SWOT Analysis and Related Countermeasures for Croatia To
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Xerox University Microfilms 300 North Zeeb Road Ann Arbor, Michigan 48106 74-6985 SMITH, Anna Laura, 1915- TWENTIETH CENTURY INTERPRETATIONS of the DON JUAN THEME
INFORMATION TO USERS This material was produced from a microfilm copy of the original document. While the most advanced technological means to photograph and reproduce this document have been used, the quality is heavily dependent upon the quality of the original submitted. The following explanation of techniques is provided to help you understand markings or patterns which may appear on this reproduction. 1. The sign or "target" for pages apparently lacking from the document photographed is "Missing Page(s)". If it was possible to obtain the missing page(s) or section, they are spliced into the film along with adjacent pages. This may have necessitated cutting thru an image and duplicating adjacent pages to insure you complete continuity. 2. When an image on the film is obliterated with a large round black mark, it is an indication that the photographer suspected that the copy may have moved during exposure and thus cause a blurred image. You will find a good image of the page in the adjacent frame. 3. When a map, drawing or chart, etc., was part of the material being photographed the photographer followed a definite method in "sectioning" the material. It is customary to begin photoing at the upper left hand corner of a large sheet and to continue photoing from left to right in equal sections with a small overlap. If necessary, sectioning is continued again — beginning below the first row and continuing on until complete. 4. The majority of users indicate that the textual content is of greatest value, however, a somewhat higher quality reproduction could be made from "photographs" if essential to the understanding of the dissertation. -
Women's Fashion in Dalmatia at the End of the 18Th Century
Please provide footnote text CHAPTER 3 Women’s Fashion in Dalmatia at the End of the 18th Century Katarina Nina Simončič Introduction This chapter aims to define the role of fashion garments as indicators of social status and a highly important aspect of visual communication among the so- cial elites in 18th-century Dalmatia. The focal point of this overview is women’s fashion. To achieve this goal, through research of historical artefacts from the Dalmatian territory, it is essential to address first the availability of sources and to explain possible problems we encountered in our attempt to reconstruct and comprehend particular historical circumstances. While preserved fashion artefacts of the privileged social class in 18th-century Dalmatia are very scarce, garments that belonged to lower classes are unavailable and can only be re- constructed from observations of travel writers or from court records. Certain fashion garments and accessories of the upper classes are currently preserved in museums in Zagreb, Split, Zadar, Sibenik and Dubrovnik. These include two women’s jackets made of red and blue silk with gold and silver bobbin lace trimmings, which belonged to the Kasandric family on the island of Hvar; fans; lace artefacts and footwear. A larger and more substantial collection of mens- wear is preserved in the Rector’s Palace in Dubrovnik. Since preserved artefacts are scarce and rarely found, they cannot provide sufficient information to re- construct the social climate of the 18th century, when garments, i.e. fashion, functioned as a status symbol. Historical records prove the continuity of a rich cultural life in Dalmatia from the Renaissance to the 18th century. -
Croatian Traditional Heritage Online: Status and Opportunities
