laughlin marked it as to-read Oct 31, Kealan Patrick Burke ,. Ana-Maria marked it as to-read Oct 18, Twists, turns, red herrings, the usual suspects: These books have it all No ratings or reviews yet No ratings or reviews yet. John Steinbeck Paperback Books. Return to Book Page. Did enjoy the one where if you killed someone you had to take over their life, like you were them. View all Our Sites. Want to Read Currently Reading Read. James rated it really liked it Jan 15, This collection of six stories has a distinct Tales from the Crypt and Creepshow vibe to it, in that we are introduced to a narrator of sorts, who is going to tell us some tales. There are three victims, two women, and one man. Average rating 3. Related Articles. Rating details. Heath , Hardcover 4. Error rating book. Make sure this is what you intended. If you get too scared, remember, it's only a comic. Brad rated it really liked it Sep 21, From John Carpenter, the man who brought you the cult classic horror film Halloween and all of the scares beyond comes the ultimate graphic novel anthology of tales to warm your toes by on a dark and stormy October night! Meg rated it really liked it Nov 07, What size image should we insert? About John Carpenter. -
John Carpenter Halloween (Original Soundtrack) Mp3, Flac, Wma
John Carpenter Halloween (Original Soundtrack) mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic / Stage & Screen Album: Halloween (Original Soundtrack) Country: Japan Released: 1979 Style: Soundtrack, Score, Experimental, Minimal, Ambient MP3 version RAR size: 1282 mb FLAC version RAR size: 1373 mb WMA version RAR size: 1461 mb Rating: 4.9 Votes: 758 Other Formats: AIFF AAC DTS AHX DMF DXD APE Tracklist A1 Main Theme From "Halloween" A2 Boyfriend And Susan A3 Illinois Smith's Grove A4 Myers' House A5 At School Yard B1 Behind The Bush B2 Row 18 Lot 20 B3 Doctor And Sheriff In The Myer's House B4 Doyle Residence B5 The Night He Came Home B6 End Title Companies, etc. Made By – Nippon Columbia Co., Ltd. Credits Composed By – John Carpenter Performer – Bowling Green Jr. Philharmonic Orchestra Notes Limited pressing with "Spacesizer 360 System Recording". LP housed in poly bag, cover included OBI strip. Includes 4 page insert. Back cover states "Joy Pack Film" presents. Labels states date of August 1979 "℗ '79. 8" Other versions Category Artist Title (Format) Label Category Country Year Halloween (Original John Motion Picture STV 81176 Varèse Sarabande STV 81176 US Unknown Carpenter Soundtrack) (LP, Album, Club) John Halloween (Original VSC-81176 Varèse Sarabande VSC-81176 US 1983 Carpenter Soundtrack) (Cass) Halloween (Original John Motion Picture STV 81176 Varèse Sarabande STV 81176 US 1983 Carpenter Soundtrack) (LP, Album) Halloween (Original John CL 0008 Filmmusik) (LP, Celine Records CL 0008 Germany 1989 Carpenter Album, RE) Halloween (Original John 115980 Soundtrack) (CD, Marketing-Film 115980 Germany 2003 Carpenter Album, Ltd) Comments about Halloween (Original Soundtrack) - John Carpenter Pryl Interesting...I don't think the value of the OG presses will go down though. -
Halloween Should Be Spooky, Not Scary! Governor Cuomo Asks for Your Help to Make Sure Everyone Has a Healthy and Safe Halloween
Halloween should be spooky, not scary! Governor Cuomo asks for your help to make sure everyone has a healthy and safe Halloween. Halloween celebrations and activities, including trick-or-treating, can be filled with fun, but must be done in a safe way to prevent the spread of COVID-19. The best way to celebrate Halloween this year is to have fun with the people who live in your household. Decorating your house or apartment, decorating and carving pumpkins, playing Halloween-themed games, watching spooky movies, and trick-or-treating through your house or in a backyard scavenger hunt are all fun and healthy ways to celebrate during this time. Creative ways to celebrate more safely: • Organize a virtual Halloween costume party with costumes and games. • Have a neighborhood car parade or vehicle caravan where families show off their costumes while staying socially distanced and remaining in their cars. • In cities or apartment buildings, communities can come together to trick-or-treat around the block or other outdoor spaces so kids and families aren’t tempted to trick-or-treat inside – building residents & businesses can contribute treats that are individually wrapped and placed on a table(s) outside of the front door of the building, or in the other outdoor space for grab and go trick-or-treating. • Make this year even more special and consider non-candy Halloween treats that your trick- or-treaters will love, such as spooky or glittery stickers, magnets, temporary tattoos, pencils/ erasers, bookmarks, glow sticks, or mini notepads. • Create a home or neighborhood scavenger hunt where parents or guardians give their kids candy when they find each “clue.” • Go all out to decorate your house this year – have a neighborhood contest for the best decorated house. -
Running Head: HORROR and HALLOWEEN 1 Horror, Halloween
