Vintage Notions Volume 1 Issue 9 MONTHLY
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The Textiles of the Han Dynasty & Their Relationship with Society
The Textiles of the Han Dynasty & Their Relationship with Society Heather Langford Theses submitted for the degree of Master of Arts Faculty of Humanities and Social Sciences Centre of Asian Studies University of Adelaide May 2009 ii Dissertation submitted in partial fulfilment of the research requirements for the degree of Master of Arts Centre of Asian Studies School of Humanities and Social Sciences Adelaide University 2009 iii Table of Contents 1. Introduction.........................................................................................1 1.1. Literature Review..............................................................................13 1.2. Chapter summary ..............................................................................17 1.3. Conclusion ........................................................................................19 2. Background .......................................................................................20 2.1. Pre Han History.................................................................................20 2.2. Qin Dynasty ......................................................................................24 2.3. The Han Dynasty...............................................................................25 2.3.1. Trade with the West............................................................................. 30 2.4. Conclusion ........................................................................................32 3. Textiles and Technology....................................................................33 -
Dressing for the Times: Fashion in Tang Dynasty China (618-907)
Dressing for the Times: Fashion in Tang Dynasty China (618-907) BuYun Chen Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2013 © 2013 BuYun Chen All rights reserved ABSTRACT Dressing for the Times: Fashion in Tang Dynasty China (618-907) BuYun Chen During the Tang dynasty, an increased capacity for change created a new value system predicated on the accumulation of wealth and the obsolescence of things that is best understood as fashion. Increased wealth among Tang elites was paralleled by a greater investment in clothes, which imbued clothes with new meaning. Intellectuals, who viewed heightened commercial activity and social mobility as symptomatic of an unstable society, found such profound changes in the vestimentary landscape unsettling. For them, a range of troubling developments, including crisis in the central government, deep suspicion of the newly empowered military and professional class, and anxiety about waste and obsolescence were all subsumed under the trope of fashionable dressing. The clamor of these intellectuals about the widespread desire to be “current” reveals the significant space fashion inhabited in the empire – a space that was repeatedly gendered female. This dissertation considers fashion as a system of social practices that is governed by material relations – a system that is also embroiled in the politics of the gendered self and the body. I demonstrate that this notion of fashion is the best way to understand the process through which competition for status and self-identification among elites gradually broke away from the imperial court and its system of official ranks. -
Plastic Canvas Patterns