Maja Šojat-Bikić UDK 004.82:39](497.5) Zagreb City Museum 004.738.5:008](497.5) Zagreb Original scientific paper Croatia Received: May 5, 2011 [email protected] Accepted: May 16, 2011 Croatian Traditional Heritage Online: Status and Opportunities The article is based on the research of the websites of Croatian ethnographic museums, museums, associations, religious communities and private collectors who collect and preserve ethnographic materials, public libraries that have local history collections, the official websites of institutions of state administration and local self-government and tourist boards, and attempts to depict the situation of the availability of tangible and intangible traditional heritage on the Croatian web. It shows the few examples of good practice which are in most cases not the result of institutional care for tradi- tional heritage, but the work of creative individuals and associations. The results of the research are compared with the online achievements in other segments of the Cro- atian cultural heritage, and we point to the untapped communications capabilities of traditional heritage through the web as the most powerful medium for ‘storytelling’. Keywords: traditional heritage, online presentation of heritage, ethno- graphic museums, Croatia 1. Introduction Traditional heritage is a component of the national cultural heritage and is mani- fested in numerous regional and local variations. Although it is constantly subject to change, even disappearance, it is a strong underpinning of the individual and collec- tive identities. On the other hand, the communication of cultural heritage in a dig- ital form, now mostly over the Web, is a relatively new area that opens up a number of opportunities of exploration and contribution to the development of critical dis- course by applying new technologies when communicating heritage. -
Nottingham City Council Museums & Galleries Service Strategic Plan 2014
Nottingham City Council Museums & Galleries Service Strategic Plan 2014 – 2018 141022plan Page 1 of 96 141022plan Page 2 of 96 PREAMBLE PREAMBLE [i] Preface by Councillor Dave Trimble [ii] Contents [iii] Executive Summary [i] Preface by Councillor Dave Trimble Portfolio Holder for Leisure and Culture It gives me great pleasure to present this Strategic Plan for the Museums and Galleries Service to 2018. This is the first major Strategic Plan developed for our Museums and Galleries Service and the first such comprehensive Plan that I have received as Portfolio Holder for Leisure and Culture. This is a very important time for our Museums and Galleries Service, as we embark on a huge redevelopment of Nottingham Castle until 2020 – a development that is vital not only to secure the future of this world-renowned site, but as a keystone in the future economic prosperity of the City through the creation and support of new employment. However, the Plan encompasses the future of all of our major heritage sites, including Nottingham Castle Museum, Wollaton Hall and Park, Newstead Abbey with its beautiful gardens and grounds and Greens Mill. It includes an ambitious programme for the development of our outstanding collections, with detailed proposals for associated learning, engagement, digital developments, research and scholarship. Partnership working is vital to this enterprise and the role of partners for service delivery, research or as funders is clearly identified. In particular, the developing role of volunteer engagement, which will be vital to the sector as a whole, is a priority for development. The Service already has considerable expertise in this area and this will serve the wider community well as we aim to develop over the next few years. -
Editorial Calendar 2020
PRESERVING THE LEGACY OF NEEDLEWORK Editorial Calendar 2020 There are stories to be told, and PieceWork readers want to read them. Whether it’s a personal account of a master knitter (“Bertha Mae Shipley: A Navajo Knitter”) or a well-researched article on the embroidery that adorned alms purses (“Charitably Chic: The Eighteenth-Century Alms Purse”), PieceWork is the place to share these stories. People who care about handwork and who value its past and present role in the ongoing human story are PieceWork magazine’s core audience. PieceWork explores the personal stories of traditional makers and what they made and investigates how specific objects were crafted and the stories behind them. In-depth how-to techniques and step-by-step projects make the traditions come alive for today’s knitters, embroiderers, lacemakers, and crocheters. Beginning with the magazine’s inception in 1993, we have explored numerous needlework traditions and needleworkers. We’ve covered the prosaic—mending samplers—and the esoteric—the Pearly Kings and Queens of London. The stories have been poignant—the Triangle Shirtwaist Factory fire; inspiring—Safe Return Mittens; and entertaining—Rattlesnake Kate. Beginning with the Fall 2018 issue, PieceWork changed frequency from a bimonthly publication to a quarterly. The biggest bonus with this change was the addition of more editorial pages, allowing us to continue and expand upon PieceWork’s unusual blend of the elements behind a handwork tradition—who did it, how it was done, and why. Future issues will include core sections for techniques, including knitting, lace, embroidery, and crochet. Beyond these sections, there will be a wide variety of other needlework techniques. -