Running head: HORROR AND HALLOWEEN 1 Horror, Halloween, and Hegemony: A Psychoanalytical Profile and Empirical Gender Study of the “Final Girls” in the Halloween Franchise Tabatha Lehmann Department of Psychology Dr. Patrick L. Smith Thesis for completion of the Honors Program Florida Southern College April 29, 2021 HORROR AND HALLOWEEN 2 Abstract The purpose of this study is to determine how the perceptions of femininity have changed throughout time. This can be made possible through a psychoanalysis of the main character of Halloween, Laurie Strode, and other female characters from the original Halloween film released in 1978 to the more recent sequel announced in 2018. Previous research has shown that horror films from the slasher genre in the 1970s and 1980s have historically depicted men and women as displaying behaviors that are largely indicative of their gender stereotypes (Clover, 1997; Connelly, 2007). Men are typically the antagonists of these films, and display perceptible aggression, authority, and physical strength; on the contrary, women generally play the victims, and are usually portrayed as weaker, more subordinate, and often in a role that perpetuates the classic stereotypes of women as more submissive to males and as being more emotionally stricken during perceived traumatic events (Clover, 1997; Lizardi, 2010; Rieser, 2001; Williams, 1991). Research has also shown that the “Final Girl” in horror films—the last girl left alive at the end of the movie—has been depicted as conventionally less feminine compared to other female characters featured in these films (De Muzio, 2006; Lizardi, 2010). This study found that Laurie Strode in 1978 was more highly rated on a gender role scale for feminine characteristics, while Laurie Strode in 2018 was found to have had significantly higher rating for masculine word descriptors than feminine. -
Halloween Costume Guidelines for Safety Reasons, Masks Or Face Painting That Cover
Halloween Costume Guidelines Since Halloween falls on a school day this year, our ASB will be hosting a lunchtime celebration. Students wishing to participate will be allowed to wear costumes to school. However, if a student comes to school dressed inappropriately they will be asked to replace the costume entirely. If this is not possible, a parent will be asked to provide a change of clothes that are appropriate or pick up his/her child. We hope students enjoy the day, but it is still an instructional day and academics should not be compromised by those who desire to celebrate the day. San Clemente High School has set forth the following guidelines for Halloween: For safety reasons, masks or face painting that cover the student’s face is not permitted. No real, toy, or facsimile guns/ weapons (swords, play knives, etc.) are allowed. Costumes that are sexually suggestive and would otherwise violate the school’s dress code are not appropriate and cannot be worn. Costumes that are overly graphic, promote violence or otherwise might logically be assumed to be offensive to others are not acceptable. All costumes must be sensitive to all religious and ethnic groups; free from any language or symbols that target or inappropriately identify groups of students. Hats or wigs will be allowed if part of a costume and they do not pose a distraction to the learning environment; they must be removed at the request of any staff member Costumes should not include items with sound effects, lights or other components which would disrupt the classroom learning environment. -
Imperialism and Exploration in the American Road Movie Andy Wright Pitzer College
Claremont Colleges Scholarship @ Claremont Pitzer Senior Theses Pitzer Student Scholarship 2016 Off The Road: Imperialism And Exploration in the American Road Movie Andy Wright Pitzer College Recommended Citation Wright, Andy, "Off The Road: Imperialism And Exploration in the American Road Movie" (2016). Pitzer Senior Theses. Paper 75. http://scholarship.claremont.edu/pitzer_theses/75 This Open Access Senior Thesis is brought to you for free and open access by the Pitzer Student Scholarship at Scholarship @ Claremont. It has been accepted for inclusion in Pitzer Senior Theses by an authorized administrator of Scholarship @ Claremont. For more information, please contact [email protected]. Wright 1 OFF THE ROAD Imperialism And Exploration In The American Road Movie “Road movies are too cool to address serious socio-political issues. Instead, they express the fury and suffering at the extremities of a civilized life, and give their restless protagonists the false hope of a one-way ticket to nowhere.” –Michael Atkinson, quoted in “The Road Movie Book” (1). “‘Imperialism’ means the practice, the theory, and the attitudes of a dominating metropolitan center ruling a distant territory; ‘colonialism’, which is almost always a consequence of imperialism, is the implanting of settlements on distant territory” –Edward Said, Culture and Imperialism (9) “I am still a little bit scared of flying, but I am definitely far more scared of all the disgusting trash in between places” -Cy Amundson, This Is Not Happening “This is gonna be exactly like Eurotrip, except it’s not gonna suck” -Kumar Patel, Harold and Kumar Escape From Guantanamo Bay Wright 2 Off The Road Abstract: This essay explores the imperialist nature of the American road movie as it is defined by the film’s era of release, specifically through the lens of how road movies abuse the lands that are travelled through. -
Press Releases
