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On a Tropical Island, in the Caribbean Strategic Location in the Middle of the Americas San Juan, Condado, & Isla Verde
On a Tropical Island, in the Caribbean Strategic Location in the Middle of the Americas San Juan, Condado, & Isla Verde Old San Juan Condado Isla Verde PR Convention Center Luis Muñoz Marín International Airport (SJU) The travel distance/time from Luis Muñoz Marín International Airport (SJU) to Old San Juan is approximately 10 miles/15 minute drive Room Inventory around the Island Important Facts History 1493: Christopher Columbus lands 1508: Juan Ponce de Leon arrives 1521: San Juan was founded, forts built 1898: Puerto Rico becomes US territory 1917: Jones Act grants US citizenship 1947: Puerto Ricans elect own governor 1952: Puerto Rico officially becomes a commonwealth of the United States Convenience Currency: US Dollar No passport needed for US citizens US Postal Service Same US Telecommunication System Same US Banking System General 3.4 million population 82°F (28ºC) average temperature year round Unique Caribbean destination with security and commodities of home On a Tropical Island, In the Caribbean Only in Puerto Rico – Old San Juan Only in Puerto Rico El Yunque Rainforest Puerto Rican Parrot El Coquí Adventure Camuy Caves Zip Lines Bioluminescent Bays Science Arecibo Observatory The William E. Gordon Telescope Gastronomy Culture Notable Puerto Ricans El Gran Combo: Musicians Ricky Martin: Entertainer Sonia Sotomayor: Supreme Court Justice Joseph Acaba: Astronaut Jennifer Lopez: Entertainer Marc Anthony: Entertainer Benicio Del Toro: Actor Doing Business on a Tropical Island Existing and New Hotel Developments World-Class Accommodations Puerto Rico provides a range of incredible venues for any special event and meeting Over 14,500 guest rooms and more than 1.2 million sq. -
Abstract Since 2016, the Commonwealth of Puerto Rico Has Experienced a Period of Political Challenges Along with a Severe Economic Austerity
Revista [IN]Genios, Vol. 7, Núm. 1, pp.1-16 (diciembre, 2020) ISSN#: 2374-2747 Universidad de Puerto Rico, Río Piedras © 2020, Copyright. Todos los derechos están reservados. ISLAND ARTSCAPE OF BANKRUPTCY: A NARRATIVE PHOTO-ESSAY OF SAN JUAN’S POLITICAL STREET ART OF RESISTANCE Medio: Fotografía Andrea D. Rivera Martínez Departamento de Psicología Facultad de Ciencias Sociales, UPR RP Recibido: 15/09/2020; Revisado: 16/11/2020; Aceptado: 29/11/2020 Abstract Since 2016, the Commonwealth of Puerto Rico has experienced a period of political challenges along with a severe economic austerity. Given the unpromising projections, voices of resistance, anger, frustration, uncertainty, and hope are becoming increasingly visible on the island’s cities’ walls and spaces. Thus, based on the current situation of fiscal crisis, this visual essay narrates and documents the continuum of interpretations and opinions regarding the Puerto Rico Oversight, Management, and Economic Stability Act (PROMESA) inscribed in the urban fabric over the past five years from now. Keywords: street art, bankruptcy, fiscal crisis, austerity, Puerto Rico Resumen Desde el 2016, el Estado Libre Asociado de Puerto Rico experimenta un período de desafíos políticos junto con una severa austeridad económica. Dadas las proyecciones, las voces de resistencia, ira, frustración, incertidumbre y esperanza son cada vez más visibles en las paredes y espacios de las ciudades de la isla. Por tanto, dada la situación actual de crisis fiscal, este ensayo visual narra y documenta el continuo de interpretaciones y opiniones sobre la Ley de Supervisión, Gestión y Estabilidad Económica de Puerto Rico (PROMESA) inscritas en el tejido urbano durante los últimos cinco años. -
View Centro's Film List
