The Lacenews Chanel on Youtube September 2011 Update Bobbinlace Instruction 1 1 Preparing B
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Hedgehog Lacers 20Th Annual Lace-In
Hedgehog Lacers 20th Annual Lace-In September 9-10, 2017 The members of the Hedgehog Lace Guild invite you to attend our annual lace workshop. We have a wonderful group of teachers offering a variety of classes. Classes 100 Chrysanthemum — All levels ~ Sylvia Fellows Chrysanthemum Lace is a tape lace that has some elements resembling Brugges Lace. It is characterized by the "Split Spider" stitch on one side of each tape. The "petals" formed can look like a chrysanthemum flower, a popular motif in this lace. It uses, usually, only 8 pairs of bobbins or less. 101 Milanese Lace — All levels ~ Louise Colgan Milanese Lace is characterized by special decorative stitches that become integral features of each design. The creative nature of this type of lace makes it suitable for both traditional and contemporary interpretation. A variety of projects will be offered to cover all levels of Milanese techniques. Students will be given the option of using colored threads to make their own unique pieces from the selected patterns. A solid foundation in basic Bobbin Lace skills is required. Diagram-reading skills are also recommended. NOTE: Continuing “Louise” projects are also welcome. 102 Tatting — All levels ~ Randy Houtz There are several methods and applications for tatting split rings. Class time will be spent examining a different technique and/or application: the basic split ring; woven split rings; adding a ring to the split ring; and adding rings to both sides are examples. Prerequisites: Students should be comfortable with tatting rings, chains and joins. It is helpful to know other tatting methods but not necessary. -
Catalogue of the Famous Blackborne Museum Collection of Laces
'hladchorvS' The Famous Blackbome Collection The American Art Galleries Madison Square South New York j J ( o # I -legislation. BLACKB ORNE LA CE SALE. Metropolitan Museum Anxious to Acquire Rare Collection. ' The sale of laces by order of Vitail Benguiat at the American Art Galleries began j-esterday afternoon with low prices ranging from .$2 up. The sale will be continued to-day and to-morrow, when the famous Blackborne collection mil be sold, the entire 600 odd pieces In one lot. This collection, which was be- gun by the father of Arthur Blackborne In IS-W and ^ contmued by the son, shows the course of lace making for over 4(Xi ye^rs. It is valued at from .?40,fX)0 to $oO,0()0. It is a museum collection, and the Metropolitan Art Museum of this city would like to acciuire it, but hasnt the funds available. ' " With the addition of these laces the Metropolitan would probably have the finest collection of laces in the world," said the museum's lace authority, who has been studying the Blackborne laces since the collection opened, yesterday. " and there would be enough of much of it for the Washington and" Boston Mu- seums as well as our own. We have now a collection of lace that is probablv pqual to that of any in the world, "though other museums have better examples of some pieces than we have." Yesterday's sale brought SI. .350. ' ""• « mmov ON FREE VIEW AT THE AMERICAN ART GALLERIES MADISON SQUARE SOUTH, NEW YORK FROM SATURDAY, DECEMBER FIFTH UNTIL THE DATE OF SALE, INCLUSIVE THE FAMOUS ARTHUR BLACKBORNE COLLECTION TO BE SOLD ON THURSDAY, FRIDAY AND SATURDAY AFTERNOONS December 10th, 11th and 12th BEGINNING EACH AFTERNOON AT 2.30 o'CLOCK CATALOGUE OF THE FAMOUS BLACKBORNE Museum Collection of Laces BEAUTIFUL OLD TEXTILES HISTORICAL COSTUMES ANTIQUE JEWELRY AND FANS EXTRAORDINARY REGAL LACES RICH EMBROIDERIES ECCLESIASTICAL VESTMENTS AND OTHER INTERESTING OBJECTS OWNED BY AND TO BE SOLD BY ORDER OF MR. -
SWOT Analysis and Related Countermeasures for Croatia To
