Babel' in Context a Study in Cultural Identity B O R D E R L I N E S : R U S S I a N А N D E a S T E U R O P E a N J E W I S H S T U D I E S
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A Century of Scholarship 1881 – 2004
A Century of Scholarship 1881 – 2004 Distinguished Scholars Reception Program (Date – TBD) Preface A HUNDRED YEARS OF SCHOLARSHIP AND RESEARCH AT MARQUETTE UNIVERSITY DISTINGUISHED SCHOLARS’ RECEPTION (DATE – TBD) At today’s reception we celebrate the outstanding accomplishments, excluding scholarship and creativity of Marquette remarkable records in many non-scholarly faculty, staff and alumni throughout the pursuits. It is noted that the careers of last century, and we eagerly anticipate the some alumni have been recognized more coming century. From what you read in fully over the years through various this booklet, who can imagine the scope Alumni Association awards. and importance of the work Marquette people will do during the coming hundred Given limitations, it is likely that some years? deserving individuals have been omitted and others have incomplete or incorrect In addition, this gathering honors the citations in the program listing. Apologies recipient of the Lawrence G. Haggerty are extended to anyone whose work has Faculty Award for Research Excellence, not been properly recognized; just as as well as recognizing the prestigious prize scholarship is a work always in progress, and the man for whom it is named. so is the compilation of a list like the one Presented for the first time in the year that follows. To improve the 2000, the award has come to be regarded completeness and correctness of the as a distinguishing mark of faculty listing, you are invited to submit to the excellence in research and scholarship. Graduate School the names of individuals and titles of works and honors that have This program lists much of the published been omitted or wrongly cited so that scholarship, grant awards, and major additions and changes can be made to the honors and distinctions among database. -
Babel by Patti Smith
Read and Download Ebook Babel... Babel Patti Smith PDF File: Babel... 1 Read and Download Ebook Babel... Babel Patti Smith Babel Patti Smith Babel Details Date : ISBN : 9780425042304 Author : Patti Smith Format : Genre : Poetry, Music, Fiction, Punk Download Babel ...pdf Read Online Babel ...pdf Download and Read Free Online Babel Patti Smith PDF File: Babel... 2 Read and Download Ebook Babel... From Reader Review Babel for online ebook Bradley says Published only as a first edition in 1978, "Babel" is a collection of poetry, prose, and stream of consciousness writing. With inspiration drawn from Rimbaud and the Beats, Smith paints a unique portrait of late 70s New York City. Rock music, sex, and Smith's life are graphically and beautifully illustrated. Smith's first album "Horses" was just three years earlier. Some of the writing in this book later appeared as spoken word monologues on her albums including "Babelogue" which appears on her 1978 release "Easter." Smith is undeniably the Godmother of Punk. While this book truly encapsulates the essence of her life and struggles in New York during the 70s, it isn't a very polished collection. With lowercase text, misspelled words, and improper punctuation, the writing can be challenging at times. However, perhaps that's the point. What could be more punk in the literary world than defying all literature's conventions? Jamie Ruiz says Wicked! Jennifer says Patti Smith is a true American artist and though her poetry tends to be more like an American Rimbaud, crude, poignant, and funny, she is not for everyone. The godmother of punk she is now in her 60's and still remains articulate and true to her artform. -
CV, Full Format