About the Centro Film Collection The Centro Library and Archives houses one of the most extensive collections of films documenting the Puerto Rican experience. The collection includes documentaries, public service news programs; Hollywood produced feature films, as well as cinema films produced by the film industry in Puerto Rico. Presently we house over 500 titles, both in DVD and VHS format. Films from the collection may be borrowed, and are available for teaching, study, as well as for entertainment purposes with due consideration for copyright and intellectual property laws. Film Lending Policy Our policy requires that films be picked-up at our facility, we do not mail out. Films maybe borrowed by college professors, as well as public school teachers for classroom presentations during the school year. We also lend to student clubs and community-based organizations. For individuals conducting personal research, or for students who need to view films for class assignments, we ask that they call and make an appointment for viewing the film(s) at our facilities. Overview of collections: 366 documentary/special programs 67 feature films 11 Banco Popular programs on Puerto Rican Music 2 films (rough-cut copies) Roz Payne Archives 95 copies of WNBC Visiones programs 20 titles of WNET Realidades programs Total # of titles=559 (As of 9/2019) 1 Procedures for Borrowing Films 1. Reserve films one week in advance. 2. A maximum of 2 FILMS may be borrowed at a time. 3. Pick-up film(s) at the Centro Library and Archives with proper ID, and sign contract which specifies obligations and responsibilities while the film(s) is in your possession. -
Jíbaro Music of Puerto Rico) a Smithsonian Folkways Lesson Designed By: Bethany Grant-Rodriguez University of Washington
Jíbaro Hasta el Hueso: Jíbaro to the Bone (Jíbaro music of Puerto Rico) A Smithsonian Folkways Lesson Designed by: Bethany Grant-Rodriguez University of Washington Summary: This unit focuses on the jíbaro music of Puerto Rico. Students will learn to identify the characteristic instruments, rhythms, and sound of jíbaro music, as well as appreciate the improvisatory skills of the poet/singers known as trovatores. Students will listen, perform, analyze, and create original verses using a common jíbaro poetic structure (the seis). This unit will also highlight important theme of social justice, which is often the topic of jíbaro songs. Suggested Grade Levels: 3–5 or 6–8 Country: USA (unincorporated) Region: Puerto Rico Culture Group: Puerto Ricans (Boricuas) Genre: Jíbaro Instruments: Voice, body percussion, bongos, guiros, xylophones, guitar/piano (optional addition for harmonic support for grades 3–5) Language: Spanish Co-Curricular Areas: Social studies, language arts National Standards: 2, 3, 4, 6, 9 Prerequisites: Basic familiarity with how to play xylophones, familiarity with instrument timbres, ability to keep a steady beat in a group music setting, some experience with reading and writing poetry (knowledge of rhyme scheme and form). Objectives: Listen: Students will recognize and identify the characteristic sound of jíbaro music (6, 9) Play: Students will play classroom percussion instruments to reproduce the harmony and rhythms of jíbaro music (2) Compose: Students will compose original verses to create their very own seis (4) *Improvise: Students will vocally improvise a melody for their original verse in the jíbaro style (like the Puerto Rican trovatores) (3) *This objective is for more confident and advanced musicians. -
Downbeat.Com December 2014 U.K. £3.50
£3.50 £3.50 . U.K DECEMBER 2014 DOWNBEAT.COM D O W N B E AT 79TH ANNUAL READERS POLL WINNERS | MIGUEL ZENÓN | CHICK COREA | PAT METHENY | DIANA KRALL DECEMBER 2014 DECEMBER 2014 VOLUME 81 / NUMBER 12 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Associate Editor Davis Inman Contributing Editor Ed Enright Art Director LoriAnne Nelson Contributing Designer Žaneta Čuntová Bookkeeper Margaret Stevens Circulation Manager Sue Mahal Circulation Associate Kevin R. Maher Circulation Assistant Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Advertising Sales Associate Pete Fenech 630-941-2030 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, -