CIRR XXIII (78) 2017, 169-185 ISSN 1848-5782 UDC 379.8:910.4(497.5:510) Vol.XVIII, No. 66 - 2012 Vol.XVIII, DOI 10.1515/cirr-2017-0012 XXIII (78) - 2017 SWOT Analysis and Related Countermeasures for Croatia to Explore the Chinese Tourist Source Market Wang Qian Abstract Croatia is a land endowed with rich and diversified natural and cultural tourist resources. Traveling around Croatia, I was stunned by its beauty. However, I noticed that there were few Chinese tourists in Croatia. How can we bring more Chinese tourists to Croatia? How can we make them happy and comfortable in Croatia? And, at the same time, how can we avoid polluting this tract of pure land? Based on first-hand research work, I make a SWOT analysis of the Chinese tourist source market of Croatia and put forward related countermeasures from the perspective of a native Chinese. The positioning of tourism in Croatia should be ingeniously packaged. I recommend developing diversified and specialized tourist products, various marketing and promotional activities, simple and flexible visa policies and regulations, and other related measures to further explore the Chinese tourist source market of Croatia. KEY WORDS: SWOT analysis, Croatia, Chinese tourist source market, sustainable tourism, direct flight 169 Introduction Vol.XVIII, No. 66 - 2012 Vol.XVIII, XXIII (78) - 2017 I worked in Zagreb, the capital of Croatia, for three years. During my stay, I walked almost all around Croatia. I travelled in Dalmatia for two weeks, visiting Zadar, Šibenik, Skradin, Trogir, Split, Hvar, Korčula and Dubrovnik. I toured Istria for a week, visiting Opatija, Pula, Rovinj and Poreč. -
Women's Fashion in Dalmatia at the End of the 18Th Century
Please provide footnote text CHAPTER 3 Women’s Fashion in Dalmatia at the End of the 18th Century Katarina Nina Simončič Introduction This chapter aims to define the role of fashion garments as indicators of social status and a highly important aspect of visual communication among the so- cial elites in 18th-century Dalmatia. The focal point of this overview is women’s fashion. To achieve this goal, through research of historical artefacts from the Dalmatian territory, it is essential to address first the availability of sources and to explain possible problems we encountered in our attempt to reconstruct and comprehend particular historical circumstances. While preserved fashion artefacts of the privileged social class in 18th-century Dalmatia are very scarce, garments that belonged to lower classes are unavailable and can only be re- constructed from observations of travel writers or from court records. Certain fashion garments and accessories of the upper classes are currently preserved in museums in Zagreb, Split, Zadar, Sibenik and Dubrovnik. These include two women’s jackets made of red and blue silk with gold and silver bobbin lace trimmings, which belonged to the Kasandric family on the island of Hvar; fans; lace artefacts and footwear. A larger and more substantial collection of mens- wear is preserved in the Rector’s Palace in Dubrovnik. Since preserved artefacts are scarce and rarely found, they cannot provide sufficient information to re- construct the social climate of the 18th century, when garments, i.e. fashion, functioned as a status symbol. Historical records prove the continuity of a rich cultural life in Dalmatia from the Renaissance to the 18th century. -
Techniques Represented in Each Pattern
(updated) November 12, 2020 Dear Customer: Thank you for requesting information about my lace instruction and supply business. If you have any questions about the supplies listed on the following pages, let me use my 36 years of lacemaking experience to help you in your selections. My stock is expanding and changing daily, so if you don't see something you want please ask. It would be my pleasure to send promotional materials on any of the items you have questions about. Call us at (607) 277-0498 or visit our web page at: http://www.vansciverbobbinlace.com We would be delighted to hear from you at our email address [email protected]. All our orders go two day priority service. Feel free to telephone, email ([email protected]) or mail in your order. Orders for supplies will be filled immediately and will include a free catalogue update. Please include an 8% ($7.50 minimum to 1 lb., $10.50 over 1 lbs.-$12.00 maximum except for pillows and stands which are shipped at cost) of the total order to cover postage and packaging. New York State residents add sales tax applicable to your locality. Payment is by check, money order or credit card (VISA, MASTERCARD, DISCOVER) in US dollars. If you are looking for a teacher keep me in mind! I teach courses at all levels in Torchon, Bedfordshire, Lester, Honiton, Bucks Point lace, Russian and more! I am happy to tailor workshops to suit your needs. Check for scheduled workshops on the page facing the order form. -
AVAILABLE from .DESCRIPTORS Murray, Jan
