DOCSLIB.ORG

Techniques Represented in Each Pattern

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Techniques Represented in Each Pattern (updated) November 12, 2020 Dear Customer: Thank you for requesting information about my lace instruction and supply business. If you have any questions about the supplies listed on the following pages, let me use my 36 years of lacemaking experience to help you in your selections. My stock is expanding and changing daily, so if you don't see something you want please ask. It would be my pleasure to send promotional materials on any of the items you have questions about. Call us at (607) 277-0498 or visit our web page at: http://www.vansciverbobbinlace.com We would be delighted to hear from you at our email address [email protected]. All our orders go two day priority service. Feel free to telephone, email ([email protected]) or mail in your order. Orders for supplies will be filled immediately and will include a free catalogue update. Please include an 8% ($7.50 minimum to 1 lb., $10.50 over 1 lbs.-$12.00 maximum except for pillows and stands which are shipped at cost) of the total order to cover postage and packaging. New York State residents add sales tax applicable to your locality. Payment is by check, money order or credit card (VISA, MASTERCARD, DISCOVER) in US dollars. If you are looking for a teacher keep me in mind! I teach courses at all levels in Torchon, Bedfordshire, Lester, Honiton, Bucks Point lace, Russian and more! I am happy to tailor workshops to suit your needs. Check for scheduled workshops on the page facing the order form. Please note I am available for Lace Days. Thank you for your interest and I look forward to being of service to you. Sincerely yours, Holly Van Sciver Van Sciver Bobbin Lace ns, technical diagrams and detailed Dancing Couple drawings of specific Anne-Marie Verbeke Billiet techniques represented in each pattern. Students of Anne-Marie Verbeke Billiet has reworked this old pattern. It includes a working diagram and pricking and large photo of the lace. In stock.’ $25.95 P.S. With the help of the computer, I am able to up-date my catalogue frequently giving you the most accurate reflection of available items and their prices. However, due to fluctuations in foreign currency, prices may change without notice. Books 2 Check out our web page at http://www.vansciverbobbinlace.com for more books and information! If you are having difficulty sorting out the myriad of information about books let me use my 35 years of lacemaking experience to help you make your selections! New Torchon, ’s Gravenmoer (cont) Bedfordshire Lace, Jean Leader (Due 2021) ..........................................TBA XXL Stropkant, Hubert Van Hoorebeke .......................................................49.95 Bucks Poinr Lace Workbook, Louise West..............................................38.50 101 Torchon Lace Patterns, Robin Lewis ...........................................26.95 Dancing Couple, Anne-Marie Verbeke Billiet.............................................25.95 Color in Torchon (DVD), Jean Leader .................................................48.00 Special Estonia, Various .............................................................................48.50 Pettersson-Spitzen, Nordström ..........................................................54.95 Tier in Tüll, Ulrike Voelcker .........................................................................45.95 Les Dentelles aux Fuseaux, DMC ......................................................79.95 Pizzo di Cantù, Issue n°1, Bonaglia Emanuele .........................................24.00 Blumen für Fenster und Tisch, Christine Merecki ................................44.95 Pizzo di Cantù, Issue n°2, The Curves, Bonaglia Emanuele ...................24.00 Logarithmic ’s Gravenmoer Bobbin Lace, Brigitta Gornik ................69.95 Pochettes en Cluny Polychrome de Brioude, Odette Arpin ...................42.95 ’s Gravenmoer Bobbin Lace, Brigitta Gornik ......................................59.95 Using Modern Grounds, Michèle Kelly .....................................................29.95 ’s Gravenmoer Bobbin Lace 2, Brigitta Gornik ...................................59.95 Bobbin Lace Flowers, Mika Toyoda ..........................................................58.95 ’s Gravenmoer Bobbin Lac 3, Brigitta Gornik .....................................59.95 Idrija Lace, Halfstitch in Idrija Narro Tape Lace, Idrija Lace School ......54.95 ’s Gravenmoer Bobbin Lace Boutique, Brigitta Gornik .....................69.95 A Practical Guide To Needlelace, Jacqueline Peter .................................24.95 ’s Gravenmoer Bobbin Lace Christmas Ornaments, B. Gornik .......49.95 DVD More Color in Bedfordshire, Jean Leader .......................................58.00 Flat Bobbin Lace Christmas Ornaments, B. Gornik ..........................29.95 