DOCSLIB.ORG

Bedfordshire Lace Designs Louise West

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Bedfordshire Lace Designs Louise West (updated) October 30, 2017 Dear Customer: Thank you for requesting information about my lace instruction and supply business. If you have any questions about the supplies listed on the following pages, let me use my 36 years of lacemaking experience to help you in your selections. My stock is expanding and changing daily, so if you don't see something you want please ask. It would be my pleasure to send promotional materials on any of the items you have questions about. Call us at (607) 277-0498 or visit our web page at: http://www.vansciverbobbinlace.com We would be delighted to hear from you at our email address [email protected]. All our orders go two day priority service. Feel free to telephone, email ([email protected]) or mail in your order. Orders for supplies will be filled immediately and will include a free catalogue update. Please include an 8% ($7.50 minimum to 1 lb., $10.50 over 1 lbs.-$14.00 maximum except for pillows and stands which are shipped at cost) of the total order to cover postage and packaging. New York State residents add sales tax applicable to your locality. Payment is by check, money order or credit card (VISA, MASTERCARD, DISCOVER) in US dollars. If you are looking for a teacher keep me in mind! I teach courses at all levels in Torchon, Bedfordshire, Lester, Honiton, Bucks Point lace, Russian and more! I am happy to tailor workshops to suit your needs. Check for scheduled workshops on the page facing the order form. Please note I am available for Lace Days. Thank you for your interest and I look forward to being of service to you. Sincerely yours, Holly Van Sciver Van Sciver Bobbin Lace Bedfordshire Lace Designs Louise West Be inspired by this lovely new pattern book featuring 25 all new patterns in the floral Bedfordshire tradition. Patterns start easy with working instructions and increase in degree of difficulty $44.95 ns, technical diagrams and detailed drawings of specific P.S. With the help of the computer, I am able to up-date my catalogue frequently giving you the most accurate reflection of available items and their prices. However, due to fluctuations in foreign currency, prices may change without notice. Books 2 Check out our web page at http://www.vansciverbobbinlace.com for more books and information! If you are having difficulty sorting out the myriad of information about books let me use my 35 years of lacemaking experience to help you make your selections! New Torchon, ’s Gravenmoer (cont) Florale Sterne, Elfi Krüger ...........................................................................29.95 Logarithmic ’s Gravenmoer Bobbin Lace, Brigitta Gornik ................69.95 Spitzen und Einsätze, Bridgett Bellon .......................................................29.95 ’s Gravenmoer Bobbin Lace, Brigitta Gornik......................................59.95 Binche Lace, Annick Staes .........................................................................22.00 ’s Gravenmoer Bobbin Lace 2, Brigitta Gornik ...................................69.95 Cluny 3, Annick Staes ..................................................................................22.00 ’s Gravenmoer Bobbin Lac 3, Brigitta Gornik .....................................59.95 My Friends, Kumiko Nagasaki.................................................................... 49.95 XXL Stropkant, Hubert Van Hoorebeke ...................................................49.95 ’s Gravenmoer Bobbin Lace Boutique, Brigitta Gornik .....................69.95 Bedfordshire Lace Designs, Louise West ................................................44.95 ’s Gravenmoer Bobbin Lace Christmas Ornaments, B. Gornik .......49.95 Binche Lace, Annick Staes ..........................................................................22.00 Flat Bobbin Lace Christmas Ornaments, B. Gornik..........................29.95 The Lace Samples of Ipswich, Karen Thompson .....................................24.00 Mailänder Spitze (Milanese Lace) Barbara Corbet ..................................59.95 Bedfordshire, Cluny, Guipure, Schneeberger Bits of Lace III, Gimanazija Jurija Vege ....................................................44.95 Reve de dentelles, Cluny et Guipure, Nathalie Hubert............................ 