The Lacenews Chanel on Youtube December 2011 Update
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4-H Crocheting Project Member Guide
4-H Crocheting Project Member Guide Crocheting is one of the oldest needlework arts. To crochet means to form yarn or thread into a fabric using a hook. Its name comes from the French word croche, meaning “hook.” The crochet hook was one of many tools first used to make delicate lace. As time went on, more stitches and designs came into being, and crocheting became a separate art. Crocheting appeals to many people because it can be used to make a variety of creations, such as scarves, caps, vests, sweaters, purses, belts, lace, doilies, tablecloths, afghans, pillow covers, and bedspreads. In the 4-H Crocheting Project, you can learn to: • Crochet articles for yourself and others • Select, use, and care for crocheting tools • Work and share with others in your club • Keep simple records of your project and activities The 4-H Crocheting project is divided into six phases. Skills to learn and suggested articles to make are on page 2. Your club leader will teach you how to do basic crochet stitches and help you find patterns to use as you learn. When you reach the advanced phases, you’ll need to choose patterns from a variety of pattern books, needlework books, and magazines. You can find these at newsstands, notions counters, fabric stores, or specialty shops that sell yarn and thread. If you want to show others what you learn in the Crocheting project, check with your leader about exhibiting articles at fairs or other community events. If you make an article to wear, you might like to model in your county 4-H fashion revue. -
Introduction to Crochet
Introduction to Crochet Crochet is such a wonderful craft. There are so many facets and variations to explore with a hook and some yarn. The creative possibilities are endless. Crocheters do not just use yarn; they crochet with every imaginable form of fiber. I have seen items made with kite string, fishing line, wire, rag strips, and paper strips. I’m sure there are some fibers used for crocheting that I have yet to see. In this book, I have included an extensive collection of stitches, from the very basic to more intricate techniques. Delicate lacy openwork to heavier textures like bobbles, bullions, limpets, basket weave, and double-sided crochet, edgings, and motifs are all included. Detailed, step-by-step instructions, charts, and photographs accompany each stitch. Every stitch is ranked by level of difficulty to help you try your hand at progressively complex stitches, and there are sample projects throughout the book that showcase at least one of the stitches used in each group. In addition to the stitch section, there is a specialty crochet methods section. In this section, I have included methods such as freeform crochet, intermeshing crochet, and crocheting raglans from the top down. I have asked fellow designers, who are experts in their fields, to contribute a project in their area of expertise to the specialty crochet methods section. Contributors and their projects include: Pauline Turner, Polish Star; Melody MacDuffee, Overlay Crochet; Julia Bryant, Tapestry Tunisian; Jennifer Hansen, Hairpin Lace and Broomstick Lace; and Tatyana Mirer, Bruges Lace. Fellow freeform crocheters Prudence Mapstone, Myra Wood, and Pam Shore have graciously allowed me to show photographs of some of their garments in the Freeform Crochet chapter. -
Catalogue of the Famous Blackborne Museum Collection of Laces
'hladchorvS' The Famous Blackbome Collection The American Art Galleries Madison Square South New York j J ( o # I -legislation. BLACKB ORNE LA CE SALE. Metropolitan Museum Anxious to Acquire Rare Collection. ' The sale of laces by order of Vitail Benguiat at the American Art Galleries began j-esterday afternoon with low prices ranging from .