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Xerox University Microfilms 300 North Zeeb Road Ann Arbor, Michigan 48106 74-6985 SMITH, Anna Laura, 1915- TWENTIETH CENTURY INTERPRETATIONS of the DON JUAN THEME
INFORMATION TO USERS This material was produced from a microfilm copy of the original document. While the most advanced technological means to photograph and reproduce this document have been used, the quality is heavily dependent upon the quality of the original submitted. The following explanation of techniques is provided to help you understand markings or patterns which may appear on this reproduction. 1. The sign or "target" for pages apparently lacking from the document photographed is "Missing Page(s)". If it was possible to obtain the missing page(s) or section, they are spliced into the film along with adjacent pages. This may have necessitated cutting thru an image and duplicating adjacent pages to insure you complete continuity. 2. When an image on the film is obliterated with a large round black mark, it is an indication that the photographer suspected that the copy may have moved during exposure and thus cause a blurred image. You will find a good image of the page in the adjacent frame. 3. When a map, drawing or chart, etc., was part of the material being photographed the photographer followed a definite method in "sectioning" the material. It is customary to begin photoing at the upper left hand corner of a large sheet and to continue photoing from left to right in equal sections with a small overlap. If necessary, sectioning is continued again — beginning below the first row and continuing on until complete. 4. The majority of users indicate that the textual content is of greatest value, however, a somewhat higher quality reproduction could be made from "photographs" if essential to the understanding of the dissertation. -
SWOT Analysis and Related Countermeasures for Croatia To
CIRR XXIII (78) 2017, 169-185 ISSN 1848-5782 UDC 379.8:910.4(497.5:510) Vol.XVIII, No. 66 - 2012 Vol.XVIII, DOI 10.1515/cirr-2017-0012 XXIII (78) - 2017 SWOT Analysis and Related Countermeasures for Croatia to Explore the Chinese Tourist Source Market Wang Qian Abstract Croatia is a land endowed with rich and diversified natural and cultural tourist resources. Traveling around Croatia, I was stunned by its beauty. However, I noticed that there were few Chinese tourists in Croatia. How can we bring more Chinese tourists to Croatia? How can we make them happy and comfortable in Croatia? And, at the same time, how can we avoid polluting this tract of pure land? Based on first-hand research work, I make a SWOT analysis of the Chinese tourist source market of Croatia and put forward related countermeasures from the perspective of a native Chinese. The positioning of tourism in Croatia should be ingeniously packaged. I recommend developing diversified and specialized tourist products, various marketing and promotional activities, simple and flexible visa policies and regulations, and other related measures to further explore the Chinese tourist source market of Croatia. KEY WORDS: SWOT analysis, Croatia, Chinese tourist source market, sustainable tourism, direct flight 169 Introduction Vol.XVIII, No. 66 - 2012 Vol.XVIII, XXIII (78) - 2017 I worked in Zagreb, the capital of Croatia, for three years. During my stay, I walked almost all around Croatia. I travelled in Dalmatia for two weeks, visiting Zadar, Šibenik, Skradin, Trogir, Split, Hvar, Korčula and Dubrovnik. I toured Istria for a week, visiting Opatija, Pula, Rovinj and Poreč. -
Nottingham City Council Museums & Galleries Service Strategic Plan 2014
Nottingham City Council Museums & Galleries Service Strategic Plan 2014 – 2018 141022plan Page 1 of 96 141022plan Page 2 of 96 PREAMBLE PREAMBLE [i] Preface by Councillor Dave Trimble [ii] Contents [iii] Executive Summary [i] Preface by Councillor Dave Trimble Portfolio Holder for Leisure and Culture It gives me great pleasure to present this Strategic Plan for the Museums and Galleries Service to 2018. This is the first major Strategic Plan developed for our Museums and Galleries Service and the first such comprehensive Plan that I have received as Portfolio Holder for Leisure and Culture. This is a very important time for our Museums and Galleries