Representative List of the Intangible Cultural Heritage Of
RL cover [temp]:Layout 1 1/6/10 17:35 Page 2 2009 United Nations Intangible Educational, Scientific and Cultural Cultural Organization Heritage Representative List of the Intangible Cultural Heritage of Humanity RL cover [temp]:Layout 1 1/6/10 17:35 Page 5 Rep List 2009 2.15:Layout 1 26/5/10 09:25 Page 1 2009 Representative List of the Intangible Cultural Heritage of Humanity Rep List 2009 2.15:Layout 1 26/5/10 09:25 Page 2 © UNESCO/Michel Ravassard Foreword by Irina Bokova, Director-General of UNESCO UNESCO is proud to launch this much-awaited series of publications devoted to three key components of the 2003 Convention for the Safeguarding of the Intangible Cultural Heritage: the List of Intangible Cultural Heritage in Need of Urgent Safeguarding, the Representative List of the Intangible Cultural Heritage of Humanity, and the Register of Good Safeguarding Practices. The publication of these first three books attests to the fact that the 2003 Convention has now reached the crucial operational phase. The successful implementation of this ground-breaking legal instrument remains one of UNESCO’s priority actions, and one to which I am firmly committed. In 2008, before my election as Director-General of UNESCO, I had the privilege of chairing one of the sessions of the Intergovernmental Committee for the Safeguarding of the Intangible Cultural Heritage, in Sofia, Bulgaria. This enriching experience reinforced my personal convictions regarding the significance of intangible cultural heritage, its fragility, and the urgent need to safeguard it for future generations. Rep List 2009 2.15:Layout 1 26/5/10 09:25 Page 3 It is most encouraging to note that since the adoption of the Convention in 2003, the term ‘intangible cultural heritage’ has become more familiar thanks largely to the efforts of UNESCO and its partners worldwide. -
2007 Stevne Program
Tre Lag Stevne NORWEGIANS ON THE MOVE RIVERS, ROADS, & RAILS LaCrosse, Wisconsin · August 1 to 4, 2007 · Stoney Creek Inn EDUCATIONAL SEMINARS · GENEALOGY LAB · BOOKS MAPS MICROFILM · EXPERT HELP · CRAFT DEMONSTRATIONS RIVERBOAT CRUISE · MUSIC · NORWEGIAN CRAFT AND VENDOR DISPLAYS · HISTORIC LACROSSE / WESTBY TOUR BANQUET KEYNOTE SPEAKER · SINGING · NORSKEDALEN TRIO · COFFEE! SONS OF NORWAY DANCERS · CULTURAL LECTURES HERITAGE EDUCATIONAL SEMINARS · GENEALOGY RESEARCH · BOOKS MAPS · MICROFILM · EXPERT HELP CRAFT DEMONSTRATIONS RIVERBOAT CRUISE · MUSIC NORWEGIAN VENDOR AND CRAFT DISPLAYS · HISTORIC LACROSSE / WESTBY TOUR BANQUET KEYNOTE SPEAKER SINGING · NORSKEDALEN TRIO · SONS OF NORWAY DANCERS CULTURAL LECTURES EDUCATIONAL SEMINARS · GENEALOGY RESEARCH · BOOKS MAPS · MICROFILM EXPERT HELP CRAFT DEMONSTRATIONS RIVERBOAT CRUISE MUSIC NORWEGIAN VENDOR AND CRAFT DISPLAYS HISTORIC TOUR · BANQUET · KEYNOTE SPEAKER SINGING NORSKEDALEN TRIO · COFFEE! SONS OF NORWAY DANCERS CULTURAL LECTURES · EDUCATIONAL SEMINARS GENEALOGY LAB BOOKS · HERITAGE · MUSIC · VENDOR A gathering of descendants and friends of the Trøndelag, Gudbrandsdal, and northern Hedmark regions of Norway Velkommen As you’ve researched your Norwegian ancestors, you most likely eagerly sought out the destination they listed as they left Norway. From the Emigrant Protocols, you may have discovered that one of those destinations was “Lacrosse.” The influence of Norwegian settlement in the LaCrosse area was noted before 1853. By 1856, the Norwegians had already established four churches in the county. As we meet in the La Crosse area this year for the fifth annual Tre Lag Stevne, we will learn more about the im- migrants’ migration across our nation – most using the rivers, roads, rails and trails to eventually reach the site of what would become their new homeland. -
Fig. 1: Pelike 2351, 440-435 BC Munich, Staatliche Antikensammlungen. © Staatliche Antikensammlungen Und Glyptothek München. Photo