$2 up. The sale will be continued to-day and to-morrow, when the famous Blackborne collection mil be sold, the entire 600 odd pieces In one lot. This collection, which was be- gun by the father of Arthur Blackborne In IS-W and ^ contmued by the son, shows the course of lace making for over 4(Xi ye^rs. It is valued at from .?40,fX)0 to $oO,0()0. It is a museum collection, and the Metropolitan Art Museum of this city would like to acciuire it, but hasnt the funds available. ' " With the addition of these laces the Metropolitan would probably have the finest collection of laces in the world," said the museum's lace authority, who has been studying the Blackborne laces since the collection opened, yesterday. " and there would be enough of much of it for the Washington and" Boston Mu- seums as well as our own. We have now a collection of lace that is probablv pqual to that of any in the world, "though other museums have better examples of some pieces than we have." Yesterday's sale brought SI. .350. ' ""• « mmov ON FREE VIEW AT THE AMERICAN ART GALLERIES MADISON SQUARE SOUTH, NEW YORK FROM SATURDAY, DECEMBER FIFTH UNTIL THE DATE OF SALE, INCLUSIVE THE FAMOUS ARTHUR BLACKBORNE COLLECTION TO BE SOLD ON THURSDAY, FRIDAY AND SATURDAY AFTERNOONS December 10th, 11th and 12th BEGINNING EACH AFTERNOON AT 2.30 o'CLOCK CATALOGUE OF THE FAMOUS BLACKBORNE Museum Collection of Laces BEAUTIFUL OLD TEXTILES HISTORICAL COSTUMES ANTIQUE JEWELRY AND FANS EXTRAORDINARY REGAL LACES RICH EMBROIDERIES ECCLESIASTICAL VESTMENTS AND OTHER INTERESTING OBJECTS OWNED BY AND TO BE SOLD BY ORDER OF MR. -
Joan's List of Tatting & Other Craft Books
Joan’s List of Tatting & Other Craft Books — April 2009 In bold, books with good tatting instructions In red, new for 2009 A Book of Edgings, Coats & Clark Book # 305, 1982 A Tatter’s Workbook, by A. Tatter, Lacis Publications, 2001 A Tatting Adventure, by Ben Fikkert, 2005 Application of Coronation Cord for Modern Needlework and Trimmings, 1920ish, scan & original A New Twist on Tatting, Catherine Austin Beginning Tatting, Gloria Crowther, 1987 Big Book of Tatting, Designs by Darlene Polachic, #151011, 2000 www.whitebirches.com Celtic Tatting, Knots & Patterns, Rozella Linden, Handy Hands Classic Tatting Patterns by Anne Orr, 1985 (1940) Clever Cluny, by Lorraine Eisbrenner, 1993 Coronation Braid Crochet, The Dorothy Bradford Series (scan only), available for purchase from me Cro-tatting – Timeless Doilies, 872811, Annies Attic (lost the needle ) Die Schiffchenarbeit…It’s all Tatting, Georgia 2002 reprint of 1917 book DMC Tatting, Ref 8632-2, 1987 Easy Tatting, Rozella Linden, 1999 Elegant Tatting Patterns, Janet Carroll, Dover Needlework Series Every Womans Complete Guide to Tatting, Barbara Foster Floriade, Ben Fikkert Fredone’s Netting Lesson video GR-8 Self Closing Mock Ring, by the Shuttle Brothers, 1999 Glass Christmas Balls, JoAnn Stearns Hector’s 2004 Special Book 6 from Georgia Hook Tatting No. 2 (Japanese visual diagrams booklet) Learn How Book, #170, 1941, knit/crochet/tat/embroidery, The Spool Cotton Co ☺ Learn how book, knit/crochet/tat/embroidery, Coats & Clarks book #170-D, 1975 Learn to Tat by Janette Baker with Interactive -
SWOT Analysis and Related Countermeasures for Croatia To
CIRR XXIII (78) 2017, 169-185 ISSN 1848-5782 UDC 379.8:910.4(497.5:510) Vol.XVIII, No. 66 - 2012 Vol.XVIII, DOI 10.1515/cirr-2017-0012 XXIII (78) - 2017 SWOT Analysis and Related Countermeasures for Croatia to Explore the Chinese Tourist Source Market Wang Qian Abstract Croatia is a land endowed with rich and diversified natural and cultural tourist resources. Traveling around Croatia, I was stunned by its beauty. However, I noticed that there were few Chinese tourists in Croatia. How can we bring more Chinese tourists to Croatia? How can we make them happy and comfortable in Croatia? And, at the same time, how can we avoid polluting this tract of pure land? Based on first-hand research work, I make a SWOT analysis of the Chinese tourist source market of Croatia and put forward related countermeasures from the perspective of a native Chinese. The positioning of tourism in Croatia should be ingeniously packaged. I recommend developing diversified and specialized tourist products, various marketing and promotional activities, simple and flexible visa policies and regulations, and other related measures to further explore the Chinese tourist source market of Croatia. KEY WORDS: SWOT analysis, Croatia, Chinese tourist source market, sustainable tourism, direct flight 169 Introduction Vol.XVIII, No. 66 - 2012 Vol.XVIII, XXIII (78) - 2017 I worked in Zagreb, the capital of Croatia, for three years. During my stay, I walked almost all around Croatia. I travelled in Dalmatia for two weeks, visiting Zadar, Šibenik, Skradin, Trogir, Split, Hvar, Korčula and Dubrovnik. I toured Istria for a week, visiting Opatija, Pula, Rovinj and Poreč. -