Service, as we embark on a huge redevelopment of Nottingham Castle until 2020 – a development that is vital not only to secure the future of this world-renowned site, but as a keystone in the future economic prosperity of the City through the creation and support of new employment. However, the Plan encompasses the future of all of our major heritage sites, including Nottingham Castle Museum, Wollaton Hall and Park, Newstead Abbey with its beautiful gardens and grounds and Greens Mill. It includes an ambitious programme for the development of our outstanding collections, with detailed proposals for associated learning, engagement, digital developments, research and scholarship. Partnership working is vital to this enterprise and the role of partners for service delivery, research or as funders is clearly identified. In particular, the developing role of volunteer engagement, which will be vital to the sector as a whole, is a priority for development. The Service already has considerable expertise in this area and this will serve the wider community well as we aim to develop over the next few years. -
Editorial Calendar 2020
PRESERVING THE LEGACY OF NEEDLEWORK Editorial Calendar 2020 There are stories to be told, and PieceWork readers want to read them. Whether it’s a personal account of a master knitter (“Bertha Mae Shipley: A Navajo Knitter”) or a well-researched article on the embroidery that adorned alms purses (“Charitably Chic: The Eighteenth-Century Alms Purse”), PieceWork is the place to share these stories. People who care about handwork and who value its past and present role in the ongoing human story are PieceWork magazine’s core audience. PieceWork explores the personal stories of traditional makers and what they made and investigates how specific objects were crafted and the stories behind them. In-depth how-to techniques and step-by-step projects make the traditions come alive for today’s knitters, embroiderers, lacemakers, and crocheters. Beginning with the magazine’s inception in 1993, we have explored numerous needlework traditions and needleworkers. We’ve covered the prosaic—mending samplers—and the esoteric—the Pearly Kings and Queens of London. The stories have been poignant—the Triangle Shirtwaist Factory fire; inspiring—Safe Return Mittens; and entertaining—Rattlesnake Kate. Beginning with the Fall 2018 issue, PieceWork changed frequency from a bimonthly publication to a quarterly. The biggest bonus with this change was the addition of more editorial pages, allowing us to continue and expand upon PieceWork’s unusual blend of the elements behind a handwork tradition—who did it, how it was done, and why. Future issues will include core sections for techniques, including knitting, lace, embroidery, and crochet. Beyond these sections, there will be a wide variety of other needlework techniques. -
Fig. 1: Pelike 2351, 440-435 BC Munich, Staatliche Antikensammlungen. © Staatliche Antikensammlungen Und Glyptothek München. Photo
Tight-fitting Clothes in Antiquity and the Renaissance1 Dagmar Drinkler Abstract: A great number of ancient works of art depict figures who wear tight-fitting and strikingly patterned garments, particularly hose. These elastic textiles that cling to the body cannot be reproduced by any of the weaving techniques known to us. And there is no evidence that the textile technique of knitting was already known in antiquity. So the garments must have been made in a different technique. By reproducing samples of textiles it can be demonstrated now that it is possible to make elastic garments in a special kind of plaiting, the so-called sprang technique. All patterns found in depictions of such garments can be reconstructed easily and efficiently. So far sprang has mainly been connected with hairnets and caps. Comparing model and reconstruction proves the practicability of translating the pictorial sources into actual textiles by this technique. Content: The Reconstruction of tight-fitting clothes after models from Greek vase painting and polychrome sculpture / The sprang technique / The Patterns of the tight-fitting hose and their execution in sprang / Producing hose / Sprang in the Renaissance / Striped hose / The shoes worn with the striped hose / Conclusion The Reconstruction of tight-fitting clothes after models from Greek vase painting and polychrome sculpture Fig. 1: Pelike 2351, 440-435 B.C. Munich, Staatliche Antikensammlungen. © Staatliche Antikensammlungen und Glyptothek München. Photo: Renate Kühling. From the fifth century BC onwards depictions in Greek Art show Greeks in mostly aggressive confrontation with individuals or groups of people, the enemies standing out by their tight- fitting hose or often even “suits” that cover the entire body. -