Tight-fitting Clothes in Antiquity and the Renaissance1 Dagmar Drinkler Abstract: A great number of ancient works of art depict figures who wear tight-fitting and strikingly patterned garments, particularly hose. These elastic textiles that cling to the body cannot be reproduced by any of the weaving techniques known to us. And there is no evidence that the textile technique of knitting was already known in antiquity. So the garments must have been made in a different technique. By reproducing samples of textiles it can be demonstrated now that it is possible to make elastic garments in a special kind of plaiting, the so-called sprang technique. All patterns found in depictions of such garments can be reconstructed easily and efficiently. So far sprang has mainly been connected with hairnets and caps. Comparing model and reconstruction proves the practicability of translating the pictorial sources into actual textiles by this technique. Content: The Reconstruction of tight-fitting clothes after models from Greek vase painting and polychrome sculpture / The sprang technique / The Patterns of the tight-fitting hose and their execution in sprang / Producing hose / Sprang in the Renaissance / Striped hose / The shoes worn with the striped hose / Conclusion The Reconstruction of tight-fitting clothes after models from Greek vase painting and polychrome sculpture Fig. 1: Pelike 2351, 440-435 B.C. Munich, Staatliche Antikensammlungen. © Staatliche Antikensammlungen und Glyptothek München. Photo: Renate Kühling. From the fifth century BC onwards depictions in Greek Art show Greeks in mostly aggressive confrontation with individuals or groups of people, the enemies standing out by their tight- fitting hose or often even “suits” that cover the entire body. -
Representative List of the Intangible Cultural Heritage of Humanity As Heritage Fund
ElemeNts iNsCriBed iN 2012 oN the UrGeNt saFeguarding List, the represeNtatiVe List iNTANGiBLe CULtURAL HERITAGe aNd the reGister oF Best saFeguarding praCtiCes What is it? UNESCo’s ROLe iNTANGiBLe CULtURAL SECRETARIAT Intangible cultural heritage includes practices, representations, Since its adoption by the 32nd session of the General Conference in HERITAGe FUNd oF THE CoNVeNTION expressions, knowledge and know-how that communities recognize 2003, the Convention for the Safeguarding of the Intangible Cultural The Fund for the Safeguarding of the The List of elements of intangible cultural as part of their cultural heritage. Passed down from generation to Heritage has experienced an extremely rapid ratification, with over Intangible Cultural Heritage can contribute heritage is updated every year by the generation, it is constantly recreated by communities in response to 150 States Parties in the less than 10 years of its existence. In line with financially and technically to State Intangible Cultural Heritage Section. their environment, their interaction with nature and their history, the Convention’s primary objective – to safeguard intangible cultural safeguarding measures. If you would like If you would like to receive more information to participate, please send a contribution. about the 2003 Convention for the providing them with a sense of identity and continuity. heritage – the UNESCO Secretariat has devised a global capacity- Safeguarding of the Intangible Cultural building strategy that helps states worldwide, first, to create -
Exhibitions in the Ethnographic Museum in Zagreb in 2009/2010
Ethnographic Museum Appendice Zagreb Received: February, 10 2010 Accepted: February 17, 2010 Exhibitions in the Ethnographic Museum in Zagreb in 2009/2010 Exhibitions of the EMZ on its own premises Name of exhibition: THE power of colors Duration: March 28 - December 31 2009 Authors: mr. sc. Aida Brenko, senior curator Mirjana Randić, Museum Advisor Authors of the artistic presentation: Branimir Paškvan Nika Pavlinek Damir Prizmić Number of items: 400 The exhibition presented the phenomenon of color from different aspects - the sym- bolic, cultural, historical, chemical, physical - emphasizing their universal signifi- cance, as well as those characterizing our region. The exhibition presented six ba- sic colors that are present in all cultures: black, white, black, blue, yellow and green. The research on the methods of their use in social, religious, folklore or political con- text provided the data for a better understanding of