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The Textiles of the Han Dynasty & Their Relationship with Society
The Textiles of the Han Dynasty & Their Relationship with Society Heather Langford Theses submitted for the degree of Master of Arts Faculty of Humanities and Social Sciences Centre of Asian Studies University of Adelaide May 2009 ii Dissertation submitted in partial fulfilment of the research requirements for the degree of Master of Arts Centre of Asian Studies School of Humanities and Social Sciences Adelaide University 2009 iii Table of Contents 1. Introduction.........................................................................................1 1.1. Literature Review..............................................................................13 1.2. Chapter summary ..............................................................................17 1.3. Conclusion ........................................................................................19 2. Background .......................................................................................20 2.1. Pre Han History.................................................................................20 2.2. Qin Dynasty ......................................................................................24 2.3. The Han Dynasty...............................................................................25 2.3.1. Trade with the West............................................................................. 30 2.4. Conclusion ........................................................................................32 3. Textiles and Technology....................................................................33 -
Crochet for Beginners : the Complete Guide on the Basics of Crochet Pdf, Epub, Ebook
CROCHET FOR BEGINNERS : THE COMPLETE GUIDE ON THE BASICS OF CROCHET PDF, EPUB, EBOOK Dorothy Wilks | 58 pages | 28 Jan 2015 | Createspace Independent Publishing Platform | 9781507755631 | English | none Crochet for Beginners : The Complete Guide on the Basics of Crochet PDF Book All images for patterns can be found at the pattern link provided in the text. And using thicker yarn helps your project grow more quickly! On the other hand if your gauge is less than the pattern either loosen up your tension or use a larger hook. In addition, you can use the stitch in rows to create a dense material. Check out the Blankets, the toys and the fabulous hats. Friday 15 January Goats produce the fibers used for mohair yarn. Show More. For now stick to mid-range yarns that are easy to work with and easy to care for. The second block is formed. I spend most of my time blogging, hiking, and drinking coffee. Shell Stitch Shell stitches make a very pretty edging for lots of projects. Chain 3 and work two double crochet into the same stitch, chain 1, skip next double crochet, work 3 double crochet into the next chain 1 space, chain 1. Many thanks go out to the wonderful designers and teachers who have help add to the wonderful content in this book they have shared for free. Turning Chains: A chain made at the start of a row with your hook to bring the yarn up to the height of the next row. Continue to crochet the beginning stitches of the first round around the loop. -
Grandma's Hands by Marie Blauvelt
Grandma’s Hands by Marie Blauvelt "If you look deeply into the palm of your hand, you will see your parents and all generations of your ancestors. All of them are alive in this moment. Each is present in your body. You are the continuation of each of these people." Thich Nhat Hanh I have only a few photographs of my grandmother. She was camera shy, and anyway, not often available to pose. She was usually in the kitchen, or in the garden, or in the laundry room, or walking miles from market to market with her string bags, always busy, always working, always doing. She never fussed about her appearance, even though she was attractive and had beautiful skin, large hazel eyes and wavy grey hair spilling out of whatever pins she tried to contain it with. On her tiny shoulders and five-foot-two frame, she wore sensible garments and sturdy, comfortable shoes. Her eyeglasses were either balanced at the end of her nose, perched on top of her head, or dangling from a chain around her neck-- though this never kept her from asking us, “Dove sono i miei occhiali?” She spoke as often as possible to me in Italian, taking care to correct dialect I had picked up in listening to relatives and wincing when I spoke dialect to her in reply. She never quite learned the language of her adopted country. Or, more precisely, she never felt confident enough to speak the language aloud, and was ashamed of her thick accent, although she understood and read English well. -
Dressing for the Times: Fashion in Tang Dynasty China (618-907)