Th E St Ory Ofir Ish Lace Is a St Ory O
www.nmni.com/uftm/Collections/Textiles---Costume/Lace-page Ulster Folk and Transport Museum, lace collection. collection. lace Museum, Transport and Folk Ulster To find a conservator: www.conservationireland.org conservator: a find To www.museum.ie/en/collection/lace.aspx National Museum of Ireland, Lace collection. collection. Lace Ireland, of Museum National Useful contacts: Useful Vol. 26, No. 2, pp.152-167. 2, No. 26, Vol. Display and Meaning, 1886–1909’ in Journal of Design History 2013, 2013, History Design of Journal in 1886–1909’ Meaning, and Display Embroidery, Dresses: ‘Irish’ Aberdeen’s ‘Ishbel J., Helland, Ireland’, Women’s History Review, 1996, Vol. 5, Issue 3, pp. 326-345. pp. 3, Issue 5, Vol. 1996, Review, History Women’s Ireland’, organisation: Commercial lace embroidery in early 19th-century 19th-century early in embroidery lace Commercial organisation: Chapman S. & Sharpe, P., ‘Women’s employment and industrial industrial and employment ‘Women’s P., Sharpe, & S. Chapman There are a number of articles on Irish lace-making, including: lace-making, Irish on articles of number a are There Further reading: Further www.oidfa.com www.laceguild.org Library of Ireland of Library www.craftscotland.org The Lawrence Photograph Collection, Courtesy of the National National the of Courtesy Collection, Photograph Lawrence The Circular lace photo: lace Circular Irish lace collar (c.1865-1914), Robert French, French, Robert (c.1865-1914), collar lace Irish Other sites relating to lace-making include: lace-making to relating sites Other -
A Survey of Recent Mariology Eamon R
Marian Studies Volume 43 Proceedings of the Forty-Third National Convention of the Mariological Society of America held Article 11 in Houston, Tex. 1992 A Survey of Recent Mariology Eamon R. Carroll Follow this and additional works at: https://ecommons.udayton.edu/marian_studies Part of the Religion Commons Recommended Citation Carroll, Eamon R. (1992) "A Survey of Recent Mariology," Marian Studies: Vol. 43, Article 11. Available at: https://ecommons.udayton.edu/marian_studies/vol43/iss1/11 This Back Matter is brought to you for free and open access by the Marian Library Publications at eCommons. It has been accepted for inclusion in Marian Studies by an authorized editor of eCommons. For more information, please contact [email protected], [email protected]. Carroll: A Survey of Recent Mariology A SURVEY OF RECENT MARIOLOGY My customary opening triad (it is said putting things in threes is an Irish custom) consists of Dante, Jelly and the Lutheran-Roman Catholic Consultation report, The One Mediator, the Saints, and Mary. Dante's Divine Comedy is the object of a series of lectures by Jaroslav Pelikan: Eternal Feminines. The chapter on our Lady is lyrical, with the ex traordinary appreciation of history and Christian tradition we have learned to expect from Pelikan (Eternal Feminines: Three Theological Allegories in Dante's Paradiso [Rutgers Univ., 1990 ]). Friar of the Order of Preachers, Father Frederick Michael Jelly continues his steady pace of writing and lecturing on our Lady. The Catholic Home Study Institute of Leesburg, Virginia, has just published his correspondence course, the book-length Madonna: Mary in the Catholic Tradition, de veloped from his Our Sunday Visitor ( 1986) book of that title, which has itself reached three editions. -
Decorative Art in the Museum and the Novel, 1850-1880. Jacqueline Yauop January 2006