39.95 Oiseaux & papillons (Birds and Butterflies) .............................................22.95 Truing Bedfordshire Lace Pricking, Alex Stillwell .....................................8.50 Treize a La D ouzaine (13 Torchon patterns) ...........................................21.95 An Early Lace Workbook, Rosemary Shepherd................................54.95 Niveau I - Cluny (Cluny patterns - Level 1) ..............................................18.95 Fabulous history and pattern book on the earliest bobbin laces. Niveau II - Cluny (Cluny patterns - Level 2) .............................................22.95 Gold and Silver Edgings, Gilian Dye....................................................29.95 5 Feuilles de mini-éventails (Mini Fans in Bobbin Lace) ........................19.95 The Isham Samples and Other Linen Edgings, Gilian Dye ................29.95 Les “Points” (catalogue of needlepoint lace) ..........................................34.95 Surface Decoration in Silk and Metallic Thread, Gilian Dye .................29.95 Dentelles de Retournac, Mick Fouriscot ...................................................39.95 Vers l’Orient (Polychrome bobbin lace patterns) ....................................21.95 Insertions and Borders, Gilian Dye ...................................................29.95 Introducing Bone Lace, Gil Dye .................................................................22.95 Floral Bedfordshire, Yvonne Scheele-Kerkhof...................................59.95 Kumiko’s Duchesse, Kumiko Nakazaki ......................................................49.95 Pattern book on pictorial Beds. Polychrome and Dentelles, Mme Odette Arpin ........................................49.95 Wiener Spitzen, Hartmut Lang ............................................................59.95 Valenciennes, Ulrike Voelcker ......................................................................34.95 Bedfordshire Lace Patterns, Margaret Turner...................................24.95 Flat Christmas Ornaments, Brigitta Gornik ...............................................29.95 Reprint of 1500's wood block designs for bobbin lace. Point de Gaze, Brussels Needlelace, Elizabeth M Kurella .......................29.95 Introduction To Bedfordshire Lace, Jean Leader.............................15.95 Withof…Before and After, Yvonne Scheele-Kerkhof................................. 59.95 Thistles, Roses and Daffodils, Jean Leader .....................................19.95 Neue Entwürfe in Chrysanthe-Technik, Glös and Wolter-Kampman 29.95 Four bookmark patterns in floral Beds. Idrija Lace: Narrow Cloth Stitch, Double Stitch, Idrija Lace School ....... 49.95 Introducing Beds Lace in 20 Lessons, B. Underwood.....................29.95 Special Kant Ljubljana - Basic, various ($69.95 for the pair).............. 39.95 Special Kant Ljubljana - Expert, various ($69.95 for the pair) ........... 39.95 Beginning/Intermediate manual of Beds complete w/patterns. Corso Base Tre, B.R. Bellomo, C. D’Alessandro, L. Monteventi .........24.95 Traditional Bedfordshire Lace, Barbara Underwood ........................34.95 Christmas Decorations with Liptov Lace Components, PT ..................36.95 The best advanced manual of Beds complete with patterns. Bobbin Lace Jewellery, Jennifer MacPherson ..........................................39.95 Thomas Lester Lace Patterns, Luton Culture .........................................14.95 Die Spitzen der Wiener Werkstätte, Dagobert Peche ..............................49.95 Bedfordshire Lace Designs, Anita Wilkinson ..........................................34.95 Liptovskej Lace Secrets, Maria Cobrdová and Marta Hauserová ............64.95 Prickings from the AV Clark Collection-CD, various........................ 16.95 Arcs and Corners in Liptovskej Lace, Povabica Turca Association ........49.95 Rose Family Sample Book-DVD, various ..........................................32.00 Thomas Lester, his Lace & the East Midlands Ind., A Buck............29.95 Bobbin Lace Manuals and Skills History of the dealers and the lace they designed. Discover, Explore, Master Torchon Lace, Vol 1, 2, & 3 Voelcker , ea.....42.95 Patterns for Lace at the Cecil Higgins Art Gallery, Introduction To Bobbin Lacemaking, Rosemary Shepherd ..............34.95 Cecil Higgins Art Gallery ......................................................................22.95 Invisible, Martina Wolter-Kampmann ................................................... 74.95 Dentelles au Fuseau Cluny, Fouriscot - Salvador..............................32.50 The Beginning of the End, Ulike Löhr ................................................64.95 Magali Demelle Déboudard Everything you wanted to know about starts and finishes. Dentelle aux Fuseaux Perlée, ...............46.95 Klöppel-Kurs, Ulrike Löhr ....................................................................29.95 La Guipure du Puy, vol. 2, Hubert and Fouriscot...............................32.50 Terrific manual covering Torchon, Beds and Bucks Point Lace, Cluny de Brioude, Fouriscot and Arpin...............................................29.95 fundamentals. English Translation now available! ................................12.95 The Technique of Cluny and Maltese Lace, Vera Cockuyt...............36.95 A Manual of Handmade Bobbin Lace
Load more

Recommended publications
  • Bobbin Lace You Need a Pattern Known As a Pricking