Having More Fun with 's Gravenmoer Susan Wenzel ............................38.95 La dentelle de Craponne, Odette Arpin ....................................................42.95 Bedfordshire, Cluny, Guipure, Schneeberger Florale Herzen, Elfi Krüger ..........................................................................36.95 Tallies and Pin Chains, Donnelly, Guisiana, Carnegie ................................54.50 La Guipure du Puy, Nathalie Hubert and Mick Fouriscot ..........................46.95 Fiandra a tre paia, Diana Dussi ...................................................................34.50 Bedfordshire Lace Designs, Louise West ................................................49.95 The Return of the Spiders, The Lace Guild ..............................................36.95 Polychrome and Dentelles, Mme Odette Arpin ........................................49.95 Small Motifs in Idrija Technique, Riet Delescen .......................................33.50 Truing Bedfordshire Lace Pricking, Alex Stillwell .......................................8.50 Lace in Flanders, History and Contempoary Art, M Bruggeman .....79.95 An Early Lace Workbook, Rosemary Shepherd .................................54.95 Little Snowflake with the White Skirt, Ulrike Voelcker .......................34.50 Fabulous history and pattern book on the earliest bobbin laces. All About Making Mechlin Lace, Alexandra Stillwell ..........................36.95 Introducing Bone Lace, Gil Dye .................................................................22.95 Christian Traugott Grimm Klöppelcurriculum 1823, Kilian&Shuster42.95 Gold and Silver Edgings, Gilian Dye .....................................................29.95 Sidmouth’s Lace, Carol MacFazdean ................................................. 19.95 The Isham Samples and Other Linen Edgings, Gilian Dye ..................29.95 Bobbin-Made Jewellery from Metal Threads, M Wolther-Kampmann ...54.95 Surface Decoration in Silk and Metallic Thread, Gilian Dye ...................29.95 “Asymétrie” - “Symétrie”, Odette Arpin ....................................................19.95 Insertions and Borders, Gilian Dye.....................................................29.95 “Dis-moi Oui!”, Odette Arpin ......................................................................19.95 Floral Bedfordshire, Yvonne Scheele-Kerkhof....................................59.95 “Chocolat Liégeois”, Odette Arpin ............................................................19.95 Pattern book on pictorial Beds. de l`Air et des Fleurs (Of Air and Flowers), Odette Arpin ........................19.95 Wiener Spitzen, Hartmut Lang .............................................................59.95 A l’ombre des campanules, Odette Arpin .................................................19.95 Bedfordshire Lace Patterns, Margaret Turner....................................24.95 3 Fleur Bouquet Patterns, Odette Arpin ...................................................19.95 Reprint of 1500's wood block designs for bobbin lace. Tournesoleil, Odette Arpin ..........................................................................19.95 Introduction To Bedfordshire Lace, Jean Leader ..............................19.95 Spitzen und Einsätze, Bridgett Bellon .......................................................34.95 Thistles, Roses and Daffodils, Jean Leader.......................................19.95 5 Feuilles de mini-éventails (Mini Fans in Bobbin Lace) .......................19.95 Four bookmark patterns in floral Beds. Vers l’Orient (Polychrome bobbin lace patterns) ...................................21.95 Introducing Beds Lace in 20 Lessons, B. Underwood ......................29.95 Bobbin Lace Manuals and Skills Beginning/Intermediate manual of Beds complete w/patterns. Traditional Bedfordshire Lace, Barbara Underwood..........................34.95 Beginning Bobbin Lace, Gilian Dye .........................................................19.95 Torchon Lacemaking, Elizabeth Wade ...............................................29.95 The best advanced manual of Beds complete with patterns. Introduction To Bobbin Lacemaking, Jean Jagendorf......................13.95 Prickings from the AV Clark Collection-CD, various .........................16.95 Discover, Explore, Master Torchon Lace, Vol 1, 2, & 3 Voelcker , ea.....44.95 Rose Family Sample Book-DVD, various ...........................................32.00 Invisible, Martina Wolter-Kampmann ...................................................69.95 Thomas Lester, his Lace & the East Midlands Ind., A Buck .............29.95 The Beginning of the End, Ulike Löhr ................................................64.95 La Guipure du Puy, vol. 2, Hubert and Fouriscot ................................35.95
Load more

Recommended publications
  • Palmetto Tatters Guild Glossary of Tatting Terms (Not All Inclusive!)