Narrative Objects: Decorative Art in the Museum and the Novel, 1850-1880. Jacqueline YaUop Submitted for the degree of PhD, Centre for Nineteenth-Century Studies, Department of English Literature. January 2006. Abstract: In the face of financial disaster, Dr Lydgate attempts to share his concerns with his wife, Rosamund, in George Eliot's Middlemarch (1871). Rosamund's refusal to engage with the crisis, or to sympathise with her husband's despair, is repeatedly presented by Eliot as a preoccupation with inanimate, decorative objects: Rosamund 'turned her neck and looked at a vase on the mantelpiece'. 1 The mid- nineteenth-century novel increasingly explores what it means to own, collect and display objects, and how personal and public lives can be constructed and defined by 'things'. Recent critical discussion has examined the significance of the Great Exhibition in London in 1851, and the subsequent international exhibitions, as a catalyst for, and an expression of, new ways of producing and consuming objects. 2 These dazzling exhibitions, in conjunction with the foundation of the South Kensington Museum (1857), began to formulate principles of design and models of taste for the public. Increasingly influential, however, was the development of the smaller, regional museum collections of decorative objects which began to emerge in the second half of the nineteenth century. Most of these shared with their national counterparts an intention to educate the public; almost all retained 1 George Eliot, Middlemarch, ed. by David Carroll (Oxford: Oxford University Press, 1998), p. 612. 2 See, for example, Jeffrey A. Auerbach, The Great Exhibition: A Nation on Display (New Haven and London: Yale University Press, 1999) and Andrew Miller, Novels Behind Glass: Commodity Culture and Victorian Narrative (Cambridge: Cambridge University Press, 1995). -
•Œrevisiting the Ocucaje Opened Tunic from the Textile Museum
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Textile Society of America Symposium Proceedings Textile Society of America 2008 “Revisiting the Ocucaje Opened Tunic from the Textile Museum; Washington, D.C.: Textile Models and the Process of Imitation” Sophie Desrosiers École des Hautes Études en Sciences Sociales, [email protected] Follow this and additional works at: https://digitalcommons.unl.edu/tsaconf Part of the Art and Design Commons Desrosiers, Sophie, "“Revisiting the Ocucaje Opened Tunic from the Textile Museum; Washington, D.C.: Textile Models and the Process of Imitation”" (2008). Textile Society of America Symposium Proceedings. 228. https://digitalcommons.unl.edu/tsaconf/228 This Article is brought to you for free and open access by the Textile Society of America at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Textile Society of America Symposium Proceedings by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. “Revisiting the Ocucaje Opened Tunic from the Textile Museum; Washington, D.C.: Textile Models and the Process of Imitation” Sophie Desrosiers [email protected] The opened tunic from the Textile Museum in Washington D. C. (fig. 1) is a beautiful object the colors and design of which are well known since a part of it was used 22 years ago on the cover of The Junius B. Bird Conference On Andean Textiles.1 The tunic has no archaeological context, but its characteristics place it among Early Horizon Epoch 9 woven fabrics from Ocucaje. Figure 1. Opened tunic. 2,04m x 1m, camelid hairs. The Textile Museum, Washington D.C., 1959.11.1. -
Pop Departures and City Dwellers: Contemporary Art from India on a Guided Or Self–Guided Visit
EDUCATOR RESOURCE GUIDE These materials are a resource for educators visiting the exhibition Pop Departures and City Dwellers: Contemporary Art from India on a guided or self–guided visit. Educators are encouraged to develop open–ended discussions that ask for a wide range of opinions and expressions from students. The projects in this guide connect to core curriculum subject areas and can be adapted for a variety of grade levels to meet Washington State, Common Core Standards of Learning, National Core Arts Standards as well as 21st Century Learning Skills. Lessons incorporate a range of subject areas like science, math, art, social studies, and geography. Related images for each project are included at the end of this guide. For assistance modifying these projects to fit your classroom, please email SAM’s Ann P. Wyckoff Teacher Resource Center (TRC) at [email protected]. Additional exhibition information can be found at seattleartmuseum.org/exhibitions/pop and seattleartmuseum.org/exhibitions/citydwellers. For more information about bringing a group to SAM please visit seattleartmuseum.org/educators or email [email protected]. “Pop Art looks out into the world. It doesn't look like a painting of something, it looks like the thing itself.” Roy Lichtenstein1 Looking to the everyday object as viable subject matter for art, Pop art reflects on Western concepts associated with consumer culture that challenge passive consumption and push for active questioning; product as subject matter. Linking identity and status to objects are not a new concept and can be found across cultures and time periods. Pop art brings to light how objects, media and celebrity shape individuals and cultures. -
