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Official Catalogue of Exhibitors
o t wmmM% DEPARTHENT OF lAWEACTVKI^S UMYERSAL EXPOSITION ^AINT LOUIS 19 .^^04 '/, 'II i I OFFICIAL CATALOGUE OF EXHIBITORS ^(^ UNIVERSAL EXPOSITION ST. LOUIS, U. S. A. 1904 DIVISION OR EXHIBITS FREDERICK J. V. SKIFF, Director Department D MANUFACTURES MILAN H. HULBERT, Chief FIRST EDITION PUBLISHED FOR THE COMMITTEE ON PRESS AND PUBLICITY BY THE OFFICIAL CATALOGUE COMPANY (INC.) ST. LOUIS. 1904 » fi » J) , • o 1 J %^^ A^" H\vi'2 V\^ ' ps^ga. jj ' jiiin 'lag'j LIBRARY of CONGRESS Two Copies Received * MAY 13 1904 Copyrlffht Entry CLASS^ CL-XXc. No. COPY B COPYRIGHT, 1904. BY THE LOUISIANA PURCHASE EXPOSITION COMPANY, FOR THE OFFICIAL CATALOGUE COMPANY. .! •! • PREFACE. It is estimated that more than a million objects exposed in the various displays installed within the Palaces of the Universal Exposition of St. Louis, 1904. To properly classify, group and arrange alphabetically all of the exhibits of an Expo- sition of such international scope, is a task of character and proportions as to make it quite impossible to provide a complete catalogue of these exhibits on the opening day of the Exposition. This edition of the Official Catalqgue is, therefore, presented preliminary to the revised and complete catalogue which will be ready and issued within a few weeks, and to the preparation of which, in realization of its extraordinary value as a docu- ment of general and commercial reference, especial care is being given. The present volume, however, it is believed, represents the most complete cata- logue ever presented at the opening of an International Exposition. It capably serves the purpose for which it is designed, as an early index of the infinite variety of interesting exhibits which are the concrete evidences of the industrial, educational and artistic advancement of the world. -
ENG / the Lace Museum, Burano
Fondazione Musei Civici di Venezia — Lace Museum Burano ENG Building and history In 1978 the public administrations of Venice (the Town Council, Provincial Authorities, Chamber of Commerce, Tourist Boards) joined together with the Andriana Marcello Foundation in a “Consortium for Burano Lace”. This was the beginning of a campaign to revive and re-evaluate this art: the archives of the old School, full of important documents and drawings, were re-ordered and catalogued; the building was restructured and transformed into an exhibition site. This was the beginning of the Lace Museum. The museum is located at the historic palace of Podestà of Torcello, in Piazza Galuppi, Burano, seat of the famous Burano Lace School from 1872 to 1970. Rare and precious pieces offer a complete overview of the history and artistry of the Venetian and lagoon’s laces, from its origins to the present day are on display, in a picturesque setting decorated in the typical colors of the island. Lace, Museum, Piazza Galuppi, Burano Burano island > 1 Laces Merletto, pizzo, trina Are synonyms for lace which indicates artefacts obtained out of nowhere, without any textile support, by combining stitch upon stitch with needle and thread or interweaving a certain number of threads spooling off special reels, named bobbins. Other techniques use crochet hooks, knitting-needles, the tatting shuttle or, in macramé, simple knotting of threads by hand. Main technique typologies: needle and bobbins The point in air is made starting from a design, bordered by tacking (warping), raised above a wooden cylinder (murello) Lace, XVI century placed on a padded cylindrical cushion (cuscinello). -
Techniques Represented in Each Pattern