BENJAMIN PALOFF (1/15/2013) Department of Slavic Languages and Literatures 507 Bruce Street University of Michigan, Ann Arbor Ann Arbor, MI 48103 3040 MLB, 812 E. Washington (617) 953-2650 Ann Arbor, MI 48109 [email protected] EDUCATION Harvard University, Cambridge, Massachusetts Ph.D. in Slavic Languages and Literatures, June 2007. M.A. in Slavic Languages and Literatures, November 2002. Dissertation: Intermediacy: A Poetics of Unfreedom in Interwar Russian, Polish, and Czech Literatures, a comparative treatment of metaphysics in Eastern European Modernism, 1918-1945. University of Michigan, Ann Arbor, Michigan M.F.A. in Creative Writing/Poetry, April 2001. Thesis: Typeface, a manuscript of poems. Harvard University, Cambridge, Massachusetts B.A., magna cum laude with highest honors in field, Slavic Languages and Literatures, June 1999. Honors thesis: Divergent Narratives: Affinity and Difference in the Poetry of Zbigniew Herbert and Miroslav Holub, a comparative study. TEACHING Assistant Professor, Departments of Slavic Languages and Literatures and of Comparative Literature, University of Michigan, Ann Arbor (2007-Present). Courses in Polish and comparative Slavic literatures, critical theory, and translation. Doctoral Dissertation Committees in Slavic Languages and Literatures: Jessica Zychowicz (Present), Jodi Grieg (Present), Jamie Parsons (Present). Doctoral Dissertation Committees in Comparative Literature: Sylwia Ejmont (2008), Corine Tachtiris (2011), Spencer Hawkins (Present), Olga Greco (Present). Doctoral Dissertation Committees in other units: Ksenya Gurshtein (History of Art, 2011). MFA Thesis Committee in English/Creative Writing: Francine Harris (2011). Faculty Associate, Frankel Center for Jewish Studies (2009-Present); Center for Russian, East European, and Eurasian Studies (2007-Present). Service: Steering Committee, Copernicus Endowment for Polish Studies (2007-Present). -
I Burn Paris Free Download
I BURN PARIS FREE DOWNLOAD Bruno Jasienski,Cristian Opris,Soren Gauger,Marcin Piekoszewski | 309 pages | 15 Apr 2012 | Twisted Spoon Press | 9788086264370 | English | Prague, Czech Republic Bruno Jasieński And I Burn Paris: The Great Polish Futurist And Catastrophist I Burn Paris are its inheritors, I Burn Paris with your own proletariat. Apr 08, Aleksandra rated it it was amazing. Yes, I Burn Paris actually is optimistically utopian -- even if the price for the new society is very high: Paris proper isn't exactly burnt I Burn Paris the ground, but the vast majority of Parisians He grew up in an unsettled China, and became a political activist. Views Read Edit View history. Sentenced to 15 years in a labour camp, he was executed on 17 September in Butyrka prison in Moscow. The most important of these, I Burn Parisbrought him misery, celebrity and, ultimately, led to his downfall. Wikimedia Commons. She was right, we were destined not to love each other; but not for the reason she had envisioned. More Details Actual Price:. The novel was also a humorous reply to Paul Morand 's pamphlet I Burn Moscowpublished shortly before. Up until the plague claims its maker. Published April 15th by Twisted Spoon Press first published Powerful poetic prose. They were brought to the nearest pharmacy. Or think of I Burn Paris as like a s version of The Purge, but one that doesn't try to hide its ideology or sympathies. He has exhibited across Europe and his work has been included in group shows I Burn Paris presentations of contemporary avant- garde graphic artists. -
Poetry Sampler
POETRY SAMPLER 2020 www.academicstudiespress.com CONTENTS Voices of Jewish-Russian Literature: An Anthology Edited by Maxim D. Shrayer New York Elegies: Ukrainian Poems on the City Edited by Ostap Kin Words for War: New Poems from Ukraine Edited by Oksana Maksymchuk & Max Rosochinsky The White Chalk of Days: The Contemporary Ukrainian Literature Series Anthology Compiled and edited by Mark Andryczyk www.academicstudiespress.com Voices of Jewish-Russian Literature An Anthology Edited, with Introductory Essays by Maxim D. Shrayer Table of Contents Acknowledgments xiv Note on Transliteration, Spelling of Names, and Dates xvi Note on How to Use This Anthology xviii General Introduction: The Legacy of Jewish-Russian Literature Maxim D. Shrayer xxi Early Voices: 1800s–1850s 1 