    Palmetto Tatters Guild Glossary of Tatting Terms (not all inclusive!) Tat Days Written * or or To denote repeating lines of a pattern. Example: Rep directions or # or § from * 7 times & ( ) Eg. R: 5 + 5 – 5 – 5 (last P of prev R). Modern B Bead (Also see other bead notation below) notation BTS Bare Thread Space B or +B Put bead on picot before joining BBB B or BBB|B Three beads on knotting thread, and one bead on core thread Ch Chain ^ Construction picot or very small picot CTM Continuous Thread Method D Dimple: i.e. 1st Half Double Stitch X4, 2nd Half Double Stitch X4 dds or { } daisy double stitch DNRW DO NOT Reverse Work DS Double Stitch DP Down Picot: 2 of 1st HS, P, 2 of 2nd HS DPB Down Picot with a Bead: 2 of 1st HS, B, 2 of 2nd HS HMSR Half Moon Split Ring: Fold the second half of the Split Ring inward before closing so that the second side and first side arch in the same direction HR Half Ring: A ring which is only partially closed, so it looks like half of a ring 1st HS First Half of Double Stitch 2nd HS Second Half of Double Stitch JK Josephine Knot (Ring made of only the 1st Half of Double Stitch OR only the 2nd Half of Double Stitch) LJ or Sh+ or SLJ Lock Join or Shuttle join or Shuttle Lock Join LPPCh Last Picot of Previous Chain LPPR Last Picot of Previous Ring LS Lock Stitch: First Half of DS is NOT flipped, Second Half is flipped, as usual LCh Make a series of Lock Stitches to form a Lock Chain MP or FP Mock Picot or False Picot MR Maltese Ring Pearl Ch Chain made with pearl tatting technique (picots on both sides of the chain, made using three threads) P or - Picot Page 1 of 4 PLJ or ‘PULLED LOOP’ join or ‘PULLED LOCK’ join since it is actually a lock join made after placing thread under a finished ring and pulling this thread through a picot.
    [Show full text]
  • NEEDLE LACES Battenberg, Point & Reticella Including Princess Lace 3Rd Edition
    NEEDLE LACES BATTENBERG, POINT & RETICELLA INCLUDING PRINCESS LACE 3RD EDITION EDITED BY JULES & KAETHE KLIOT LACIS PUBLICATIONS BERKELEY, CA 94703 PREFACE The great and increasing interest felt throughout the country in the subject of LACE MAKING has led to the preparation of the present work. The Editor has drawn freely from all sources of information, and has availed himself of the suggestions of the best lace-makers. The object of this little volume is to afford plain, practical directions by means of which any lady may become possessed of beautiful specimens of Modern Lace Work by a very slight expenditure of time and patience. The moderate cost of materials and the beauty and value of the articles produced are destined to confer on lace making a lasting popularity. from “MANUAL FOR LACE MAKING” 1878 NEEDLE LACES BATTENBERG, POINT & RETICELLA INLUDING PRINCESS LACE True Battenberg lace can be distinguished from the later laces CONTENTS by the buttonholed bars, also called Raleigh bars. The other contemporary forms of tape lace use the Sorrento or twisted thread bar as the connecting element. Renaissance Lace is INTRODUCTION 3 the most common name used to refer to tape lace using these BATTENBERG AND POINT LACE 6 simpler stitches. Stitches 7 Designs 38 The earliest product of machine made lace was tulle or the PRINCESS LACE 44 RETICELLA LACE 46 net which was incorporated in both the appliqued hand BATTENBERG LACE PATTERNS 54 made laces and later the elaborate Leavers laces. It would not be long before the narrow tapes, in fancier versions, would be combined with this tulle to create a popular form INTRODUCTION of tape lace, Princess Lace, which became and remains the present incarnation of Belgian Lace, combining machine This book is a republication of portions of several manuals made tapes and motifs, hand applied to machine made tulle printed between 1878 and 1938 dealing with varieties of and embellished with net embroidery.