(updated) November 12, 2020 Dear Customer: Thank you for requesting information about my lace instruction and supply business. If you have any questions about the supplies listed on the following pages, let me use my 36 years of lacemaking experience to help you in your selections. My stock is expanding and changing daily, so if you don't see something you want please ask. It would be my pleasure to send promotional materials on any of the items you have questions about. Call us at (607) 277-0498 or visit our web page at: http://www.vansciverbobbinlace.com We would be delighted to hear from you at our email address [email protected]. All our orders go two day priority service. Feel free to telephone, email ([email protected]) or mail in your order. Orders for supplies will be filled immediately and will include a free catalogue update. Please include an 8% ($7.50 minimum to 1 lb., $10.50 over 1 lbs.-$12.00 maximum except for pillows and stands which are shipped at cost) of the total order to cover postage and packaging. New York State residents add sales tax applicable to your locality. Payment is by check, money order or credit card (VISA, MASTERCARD, DISCOVER) in US dollars. If you are looking for a teacher keep me in mind! I teach courses at all levels in Torchon, Bedfordshire, Lester, Honiton, Bucks Point lace, Russian and more! I am happy to tailor workshops to suit your needs. Check for scheduled workshops on the page facing the order form. -
A Descriptive Catalogue of the Collection of Lace in the South Kensington Museum
Cornell University Library The original of this book is in the Cornell University Library. There are no known copyright restrictions in the United States on the use of the text. http://www.archive.org/details/cu31924074155049 DESCRIPTIVE CATALOGUE OF THE COLLECTION OF LACE SOUTH KENSINGTON MUSEUM, ei Pi oIll LU CO z o a. ti. : SCIENCE AND ART DEPARTMENT OF THE COMMITTEE OF COUNCIL ON EDUCATION, SOUTH KENSINGTON MUSEUM. A DESCRIPTIVE CATALOGUE OF THE COLLECTION OF LACE IN THE SOUTH KENSINGTON MUSEUM. By the late Mrs. BURY PALLISER. WITH NUMEROUS ILLUSTRATIONS. THIRD EDITION, REVISED AND ENLARGED, By ALAN S. COLE. LONDON PRINTED BY GEORGE E. EYRE AND WILLIAM S POTTISWOODE, PRINTERS TO THE qUEEN's MOST EXCELLENT MAJESTY. FOR HER majesty's STATIONERY OFFICE. 1881. Pi-ice Two Shillings. : CONTENTS. LIST OF ILLUSTRATIONS - - . , vlf NOTE TO THIRD EDITION - - . viii INTRODUCTION - - . jx CATALOGUE I. Italian - - 1 II. Belgian - - - - - 30 III. Flemish - 48 IV. Dutch - . 53 r^g V. French ... ._ VI. Spanish and Porttjgdese 80 VII. English and Ikish - - 82 VIII. German - - 93 IX. Danish - 97 X. Swedish - 99 XI. Russian - 100 XII. Cretan ... - 108 XIII. Maltese - - - - 121 XIV. Jamaican, Philippine, and Paraguayan - 122 LIST OF BOOKS ON LACE in the National Art Library, South Kensington Museum - - 123 PHOTOGRAPHS OF LACE in the National Art Library of the South Kensington Museum - - 130 TABLE OF REFERENCE from the Register Number of the Specimens to the pages in which they are described - 131 GENERAL INDEX 133 Q 3757, ILLUSTRATIONS. Nos. Pago I. Lace Patteens, 1591. Italian xi II. Lace Pattehn, 1591. Italian xiii III. -
Lace, Its Origin and History
*fe/m/e/Z. Ge/akrtfarp SSreniano 's 7?ew 2/or/c 1904 Copyrighted, 1904, BY Samuel L. Goldenberg. — Art library "I have here only a nosegay of culled flowers, and have brought nothing of my own but the thread that ties them together." Montaigne. HE task of the author of this work has not been an attempt to brush the dust of ages from the early history of lace in the •^ hope of contributing to the world's store of knowledge on the subject. His purpose, rather, has been to present to those whose rela- tion to lace is primarily a commercial one a compendium that may, perchance, in times of doubt, serve as a practical guide. Though this plan has been adhered to as closely as possible, the history of lace is so interwoven with life's comedies and tragedies, extending back over five centuries, that there must be, here and there in the following pages, a reminiscent tinge of this association. Lace is, in fact, so indelibly associated with the chalets perched high on mountain tops, with little cottages in the valleys of the Appenines and Pyrenees, with sequestered convents in provincial France, with the raiment of men and women whose names loom large in the history of the world, and the futile as well as the successful efforts of inventors to relieve tired eyes and weary fingers, that, no matter how one attempts to treat the subject, it must be colored now and again with the hues of many peoples of many periods. The author, in avowing his purpose to give this work a practical cast, does not wish to be understood as minimizing the importance of any of the standard works compiled by those whose years of study and research among ancient volumes and musty manuscripts in many tongues have been a labor of love. -