Editor’s Introduction 1 Leyba Nevakhovich (1776–1831) 3 From Lament of the Daughter of Judah (1803) 5 Leon Mandelstam (1819–1889) 11 “The People” (1840) 13 Ruvim Kulisher (1828–1896) 16 From An Answer to the Slav (1849; pub. 1911) 18 Osip Rabinovich (1817–1869) 24 From The Penal Recruit (1859) 26 Seething Times: 1860s–1880s 37 Editor’s Introduction 37 Lev Levanda (1835–1888) 39 From Seething Times (1860s; pub. 1871–73) 42 Grigory Bogrov (1825–1885) 57 “Childhood Sufferings” from Notes of a Jew (1863; pub. 1871–73) 59 vi Table of Contents Rashel Khin (1861–1928) 70 From The Misfit (1881) 72 Semyon Nadson (1862–1887) 77 From “The Woman” (1883) 79 “I grew up shunning you, O most degraded nation . .” (1885) 80 On the Eve: 1890s–1910s 81 Editor’s Introduction 81 Ben-Ami (1854–1932) 84 Preface to Collected Stories and Sketches (1898) 86 David Aizman (1869–1922) 90 “The Countrymen” (1902) 92 Semyon Yushkevich (1868–1927) 113 From The Jews (1903) 115 Vladimir Jabotinsky (1880–1940) 124 “In Memory of Herzl” (1904) 126 Sasha Cherny (1880–1932) 130 “The Jewish Question” (1909) 132 “Judeophobes” (1909) 133 S. -
Artymiuk, Anne
UHI Thesis - pdf download summary Today's No Ground to Stand Upon A Study of the Life and Poetry of George Campbell Hay Artymiuk, Anne DOCTOR OF PHILOSOPHY (AWARDED BY OU/ABERDEEN) Award date: 2019 Awarding institution: The University of Edinburgh Link URL to thesis in UHI Research Database General rights and useage policy Copyright,IP and moral rights for the publications made accessible in the UHI Research Database are retained by the author, users must recognise and abide by the legal requirements associated with these rights. This copy has been supplied on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement, or without prior permission from the author. Users may download and print one copy of any thesis from the UHI Research Database for the not-for-profit purpose of private study or research on the condition that: 1) The full text is not changed in any way 2) If citing, a bibliographic link is made to the metadata record on the the UHI Research Database 3) You may not further distribute the material or use it for any profit-making activity or commercial gain 4) You may freely distribute the URL identifying the publication in the UHI Research Database Take down policy If you believe that any data within this document represents a breach of copyright, confidence or data protection please contact us at [email protected] providing details; we will remove access to the work immediately and investigate your claim. Download date: 29. Sep. 2021 ‘Today’s No Ground to Stand Upon’: a Study of the Life and Poetry of George Campbell Hay Anne Artymiuk M.A. -
Vivre En Russe
Georges NIVAT (1935 - ) historien des idées et slavisant, professeur honoraire, Université de Genève. (2007) VIVRE EN RUSSE Un document produit en version numérique par Pierre Patenaude, bénévole, Professeur de français à la retraite et écrivain Chambord, Lac—St-Jean. Courriel: [email protected] Page web dans Les Classiques des sciences sociales. Dans le cadre de la bibliothèque numérique: "Les classiques des sciences sociales" Site web: http://www.uqac.ca/Classiques_des_sciences_sociales/ Une bibliothèque développée en collaboration avec la Bibliothèque Paul-Émile-Boulet de l'Université du Québec à Chicoutimi Site web: http://bibliotheque.uqac.uquebec.ca/index.htm Georges NIVAT, VIVRE EN RUSSE. (2007) 2 Politique d'utilisation de la bibliothèque des Classiques Toute reproduction et rediffusion de nos fichiers est interdite, même avec la mention de leur provenance, sans l’autorisation for- melle, écrite, du fondateur des Classiques des sciences sociales, Jean-Marie Tremblay, sociologue. Les fichiers des Classiques des sciences sociales ne peuvent sans autorisation formelle: - être hébergés (en fichier ou page web, en totalité ou en partie) sur un serveur autre que celui des Classiques. - servir de base de travail à un autre fichier modifié ensuite par tout autre moyen (couleur, police, mise en page, extraits, support, etc...), Les fichiers (.html, .doc, .pdf, .rtf, .jpg, .gif) disponibles sur le site Les Classiques des sciences sociales sont la propriété des Classi- ques des sciences sociales, un organisme à but non lucratif com- posé exclusivement de bénévoles. Ils sont disponibles pour une utilisation intellectuelle et personnel- le et, en aucun cas, commerciale. Toute utilisation à des fins com- merciales des fichiers sur ce site est strictement interdite et toute rediffusion est également strictement interdite. -