    “Dressing” a Lace Pillow © Jean Leader 2014 pricking pin-cushion this edge should be a selvage if possible — the other edges lace in progress should be hemmed. cover cloth between bobbins and lower part of pricking cover cloth ready to cover pillow when not in use The pillow, a square or round piece of polystyrene (preferably high density) about 40 cm (16 in) across and 5 cm (2 in) thick, should be covered with a firmly woven dark cotton material. Avoid synthetic materials as these will attract dust and fluff. Cut a piece of material so that it is about 8-10 cm (3-4 in) wider than the pillow all round. Make a hem (with an opening) round the edge and thread either tape or elastic through it. Fit the cover over the pillow and pull the tape or elastic tight. (If you’re in a hurry just pin the cover in place.) This cover should be removed and washed occasionally. You will also need at least two cover cloths about 40 cm (16 in) square made of the same sort of material as the cover (they should be hemmed so no bits of thread can catch in the lace). One of these is placed over the lower part of the pricking and the bobbins lie on top of it. The other cloth is placed over the whole pillow when it is not in use so that the lace you’re working on stays clean. Making a Pricking In order to make bobbin lace you need a pattern known as a pricking.
    [Show full text]
  • Hedgehog Lacers 20Th Annual Lace-In
    Hedgehog Lacers 20th Annual Lace-In September 9-10, 2017 The members of the Hedgehog Lace Guild invite you to attend our annual lace workshop. We have a wonderful group of teachers offering a variety of classes. Classes 100 Chrysanthemum — All levels ~ Sylvia Fellows Chrysanthemum Lace is a tape lace that has some elements resembling Brugges Lace. It is characterized by the "Split Spider" stitch on one side of each tape. The "petals" formed can look like a chrysanthemum flower, a popular motif in this lace. It uses, usually, only 8 pairs of bobbins or less. 101 Milanese Lace — All levels ~ Louise Colgan Milanese Lace is characterized by special decorative stitches that become integral features of each design. The creative nature of this type of lace makes it suitable for both traditional and contemporary interpretation. A variety of projects will be offered to cover all levels of Milanese techniques. Students will be given the option of using colored threads to make their own unique pieces from the selected patterns. A solid foundation in basic Bobbin Lace skills is required. Diagram-reading skills are also recommended. NOTE: Continuing “Louise” projects are also welcome. 102 Tatting — All levels ~ Randy Houtz There are several methods and applications for tatting split rings. Class time will be spent examining a different technique and/or application: the basic split ring; woven split rings; adding a ring to the split ring; and adding rings to both sides are examples. Prerequisites: Students should be comfortable with tatting rings, chains and joins. It is helpful to know other tatting methods but not necessary.
    [Show full text]
  • Catalogue of the Famous Blackborne Museum Collection of Laces
    'hladchorvS' The Famous Blackbome Collection The American Art Galleries Madison Square South New York j J ( o # I -legislation. BLACKB ORNE LA CE SALE. Metropolitan Museum Anxious to Acquire Rare Collection. ' The sale of laces by order of Vitail Benguiat at the American Art Galleries began j-esterday afternoon with low prices ranging from .$2 up. The sale will be continued to-day and to-morrow, when the famous Blackborne collection mil be sold, the entire 600 odd pieces In one lot. This collection, which was be- gun by the father of Arthur Blackborne In IS-W and ^ contmued by the son, shows the course of lace making for over 4(Xi ye^rs. It is valued at from .?40,fX)0 to $oO,0()0. It is a museum collection, and the Metropolitan Art Museum of this city would like to acciuire it, but hasnt the funds available. ' " With the addition of these laces the Metropolitan would probably have the finest collection of laces in the world," said the museum's lace authority, who has been studying the Blackborne laces since the collection opened, yesterday. " and there would be enough of much of it for the Washington and" Boston Mu- seums as well as our own. We have now a collection of lace that is probablv pqual to that of any in the world, "though other museums have better examples of some pieces than we have." Yesterday's sale brought SI. .350. ' ""• « mmov ON FREE VIEW AT THE AMERICAN ART GALLERIES MADISON SQUARE SOUTH, NEW YORK FROM SATURDAY, DECEMBER FIFTH UNTIL THE DATE OF SALE, INCLUSIVE THE FAMOUS ARTHUR BLACKBORNE COLLECTION TO BE SOLD ON THURSDAY, FRIDAY AND SATURDAY AFTERNOONS December 10th, 11th and 12th BEGINNING EACH AFTERNOON AT 2.30 o'CLOCK CATALOGUE OF THE FAMOUS BLACKBORNE Museum Collection of Laces BEAUTIFUL OLD TEXTILES HISTORICAL COSTUMES ANTIQUE JEWELRY AND FANS EXTRAORDINARY REGAL LACES RICH EMBROIDERIES ECCLESIASTICAL VESTMENTS AND OTHER INTERESTING OBJECTS OWNED BY AND TO BE SOLD BY ORDER OF MR.