Dressing for the Times: Fashion in Tang Dynasty China (618-907) BuYun Chen Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2013 © 2013 BuYun Chen All rights reserved ABSTRACT Dressing for the Times: Fashion in Tang Dynasty China (618-907) BuYun Chen During the Tang dynasty, an increased capacity for change created a new value system predicated on the accumulation of wealth and the obsolescence of things that is best understood as fashion. Increased wealth among Tang elites was paralleled by a greater investment in clothes, which imbued clothes with new meaning. Intellectuals, who viewed heightened commercial activity and social mobility as symptomatic of an unstable society, found such profound changes in the vestimentary landscape unsettling. For them, a range of troubling developments, including crisis in the central government, deep suspicion of the newly empowered military and professional class, and anxiety about waste and obsolescence were all subsumed under the trope of fashionable dressing. The clamor of these intellectuals about the widespread desire to be “current” reveals the significant space fashion inhabited in the empire – a space that was repeatedly gendered female. This dissertation considers fashion as a system of social practices that is governed by material relations – a system that is also embroiled in the politics of the gendered self and the body. I demonstrate that this notion of fashion is the best way to understand the process through which competition for status and self-identification among elites gradually broke away from the imperial court and its system of official ranks. -
Katalog Proizvoda Product Catalogue 2007 – 2016
katalog proizvoda product catalogue 2007 – 2016 ministarstvo regionalnoga razvoja i fondova europske unije katalog proizvoda product catalogue 2007 – 2016 ministarstvo regionalnoga razvoja i fondova europske unije uvod foreword Ministarstvo regionalnoga razvoja i fondova Europske unije nastavlja The Ministry of Regional Development and European Union Funds contin- izvođenje projekta vizualnog označavanja otočnih proizvoda ozna- ues the implementation of the project related to visual marking of island kom “Hrvatski otočni proizvod” koji je pokrenut početkom 2007. s products with the “Croatian Island Product” label initiated in the begin- namjerom poticanja otočnih proizvođača u proizvodnji izvornih i kva- ning of 2007 to encourage island producers to produce original and quality litetnih proizvoda. products. Uvažavajući Nacionalni program razvitka otoka i Zakon o otocima pro- Taking into consideration the National Island Development Programme jekt je pripreman nekoliko godina. Temeljni je cilj da se identificiraju and the Islands Act, it took a couple of years to prepare the project. The i distribuiraju kvalitetni otočni proizvodi koji će kao takvi biti prepo- main objective is to identify and distribute quality island products which znati i u Hrvatskoj i izvan nje. Radi se o proizvodima koji su rezultat will be recognised as such both in Croatia and abroad. These products otočne tradicije, razvojno-istraživačkog rada, inovacije i invencije čija result from island tradition, research and development, innovation and razina kvalitete mora biti mjerljiva. Oni potječu s ograničenih otočnih invention with a quantifiable level of quality. They come from restricted lokaliteta i rade se u malim serijama. island localities and are produced in small batches. Odluku o dodjeli oznake donose neovisne tehničke komisije čiji su The decision on the award of the label is made by an independent techni- članovi priznati hrvatski stručnjaci za relevantna područja. -
The Corset and the Crinoline : a Book of Modes and Costumes from Remote Periods to the Present Time
THE CORSET THE CRINOLINE. # A BOOK oh MODES AND COSTUMES FROM REMOTE PERIODS TO THE PRESENT TIME. By W. B. L. WITH 54 FULL-PAGE AND OTHER ENGRAVINGS. " wha will shoe my fair foot, Aud wha will glove my han' ? And wha will lace my middle jimp Wi' a new-made London ban' ?" Fair Annie of L&hroyan. LONDON: W A R D, LOCK, AND TYLER. WARWICK HOUSE, PATERNOSTER ROW. LOS DOS PRINTKD BY JAS. WAOE, TAVISTOCK STREET, COVBSI GARDEN 10 PREFACE. The subject which we have here treated is a sort of figurative battle-field, where fierce contests have for ages been from time to time waged; and, notwithstanding the determined assaults of the attacking hosts, the contention and its cause remain pretty much as they were at the commencement of the war. We in the matter remain strictly neutral, merely performing the part of the public's " own correspondent," making it our duty to gather together such extracts from despatches, both ancient and modern, as may prove interesting or important, to take note of the vicissitudes of war, mark its various phases, and, in fine, to do our best to lay clearly before our readers the historical facts—experiences and arguments—relating to the much-discussed " Corset question" As most of our readers are aware, the leading journals especially intended for the perusal of ladies have been for many years the media for the exchange of a vast number of letters and papers touching the use of the Corset. The questions relating to the history of this apparently indispensable article of ladies' attire, its construction, application, and influence on the figure have become so numerous of late that we have thought, by embodying all that we can glean and garner relating to Corsets, their wearers, and the various costumes worn by ladies at different periods, arranging the subject-matter in its due order as to dates, and at the same time availing ourselves of careful illustration when needed, that an interesting volume would result. -