38Th Annual Ithaca Lace Day and Conference
THE FINGER LAKES LACE GUILD presents the 38th Annual Ithaca Lace Day and Conference Friday, Saturday, Sunday and Monday -- October 5th, 6th, 7th and 8th, 2018 at the Clarion Inn*, 2310 North Triphammer Road, Ithaca, New York, 14850 Featured Speakers Veronika Irvine ~ Re-imagining Lace in the Digital Age Karen Thompson ~ Ipswich Lace in the Late 18th Century plus Workshops, Sales, Demonstrations, Lace Exhibits, Lectures, Try-it-Yourself Table, Lace and Bobbin Prizes Lace Day on Saturday Is Free And Open To The Public Workshops, Banquet Dinner and Evening Lecture by Preregistration **** For more information about Lace Day or Workshops call: Holly Van Sciver (607) 277-0498 or email: [email protected] http://www.vansciverbobbinlace.com or http://www.fingerlakeslaceguild.org *Clarion Inn (formerly call the Ramada Inn Airport at the same location). 38th Annual Ithaca Lace Day and Conference Come celebrate lace at the 38th Annual Ithaca Lace Day and Conference which will be held October 5th, 6th, 7th, and 8th, 2018, at the Clarion Inn (formerly Ramada Inn Airport)*, 2310 North Triphammer Road, Ithaca, New York 14850. The theme for this year is “Lace of Hearts”. Sponsored by the Finger Lakes Lace Guild, the Saturday exhibitions, sales room and lecture are free and open to the public. We begin on Friday night with registration and an opening reception at the hotel. Please join us, with your guest, in greeting the teachers and vendors and in renewing lacemaking friendships. On Saturday, visitors will have the opportunity to view many exhibits. Visitors can shop at the vendors' tables. Items for sale will include a broad line of lacemaking supplies, books, handcrafted bobbins, and antique and vintage laces. -
Th E St Ory Ofir Ish Lace Is a St Ory O
www.nmni.com/uftm/Collections/Textiles---Costume/Lace-page Ulster Folk and Transport Museum, lace collection. collection. lace Museum, Transport and Folk Ulster To find a conservator: www.conservationireland.org conservator: a find To www.museum.ie/en/collection/lace.aspx National Museum of Ireland, Lace collection. collection. Lace Ireland, of Museum National Useful contacts: Useful Vol. 26, No. 2, pp.152-167. 2, No. 26, Vol. Display and Meaning, 1886–1909’ in Journal of Design History 2013, 2013, History Design of Journal in 1886–1909’ Meaning, and Display Embroidery, Dresses: ‘Irish’ Aberdeen’s ‘Ishbel J., Helland, Ireland’, Women’s History Review, 1996, Vol. 5, Issue 3, pp. 326-345. pp. 3, Issue 5, Vol. 1996, Review, History Women’s Ireland’, organisation: Commercial lace embroidery in early 19th-century 19th-century early in embroidery lace Commercial organisation: Chapman S. & Sharpe, P., ‘Women’s employment and industrial industrial and employment ‘Women’s P., Sharpe, & S. Chapman There are a number of articles on Irish lace-making, including: lace-making, Irish on articles of number a are There Further reading: Further www.oidfa.com www.laceguild.org Library of Ireland of Library www.craftscotland.org The Lawrence Photograph Collection, Courtesy of the National National the of Courtesy Collection, Photograph Lawrence The Circular lace photo: lace Circular Irish lace collar (c.1865-1914), Robert French, French, Robert (c.1865-1914), collar lace Irish Other sites relating to lace-making include: lace-making to relating sites Other -
Ottawa Guild of Lacemakers / Guilde Des Dentellières D'ottawa Alphabetical Index / Index Alphabétique TITLE / Location / Book No