Crochet & Craft Crochet & Craft Catalog Craft Store MAY 2015 OVER 300 Step Into NEW ITEMS! Springin Style! AnniesCraftStore.com CROCHET | KNITTING | BEADING | PLASTIC CANVAS | YARN CSC5 Crazy for ➤ Crochet Chevrons page 34 Southwest Tissue Plastic Covers Canvas page 56 ➤ Isadora Scarf page 79 Paper Crafts Knit Washi Tape Cards ➤ page 53 Inside Skill Level Key 3–40 Crochet Beginner: For first-time stitchers 41–44 Crochet Supplies Easy: Projects using basic stitches 45 Crochet World & Creative Knitting Special Issues Intermediate: Projects with a variety of stitches 46–49 Home Solutions and mid-level shaping 50–53 Drawing, Painting, Paper Crafts Experienced: Projects using advanced 54 Plastic Canvas Supplies techniques and stitches 55–57 Plastic Canvas 58 Cross Stitch 59 Embroidery 60 & 61 Beading Our Guarantee If you are not completely satisfied with your 62–69 Yarn purchase, you may return it, no questions 70–72 Knit Supplies asked, for a full and prompt refund. 73–83 Knit 2 ANNIESCRAFTSTORE.COM (800) 582-6643 7 a.m.–9 p.m. (CT) Monday–Friday • 7 a.m.–5 p.m. (CT) Saturday • 9 a.m.–5 p.m. (CT) Sunday New Spring Designs for Kids! NEW! CROCHET Slumber Party for 18" Dolls The girls are having fun at their sleepover. Pattern features 4 different sleep sets, all made from baby/sport-weight and DK-weight yarns with some trims in size 10 crochet cotton or novelty yarn. Designs NEW! CROCHET Bridal Party include: a granny gown Every little girl dreams of that special wedding day. with booties, a vintage Crochet a bridal party for your 18" dolls. -
The Corset and the Crinoline : a Book of Modes and Costumes from Remote Periods to the Present Time
THE CORSET THE CRINOLINE. # A BOOK oh MODES AND COSTUMES FROM REMOTE PERIODS TO THE PRESENT TIME. By W. B. L. WITH 54 FULL-PAGE AND OTHER ENGRAVINGS. " wha will shoe my fair foot, Aud wha will glove my han' ? And wha will lace my middle jimp Wi' a new-made London ban' ?" Fair Annie of L&hroyan. LONDON: W A R D, LOCK, AND TYLER. WARWICK HOUSE, PATERNOSTER ROW. LOS DOS PRINTKD BY JAS. WAOE, TAVISTOCK STREET, COVBSI GARDEN 10 PREFACE. The subject which we have here treated is a sort of figurative battle-field, where fierce contests have for ages been from time to time waged; and, notwithstanding the determined assaults of the attacking hosts, the contention and its cause remain pretty much as they were at the commencement of the war. We in the matter remain strictly neutral, merely performing the part of the public's " own correspondent," making it our duty to gather together such extracts from despatches, both ancient and modern, as may prove interesting or important, to take note of the vicissitudes of war, mark its various phases, and, in fine, to do our best to lay clearly before our readers the historical facts—experiences and arguments—relating to the much-discussed " Corset question" As most of our readers are aware, the leading journals especially intended for the perusal of ladies have been for many years the media for the exchange of a vast number of letters and papers touching the use of the Corset. The questions relating to the history of this apparently indispensable article of ladies' attire, its construction, application, and influence on the figure have become so numerous of late that we have thought, by embodying all that we can glean and garner relating to Corsets, their wearers, and the various costumes worn by ladies at different periods, arranging the subject-matter in its due order as to dates, and at the same time availing ourselves of careful illustration when needed, that an interesting volume would result. -
Jewelry Design of the "Six Etiquettes"
2020 Artistic Design, Communication and Engineering Science Jewelry Design of the "Six Etiquettes" Tingting Wang, Lingling Liu College of Arts, Guilin University of Technology, Guilin 541004, China Abstract: This paper primarily studies the application of the "six etiquettes" of Chinese traditional wedding custom in jewelry design. For the past few years, the demand for traditional clothing which is named as Hanfu has increased rapidly with the prosperity of traditional clothing. This phenomenon also promotes the development of related industries, such as Hanfu wedding. Because of the love of traditional culture, many young people choose Hanfu wedding. Hanfu wedding is held according to the wedding ceremony that is recorded in historical books, like the Zhou system or Tang system. In the meantime, the Hanfu wedding naturally can not lack the suitable jewelry. "Six etiquettes" is a traditional marriage custom in China and it has been used since Zhou dynasty. It is the complete embodiment from the pledge in