Beginner Basics Illustrated Stitches Updated Techniques
beginner basics illustrated stitches 8 NEW updated techniques PROJECTS Crochet Made Easy Using this Book Crochet Made Easy is written for beginners, and features easy-to- understand diagrams and step-by-step instructions to illustrate crochet stitches and techniques. When you have mastered the basic techniques, try the projects included at the back of this book—they're designed especially for beginners! Products All of the projects in this book were designed and made with products from Coats & Clark—Red Heart yarns and Aunt Lydia's threads. General information is included about yarn, thread and crochet hooks. We recommend reading through the book to become familiar with terminology before picking up your hook and yarn. When you're ready, use a Medium Worsted Weight yarn (size 4 on chart at right) and a 5 mm (US-H-8) or 5.5 mm (US-I-9) hook to learn to crochet. Diagrams and Instructions Diagrams are shown for right-handers. Because of space limitations, it is not possible to show left-handed diagrams. If you are a left-hander and are hav- ing trouble understanding the diagrams, try tracing the diagrams and then turning the tracing paper over and looking at the reversed image. When read- ing instructions, substitute "left" for "right" and "right" for "left" where it appears. The abbreviation and its accompanying symbol are shown with the instruc- tions for each stitch. Visit www.redheart.com for more information and inspiration! We also recommend these sites. For additional patterns: www.coatsandclark.com For magazine information: www.crochettoday.com For television show information: www.knitandcrochettoday.com Distributed in the USA by Coats & Clark, Greer SC 29650 Learn to Crochet Yarn Yarns are available in a variety of weights. -
Jewelry Design of the "Six Etiquettes"
2020 Artistic Design, Communication and Engineering Science Jewelry Design of the "Six Etiquettes" Tingting Wang, Lingling Liu College of Arts, Guilin University of Technology, Guilin 541004, China Abstract: This paper primarily studies the application of the "six etiquettes" of Chinese traditional wedding custom in jewelry design. For the past few years, the demand for traditional clothing which is named as Hanfu has increased rapidly with the prosperity of traditional clothing. This phenomenon also promotes the development of related industries, such as Hanfu wedding. Because of the love of traditional culture, many young people choose Hanfu wedding. Hanfu wedding is held according to the wedding ceremony that is recorded in historical books, like the Zhou system or Tang system. In the meantime, the Hanfu wedding naturally can not lack the suitable jewelry. "Six etiquettes" is a traditional marriage custom in China and it has been used since Zhou dynasty. It is the complete embodiment from the pledge in love to the marriage, which contains propose a marriage, ask name, divine, send betrothal presents, discuss the wedding date and greet bride personally. This paper takes the "six etiquettes " in traditional culture as the source of inspiration, extracts the elements which includes special meanings, and designs wedding jewelry with modern aesthetics. Keywords: Jewelry design; Six etiquettes; Hanfu wedding; Wild goose; Deer 1 Introduction 1.1 Background and Main Contents For the past few years, traditional culture is so inviting that has caused national elements hot, such as the well-known cultural creation of the Palace Museum. Meanwhile, the traditional clothing which is named as Hanfu begins to show charm in the pluralistic stage. -
Project Description
Project Description Candlewicking is a form of surface embroidery that traditionally uses an unbleached cotton thread on a piece of unbleached muslin. It gets Candlewicking its name from the nature of the thread, which very much resembles the wick used in a candle. Motifs are created using a variety of knots (Colonial) and satin stiches (backstitich). A warm covering made of two layers of cloth filled with a material with loft and tyed together. Tying refers to the technique of using thread, Comforters yarn or ribbon to pass through all three layers of the comforter at reqular intervals. These "ties" hold the layers together during use and especially when the comforter is washed. A warm covering made of two layers of cloth filled with a material with Quilts loft and stitched together in lines or patterns. The top layer is typically pieced together and the bottom is one solid layer. Process of stitching together two layers of fabric, usually with a soft, thick substance placed between them. The layer of wool, cotton, or other stuffing provides insulation; the stitching keeps the stuffing evenly distributed and also provides opportunity for artistic expression. Quilting has long been used for clothing in many parts of the world, especially Quilting in the Far and Middle East and the Muslim regions of Africa. It reached its fullest development in the U.S., where it was at first popularly used for petticoats and comforters. By the end of the 18th century the U.S. quilt had distinctive features, such as coloured fabric sewn on the outer layers (appliqué) and stitching that echoed the appliqué pattern. -