Identifying Handmade and Machine Lace Identification
Identifying Handmade and Machine Lace DATS in partnership with the V&A DATS DRESS AND TEXTILE SPECIALISTS 1 Identifying Handmade and Machine Lace Text copyright © Jeremy Farrell, 2007 Image copyrights as specified in each section. This information pack has been produced to accompany a one-day workshop of the same name held at The Museum of Costume and Textiles, Nottingham on 21st February 2008. The workshop is one of three produced in collaboration between DATS and the V&A, funded by the Renaissance Subject Specialist Network Implementation Grant Programme, administered by the MLA. The purpose of the workshops is to enable participants to improve the documentation and interpretation of collections and make them accessible to the widest audiences. Participants will have the chance to study objects at first hand to help increase their confidence in identifying textile materials and techniques. This information pack is intended as a means of sharing the knowledge communicated in the workshops with colleagues and the public. Other workshops / information packs in the series: Identifying Textile Types and Weaves 1750 -1950 Identifying Printed Textiles in Dress 1740-1890 Front cover image: Detail of a triangular shawl of white cotton Pusher lace made by William Vickers of Nottingham, 1870. The Pusher machine cannot put in the outline which has to be put in by hand or by embroidering machine. The outline here was put in by hand by a woman in Youlgreave, Derbyshire. (NCM 1912-13 © Nottingham City Museums) 2 Identifying Handmade and Machine Lace Contents Page 1. List of illustrations 1 2. Introduction 3 3. The main types of hand and machine lace 5 4. -
Lace and Design 22Nd International Lace Festival Lepoglava 2018
22nd International Lace Festival Lepoglava 2018. Under the High Auspices of the Croatian President Mrs Kolinda Grabar Kitarović Lace and Design Under the Auspices of: The Croatian Ministry of Culture, The Croatian Ministry of Tourism, The Croatian Ministry of Agriculture, The Croatian Commission for UNESCO, The Croatian Tourist Board, Varaždin County and the Town of Lepoglava. Partner Country: the Italian Republic 2018 Day of European Heritage in Lepoglava FESTIVAL EXHIBITION PROGRAMME - EVERY DAY IzložbeExhibitions su otvorene are openza posjetitelje to visitors tijekom on all festivalskihFestival days dana petak:Friday: 10.00 10 AM – -21.00 9 PM sati subota:Saturday: 10.00 10 AM – 22.00 - 10 PM sati nedjelja:Sunday: 10.00 10 AM – 18.00 - 6 PM sati Ticket prices for all the Exhibition spaces: HRK 15.00 (free for children under 7 years of age) The Organiser reserves the right to amend the programme Future Museum Premises (adjacent to the Pauline Monastery) Croatian Lace Exhibitions: The Benedictine Monasteries of St. John the Baptist and St. Anthony the Great of Hvar, St. Margaret of Pag, ‘Pekljica’ Society from Primošten, Slovenian Cultural Society ‘Triglav’ Lace Section of Split, ‘Nada Mance’ Handicrafts, Čakovec, ‘Motifs from Sikirevcy’ Society of Sikirevci, Emina Baričević’s tatting lace (Križevci), ‘Ključ’ Cultural and Artistic Society of Trg near Ozalj, Šarčević Ilija Family Farm of Sikirevci, St. Mary’s Lace Society from Sveta Marija, ‘Frane Budak’ Society of Pag, Ivančica Cipurić’s tatting lace (the Cardinals’ Valley - Krašić), ‘Se zmisliš… Lepoglavska sjećanja’ (‘Do you Remember… Memories of Lepoglava’), An Exhibition of Lace from the Uhrin Family Collection, and An Exhibition of Festival Publications. -
The Lacenews Chanel on Youtube October 2011 Update