    [Show full text]
  • Powerhouse Museum Lace Collection: Glossary of Terms Used in the Documentation – Blue Files and Collection Notebooks
    Book Appendix Glossary 12-02 Powerhouse Museum Lace Collection: Glossary of terms used in the documentation – Blue files and collection notebooks. Rosemary Shepherd: 1983 to 2003 The following references were used in the documentation. For needle laces: Therese de Dillmont, The Complete Encyclopaedia of Needlework, Running Press reprint, Philadelphia, 1971 For bobbin laces: Bridget M Cook and Geraldine Stott, The Book of Bobbin Lace Stitches, A H & A W Reed, Sydney, 1980 The principal historical reference: Santina Levey, Lace a History, Victoria and Albert Museum and W H Maney, Leeds, 1983 In compiling the glossary reference was also made to Alexandra Stillwell’s Illustrated dictionary of lacemaking, Cassell, London 1996 General lace and lacemaking terms A border, flounce or edging is a length of lace with one shaped edge (headside) and one straight edge (footside). The headside shaping may be as insignificant as a straight or undulating line of picots, or as pronounced as deep ‘van Dyke’ scallops. ‘Border’ is used for laces to 100mm and ‘flounce’ for laces wider than 100 mm and these are the terms used in the documentation of the Powerhouse collection. The term ‘lace edging’ is often used elsewhere instead of border, for very narrow laces. An insertion is usually a length of lace with two straight edges (footsides) which are stitched directly onto the mounting fabric, the fabric then being cut away behind the lace. Ocasionally lace insertions are shaped (for example, square or triangular motifs for use on household linen) in which case they are entirely enclosed by a footside. See also ‘panel’ and ‘engrelure’ A lace panel is usually has finished edges, enclosing a specially designed motif.
    [Show full text]
  • Identifying Handmade and Machine Lace Identification
    Identifying Handmade and Machine Lace DATS in partnership with the V&A DATS DRESS AND TEXTILE SPECIALISTS 1 Identifying Handmade and Machine Lace Text copyright © Jeremy Farrell, 2007 Image copyrights as specified in each section. This information pack has been produced to accompany a one-day workshop of the same name held at The Museum of Costume and Textiles, Nottingham on 21st February 2008. The workshop is one of three produced in collaboration between DATS and the V&A, funded by the Renaissance Subject Specialist Network Implementation Grant Programme, administered by the MLA. The purpose of the workshops is to enable participants to improve the documentation and interpretation of collections and make them accessible to the widest audiences. Participants will have the chance to study objects at first hand to help increase their confidence in identifying textile materials and techniques. This information pack is intended as a means of sharing the knowledge communicated in the workshops with colleagues and the public. Other workshops / information packs in the series: Identifying Textile Types and Weaves 1750 -1950 Identifying Printed Textiles in Dress 1740-1890 Front cover image: Detail of a triangular shawl of white cotton Pusher lace made by William Vickers of Nottingham, 1870. The Pusher machine cannot put in the outline which has to be put in by hand or by embroidering machine. The outline here was put in by hand by a woman in Youlgreave, Derbyshire. (NCM 1912-13 © Nottingham City Museums) 2 Identifying Handmade and Machine Lace Contents Page 1. List of illustrations 1 2. Introduction 3 3. The main types of hand and machine lace 5 4.