DOCUMENT RESUME ED 310 957 SO 020 170 TITLE Folk Recordings
DOCUMENT RESUME ED 310 957 SO 020 170 TITLE Folk Recordings Selected from the Archive of Folk Culture. INSTITUTION Library of Congress, Washington, DC. Motion Picture, Broadcasting, and Recorded Sound Div. PUB DATE 89 NOTE 59p. PUB TYPE Reference Materials Directories/Catalogs (132) EDRS PRICE MF01/PC03 Plus Postage. DESCRIPTORS American Indians; Audiodisks; Audiotape Cassettes; *Folk Culture; Foreign Countries; Music; *Songs IDENTIFIERS Bahamas; Black Folk Music; Brazil; *Folk Music; *Folktales; Mexico; Morocco; Puerto Rico; Venezuela ABSTRACT This catalog of sound recordings covers the broad range of folk music and folk tales in the United States, Central and South America, the Caribbean, and Morocco. Among the recordings in the catalog are recordings of Afro-Bahain religious songs from Brazil, songs and ballads of the anthracite miners (Pennsylvania), Anglo-American ballads, songs of the Sioux, songs of labor and livelihood, and animal tales told in the Gullah dialect (Georgia). A total of 83 items are offered for sale and information on current sound formats and availability is included. (PPB) Reproductions supplied by EMS are the best that can be made from the original document. SELECTED FROM THE ARCHIVE OF FOLK CULTURE MOTION PICTURE, BROADCASTING AND RECORDED SOUND DIVISION LIBRARY OF CONGRESS WASHINGTON. D.C. 20540 U S DEPARTMENT OF EDUCATION Office of Educational Research and improvement EDUCATIONAL RESOURCES INFORMATION CENTER IERICI hisdocument has been reproduced as received from the person or organization originating it C Minor changes have been made to improve reproduction duality Pointsof view or opinions stated in thisdccu- ment do not necessarily represent officral OERI motion or policy AM. -
SAM :: the Society for American Music
Custom Search About Us Membershipp Why SAM? Join or Ren ew Benefits Student Forum Institutions Listserv Social M edia For Members Conferences Future Conferences New Orleans 2019 Past Conferences Perlis Concerts 2018 Conference in Kansas City Awards & Fellowshipps Cambridge Award Housewright Disse rtation Minutes from Award Volume XLIV, No. 2 Low ens Article Award the Annual (Spring 2018) Lowens Book Award Business Tucker Student Pape r Contents Award Meeting Block Fellowshipp 2018 Conference in Kansas On a beautiful Charosh Fellowshipp City Cone Fellowshipp sunny day in early Crawford Fellow shipp Graziano Fellowshipp March, members of Business Meeting Hamm Fellowshipp Minutes the Society for Hampsong Fellows hipp Awards Lowens Fellowshipp American Music From the PresidentP McCulloh Fellowsh ipp SAM Brass Band McLucas Fellowshipp gathered in Salon 3 Celebrates Thirty Shirley Fellowshipp of the Years Southern Fellowsh ipp This and all other photos of the Kansas City meeting Student Forum Thomson Fellowshipp Intercontinental taken by Michael Broyles Reportp Tick Fellowshipp Walser-McClary Hotel Kansas City Fellowshipp for our annual business meeting. President Sandra Graham called the SAM’s Culture of Giving meeting to order at 4:33 p.m. and explained some of the major changes that Johnson Publication The PaulP Whiteman Subvention have been in the works for a while. First she discussed the new SAM logo and Sight & S ound Subvention Collection at Williams recognized the work of Board Members-at-Large Steve Swayne and Glenda Digital Lectures College Student Travel Goodman, who led a committee to find a graphic designer and then to provide feedback and guidance to the designer. -
José Gabriel Muñoz Interview Transcript