    [Show full text]
  • Bobbin Lace You Need a Pattern Known As a Pricking
    “Dressing” a Lace Pillow © Jean Leader 2014 pricking pin-cushion this edge should be a selvage if possible — the other edges lace in progress should be hemmed. cover cloth between bobbins and lower part of pricking cover cloth ready to cover pillow when not in use The pillow, a square or round piece of polystyrene (preferably high density) about 40 cm (16 in) across and 5 cm (2 in) thick, should be covered with a firmly woven dark cotton material. Avoid synthetic materials as these will attract dust and fluff. Cut a piece of material so that it is about 8-10 cm (3-4 in) wider than the pillow all round. Make a hem (with an opening) round the edge and thread either tape or elastic through it. Fit the cover over the pillow and pull the tape or elastic tight. (If you’re in a hurry just pin the cover in place.) This cover should be removed and washed occasionally. You will also need at least two cover cloths about 40 cm (16 in) square made of the same sort of material as the cover (they should be hemmed so no bits of thread can catch in the lace). One of these is placed over the lower part of the pricking and the bobbins lie on top of it. The other cloth is placed over the whole pillow when it is not in use so that the lace you’re working on stays clean. Making a Pricking In order to make bobbin lace you need a pattern known as a pricking.
    [Show full text]
  • Hedgehog Lacers 20Th Annual Lace-In
    Hedgehog Lacers 20th Annual Lace-In September 9-10, 2017 The members of the Hedgehog Lace Guild invite you to attend our annual lace workshop. We have a wonderful group of teachers offering a variety of classes. Classes 100 Chrysanthemum — All levels ~ Sylvia Fellows Chrysanthemum Lace is a tape lace that has some elements resembling Brugges Lace. It is characterized by the "Split Spider" stitch on one side of each tape. The "petals" formed can look like a chrysanthemum flower, a popular motif in this lace. It uses, usually, only 8 pairs of bobbins or less. 101 Milanese Lace — All levels ~ Louise Colgan Milanese Lace is characterized by special decorative stitches that become integral features of each design. The creative nature of this type of lace makes it suitable for both traditional and contemporary interpretation. A variety of projects will be offered to cover all levels of Milanese techniques. Students will be given the option of using colored threads to make their own unique pieces from the selected patterns. A solid foundation in basic Bobbin Lace skills is required. Diagram-reading skills are also recommended. NOTE: Continuing “Louise” projects are also welcome. 102 Tatting — All levels ~ Randy Houtz There are several methods and applications for tatting split rings. Class time will be spent examining a different technique and/or application: the basic split ring; woven split rings; adding a ring to the split ring; and adding rings to both sides are examples. Prerequisites: Students should be comfortable with tatting rings, chains and joins. It is helpful to know other tatting methods but not necessary.