    [Show full text]
  • The Oak Interior, 24 & 25 April 2013, Chester
    Bonhams New House 150 Christleton Road Chester CH3 5TD +44 (0) 1244 313936 +44 (0) 1244 340028 fax 21122 The Oak Interior, 24 & 25 April 2013, Chester 2013, April 24 & 25 The Oak Interior including The E. Hopwell Collection Wednesday 24 April 2013 at 10am Thursday 25 April 2013 at 10am Chester The Oak Interior including The E. Hopwell Collection, Pewter and Textiles Wednesday 24 April 2013 at 10am Thursday 25 April 2013 at 10am Chester Bonhams Enquiries Sale Number: 21122 Please see back of catalogue New House for important notice to bidders 150 Christleton Road Day I Catalogue: £20 (£25 by post) Chester CH3 5TD Pewter Illustrations bonhams.com David Houlston Customer Services Back cover: Lot 496 +44 (0) 1244 353 119 Monday to Friday 8.30am to 6pm Inside front cover: Lot 265 Viewing [email protected] +44 (0) 20 7447 7447 Inside back cover: Lot 289 Friday 19 April 10am to 4pm Sunday 21 April 11am to 2pm The E. Hopwell Collection of Monday 22 April 10am to 4pm Metalware & Treen Tuesday 23 April 10am to 4pm Megan Wheeler Wednesday 24 April 8.30am to 4pm +44 (0) 1244 353 127 Thursday 25 April 8.30am to 9.45am [email protected] Bids Textiles +44 (0) 20 7447 7448 Claire Browne +44 (0) 20 7447 7401 fax +44 (0) 1564 732 969 To bid via the internet [email protected] please visit www.bonhams.com Day II Please note that bids should be Furniture submitted no later than 24 hours David Houlston before the sale.
    [Show full text]
  • The Lacenews Chanel on Youtube October 2011 Update
    The LaceNews Chanel on YouTube October 2011 Update http://www.youtube.com/user/lacenews Bobbinlace Instruction - 1 (A-H) 1 1 Preparing bobbins for lace making achimwasp 10/14/2007 music 2 2 dentelle.mpg AlainB13 10/19/2010 silent 3 3 signet.ogv AlainB13 4/23/2011 silent 4 4 napperon.ogv AlainB13 4/24/2011 silent 5 5 Evolution d'un dessin technique d'une dentelle aux fuseaux AlainB13 6/9/2011 silent 6 6 il primo videotombolo alikingdogs 9/23/2008 Italian 7 7 1 video imparaticcio alikingdogs 11/14/2008 Italian 8 8 2 video imparaticcio punto tela alikingdogs 11/20/2008 Italian 9 9 imparaticcio mezzo punto alikingdogs 11/20/2008 Italian 10 10 Bolillos, Anaiencajes Hojas de guipur Blancaflor2776 4/20/2008 Spanish/Catalan 11 11 Bolillos, hojas de guipur Blancaflor2776 4/20/2008 silent 12 12 Bolillos, encaje 3 pares Blancaflor2776 6/26/2009 silent 13 13 Bobbin Lacemaking BobbinLacer 8/6/2008 English 14 14 Preparing Bobbins for Lace making BobbinLacer 8/19/2008 English 15 15 Update on Flower Project BobbinLacer 8/19/2008 English 16 16 Cómo hacer el medio punto - Encaje de bolillos canalsapeando 10/5/2011 Spanish 17 17 Cómo hacer el punto entero o punto de lienzo - Encaje de bolillos canalsapeando 10/5/2011 Spanish 18 18 Conceptos básicos - Encaje de bolillos canalsapeando 10/5/2011 Spanish 19 19 Materiales necesarios - Encaje de bolillos canalsapeando 10/5/2011 Spanish 20 20 Merletto a fuselli - Introduzione storica (I) casacenina 4/19/2011 Italian 21 21 Merletto a Fuselli - Corso: il movimento dei fuselli (III) casacenina 5/2/2011 Italian 22
    [Show full text]
  • The Lure of Lace
    Bobbin lace, probably Italian, from the mid to second half of the 16th century. 55cm x 3cm. Value £175. A border of bobbin lace. Honiton c1630. 106cm x 9cm. Value £500. Machine lace edging of parrots. Early 20th century. 25cm x 6cm. Border of bobbin lace, Flemish, c1660. 99cm x 8cm. Value £280. From the Jane Page Collection. The Lure of Lace by Brenda Greysmith Initially produced as a luxury for the wealthy, lace was made by hand for centuries in Europe and introduced into England about four hundred years ago. It was not until the industrialisation of the nineteenth century, that it became available to a less well-heeled Border of densely patterned needle lace, Dutch, mid 17th century. audience while still retaining immense charm. Throughout its long 58cm x 6cm. Value £480. history lace has been made in diverse materials. Linen, wool, gold and silver, silk and horsehair were all utilised before cotton came into use after 1820. Colours included white and ecru, black and polychrome, although the dyes used for these caused the thread to rot over time and little now remains. Hand-made lace was produced by two distinct methods. Bobbin lace is a miniature form of weaving made with numerous threads each wound onto a small handle of bone or wood. Needle lace is created with a needle and a single thread. The pattern is fastened to a backing fabric, foundation threads are couched down along the lines of the design and the motifs are then filled in with rows of buttonhole stitches. Among the many varieties of English bobbin lace are the Machine lace imitating Bedfordshire lace.