The LaceNews Chanel on YouTube October 2011 Update http://www.youtube.com/user/lacenews Bobbinlace Instruction - 1 (A-H) 1 1 Preparing bobbins for lace making achimwasp 10/14/2007 music 2 2 dentelle.mpg AlainB13 10/19/2010 silent 3 3 signet.ogv AlainB13 4/23/2011 silent 4 4 napperon.ogv AlainB13 4/24/2011 silent 5 5 Evolution d'un dessin technique d'une dentelle aux fuseaux AlainB13 6/9/2011 silent 6 6 il primo videotombolo alikingdogs 9/23/2008 Italian 7 7 1 video imparaticcio alikingdogs 11/14/2008 Italian 8 8 2 video imparaticcio punto tela alikingdogs 11/20/2008 Italian 9 9 imparaticcio mezzo punto alikingdogs 11/20/2008 Italian 10 10 Bolillos, Anaiencajes Hojas de guipur Blancaflor2776 4/20/2008 Spanish/Catalan 11 11 Bolillos, hojas de guipur Blancaflor2776 4/20/2008 silent 12 12 Bolillos, encaje 3 pares Blancaflor2776 6/26/2009 silent 13 13 Bobbin Lacemaking BobbinLacer 8/6/2008 English 14 14 Preparing Bobbins for Lace making BobbinLacer 8/19/2008 English 15 15 Update on Flower Project BobbinLacer 8/19/2008 English 16 16 Cómo hacer el medio punto - Encaje de bolillos canalsapeando 10/5/2011 Spanish 17 17 Cómo hacer el punto entero o punto de lienzo - Encaje de bolillos canalsapeando 10/5/2011 Spanish 18 18 Conceptos básicos - Encaje de bolillos canalsapeando 10/5/2011 Spanish 19 19 Materiales necesarios - Encaje de bolillos canalsapeando 10/5/2011 Spanish 20 20 Merletto a fuselli - Introduzione storica (I) casacenina 4/19/2011 Italian 21 21 Merletto a Fuselli - Corso: il movimento dei fuselli (III) casacenina 5/2/2011 Italian 22 -
The Lure of Lace
Bobbin lace, probably Italian, from the mid to second half of the 16th century. 55cm x 3cm. Value £175. A border of bobbin lace. Honiton c1630. 106cm x 9cm. Value £500. Machine lace edging of parrots. Early 20th century. 25cm x 6cm. Border of bobbin lace, Flemish, c1660. 99cm x 8cm. Value £280. From the Jane Page Collection. The Lure of Lace by Brenda Greysmith Initially produced as a luxury for the wealthy, lace was made by hand for centuries in Europe and introduced into England about four hundred years ago. It was not until the industrialisation of the nineteenth century, that it became available to a less well-heeled Border of densely patterned needle lace, Dutch, mid 17th century. audience while still retaining immense charm. Throughout its long 58cm x 6cm. Value £480. history lace has been made in diverse materials. Linen, wool, gold and silver, silk and horsehair were all utilised before cotton came into use after 1820. Colours included white and ecru, black and polychrome, although the dyes used for these caused the thread to rot over time and little now remains. Hand-made lace was produced by two distinct methods. Bobbin lace is a miniature form of weaving made with numerous threads each wound onto a small handle of bone or wood. Needle lace is created with a needle and a single thread. The pattern is fastened to a backing fabric, foundation threads are couched down along the lines of the design and the motifs are then filled in with rows of buttonhole stitches. Among the many varieties of English bobbin lace are the Machine lace imitating Bedfordshire lace. -
Women's Fashion in Dalmatia at the End of the 18Th Century
Please provide footnote text CHAPTER 3 Women’s Fashion in Dalmatia at the End of the 18th Century Katarina Nina Simončič Introduction This chapter aims to define the role of fashion garments as indicators of social status and a highly important aspect of visual communication among the so- cial elites in 18th-century Dalmatia. The focal point of this overview is women’s fashion. To achieve this goal, through research of historical artefacts from the Dalmatian territory, it is essential to address first the availability of sources and to explain possible problems we encountered in our attempt to reconstruct and comprehend particular historical circumstances. While preserved fashion artefacts of the privileged social class in 18th-century Dalmatia are very scarce, garments that belonged to lower classes are unavailable and can only be re- constructed from observations of travel writers or from court records. Certain fashion garments and accessories of the upper classes are currently preserved in museums in Zagreb, Split, Zadar, Sibenik and Dubrovnik. These include two women’s jackets made of red and blue silk with gold and silver bobbin lace trimmings, which belonged to the Kasandric family on the island of Hvar; fans; lace artefacts and footwear. A larger and more substantial collection of mens- wear is preserved in the Rector’s Palace in Dubrovnik. Since preserved artefacts are scarce and rarely found, they cannot provide sufficient information to re- construct the social climate of the 18th century, when garments, i.e. fashion, functioned as a status symbol. Historical records prove the continuity of a rich cultural life in Dalmatia from the Renaissance to the 18th century. -