    [Show full text]
  • Catalogue of the Famous Blackborne Museum Collection of Laces
    'hladchorvS' The Famous Blackbome Collection The American Art Galleries Madison Square South New York j J ( o # I -legislation. BLACKB ORNE LA CE SALE. Metropolitan Museum Anxious to Acquire Rare Collection. ' The sale of laces by order of Vitail Benguiat at the American Art Galleries began j-esterday afternoon with low prices ranging from .$2 up. The sale will be continued to-day and to-morrow, when the famous Blackborne collection mil be sold, the entire 600 odd pieces In one lot. This collection, which was be- gun by the father of Arthur Blackborne In IS-W and ^ contmued by the son, shows the course of lace making for over 4(Xi ye^rs. It is valued at from .?40,fX)0 to $oO,0()0. It is a museum collection, and the Metropolitan Art Museum of this city would like to acciuire it, but hasnt the funds available. ' " With the addition of these laces the Metropolitan would probably have the finest collection of laces in the world," said the museum's lace authority, who has been studying the Blackborne laces since the collection opened, yesterday. " and there would be enough of much of it for the Washington and" Boston Mu- seums as well as our own. We have now a collection of lace that is probablv pqual to that of any in the world, "though other museums have better examples of some pieces than we have." Yesterday's sale brought SI. .350. ' ""• « mmov ON FREE VIEW AT THE AMERICAN ART GALLERIES MADISON SQUARE SOUTH, NEW YORK FROM SATURDAY, DECEMBER FIFTH UNTIL THE DATE OF SALE, INCLUSIVE THE FAMOUS ARTHUR BLACKBORNE COLLECTION TO BE SOLD ON THURSDAY, FRIDAY AND SATURDAY AFTERNOONS December 10th, 11th and 12th BEGINNING EACH AFTERNOON AT 2.30 o'CLOCK CATALOGUE OF THE FAMOUS BLACKBORNE Museum Collection of Laces BEAUTIFUL OLD TEXTILES HISTORICAL COSTUMES ANTIQUE JEWELRY AND FANS EXTRAORDINARY REGAL LACES RICH EMBROIDERIES ECCLESIASTICAL VESTMENTS AND OTHER INTERESTING OBJECTS OWNED BY AND TO BE SOLD BY ORDER OF MR.
    [Show full text]
  • Powerhouse Museum Lace Collection: Glossary of Terms Used in the Documentation – Blue Files and Collection Notebooks
    Book Appendix Glossary 12-02 Powerhouse Museum Lace Collection: Glossary of terms used in the documentation – Blue files and collection notebooks. Rosemary Shepherd: 1983 to 2003 The following references were used in the documentation. For needle laces: Therese de Dillmont, The Complete Encyclopaedia of Needlework, Running Press reprint, Philadelphia, 1971 For bobbin laces: Bridget M Cook and Geraldine Stott, The Book of Bobbin Lace Stitches, A H & A W Reed, Sydney, 1980 The principal historical reference: Santina Levey, Lace a History, Victoria and Albert Museum and W H Maney, Leeds, 1983 In compiling the glossary reference was also made to Alexandra Stillwell’s Illustrated dictionary of lacemaking, Cassell, London 1996 General lace and lacemaking terms A border, flounce or edging is a length of lace with one shaped edge (headside) and one straight edge (footside). The headside shaping may be as insignificant as a straight or undulating line of picots, or as pronounced as deep ‘van Dyke’ scallops. ‘Border’ is used for laces to 100mm and ‘flounce’ for laces wider than 100 mm and these are the terms used in the documentation of the Powerhouse collection. The term ‘lace edging’ is often used elsewhere instead of border, for very narrow laces. An insertion is usually a length of lace with two straight edges (footsides) which are stitched directly onto the mounting fabric, the fabric then being cut away behind the lace. Ocasionally lace insertions are shaped (for example, square or triangular motifs for use on household linen) in which case they are entirely enclosed by a footside. See also ‘panel’ and ‘engrelure’ A lace panel is usually has finished edges, enclosing a specially designed motif.