Ottawa Guild of Lacemakers / Guilde des dentellières d'Ottawa Alphabetical Index / Index alphabétique TITLE / Location / Book No. / TITRE Emplacement No du livre "A rough lot …" File Box 147 "Take the Children …" File Box 149 100 New Bobbin Lace Patterns on Bookshelves 65 100 Tradition Bobbin Lace on Bookshelves 311 100 Traditional Bobbin Lace Patterns on Bookshelves 95 347 101 Torchon Patterns, with coloured technical diagrams on Bookshelves 44 1983-2008: 25 Jaar Stichting Nederlandse Kantopleiding on Bookshelves 228 24 Hearts in Bobbin Lace File Box 99 32 Downton Lace Patterns on Bookshelves 242 50 New Bobbin Lace Patterns on Bookshelves 340 346 75 X Lace on Bookshelves 170 A Lace Guide for Makers and Collectors (photocopy of part of book) Binder & CD 233 Advanced Bedfordshire Lace Patterns 2 Large Format 282 Album (Photographs of Lace Samples) on Bookshelves 35 Alphabet Inspirations in Coloured Lace on Bookshelves 141 Art of Lacemaking – Reticell, Teneriffe, etc., The on Bookshelves 23 Art of Tatting, The on Bookshelves 237 Art, Trade or Mystery File Box 190 Austria Lace, Art Nouveau Bobbin Lace from Vienna on Bookshelves 205 Bailleul en Dentelles on Bookshelves 10 Bedfordshire Family of Laces, The on Bookshelves 262 Bedfordshire Lace Patterns on Bookshelves 273 Beginning Bobbin Lace on Bookshelves 357 Beginning of the End, The on Bookshelves 107 Bijoux aux fuseaux on Bookshelves 207 Binche III on Bookshelves 236 Binche Lace on Bookshelves 139 Bloemwork Patterns File Box 181 Bobbin Lace on Bookshelves 320 Bobbin Lace - A contemporary -
Be Unique Within Europe
BE UNIQUE WITHIN EUROPE Virumaa Art & Craft Society G rundtvig. Practical learning for adults Grundtvig. Practical learning for adults Launched in 2000, Grundtvig aims to provide adults with more ways to improve their knowledge and skills, facilitate their personal development and boost their employment prospects. It also helps to tackle problems associated with Europe’s ageing population. It covers not only teachers, trainers, staff and organisations working in the sector, but also learners in adult education. These include relevant associations, counselling organisations, information services, policy-making bodies and others such as NGOs, enterprises, voluntary groups and research centres. The programme funds a range of activities, including particularly those supporting adult learning staff to travel abroad for learning experiences, through exchanges and various other professional experiences. Other larger scale initiatives involve, for instance, networking and partnerships between organisations in different countries. The specific aims of the Grundtvig programme are to: increase the number of people in adult education to 25 000 by 2013, and improve the quality of their experience, whether at home or abroad improve conditions for mobility so that at least 7000 people per year by 2013 can benefit from adult education abroad improve the quality and amount of co-operation between adult education organisations develop innovative adult education and management practices, and encourage widespread implementation ensure that people on the margins of society have access to adult education, especially older people and those who left education without basic qualifications support innovative ICT-based educational content, services and practices 2 B e Unique Within Europe. Introduction The project Be Unique within Europe was realised with co-financing of European Commission in Lifelong learning programme in sub programme Grundtvig Learning Partnerships. -
Laces and Lace Articles Laces and Lace Articles 223