V 4' DOCUMENT RESUME 'E& 211 498 EP 019.329 AUTHOR' Murray, Jan, Ed.; And Otheb TITLE The Aigrations,Project Resource Handhook. Folk Arts to Enhance the Curriculum. INSTITUTION Teacher Center, 'Inc,.; New Haven, Con,. SPCNS AGENCY, Office of Elementary and Secondary Education (ED), Washington,.D.C. Ethnic Heritage Studies PrcgraT. PUB DATE 8f NOTE 125p. AVAILABLE FROMThe Teacher Center, Inc., 425 College Street, New Haven, CT 06511 ($8 50 includes postage and handling)t. EDFS PRICE MF01 Plus Postage. PC'Not Available from EDES. .DESCRIPTORS Community Characterittics; Cultural Background; Curriculum Enrichment; Elementary Sgccndary Education; Ethnic Origins; Ethnic Studies; *Ethnology; *Folk Culture; Handicrafts; *Multicultural Education; *Museums; Cral History; Program Development-; *Resource Materials; School. Community Relationship; *teacher Centets ABStRACT "Migrations" is a multi-ethnic, interdisciplinary approach,to the of ethnic heritage. Designed by the Teacher Center, Inc20-New Haven, Connecticut), the project is conceived'Ontle principle that ethnic heritagecan be a source of p ide and unity for all members of a community. It provides an,active ink bettmen the ethnicity of the community and thatof feits schools. A 'primary focus,OfItMcgrationsu is on celebrating,,through fclk arts and oral history, those attitudes and experiences 'which Are basic and vital to the livw of all people. All 'aspects Of the project revolve around a museum housing a collection of folk art objects and photographs And reTlecting the major ethnic compo$ition of the community. A traveling mini-museum is an active teaching toc2 that is 'taken into classrooms and occasionally on road trips.:7Eis handbook containe'photographs of the contents of the museumas well as descriptiohs of the activities of the center in whichsthe project is based.,-These activities inolti4e providing advisory services tc neighborhood schools, offering help tc teachers in developing arts and crafts, projects and bringing older adults into the/classroopas, visiting lecturert. -
Croatian Traditional Heritage Online: Status and Opportunities
Maja Šojat-Bikić UDK 004.82:39](497.5) Zagreb City Museum 004.738.5:008](497.5) Zagreb Original scientific paper Croatia Received: May 5, 2011 [email protected] Accepted: May 16, 2011 Croatian Traditional Heritage Online: Status and Opportunities The article is based on the research of the websites of Croatian ethnographic museums, museums, associations, religious communities and private collectors who collect and preserve ethnographic materials, public libraries that have local history collections, the official websites of institutions of state administration and local self-government and tourist boards, and attempts to depict the situation of the availability of tangible and intangible traditional heritage on the Croatian web. It shows the few examples of good practice which are in most cases not the result of institutional care for tradi- tional heritage, but the work of creative individuals and associations. The results of the research are compared with the online achievements in other segments of the Cro- atian cultural heritage, and we point to the untapped communications capabilities of traditional heritage through the web as the most powerful medium for ‘storytelling’. Keywords: traditional heritage, online presentation of heritage, ethno- graphic museums, Croatia 1. Introduction Traditional heritage is a component of the national cultural heritage and is mani- fested in numerous regional and local variations. Although it is constantly subject to change, even disappearance, it is a strong underpinning of the individual and collec- tive identities. On the other hand, the communication of cultural heritage in a dig- ital form, now mostly over the Web, is a relatively new area that opens up a number of opportunities of exploration and contribution to the development of critical dis- course by applying new technologies when communicating heritage. -
LIBRO DE ACTAS DEL I COLOQUIO DE INVESTIGADORES EN TEXTIL Y MODA 17 Y 18 De Noviembre De 217 Centre De Documentació I Museu Tèxtil Salmeron, 25 Terrassa