    [Show full text]
  • Identifying Handmade and Machine Lace Identification
    Identifying Handmade and Machine Lace DATS in partnership with the V&A DATS DRESS AND TEXTILE SPECIALISTS 1 Identifying Handmade and Machine Lace Text copyright © Jeremy Farrell, 2007 Image copyrights as specified in each section. This information pack has been produced to accompany a one-day workshop of the same name held at The Museum of Costume and Textiles, Nottingham on 21st February 2008. The workshop is one of three produced in collaboration between DATS and the V&A, funded by the Renaissance Subject Specialist Network Implementation Grant Programme, administered by the MLA. The purpose of the workshops is to enable participants to improve the documentation and interpretation of collections and make them accessible to the widest audiences. Participants will have the chance to study objects at first hand to help increase their confidence in identifying textile materials and techniques. This information pack is intended as a means of sharing the knowledge communicated in the workshops with colleagues and the public. Other workshops / information packs in the series: Identifying Textile Types and Weaves 1750 -1950 Identifying Printed Textiles in Dress 1740-1890 Front cover image: Detail of a triangular shawl of white cotton Pusher lace made by William Vickers of Nottingham, 1870. The Pusher machine cannot put in the outline which has to be put in by hand or by embroidering machine. The outline here was put in by hand by a woman in Youlgreave, Derbyshire. (NCM 1912-13 © Nottingham City Museums) 2 Identifying Handmade and Machine Lace Contents Page 1. List of illustrations 1 2. Introduction 3 3. The main types of hand and machine lace 5 4.
    [Show full text]
  • Lace and Design 22Nd International Lace Festival Lepoglava 2018
    22nd International Lace Festival Lepoglava 2018. Under the High Auspices of the Croatian President Mrs Kolinda Grabar Kitarović Lace and Design Under the Auspices of: The Croatian Ministry of Culture, The Croatian Ministry of Tourism, The Croatian Ministry of Agriculture, The Croatian Commission for UNESCO, The Croatian Tourist Board, Varaždin County and the Town of Lepoglava. Partner Country: the Italian Republic 2018 Day of European Heritage in Lepoglava FESTIVAL EXHIBITION PROGRAMME - EVERY DAY IzložbeExhibitions su otvorene are openza posjetitelje to visitors tijekom on all festivalskihFestival days dana petak:Friday: 10.00 10 AM – -21.00 9 PM sati subota:Saturday: 10.00 10 AM – 22.00 - 10 PM sati nedjelja:Sunday: 10.00 10 AM – 18.00 - 6 PM sati Ticket prices for all the Exhibition spaces: HRK 15.00 (free for children under 7 years of age) The Organiser reserves the right to amend the programme Future Museum Premises (adjacent to the Pauline Monastery) Croatian Lace Exhibitions: The Benedictine Monasteries of St. John the Baptist and St. Anthony the Great of Hvar, St. Margaret of Pag, ‘Pekljica’ Society from Primošten, Slovenian Cultural Society ‘Triglav’ Lace Section of Split, ‘Nada Mance’ Handicrafts, Čakovec, ‘Motifs from Sikirevcy’ Society of Sikirevci, Emina Baričević’s tatting lace (Križevci), ‘Ključ’ Cultural and Artistic Society of Trg near Ozalj, Šarčević Ilija Family Farm of Sikirevci, St. Mary’s Lace Society from Sveta Marija, ‘Frane Budak’ Society of Pag, Ivančica Cipurić’s tatting lace (the Cardinals’ Valley - Krašić), ‘Se zmisliš… Lepoglavska sjećanja’ (‘Do you Remember… Memories of Lepoglava’), An Exhibition of Lace from the Uhrin Family Collection, and An Exhibition of Festival Publications.