222 LACES AND LACE ARTICLES LACES AND LACE ARTICLES 223- TABLE 107.—Rates of wages paid in the domestic and English bobbinet indun ' TABLE 108.—Index of the cost of living fixed by the Regional Commission of the n& for auxiliary processes Prefecture of the Rhone Process Domestic rates English rates i Index Index Date figure figure $0.145 per bundle (10 pounds). 4Kd.=$0. 0862 per bundle (10 pounds'! 30/2 $0.160 per bundle J 5Kd.= . 1115 per bundle. " December 1926. 500 40/2 $0.177 per bundle 6Jid.= . 1267 per bundle. August.1920 461 $0.207 per bundle December 1924. December 1927. 7Kd.= . 1521 per bundle. 379 March 1928 459 80/2 $0,355 per bundle... 10Md.= . 2129 per bundle. December 1925. The average weekly wages for Less 26 percent. this process paid by tbe firms from whom these fig ures were obtained is $21. IX. COST DATA "Warping f$0.85 to $0.90 per hour 15d. per hour = $0.3042. 1. Material costs (.Average per week, $40. Week of 48 hours, £3 = $14.60, less 25 percent Brass-bobbin winding... f$0.26 per 1,000 f All gages, up to and including 125 yards "„ In the manufacture of bobbinets yarns are used for two purposes, \$0.45, $0.50, $0.60 per hour \ 1,000, 6Md.=$0.1369. * aS' ljCr Average per week, $27.25 J4d. extra for every 25 yards or portion the^M for warp and for brass bobbins; the ascertainment of the amount of less 33% percent. each in a wmding does not present any difficulty. -
MAG Deaccessions 2014-2019 Unknown, Belgian Point De Bruges Lace Lace 103/4X7in.(27.3X17.8Cm) Gift of Mrs
MAG Deaccessions 2014-2019 Unknown, Belgian Point de Bruges Lace Lace 103/4x7in.(27.3x17.8cm) Gift of Mrs. S. L. Ettenheimer 19.3 10/7/2014 Unknown, French Lace Fragment Black chantilly lace 4 1/2x7in.(11.4x17.8cm) Gift of Mrs. S. L. Ettenheimer 19.7 10/7/2014 Unknown, French Lace Fragment Black chantilly lace 5x17/8in.(12.7x4.8cm) Gift of Mrs. S. L. Ettenheimer 19.8 10/7/2014 Unknown, French Lace Fragment Duchess lace 12 x 7 in. (30.5 x 17.8 cm) Gift of Mrs. S. L. Ettenheimer 19.12 10/7/2014 Unknown, Italian Venetian Point Lace Lace 61/2x11in.(16.5x27.9cm) Gift of Mrs. S. L. Ettenheimer 19.23 10/7/2014 Unknown, Hopi Kachina Doll Wood with feathers 10 7/16 x 3 11/16 x 3 1/8 in. (26.5 x 9.3 x 8 cm), without base Gift of Mrs. James Sibley Watson 27.31 10/7/2014 MAG Deaccessions 2014-2019 Unknown, Italian Altar Cloth Silk damask 64x25in.(162.6x63.5cm) Gift of the Hayden Company 29.80 10/7/2014 Louise Ann Gormley Set of Seven Doilies and Runner Battenburg type lace, needlepoint and linen diameter Gift of Mrs. Dwight Wetmore in memory of her mother, Mrs. William Gormley (Louise Ann Gormley) 34.2 10/7/2014 Unknown Shawl 20th century Machine-made Chantilly lace 101 x 76 in. (256.5 x 193 cm) GiftoftheEstateofMrs.J.S.Watson 45.79 10/7/2014 Unknown, Italian Border Lace 79 x 7 in. (200.7 x 17.8 cm) Bertha Buswell Bequest 55.271 10/7/2014 Unknown, French Pair of Lappets BobbinlaceonLillemesh 40 in. -
American Lace Michelle C. Chase Master of Liberal Arts Winthrop
American Lace Michelle C. Chase Master of Liberal Arts Winthrop University Spring 2004 2 Table of Contents Acknowledgements 3 The World in Lace 4 Needle Lace 9 Bobbin Lace 21 Knitting 39 Crochet 46 Tatting 53 Works Cited 57 Resources 60 3 Acknowledgements I would like to thank all the lace makers who have helped me in my research, especially the members of my local guilds, the Golden Bobbins and the North Carolina Regional Lacemakers. Special thanks to Ann Geddes for advice and editing, Sue Miller and Marg Harbaugh for letting me use their libraries and Susan Banbury for the Princess Lace Loom photos. My membership in the International Old Lacers, Inc. has been instrumental in my journey through the world of lace. Kathy Kozoloski, the IOLI librarian provided many beautiful and informative books. Irma Osterman, the needle lace editor for the IOLI Bulletin, generously allowed me to use her beautiful Youghal lace fan pattern and suggested books for further study. She also provided a photo of a lace she owns that was made by Native Americans. Tamara Duvall and Susie Johnson, both IOLI members, generously provided designs and advice. I have met many wonderful people all over the world through IOLI and I treasure their friendships. I would like to thank Dr. David Rankin at Winthrop University for his advice and editing, and my son, Clinton Chase, for much needed technical assistance. 4 The World in Lace The study of textiles provides a glimpse into the lives of people, especially women, of our and other times. Which clothing was worn, when, why, how, and by whom it was produced all tell of the social values at that time in history.