    [Show full text]
  • Winter Lace Conference
    12'h Annual Winter Lace Conference :5Sj='' February 16-18, 2018 PLUS" an "add an'o additional day with vgur teachen on Februa ry X.9 ANE EXTRA pre-conference workshops on February 16 with Louise Colgan, $usie Johnson, Helena Fransens, and Elizabeth Peterson For nor* informadan, cantect Belinda Eelisle at t -562-596-78&2 *r WinterLaceC**fer*ne*@grnail.**n t, The Winter Lace Conference is back for its L2th year! To those of The Weekend at-a-Glance you who don't know, the Winter Lace Conference lost Betty Ward Friday, February 15, 2018 this spring. Without Betty's enthusiasm and support, the Winter EXTRA CLASSES Lace Conference would not have been. She is sorely missed by Milanese Workshop with Louise Colgan many. However, her legacy will continue! OR Bucks, Withof, & More Workshop with Susie One of her last projects was to help plan this year's event. I think Johnson you will agree we have another great selection of classes. OR Back by popular demand are Louise Colgan, Susie Johnson, Leaves and Tallies Workshops with Elizabeth Elizabeth Peterson, and Betty Manfre. New to odr slate of Peterson OR teachers are Helena Fransens-who brings her expertise in Paris Designing Lace Pattems Using Knipling 3.0 lace and designing lace patterns with a computer using Knipting *with Helena Fransens 3.0 to the program-and Carolyn Wetzel-who will share with us - her knowledge of the lovely Aemilia Ars needlelace. R&R- Registration and Reception Kicking off the weekend are the highly successful mini classes. ln Vendor Hall Opens addition to our popular Milanese and Bucks/Withof mini classes, back again are two specialized half-day classes: one just on leaves Saturday, February t7, 2Ot8 and the other on tallies.
    [Show full text]
  • Techniques Represented in Each Pattern
    (updated) November 12, 2020 Dear Customer: Thank you for requesting information about my lace instruction and supply business. If you have any questions about the supplies listed on the following pages, let me use my 36 years of lacemaking experience to help you in your selections. My stock is expanding and changing daily, so if you don't see something you want please ask. It would be my pleasure to send promotional materials on any of the items you have questions about. Call us at (607) 277-0498 or visit our web page at: http://www.vansciverbobbinlace.com We would be delighted to hear from you at our email address [email protected]. All our orders go two day priority service. Feel free to telephone, email ([email protected]) or mail in your order. Orders for supplies will be filled immediately and will include a free catalogue update. Please include an 8% ($7.50 minimum to 1 lb., $10.50 over 1 lbs.-$12.00 maximum except for pillows and stands which are shipped at cost) of the total order to cover postage and packaging. New York State residents add sales tax applicable to your locality. Payment is by check, money order or credit card (VISA, MASTERCARD, DISCOVER) in US dollars. If you are looking for a teacher keep me in mind! I teach courses at all levels in Torchon, Bedfordshire, Lester, Honiton, Bucks Point lace, Russian and more! I am happy to tailor workshops to suit your needs. Check for scheduled workshops on the page facing the order form.