Spanish Moss Shawl
SPANISH MOSS SHAWL Designed and woven by John Mullarkey Overview: Inspired by a gift skein of sock yarn from a friend, and enhanced by not being able to find the same dye lot, this shawl was woven with a Zoom Loom and joined with crochet. The color and drape reminded me of the Spanish moss I saw hanging in trees when I lived in East Texas. Difficulty rating: Easy weaving with crochet join Size: 70” width; short edges 50” Yarn: Dream in Color Smooshy (450yds/4 oz.), Cloud Jungle, 1 skein (MC). Dream in Color Smooshy, either a different dye lot of Cloud Jungle, or a different but analogous colorway (CC). Crochet thread, #10 (350 yards), black or coordinating color. Other notions, equipment or tools: size 6 crochet hook; tapestry or yarn needle; scissors. Weaving and Assembly: ■ Weave 56 squares using the Zoom Loom in color MC. Work in all ends as you weave. ■ Weave 22 squares in color CC. Work in all ends as you weave. Total of 78 squares woven. ■ Using the layout chart below, join the squares by crochet- ing a single crochet (sc) in each loop pair. ■ Chain (ch) 3, sc in loop pair of adjoining square using cro- chet thread. ■ Repeat above for all rows and columns of squares. ■ After all squares have been joined, crochet a border of sc in loop pair, ch 3 around. You may want to do ch 2 where cor- ners meet to tighten up the joined edges. Finishing: Hand wash in lukewarm water. Roll in a towel to remove excess water. -
Nicolle Greenhood Major Paper FINAL.Pdf (4.901Mb)
DIVERSITY EN POINTE: MINIMIZING DISCRIMINATORY HIRING PRACTICES TO INCREASE BALLET’S CULTURAL RELEVANCE IN AMERICA Nicolle Mitchell Greenhood Major paper submitted to the faculty of Goucher College in partial fulfillment of the requirements for the degree of Master of Arts in Arts Administration 2016 Abstract Title of Thesis: DIVERSITY EN POINTE: MINIMIZING DISCRIMINATORY HIRING PRACTICES TO INCREASE BALLET’S CULTURAL RELEVANCE IN AMERICA Degree Candidate: Nicolle Mitchell Greenhood Degree and Year: Master of Arts in Arts Administration, 2016 Major Paper Directed by: Michael Crowley, M.A. Welsh Center for Graduate and Professional Studies Goucher College Ballet was established as a performing art form in fifteenth century French and Italian courts. Current American ballet stems from the vision of choreographer George Balanchine, who set ballet standards through his educational institution, School of American Ballet, and dance company, New York City Ballet. These organizations are currently the largest-budget performing company and training facility in the United States, and, along with other major US ballet companies, have adopted Balanchine’s preference for ultra thin, light skinned, young, heteronormative dancers. Due to their financial stability and power, these dance companies set the standard for ballet in America, making it difficult for dancers who do not fit these narrow characteristics to succeed and thrive in the field. The ballet field must adapt to an increasingly diverse society while upholding artistic integrity to the art form’s values. Those who live in America make up a heterogeneous community with a blend of worldwide cultures, but ballet has been slow to focus on diversity in company rosters. -
From Crochet! Magazine, March 2010, Vol. 23, No. 2, Copyright © 2010 Crochet! Magazine Lace-With-A-Twist Wrap DESIGN by ANDEE GRAVES
From Crochet! magazine, March 2010, vol. 23, No. 2, Copyright © 2010 Crochet! Magazine LACE-WITH-A-TWIST WRAP DESIGN BY ANDEE GRAVES THE CLASSIC MOBIUS DESIGN GIVES FREE, EASY STYLE TO THIS LIGHT AND LOVELY WATERMELON RED SHOULDER WARMER. ITS SEAMLESS CONSTRUCTION MEANS NO SEWING IS INVOLVED. board or surface that allows you to work Rnd 4: Ch 4 (counts as first dc and ch-1), SKILL LEVEL on one section at a time. (dc, ch 3, dc, ch 1, dc) in same st, *sk next ch sp, sc in ch sp of next picot**, shell in FINISHED SIZES Join with slip stitch as indicated unless otherwise stated. next tr, rep from * around, ending last rep Instructions given fit small/medium; at **, join in 3rd ch of beg ch-4, turn. changes for large/X-large are in [ ]. SPECIAL STITCHES Rnd 5: Sl st in each st and in each ch sp MATERIALS Foundation single crochet across to first sc, ch 7, *picot in center • Universal Fibra Natura (foundation sc): Ch 2, insert hook in 2nd ch-3 sp of next shell, ch 3**, tr in next sc, Exquisite Bamboo medium ch from hook, yo, pull lp through, yo, pull ch 3, rep from * around, ending last rep at (worsted) weight bamboo/merino through 1 lp on hook (ch 1 completed), **, join in 4th ch of beg ch-7, turn. yarn (13/4 oz/109 yds/50g per yo, pull through all lps on hook (sc Next rnds: [Rep rnds 4–5 consecutively] skein): completed), [insert hook in last ch-1, yo, 3 times.