Raíces Digital Archive Oral History Transcript José Gabriel Muñoz - Cuatrista October 20, 2019 [0:11] José Gabriel Muñoz: My name is José Gabriel Muñoz and I play the Puerto Rican cuatro. It’s used mostly for the folkloric music of Puerto Rico. [0:20] I grew up listening to the music in my household. My dad would always play the music. I was born in Puerto Rico so I had those roots of the music and the culture was always in my family. And my dad would always play the music so growing up, I was always listening to it, it was always basically a part of me. [41:00] But when I was about fourteen years old I saw someone play it in front of me for the first time, and it happened to be a young man, my same age, about fourteen-thirteen, fourteen, at the time, and that’s when it became palpable and real to me. Up until then it was listening to eight-tracks and cassettes, you know, the old guard of the music, as I would call it. [1:03] And so, many young people, as myself at the time, would interpret that as just music for old people, music of my grandfathers, of my older uncles and such. It wasn’t the here and now, hip type music. Up until I watched this young man play, right in front of me, and it became alive to me, and from that moment on is where the interest grew. [1:32] Nicole Wines: Can you talk a little bit about the instrument itself? [1:38] JGM: The instrument comes from the lute family, it is my understanding. -
Los Bomberos De La Calle Activity Guide
LOS BOMBEROS DE LA CALLE A Guide on Puerto Rican Bomba & Plena from the #MannMusicRoom ABOUT COLOR ME IN! Los Bomberos De la Calle is a Puerto Rican Bomba and Plena group from North Philadelphia. They have grown into a family who spreads the knowledge and cultural music of Puerto Rico through educational performances at community events, schools, and workshops. They focus on interactive history lessons of Bomba & Plena as well as class engagement through understanding of the percussion, dance and song for all youth and families. The aim of their performances is to provide a greater understanding of the history and culture of Puerto Rico. WHERE IS PUERTO RICO? Puerto Rico is an island located in the Caribbean Sea. Its landscape includes mountains, waterfalls, and tropical rain forests. The capital of Puerto Rico is San Juan which is also its largest city. The two official languages of Puerto Rico are Spanish and English. INSTRUMENTATION Some of the instruments used in traditional Puerto Rican music are the güicharo, or guiro, a notched hollowed-out gourd, which was adapted from pre-Columbian days. At least four different instruments were adapted from the six-string Spanish classical guitar: the requinto, the bordonua, the cuatro, a guitar-like instrument with 10 strings (arranged in five different pairs), and the triple, each of which produces a unique tone and pitch. The cuatro’s graceful body has been revered for decades as the national instrument of Puerto Rico. Also prevalent are percussion instruments such as tambours (hollowed tree trunks covered with THE PUERTO RICAN stretched-out animal skin), maracas (gourds filled CUATRO with pebbles or dried beans and mounted on handles), and a variety of drums. -
Roberto Sierra's Missa Latina: Musical Analysis and Historical Perpectives Jose Rivera
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2006 Roberto Sierra's Missa Latina: Musical Analysis and Historical Perpectives Jose Rivera Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF MUSIC ROBERTO SIERRA’S MISSA LATINA: MUSICAL ANALYSIS AND HISTORICAL PERPECTIVES By JOSE RIVERA A Dissertation submitted to the College of Music in partial fulfillment of the requirements for the degree of Doctor of Philosophy Degree Awarded: Summer Semester, 2006 Copyright © 2006 Jose Rivera All Rights Reserved To my lovely wife Mabel, and children Carla and Cristian for their unconditional love and support. ii ACKNOWLEDGEMENTS This work has been possible with the collaboration, inspiration and encouragement of many individuals. The author wishes to thank advisors Dr. Timothy Hoekman and Dr. Kevin Fenton for their guidance and encouragement throughout my graduate education and in the writing of this document. Dr. Judy Bowers, has shepherd me throughout my graduate degrees. She is a Master Teacher whom I deeply admire and respect. Thank you for sharing your passion for teaching music. Dr. Andre Thomas been a constant source of inspiration and light throughout my college music education. Thank you for always reminding your students to aim for musical excellence from their mind, heart, and soul. It is with deepest gratitude that the author wishes to acknowledge David Murray, Subito Music Publishing, and composer Roberto Sierra for granting permission to reprint choral music excerpts discussed in this document. I would also like to thank Leonard Slatkin, Norman Scribner, Joseph Holt, and the staff of the Choral Arts Society of Washington for allowing me to attend their rehearsals. -