    [Show full text]
  • Caste Eng Crè Log
    SUMARI 7 PREÀMBUL Neus Ribas i Eulàlia Morral 8 L ’EXPOSICIÓ ITINERANT 28 LA MEMÒRIA DELS TELERS: ELS MOSTRARIS TÈXTILS Sílvia Carbonell Basté 54 LÚA IND STRIA tèXTIL A CATALUNYA TEVIS A D S DE LA INFORMACIÓ ESTADÍSTICA Jordi Maluquer de Motes 70 ESLS FON DELS MUSEUS COM A EINA INDISPENSABLE PER ALS DISSENYADORS Dra. Sílvia Rosés Castellsaguer 84 L A I+D EN EL SECTOR tèXTIL. ESTAT ACTUAL, TENDènCIES Ariadna Detrell / Sergi Artigas 97 AnnEXOS TRADUCCIÓN AL CASTELLANO ENGLISH TRANSLATION PREÀMBUL Neus Ribas i Eulàlia Morral Al llarg d’aquest procés de recollida i documentació que hem anat fent, ens hem adonat que a vegades arribà- vem tard, perquè durant o després del tancament de les empreses –ja fos per la crisi o per trasllat– s’havien llen- çat molts mostraris, en bona part perquè no se’ls con- sidera una documentació interessant o valuosa. També urant un llarg període, hem pogut constatar que moltes empreses conserven a Catalunya el tèxtil ha estat la indústria, i les caracte- aquesta informació en pèssimes condicions i controla- rístiques físiques i socials del nostre país no es poden des per persones, generalment d’edat avançada, que són entendre sense tenir en compte aquest fet; però tot can- els únics que tenen els coneixements indispensables per via molt de pressa. Les modificacionsD urbanístiques de a la correcta identificació i interpretació d’aquests ob- les poblacions, la diversificació de la indústria i el relleu jectes. Finalment, hi ha empreses i persones conscients generacional han anat desdibuixant la memòria fins al del valor d’aquest patrimoni, que el conserven o fins i tot punt que els propis habitants de ciutats que van ser de realitzen els tràmits necessaris per donar-los als equipa- referència obligada per al sector tèxtil fins als anys se- ments museístics que els podem conservar, documentar tanta sovint desconeixen aquest fet, o en tenen una no- i difondre.
    [Show full text]
  • New England Lace Group Library Inventory
    New England Lace Group Library Inventory May 2011 BOOKS Bobbin Lace Manuals and Skills Bellon, Brigitte. 1980. Klöppeln: ein kleiner Lehrgang. Stuttgart: Frech-Verlag. 47 pp and a pattern card. Dye, Gilian. 1998. Finishing & Mounting Lace. The Elviston Press. 30 pp. Cook, Bridget M. 1997. Practical Skills in Bobbin Lace. London, England:B.T. Batsford Ltd. 208 pp. [dondated by Carolyn Wetzel] Dye, Gilian. 1986. Beginning Bobbin Lace. New York: Dover Publications. 96 pp. [one copy donated by Carolyn Hastings] Foley, Ellen, and Peggy Anne Streep, Ed. 1977. The Golden Book of Hand & Needle Arts. New York: Golden Press. 160 pp. Great Lakes Lace Group, Inc. 1999. Teacher Certification Program, 2nd Ed.. Great Lakes Lace Group, Inc., 26 pp (single-sided).Harang, Marni. (undated) Mounting Workbook. private published. 21 pp. Glös, Hildegard.2010. Spinnen, Spinnen, Spinnen. Barbara Fay Verlag, Gammelby 2010.40pp. Kliot, Kaethe and Jules. 1973. Bobbin Lace. Form by the Twisting of Cords. Crown Publishers, Inc. New York. 243 pp. Kurella, Elizabeth M. 2001. Anybody can Mend Lace and Linens. Plainwell, MI: The Lace Merchant. 128 pp. Löhr, Ulrike. 2000. Der Anfang vom Ende / The Beginning of the End. Stuttgart: Frech Verlag. 144 pp. Maidment, Margaret. 1931 (1978 reprint). A Manual of Hand-made Bobbin Lace Work. Piccadilly: Paul P. B. Minet. x + 184 pp. Mincoff, Elizabeth, and Margaret S. Marriage. 1907/1972. Pillow Lace: A practical hand-book. Chicheley: Paul P. B. Minet. xii + 231 pp. + two large pattern sheets. OIDFA. 2000. Point Ground Lace: a comparative study. Rugby, UK: Organisation Internationale de la Dentelle au Fuseau et a l‘Aiguille.
    [Show full text]