Re-Creating Military Sashes: Reviving the Sprang Technique
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Textile Society of America Symposium Proceedings Textile Society of America 9-2012 Re-creating Military Sashes: Reviving the Sprang Technique Carol James Sashweaver, [email protected] Follow this and additional works at: https://digitalcommons.unl.edu/tsaconf James, Carol, "Re-creating Military Sashes: Reviving the Sprang Technique" (2012). Textile Society of America Symposium Proceedings. 698. https://digitalcommons.unl.edu/tsaconf/698 This Article is brought to you for free and open access by the Textile Society of America at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Textile Society of America Symposium Proceedings by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. Re-creating Military Sashes: Reviving the Sprang Technique Carol James [email protected] The year 2012 is the 200th anniversary of the War of 1812. Accordingly many historic sites feature War of 1812 re-enactment this year. A quick scan on the internet yields events at Chalmette, LA, Monroe, MI, Guelph, Ontario, Ogdensburg, NY, Sibley, MO, Fort Erie, Ontario, East Peoria, IL, Perrysburg, OH, to name a few (Sites identified using Google Search, “1812 events list”, search performed September 6, 2012). The seriousness with which individuals pursue this event is reflected by interest in accurately replicated clothing. I personally have received requests for many sprang military sashes. This in turn has stimulated my research into the sprang technique. Figure 1. Figure 1. Military sashes from the War of 1812 feature an interlinking structure. Sash and photo by Carol James. So, what is sprang, and how is it done? A traditional approach would be to begin with a definition. -
Hugo F. Huber, 1869-1934
© 2010 HOLLI E. LIMBACH ALL RIGHTS RESERVED HUGO F. HUBER, 1869-1934 INTERIOR DECORATOR STAN HYWET MANOR, AKRON, OHIO A Thesis Presented to The Graduate Faculty of The University of Akron In Partial Fulfillment of the Requirements for the Degree Master of Arts Holli E. Limbach May 2010 HUGO F. HUBER, 1869-1934 INTERIOR DECORATOR STAN HYWET MANOR, AKRON, OHIO Holli E. Limbach Thesis Approved: Accepted: _____________________________ ________________________ Advisor Interim School Director Dr. Virginia Gunn Mrs. Sue Rasor-Greenhalgh ______________________________ ________________________ Faculty Reader Interim Dean of the College Dr. Teena Jennings-Rentenaar Dr. James Lynn ______________________________ ________________________ Faculty Reader Dean of the Graduate School Mr. John Vollmer Dr. George Newkome ________________________ Date ii ABSTRACT In the late-nineteenth century notable interior decorators gradually emerged to help make interior decoration a serious, individualized, and worthwhile discipline. This study traces H. F. Huber & Co., one of New York’s first American interior decorating firms to successfully design, execute, and install complete high-end commercial, hospitality, and residential interiors in close conjunction with the project architect. Despite significant commercial contracts Hugo F. Huber’s career was built on a range of residential work for wealthy clients, often German-American like Huber. Two residences, each with fine archival resources and well-preserved interiors, provided the author with great insight into Huber’s design philosophy, expertise, and work ethic. The Christian Heurich Mansion interiors (1892-1894), Washington, DC, provided an example of Huber’s immense talent during his early-career, and Stan Hywet Manor (1911- 1917), Akron, Ohio, provided an example of Huber’s artistic genius during the peak of his career.