Organizan I Coloquio de Investigadores en Textil y Moda Colaboran Participa 17 y 18 de noviembre de 2017 CENTRE DE DOCUMENTACIÓ I MUSEU TÈXTIL Libro de Actas I Coloquio de Investigadores en Textil y Moda I Coloquio de Investigadores en Textil 9788469777602 Libro de Actas Libro Imagen de portada | Campaña La Seda de Barcelona, 1964. Modelo: Francina (cortesía Francina Díaz) I Coloquio de Investigadores en Textil y Moda 17 y 18 de noviembre de 2017 CENTRE DE DOCUMENTACIÓ I MUSEU TÈXTIL Libro de Actas LIBRO DE ACTAS DEL I COLOQUIO DE INVESTIGADORES EN TEXTIL Y MODA 17 y 18 de noviembre de 217 Centre de Documentació i Museu Tèxtil Salmeron, 25 Terrassa www.cdmt.cat Publicación Coloquio Coordinación de la Publicación OrganiZación del Coloquio Sílvia Carbonell (Centre de Documentació i Museu Tèxtil) Grup d’Estudis de Tèxtil i Moda Centre de Documentació i Museu Tèxtil DiseÑO Y maquetación Fundación Historia del Diseño Txeni Gil ComitÉ organiZador Corrección de textos Isabel Campi, Sílvia Carbonell, Assumpta Dangla, Patricia Bueno (Fundación Historia del Diseño) Neus Ribas, Sílvia Ventosa IMPresión ComitÉ cientÍfico Printcolor Núria Aragonès, Assumpta Dangla, Andreu Dengra, Mercè Fernández, Neus Ribas, Sílvia Rosés, Sílvia Saladrigas, DEPósito legal Sílvia Ventosa B 818-2018 SecretarÍA cientÍfica ISBN Paqui Martínez, Neus Grau y Gràcia Escàbia 978-84-697-7760-2 (Centre de Documentació i Museu Tèxtil) SecretarÍA general Y TÉcnica Administración de la Publicación Fundación Historia del Diseño Cecília Jané y Patricia Bueno (Fundación Historia del Diseño) C. Còrsega, 176, bajos interior 08036 Barcelona SOPorte TÉcnico Y grÁfico Quico Ortega, Carles M. Miralles y Francisco Fernández Tel. -
Representative List of the Intangible Cultural Heritage Of
RL cover [temp]:Layout 1 1/6/10 17:35 Page 2 2009 United Nations Intangible Educational, Scientific and Cultural Cultural Organization Heritage Representative List of the Intangible Cultural Heritage of Humanity RL cover [temp]:Layout 1 1/6/10 17:35 Page 5 Rep List 2009 2.15:Layout 1 26/5/10 09:25 Page 1 2009 Representative List of the Intangible Cultural Heritage of Humanity Rep List 2009 2.15:Layout 1 26/5/10 09:25 Page 2 © UNESCO/Michel Ravassard Foreword by Irina Bokova, Director-General of UNESCO UNESCO is proud to launch this much-awaited series of publications devoted to three key components of the 2003 Convention for the Safeguarding of the Intangible Cultural Heritage: the List of Intangible Cultural Heritage in Need of Urgent Safeguarding, the Representative List of the Intangible Cultural Heritage of Humanity, and the Register of Good Safeguarding Practices. The publication of these first three books attests to the fact that the 2003 Convention has now reached the crucial operational phase. The successful implementation of this ground-breaking legal instrument remains one of UNESCO’s priority actions, and one to which I am firmly committed. In 2008, before my election as Director-General of UNESCO, I had the privilege of chairing one of the sessions of the Intergovernmental Committee for the Safeguarding of the Intangible Cultural Heritage, in Sofia, Bulgaria. This enriching experience reinforced my personal convictions regarding the significance of intangible cultural heritage, its fragility, and the urgent need to safeguard it for future generations. Rep List 2009 2.15:Layout 1 26/5/10 09:25 Page 3 It is most encouraging to note that since the adoption of the Convention in 2003, the term ‘intangible cultural heritage’ has become more familiar thanks largely to the efforts of UNESCO and its partners worldwide. -
The Complete Costume Dictionary
The Complete Costume Dictionary Elizabeth J. Lewandowski The Scarecrow Press, Inc. Lanham • Toronto • Plymouth, UK 2011 Published by Scarecrow Press, Inc. A wholly owned subsidiary of The Rowman & Littlefield Publishing Group, Inc. 4501 Forbes Boulevard, Suite 200, Lanham, Maryland 20706 http://www.scarecrowpress.com Estover Road, Plymouth PL6 7PY, United Kingdom Copyright © 2011 by Elizabeth J. Lewandowski Unless otherwise noted, all illustrations created by Elizabeth and Dan Lewandowski. All rights reserved. No part of this book may be reproduced in any form or by any electronic or mechanical means, including information storage and retrieval systems, without written permission from the publisher, except by a reviewer who may quote passages in a review. British Library Cataloguing in Publication Information Available Library of Congress Cataloging-in-Publication Data Lewandowski, Elizabeth J., 1960– The complete costume dictionary / Elizabeth J. Lewandowski ; illustrations by Dan Lewandowski. p. cm. Includes bibliographical