    [Show full text]
  • Coutau-Bégarie & Associés
    COUTAU-BÉGARIE & ASSOCIÉS OVV COUTAU-BÉGARIE - AGRÉMENT 2002-113 OLIVIER COUTAU-BÉGARIE, ALEXANDRE DE LA FOREST DIvoNNE, coMMISSAIRES-PRISEURS ASSocIÉS. 60, AVENUE DE LA BOURDONNAIS - 75007 PARIS TEL : 01 45 56 12 20 - FAX : 01 45 56 14 40 - WWW.coUTAUBEGARIE.coM D ENTELLES - B RODERIES BLANCHES L INGE DE M AISON M ERCREDI 24 OCTOBRE 2018 À 11 H 00, LOTS 1 À 100 L INGE DE M AISON CHOISI XIX e ET XX e SIÈCLE BRODÉ , DAMASSÉ ET EN DENTELLE SERVICES DE TA B L E ET NAPPES , PA R U R E S DE LIT , GRANDS STORES À 14 H 00, LOTS 101 À 448 e e D ENTELLES DE C OLLECTION DU XVI AU XX SIÈCLE DONT COLLECTION DE M ARGARET S IMEON A CCESSOIRES DU COSTU M E BRODÉS ET EN DENTELLE DU XVIII e AU XX e SIÈCLE BARBES ET FONDS DE BONNETS , MOUCHOIRS DE MARIAGE , CHÂLES , É V E N TA I L S , VOILES DE MARIÉE DONT UN RARE VOILE EN DENTELLE D ’A LENÇON PARIS - HÔTEL DROUOT - SALLE 2 RESPONSABLE DE LA VENTE 9, rue Drouot - 75009 Paris Mathilde FELLMANN - +33 (0)1 45 56 12 20 Tél. de la salle : +33 (0)1 48 00 20 02 ORDRES D’ACHAT [email protected] EXPOSITION PUBLIQUE Fax : +33 (0)1 45 56 14 40 Mardi 23 octobre 2018 - de 11h00 à 18h00 24h avant la vente EXPERT Claude VUILLE +33 (0)6 74 66 39 05 [email protected] COUTAUBEGARIE.COM Toutes les illustrations de cette vente Suivez la vente en direct sont visibles sur notre site : www.coutaubegarie.com et enchérissez sur : www.drouotlive.com 1 CORRESPONDANTS Myriam LARNAUDIE-EIFFEL ASSOCIÉE CORRESPONDANT SUD-OUEST 11, place des Quinconces - 33000 Bordeaux Tél.
    [Show full text]
  • The Oak Interior, 24 & 25 April 2013, Chester
    Bonhams New House 150 Christleton Road Chester CH3 5TD +44 (0) 1244 313936 +44 (0) 1244 340028 fax 21122 The Oak Interior, 24 & 25 April 2013, Chester 2013, April 24 & 25 The Oak Interior including The E. Hopwell Collection Wednesday 24 April 2013 at 10am Thursday 25 April 2013 at 10am Chester The Oak Interior including The E. Hopwell Collection, Pewter and Textiles Wednesday 24 April 2013 at 10am Thursday 25 April 2013 at 10am Chester Bonhams Enquiries Sale Number: 21122 Please see back of catalogue New House for important notice to bidders 150 Christleton Road Day I Catalogue: £20 (£25 by post) Chester CH3 5TD Pewter Illustrations bonhams.com David Houlston Customer Services Back cover: Lot 496 +44 (0) 1244 353 119 Monday to Friday 8.30am to 6pm Inside front cover: Lot 265 Viewing [email protected] +44 (0) 20 7447 7447 Inside back cover: Lot 289 Friday 19 April 10am to 4pm Sunday 21 April 11am to 2pm The E. Hopwell Collection of Monday 22 April 10am to 4pm Metalware & Treen Tuesday 23 April 10am to 4pm Megan Wheeler Wednesday 24 April 8.30am to 4pm +44 (0) 1244 353 127 Thursday 25 April 8.30am to 9.45am [email protected] Bids Textiles +44 (0) 20 7447 7448 Claire Browne +44 (0) 20 7447 7401 fax +44 (0) 1564 732 969 To bid via the internet [email protected] please visit www.bonhams.com Day II Please note that bids should be Furniture submitted no later than 24 hours David Houlston before the sale.