love to the marriage, which contains propose a marriage, ask name, divine, send betrothal presents, discuss the wedding date and greet bride personally. This paper takes the "six etiquettes " in traditional culture as the source of inspiration, extracts the elements which includes special meanings, and designs wedding jewelry with modern aesthetics. Keywords: Jewelry design; Six etiquettes; Hanfu wedding; Wild goose; Deer 1 Introduction 1.1 Background and Main Contents For the past few years, traditional culture is so inviting that has caused national elements hot, such as the well-known cultural creation of the Palace Museum. Meanwhile, the traditional clothing which is named as Hanfu begins to show charm in the pluralistic stage. -
Coutau-Bégarie & Associés
COUTAU-BÉGARIE & ASSOCIÉS OVV COUTAU-BÉGARIE - AGRÉMENT 2002-113 OLIVIER COUTAU-BÉGARIE, ALEXANDRE DE LA FOREST DIvoNNE, coMMISSAIRES-PRISEURS ASSocIÉS. 60, AVENUE DE LA BOURDONNAIS - 75007 PARIS TEL : 01 45 56 12 20 - FAX : 01 45 56 14 40 - WWW.coUTAUBEGARIE.coM D ENTELLES - B RODERIES BLANCHES L INGE DE M AISON M ERCREDI 24 OCTOBRE 2018 À 11 H 00, LOTS 1 À 100 L INGE DE M AISON CHOISI XIX e ET XX e SIÈCLE BRODÉ , DAMASSÉ ET EN DENTELLE SERVICES DE TA B L E ET NAPPES , PA R U R E S DE LIT , GRANDS STORES À 14 H 00, LOTS 101 À 448 e e D ENTELLES DE C OLLECTION DU XVI AU XX SIÈCLE DONT COLLECTION DE M ARGARET S IMEON A CCESSOIRES DU COSTU M E BRODÉS ET EN DENTELLE DU XVIII e AU XX e SIÈCLE BARBES ET FONDS DE BONNETS , MOUCHOIRS DE MARIAGE , CHÂLES , É V E N TA I L S , VOILES DE MARIÉE DONT UN RARE VOILE EN DENTELLE D ’A LENÇON PARIS - HÔTEL DROUOT - SALLE 2 RESPONSABLE DE LA VENTE 9, rue Drouot - 75009 Paris Mathilde FELLMANN - +33 (0)1 45 56 12 20 Tél. de la salle : +33 (0)1 48 00 20 02 ORDRES D’ACHAT [email protected] EXPOSITION PUBLIQUE Fax : +33 (0)1 45 56 14 40 Mardi 23 octobre 2018 - de 11h00 à 18h00 24h avant la vente EXPERT Claude VUILLE +33 (0)6 74 66 39 05 [email protected] COUTAUBEGARIE.COM Toutes les illustrations de cette vente Suivez la vente en direct sont visibles sur notre site : www.coutaubegarie.com et enchérissez sur : www.drouotlive.com 1 CORRESPONDANTS Myriam LARNAUDIE-EIFFEL ASSOCIÉE CORRESPONDANT SUD-OUEST 11, place des Quinconces - 33000 Bordeaux Tél. -
Nicolle Greenhood Major Paper FINAL.Pdf (4.901Mb)
DIVERSITY EN POINTE: MINIMIZING DISCRIMINATORY HIRING PRACTICES TO INCREASE BALLET’S CULTURAL RELEVANCE IN AMERICA Nicolle Mitchell Greenhood Major paper submitted to the faculty of Goucher College in partial fulfillment of the requirements for the degree of Master of Arts in Arts Administration 2016 Abstract Title of Thesis: DIVERSITY EN POINTE: MINIMIZING DISCRIMINATORY HIRING PRACTICES TO INCREASE BALLET’S CULTURAL RELEVANCE IN AMERICA Degree Candidate: Nicolle Mitchell Greenhood Degree and Year: Master of Arts in Arts Administration, 2016 Major Paper Directed by: Michael Crowley, M.A. Welsh Center for Graduate and Professional Studies Goucher College Ballet was established as a performing art form in fifteenth century French and Italian courts. Current American ballet stems from the vision of choreographer George Balanchine, who set ballet standards through his educational institution, School of American Ballet, and dance company, New York City Ballet. These organizations are currently the largest-budget performing company and training facility in the United States, and, along with other major US ballet companies, have adopted Balanchine’s preference for ultra thin, light skinned, young, heteronormative dancers. Due to their financial stability and power, these dance companies set the standard for ballet in America, making it difficult for dancers who do not fit these narrow characteristics to succeed and thrive in the field. The ballet field must adapt to an increasingly diverse society while upholding artistic integrity to the art form’s values. Those who live in America make up a heterogeneous community with a blend of worldwide cultures, but ballet has been slow to focus on diversity in company rosters. -
2021 Contests