references. ISBN 978-0-8108-4004-1 (cloth : alk. paper) — ISBN 978-0-8108-7785-6 (ebook) 1. Clothing and dress—Dictionaries. I. Title. GT507.L49 2011 391.003—dc22 2010051944 ϱ ™ The paper used in this publication meets the minimum requirements of American National Standard for Information Sciences—Permanence of Paper for Printed Library Materials, ANSI/NISO Z39.48-1992. Printed in the United States of America For Dan. Without him, I would be a lesser person. It is the fate of those who toil at the lower employments of life, to be rather driven by the fear of evil, than attracted by the prospect of good; to be exposed to censure, without hope of praise; to be disgraced by miscarriage or punished for neglect, where success would have been without applause and diligence without reward. -
Representative List of the Intangible Cultural Heritage of Humanity As Heritage Fund
ElemeNts iNsCriBed iN 2012 oN the UrGeNt saFeguarding List, the represeNtatiVe List iNTANGiBLe CULtURAL HERITAGe aNd the reGister oF Best saFeguarding praCtiCes What is it? UNESCo’s ROLe iNTANGiBLe CULtURAL SECRETARIAT Intangible cultural heritage includes practices, representations, Since its adoption by the 32nd session of the General Conference in HERITAGe FUNd oF THE CoNVeNTION expressions, knowledge and know-how that communities recognize 2003, the Convention for the Safeguarding of the Intangible Cultural The Fund for the Safeguarding of the The List of elements of intangible cultural as part of their cultural heritage. Passed down from generation to Heritage has experienced an extremely rapid ratification, with over Intangible Cultural Heritage can contribute heritage is updated every year by the generation, it is constantly recreated by communities in response to 150 States Parties in the less than 10 years of its existence. In line with financially and technically to State Intangible Cultural Heritage Section. their environment, their interaction with nature and their history, the Convention’s primary objective – to safeguard intangible cultural safeguarding measures. If you would like If you would like to receive more information to participate, please send a contribution. about the 2003 Convention for the providing them with a sense of identity and continuity. heritage – the UNESCO Secretariat has devised a global capacity- Safeguarding of the Intangible Cultural building strategy that helps states worldwide, first, to create -
Exhibitions in the Ethnographic Museum in Zagreb in 2009/2010
Ethnographic Museum Appendice Zagreb Received: February, 10 2010 Accepted: February 17, 2010 Exhibitions in the Ethnographic Museum in Zagreb in 2009/2010 Exhibitions of the EMZ on its own premises Name of exhibition: THE power of colors Duration: March 28 - December 31 2009 Authors: mr. sc. Aida Brenko, senior curator Mirjana Randić, Museum Advisor Authors of the artistic presentation: Branimir Paškvan Nika Pavlinek Damir Prizmić Number of items: 400 The exhibition presented the phenomenon of color from different aspects - the sym- bolic, cultural, historical, chemical, physical - emphasizing their universal signifi- cance, as well as those characterizing our region. The exhibition presented six ba- sic colors that are present in all cultures: black, white, black, blue, yellow and green. The research on the methods of their use in social, religious, folklore or political con- text provided the data for a better understanding of a particular culture or society. Name of exhibition: EMPLOYEES OF THE ETHNOGRAPHIC MUSEUM IN ZAGREB, 1919-2009 Duration: October 22 – November 29 2009 Author: Jasna Mokoš, documentarist Number of items: 410 Parsing the museum documentation, the exhibition introduced all the staff of the Mu- seum, according to their occupation from the establishment of the Museum to 2009. Part of the exhibition was dedicated to the hobbies of museum staff, which present- ed a variety of proclivities and talents of individuals. In addition to the archival records, publications and photographs and ethnographic objects related to the work of individual employees have also been exhibited. The exhibition was accompanied by audio-visual material. 319 Etnološka istraživanja 15/Ethnological Researches 15 Exhibitions in the Ethnographic Museum in Zagreb in 2009/2010 Name of exhibition: MANGERS MADE OF LICITAR GINGERBREAD Duration: December 12 2009 - January 31 2010 Author of the exhibition: mr.