    [Show full text]
  • The Lacenews Chanel on Youtube October 2011 Update
    The LaceNews Chanel on YouTube October 2011 Update http://www.youtube.com/user/lacenews Bobbinlace Instruction - 1 (A-H) 1 1 Preparing bobbins for lace making achimwasp 10/14/2007 music 2 2 dentelle.mpg AlainB13 10/19/2010 silent 3 3 signet.ogv AlainB13 4/23/2011 silent 4 4 napperon.ogv AlainB13 4/24/2011 silent 5 5 Evolution d'un dessin technique d'une dentelle aux fuseaux AlainB13 6/9/2011 silent 6 6 il primo videotombolo alikingdogs 9/23/2008 Italian 7 7 1 video imparaticcio alikingdogs 11/14/2008 Italian 8 8 2 video imparaticcio punto tela alikingdogs 11/20/2008 Italian 9 9 imparaticcio mezzo punto alikingdogs 11/20/2008 Italian 10 10 Bolillos, Anaiencajes Hojas de guipur Blancaflor2776 4/20/2008 Spanish/Catalan 11 11 Bolillos, hojas de guipur Blancaflor2776 4/20/2008 silent 12 12 Bolillos, encaje 3 pares Blancaflor2776 6/26/2009 silent 13 13 Bobbin Lacemaking BobbinLacer 8/6/2008 English 14 14 Preparing Bobbins for Lace making BobbinLacer 8/19/2008 English 15 15 Update on Flower Project BobbinLacer 8/19/2008 English 16 16 Cómo hacer el medio punto - Encaje de bolillos canalsapeando 10/5/2011 Spanish 17 17 Cómo hacer el punto entero o punto de lienzo - Encaje de bolillos canalsapeando 10/5/2011 Spanish 18 18 Conceptos básicos - Encaje de bolillos canalsapeando 10/5/2011 Spanish 19 19 Materiales necesarios - Encaje de bolillos canalsapeando 10/5/2011 Spanish 20 20 Merletto a fuselli - Introduzione storica (I) casacenina 4/19/2011 Italian 21 21 Merletto a Fuselli - Corso: il movimento dei fuselli (III) casacenina 5/2/2011 Italian 22
    [Show full text]
  • Official Catalogue of Exhibitors
    o t wmmM% DEPARTHENT OF lAWEACTVKI^S UMYERSAL EXPOSITION ^AINT LOUIS 19 .^^04 '/, 'II i I OFFICIAL CATALOGUE OF EXHIBITORS ^(^ UNIVERSAL EXPOSITION ST. LOUIS, U. S. A. 1904 DIVISION OR EXHIBITS FREDERICK J. V. SKIFF, Director Department D MANUFACTURES MILAN H. HULBERT, Chief FIRST EDITION PUBLISHED FOR THE COMMITTEE ON PRESS AND PUBLICITY BY THE OFFICIAL CATALOGUE COMPANY (INC.) ST. LOUIS. 1904 » fi » J) , • o 1 J %^^ A^" H\vi'2 V\^ ' ps^ga. jj ' jiiin 'lag'j LIBRARY of CONGRESS Two Copies Received * MAY 13 1904 Copyrlffht Entry CLASS^ CL-XXc. No. COPY B COPYRIGHT, 1904. BY THE LOUISIANA PURCHASE EXPOSITION COMPANY, FOR THE OFFICIAL CATALOGUE COMPANY. .! •! • PREFACE. It is estimated that more than a million objects exposed in the various displays installed within the Palaces of the Universal Exposition of St. Louis, 1904. To properly classify, group and arrange alphabetically all of the exhibits of an Expo- sition of such international scope, is a task of character and proportions as to make it quite impossible to provide a complete catalogue of these exhibits on the opening day of the Exposition. This edition of the Official Catalqgue is, therefore, presented preliminary to the revised and complete catalogue which will be ready and issued within a few weeks, and to the preparation of which, in realization of its extraordinary value as a docu- ment of general and commercial reference, especial care is being given. The present volume, however, it is believed, represents the most complete cata- logue ever presented at the opening of an International Exposition. It capably serves the purpose for which it is designed, as an early index of the infinite variety of interesting exhibits which are the concrete evidences of the industrial, educational and artistic advancement of the world.
    [Show full text]