Press Releases O’Melveny Guides ViacomCBS Through MIRAMAX Investment April 3, 2020 RELATED PROFESSIONALS FOR IMMEDIATE RELEASE Bruce Tobey CENTURY CITY—April 3, 2020—O’Melveny represented leading media and entertainment company Century City ViacomCBS (Nasdaq: VIACA; VIAC) in its acquisition of a 49percent stake in film and television studio D: +13102466764 MIRAMAX from beIN Media Group. The transaction, previously announced in December 2019, closed today. Amy Siegel ViacomCBS acquired 49 percent of MIRAMAX from beIN for a total committed investment of US$375 million. Century City Approximately US$150 million was paid at closing, while ViacomCBS has committed to invest US$225 million D: +13102466805 —comprised of US$45 million annually over the next five years—to be used for new film and television Silvia Vannini productions and working capital. Century City D: +13102466895 In addition, ViacomCBS’s historic film and television studio, Paramount Pictures, entered an exclusive, long term distribution agreement for MIRAMAX’s film library and an exclusive, longterm, firstlook agreement Eric Zabinski allowing Paramount Pictures to develop, produce, finance, and distribute new film and television projects Century City based on MIRAMAX’s IP. D: +13102468449 Rob Catmull ViacomCBS creates premium content and experiences for audiences worldwide, driven by a portfolio of Century City iconic consumer brands including CBS, Showtime Networks, Paramount Pictures, Nickelodeon, MTV, D: +13102468563 Comedy Central, BET, CBS All Access, Pluto TV, and Simon & Schuster. Eric H. Geffner beIN MEDIA GROUP is a leading independent global media group and one of the foremost sports and Century City entertainment networks in the world. -
Will #Blacklivesmatter to Robocop?1
***PRELIMINARY DRAFT***3-28-16***DO NOT CITE WITHOUT PERMISSION**** Will #BlackLivesMatter to Robocop?1 Peter Asaro School of Media Studies, The New School Center for Information Technology Policy, Princeton University Center for Internet and Society, Stanford Law School Abstract Introduction #BlackLivesMatter is a Twitter hashtag and grassroots political movement that challenges the institutional structures surrounding the legitimacy of the application of state-sanction violence against people of color, and seeks just accountability from the individuals who exercise that violence. It has also challenged the institutional racism manifest in housing, schooling and the prison-industrial complex. It was started by the black activists Alicia Garza, Patrisse Cullors, and Opal Tometi, following the acquittal of the vigilante George Zimmerman in the fatal shooting of Trayvon Martin in 2013.2 The movement gained momentum following a series of highly publicized killings of blacks by police officers, many of which were captured on video from CCTV, police dashcams, and witness cellphones which later went viral on social media. #BlackLivesMatter has organized numerous marches, demonstrations, and direct actions of civil disobedience in response to the police killings of people of color.3 In many of these cases, particularly those captured on camera, the individuals who are killed by police do not appear to be acting in the ways described in official police reports, do not appear to be threatening or dangerous, and sometimes even appear to be cooperating with police or trying to follow police orders. While the #BlackLivesMatter movement aims to address a broad range of racial justice issues, it has been most successful at drawing attention to the disproportionate use of violent and lethal force by police against people of color.4 The sense of “disproportionate use” includes both the excessive 1In keeping with Betteridge’s law of headlines, one could simply answer “no.” But investigating why this is the case is still worthwhile. -
An O'bannon First Burst Onto the Fan- Tasy Cinema Scene with Dark Star
an O'Bannon first "I got married, had a kid and just lost burst onto the fan interest for a while in chasing that con tasy cinema scene stant Hollywood grind," O'Bannon says. "I with Dark Star was interested in my family, taking it easy which he co-wrote with and stuff. I tried to completely write down director John Carpenter and starred in movies in my own heart, because they've and subsequently with his darker version changed so much.n (co-scripted by Ronald Shusett) of the Luckily, he thought about it again and same story, Alien. The film was an imme one simple element changed his mind. "I diate hit, made stars of Sigourney Weaver haven't completely ruled Hollywood out and director Ridley Scott and is regarded because I can't think of a better way of as one of the best horror films ever. making money, n he laughs. "Two years ago O'Bannon has since had a strange I had decided to forego Hollywood, but career as a filmmaker, with Return of the lately I thought about that decision and Living Dead-which spawned numerous said, 'Wait a minute, that's stupid. There's imitations and (now four) sequels-and a lot of money there!' There's still a pro The Resu"ected his only directorial efforts ject or two of mine that I would very much to date. He has been busier as a screen like to put on the big screen. If I get lucky writer, and his work has been helmed by and sell an occasional script, I can get a many of the genre's best-known filmmak lot of cash.