CONTESTS ALL CONTESTS REQUIRE ONLINE PRE-ENTRY!!! DEADLINE TO REGISTER IS JULY 1ST PRE-REGISTRATION AVAILABLE ON OUR WEBSITE: http://extension.unl.edu/statewide/saunders/4hcountyfair/ DRESS CODE FOR ALL CONTESTS: Participants in all contests are to wear sponsored 4-H t-shirts, blue jeans and closed-toed shoes. No shorts. Refer to “General Rules” at the beginning of the book. No shooting jackets will be permitted. Exception = Best Dressed Critter Contest, Favorite Foods, Fashion Show, and the County Fair Parade DEPARTMENT Z – SKILL CONTESTS o Barebow: arrows drawn by hand, no sights on bow or DIVISION 501 – LIVESTOCK JUDGING string. o Freestyle Limited: arrows drawn by hand, no limit on sights or stabilizers. SATURDAY, JULY 31 o Freestyle: same as limited but allows use of 4:30 p.m. in Gayle Hattan Pavilion mechanical releases. or 30 minutes following Round Robin o Traditional: Long bows and Recurve bows; no sights or markings of any kind on bow, no releases or Premiums (For Youth Divisions Only): Purple $3.00; Blue $2.00; stabilizers. Shoot with fingers, tabs, or gloves. Red $1.00 Z502100 Senior (age 15 & up) Will consist of evaluation of Cattle, Hogs, Sheep and Goats. Z502200 Intermediate (age 12-14) At least 4 classes will be evaluated Z502300 Junior (age 8-11) Questions will be asked on 2 classes. Divisions will consist of Senior, Intermediate, Junior and Adult. • Archery Club note – Youth do not have to have their own bow to Z501100 Senior (age 15 & up) practice with club, but it is encouraged. Parents are encouraged Z501200 Intermediate (age 12-14) to stay for the duration of an archery practice. -
SEWING MACHINE MACHINE a CO UDRE MAQUINA DE COSER I Illlllllll Ill Illlllllllllll I MODELS 385
OWNER'S MANUAL MANUEL D'INSTR UCTIONS MANUALDE INSTRUCCIONES SEWING MACHINE MACHINE A CO UDRE MAQUINA DE COSER I Illlllllll Ill Illlllllllllll I MODELS 385. 17026 MODELES MODELOS 385, 17828 SEARS, ROEBUCK AND CO. Dear Customer: You have iust invested in a very fine zigzag sewing machine. Before using your new Kenmore machine, please pause tor a moment and carelully read this booklet which contains instructions on how to operate and care tot your machine. Specific instructions are given on threading, tension adjustments, cleaning, oiling, etc. This wiI] help you obtain the best sewing results and avoid unnecessary service expense tot conditions beyond our control. Advice on the operation and care ot your machine is afways available at your nearest Sears Retal] Store. Please remember, if you have questions about your machine or need parts and service, always mention the model number and serial number when you inquire. Kenmore Sewing Machine Record in space provided below the model number and serial number of this appliance. The model number and serial number are located on the nomenclature plate, as identified on Page 4 of this book]eL Model No. 385. Senal No. Retain these numbers for future reference. THIS MODEL IS A CENTER NEEDLE, LOW BAR SEWING MACHINE. IMPORTANT SAFETY 4. Never operate the sewing machine with any air opening blocked. Keep ventilation openings of the sewing machine and toot controller tree trom accumulation INSTRUCTIONS of lint, dust, and loose cloth. 5. Never drop or insert any obiect into any opening, Your sewing machine is designed and constructed only for HOUSEHOLD use. -
Intihil'jami's
HINKLE & REASONER Slender Silhouette in Tailored Gowns PHONE MAIN 51 23—Day or Night Pool Hall & Barber Shop C IG ARB mkZM DOUGLASS UNDERTAKING COMPANY SHOES SHINED BY EXPERTS J. R. CONTEE Pres, INCOIIBORATED AND BONDED PHONE MAIN <ilsS> and Mgr. 2051 Champa Street Denver, Colorado RESIDENCE PH ONE YORK 7992. WE SAVE YOU a 0.00 Parlors, 1830 Arapahoe Street Denver, Colorado Drink Capitol Beer DENVER’S PRIDE We Deliver the Best $2O to $25 Tailor Made Suit in Denver. Best Goods. The purity of Capitol Beer is demon- Best Workmanship. Tailoring in all tailored gowns there Is little de- tion. Its thoroughly practical points INparture from the 6lender silhouette. make themselves evident. cling are strated by its superior flavor