Techniques Represented in Each Pattern
(updated) November 12, 2020 Dear Customer: Thank you for requesting information about my lace instruction and supply business. If you have any questions about the supplies listed on the following pages, let me use my 36 years of lacemaking experience to help you in your selections. My stock is expanding and changing daily, so if you don't see something you want please ask. It would be my pleasure to send promotional materials on any of the items you have questions about. Call us at (607) 277-0498 or visit our web page at: http://www.vansciverbobbinlace.com We would be delighted to hear from you at our email address [email protected]. All our orders go two day priority service. Feel free to telephone, email ([email protected]) or mail in your order. Orders for supplies will be filled immediately and will include a free catalogue update. Please include an 8% ($7.50 minimum to 1 lb., $10.50 over 1 lbs.-$12.00 maximum except for pillows and stands which are shipped at cost) of the total order to cover postage and packaging. New York State residents add sales tax applicable to your locality. Payment is by check, money order or credit card (VISA, MASTERCARD, DISCOVER) in US dollars. If you are looking for a teacher keep me in mind! I teach courses at all levels in Torchon, Bedfordshire, Lester, Honiton, Bucks Point lace, Russian and more! I am happy to tailor workshops to suit your needs. Check for scheduled workshops on the page facing the order form. -
AVAILABLE from .DESCRIPTORS Murray, Jan
V 4' DOCUMENT RESUME 'E& 211 498 EP 019.329 AUTHOR' Murray, Jan, Ed.; And Otheb TITLE The Aigrations,Project Resource Handhook. Folk Arts to Enhance the Curriculum. INSTITUTION Teacher Center, 'Inc,.; New Haven, Con,. SPCNS AGENCY, Office of Elementary and Secondary Education (ED), Washington,.D.C. Ethnic Heritage Studies PrcgraT. PUB DATE 8f NOTE 125p. AVAILABLE FROMThe Teacher Center, Inc., 425 College Street, New Haven, CT 06511 ($8 50 includes postage and handling)t. EDFS PRICE MF01 Plus Postage. PC'Not Available from EDES. .DESCRIPTORS Community Characterittics; Cultural Background; Curriculum Enrichment; Elementary Sgccndary Education; Ethnic Origins; Ethnic Studies; *Ethnology; *Folk Culture; Handicrafts; *Multicultural Education; *Museums; Cral History; Program Development-; *Resource Materials; School. Community Relationship; *teacher Centets ABStRACT "Migrations" is a multi-ethnic, interdisciplinary approach,to the of ethnic heritage. Designed by the Teacher Center, Inc20-New Haven, Connecticut), the project is conceived'Ontle principle that ethnic heritagecan be a source of p ide and unity for all members of a community. It provides an,active ink bettmen the ethnicity of the community and thatof feits schools. A 'primary focus,OfItMcgrationsu is on celebrating,,through fclk arts and oral history, those attitudes and experiences 'which Are basic and vital to the livw of all people. All 'aspects Of the project revolve around a museum housing a collection of folk art objects and photographs And reTlecting the major ethnic compo$ition of the community. A traveling mini-museum is an active teaching toc2 that is 'taken into classrooms and occasionally on road trips.:7Eis handbook containe'photographs of the contents of the museumas well as descriptiohs of the activities of the center in whichsthe project is based.,-These activities inolti4e providing advisory services tc neighborhood schools, offering help tc teachers in developing arts and crafts, projects and bringing older adults into the/classroopas, visiting lecturert.