LIBRO DE ACTAS DEL I COLOQUIO DE INVESTIGADORES EN TEXTIL Y MODA 17 Y 18 De Noviembre De 217 Centre De Documentació I Museu Tèxtil Salmeron, 25 Terrassa
Organizan I Coloquio de Investigadores en Textil y Moda Colaboran Participa 17 y 18 de noviembre de 2017 CENTRE DE DOCUMENTACIÓ I MUSEU TÈXTIL Libro de Actas I Coloquio de Investigadores en Textil y Moda I Coloquio de Investigadores en Textil 9788469777602 Libro de Actas Libro Imagen de portada | Campaña La Seda de Barcelona, 1964. Modelo: Francina (cortesía Francina Díaz) I Coloquio de Investigadores en Textil y Moda 17 y 18 de noviembre de 2017 CENTRE DE DOCUMENTACIÓ I MUSEU TÈXTIL Libro de Actas LIBRO DE ACTAS DEL I COLOQUIO DE INVESTIGADORES EN TEXTIL Y MODA 17 y 18 de noviembre de 217 Centre de Documentació i Museu Tèxtil Salmeron, 25 Terrassa www.cdmt.cat Publicación Coloquio Coordinación de la Publicación OrganiZación del Coloquio Sílvia Carbonell (Centre de Documentació i Museu Tèxtil) Grup d’Estudis de Tèxtil i Moda Centre de Documentació i Museu Tèxtil DiseÑO Y maquetación Fundación Historia del Diseño Txeni Gil ComitÉ organiZador Corrección de textos Isabel Campi, Sílvia Carbonell, Assumpta Dangla, Patricia Bueno (Fundación Historia del Diseño) Neus Ribas, Sílvia Ventosa IMPresión ComitÉ cientÍfico Printcolor Núria Aragonès, Assumpta Dangla, Andreu Dengra, Mercè Fernández, Neus Ribas, Sílvia Rosés, Sílvia Saladrigas, DEPósito legal Sílvia Ventosa B 818-2018 SecretarÍA cientÍfica ISBN Paqui Martínez, Neus Grau y Gràcia Escàbia 978-84-697-7760-2 (Centre de Documentació i Museu Tèxtil) SecretarÍA general Y TÉcnica Administración de la Publicación Fundación Historia del Diseño Cecília Jané y Patricia Bueno (Fundación Historia del Diseño) C. Còrsega, 176, bajos interior 08036 Barcelona SOPorte TÉcnico Y grÁfico Quico Ortega, Carles M. Miralles y Francisco Fernández Tel. -
The Lacenews Chanel on Youtube December 2011 Update
The LaceNews Chanel on YouTube December 2011 Update http://www.youtube.com/user/lacenews Bobbinlace Instruction - 1 (A-H) 11Preparing bobbins for lace making achimwasp 10/14/2007 music 22dentelle.mpg AlainB13 10/19/2010 silent 33signet.ogv AlainB13 4/23/2011 silent 44napperon.ogv AlainB13 4/24/2011 silent 55Evolution d'un dessin technique d'une dentelle aux fuseaux AlainB13 6/9/2011 silent 66Galon en dentelle style Cluny AlainB13 11/20/2011 no narration 77il primo videotombolo alikingdogs 9/23/2008 Italian 881 video imparaticcio alikingdogs 11/14/2008 Italian 992 video imparaticcio punto tela alikingdogs 11/20/2008 Italian 10 10 imparaticcio mezzo punto alikingdogs 11/20/2008 Italian 11 11 Bolillos, Anaiencajes Hojas de guipur Blancaflor2776 4/20/2008 Spanish/Catalan 12 12 Bolillos, hojas de guipur Blancaflor2776 4/20/2008 silent 13 13 Bolillos, encaje 3 pares Blancaflor2776 6/26/2009 silent 14 14 Bobbin Lacemaking BobbinLacer 8/6/2008 English 15 15 Preparing Bobbins for Lace making BobbinLacer 8/19/2008 English 16 16 Update on Flower Project BobbinLacer 8/19/2008 English 17 17 Cómo hacer el medio punto - Encaje de bolillos canalsapeando 10/5/2011 Spanish 18 18 Cómo hacer el punto entero o punto de lienzo - Encaje de bolillos canalsapeando 10/5/2011 Spanish 19 19 Conceptos básicos - Encaje de bolillos canalsapeando 10/5/2011 Spanish 20 20 Materiales necesarios - Encaje de bolillos canalsapeando 10/5/2011 Spanish 21 21 Merletto a fuselli - Introduzione storica (I) casacenina 4/19/2011 Italian 22 22 Merletto a Fuselli - Corso: il movimento