a particular culture or society. Name of exhibition: EMPLOYEES OF THE ETHNOGRAPHIC MUSEUM IN ZAGREB, 1919-2009 Duration: October 22 – November 29 2009 Author: Jasna Mokoš, documentarist Number of items: 410 Parsing the museum documentation, the exhibition introduced all the staff of the Mu- seum, according to their occupation from the establishment of the Museum to 2009. Part of the exhibition was dedicated to the hobbies of museum staff, which present- ed a variety of proclivities and talents of individuals. In addition to the archival records, publications and photographs and ethnographic objects related to the work of individual employees have also been exhibited. The exhibition was accompanied by audio-visual material. 319 Etnološka istraživanja 15/Ethnological Researches 15 Exhibitions in the Ethnographic Museum in Zagreb in 2009/2010 Name of exhibition: MANGERS MADE OF LICITAR GINGERBREAD Duration: December 12 2009 - January 31 2010 Author of the exhibition: mr. -
Th E St Ory Ofir Ish Lace Is a St Ory O
www.nmni.com/uftm/Collections/Textiles---Costume/Lace-page Ulster Folk and Transport Museum, lace collection. collection. lace Museum, Transport and Folk Ulster To find a conservator: www.conservationireland.org conservator: a find To www.museum.ie/en/collection/lace.aspx National Museum of Ireland, Lace collection. collection. Lace Ireland, of Museum National Useful contacts: Useful Vol. 26, No. 2, pp.152-167. 2, No. 26, Vol. Display and Meaning, 1886–1909’ in Journal of Design History 2013, 2013, History Design of Journal in 1886–1909’ Meaning, and Display Embroidery, Dresses: ‘Irish’ Aberdeen’s ‘Ishbel J., Helland, Ireland’, Women’s History Review, 1996, Vol. 5, Issue 3, pp. 326-345. pp. 3, Issue 5, Vol. 1996, Review, History Women’s Ireland’, organisation: Commercial lace embroidery in early 19th-century 19th-century early in embroidery lace Commercial organisation: Chapman S. & Sharpe, P., ‘Women’s employment and industrial industrial and employment ‘Women’s P., Sharpe, & S. Chapman There are a number of articles on Irish lace-making, including: lace-making, Irish on articles of number a are There Further reading: Further www.oidfa.com www.laceguild.org Library of Ireland of Library www.craftscotland.org The Lawrence Photograph Collection, Courtesy of the National National the of Courtesy Collection, Photograph Lawrence The Circular lace photo: lace Circular Irish lace collar (c.1865-1914), Robert French, French, Robert (c.1865-1914), collar lace Irish Other sites relating to lace-making include: lace-making to relating sites Other -
A Survey of Recent Mariology Eamon R
Marian Studies Volume 43 Proceedings of the Forty-Third National Convention of the Mariological Society of America held Article 11 in Houston, Tex. 1992 A Survey of Recent Mariology Eamon R. Carroll Follow this and additional works at: https://ecommons.udayton.edu/marian_studies Part of the Religion Commons Recommended Citation Carroll, Eamon R. (1992) "A Survey of Recent Mariology," Marian Studies: Vol. 43, Article 11. Available at: https://ecommons.udayton.edu/marian_studies/vol43/iss1/11 This Back Matter is brought to you for free and open access by the Marian Library Publications at eCommons. It has been accepted for inclusion in Marian Studies by an authorized editor of eCommons. For more information, please contact [email protected], [email protected]. Carroll: A Survey of Recent Mariology A SURVEY OF RECENT MARIOLOGY My customary opening triad (it is said putting things in threes is an Irish custom) consists of Dante, Jelly and the Lutheran-Roman Catholic Consultation report, The One Mediator, the Saints, and Mary. Dante's Divine Comedy is the object of a series of lectures by Jaroslav Pelikan: Eternal Feminines. The chapter on our Lady is lyrical, with the ex traordinary appreciation of history and Christian tradition we have learned to expect from Pelikan (Eternal Feminines: Three Theological Allegories in Dante's Paradiso [Rutgers Univ., 1990 ]). Friar of the Order of Preachers, Father Frederick Michael Jelly continues his steady pace of writing and lecturing on our Lady. The Catholic Home Study Institute of Leesburg, Virginia, has just published his correspondence course, the book-length Madonna: Mary in the Catholic Tradition, de veloped from his Our Sunday Visitor ( 1986) book of that title, which has itself reached three editions.