and for LADIES Skirts, with all their drapery, Combinations of two materials its Branches AND GEN= rather closely to the figure. featured in tailored gowns for spring. Coats are short In the front and A plain cloth skirt with a plaid jacket, strength-giving qualities. It’s capital. TLEMEN.. lengthen more or less toward the or a cross-barred skirt with a plain back. Many of thenf reach only a coat, or a figured material trimmed IN’ curtis street little below the waist line. Most of with checks, are bright and pleasing. Ferry, 1905 them open at the front and are fin- Perhaps the best-liked combination of HAVE A CASE SENT HOME ished with revers. The rolling, or all is that of black moire silk in bands standing collar, worn with the coat, is and flounces on cloth of a contrasting p made of fine net or lace and wired to color. -
2017 Corporate Experiences
2 017 CORPORATE EXPERIENCES SHARED SUITES SHARED SUITES SHARED SUITES VIRGIN AUSTRALIA PADDOCK CLUB VIRGIN AUSTRALIA PADDOCK CLUB The Virgin Australia Paddock Club is Supercars premium shared suite located track side above the team garages or pit exit giving guests the ultimate Corporate Experience. Children: With more space to move around, an extensive food and beverage offering, Please note that children under exclusive corporate gifts, in-suite entertainment, capped numbers and additional 12 years are not permitted into furnishings, the Virgin Australia Paddock Club is truly motorsport at its best. shared suites. Children over this age are required to hold corporate The Virgin Australia Paddock Club offers first class service, an electric accreditation to gain access. atmosphere, entertaining driver interviews and appearances, managed table seating and always optimum viewing and includes the following: Dress Code: The minimum requirement is smart casual. Accepted – Dress jeans, dress EXCLUSIVE ACCESS shorts, t-shirts and racing shirts. • Exclusive access to the Virgin Australia Paddock Club Dress Not accepted – Tank tops, • Entry to the circuit – including all general viewing and merchandise areas singlets, sports shorts and THONGS. • Access to the Supercar Paddock; allowing close inspection of the teams, drivers and Supercars as they prepare for the day’s on track action • Individual Trackside tickets with Paddock Access for event days the The Virgin Australia Supercars Paddock Club isn’t in operation • Transferable tickets – choose -
Catalogus.Pdf
suitconcern. FORMAL WEAR STOCK PROGRAM st in s Stock Collection e Shirt 1 3 jacket styles matching 1 trouser style • Kent collar/Kragen/Kraag (no label) wide range of sizes and all mix-&-match • cotton/polyester 60/40 • ƪȀ ƪȀ 3 Jackenmodelle kombinierbar mit einem Hosenstil • Ȁ Ȁ Auswahl in vielen Größen und mix-&-match • ơȀ Ȁ • Ƥ 3 modellen colberts te combineren met 1 model pantalon in ruim maatbereik en mix-&-match Shirt 2 Bond: Tuxedo/Smoking • Kent collar/Kragen/Kraag (no label) • shawl lapel/Schalkragen/shawlkraag • cotton/polyester 60/40 • black satin/schwarzes Seidensatin/zwarte zijde • ƪȀ ƪȀ • 1 button/1 Knopf/1 knoop • Ȁ¡Ȁ • no vents/ohne Schlitz/geen split • ơȀ Ȁ • PRGHUQ½W • Ƥ Shirt 3 Sinatra: Tuxedo/Smoking • Ȁ¡ ȀȋȌ • peak lapel/Spitzrevers/opgesneden revers • cotton/polyester 60/40 • black satin/schwarzes Seidensatin/zwart satijn • ƪȀ ƪȀ • 1 button/1 Knopf/1 knoop • Ȁ¡Ȁ • no vents/ohne Schlitz/geen split • ơȀ Ȁ • WDLORUHG½W • Andre: Tailcoat/Frock/Rokjas Shirt 5 • peak lapel/Spitzrevers/opgesneden revers • Ȁ¡ ȀȋȌ • black satin/schwarzes Seidensatin/zwart satijn • cotton/polyester 60/40 / pique • 6 buttons/6 Knöpfe/6 knopen • ȀÚȀ • tails reaching knees/knielangen • ƪȀ ƪȀ Schwalbenschwänze/achterpanden tot knie • ơ • • WDLORUHG½W • 2 buttons on the back/2 Knöpfe auf der Rückseite/ 2 knopen op de rug Waistcoat/Weste/Vest • Ȁ Ȁ Astaire: Trousers • ȀÚȀ • match with Bond, Sinatra and Andre (jackets) • Ȁ kombinierbar mit Bond, Sinatra und Andre (Jacke) Ȁ combineren met Bond, Sinatra en Andre (colberts) • no pleats/ohne Bundfalten/geen bandplooi • satin tape/satin Galon/satijnen galon • PRGHUQ½W product art.