'Socialism in One Country': Komsomol'tsy
Youthful Internationalism in the Age of ‘Socialism in One Country’: Komsomol’tsy, Pioneers and ‘World Revolution’ in the Interwar Period Matthias Neumann On the 1st of March 1927, two Komsomol members from the Chuvash Republic, located in the centre of European Russia, wrote an emotional letter to Comrade Stalin. Reflecting on the revolutionary upheavals in China, they attacked the inaction of the Komsomol and the party and expressed their sincere determination to self-mobilise and join the proletarian forces in China. ‘We do not need empty slogans such as “The Komsomol is prepared”’, ‘We must not live like this’ they wrote and boasted ‘we guarantee that we are able to mobilise thousands of Komsomol members who have the desire to go to China and fight in the army of the Guomindang.’ This was after all, they forcefully stressed, the purpose for which ‘our party and our Komsomol exist.’1 These youngsters were not alone in their views. As the coverage on the situation in China intensified in the Komsomol press in March, numerous similar individual and collective letters were received by party and Komsomol leaders.2 The young authors, all male as far as they were named, expressed their genuine enthusiasm for the revolution in China. The letters revealed not only a youthful romanticism for the revolutionary fight abroad and the idea of spreading the revolution, but often an underlying sense of disillusionment with the inertia of the revolutionary project at home. A few months earlier, in 1926 during the campaign against the so-called eseninshchina3, a fellow Komsomol member took a quite different view on the prospect of spreading the revolution around the world. -
Soviet Political Memoirs: a Study in Politics and Literature
SOVIET POLITICAL MEMOIRS: A STUDY IN POLITICS AND LITERATURE by ZOI LAKKAS B.A. HONS, The University of Western Ontario, 1990 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS in THE FACULTY OF GRADUATE STUDIES (Department of History) We accept this thesis as conforming to the required standard THE UNIVERSITY OF BRITISH COLUMBIA June 1992 Zoi Lakkas, 1992 _________________ in presenting this thesis in partial fulfilment of the requirements for an advanced degree at the University of British Columbia, I agree that the Library shall make it freely available for reference and study. I further agree that permission for extensive copying of this thesis for scholarly purposes may be granted by the head of my department. or by his or her representatives. It is understood that copying or publication of this thesis for financial gain shall not be allowed without my written permission. V Department of The University of British &‘olumbia Vancouver, Canada Date 1L4( /1 1q2 DE-6 (2/88) ii ABS TRACT A growing number of Soviet political memoirs have emerged from the former Soviet Union. The main aim of the meinoirists is to give their interpretation of the past. Despite the personal insight that these works provide on Soviet history, Western academics have not studied them in any detail. The principal aim of this paper is to prove Soviet political memoir’s importance as a research tool. The tight link between politics and literature characterizes the nature of Soviet political memoir. All forms of Soviet literature had to reform their brand of writing as the Kremlin’s policies changed from Stalin’s ruthless reign to Gorbachev’s period of openness. -
Isaak Babel," Anonymous, "He Died for Art," Nesweek (July 27, 1964)
European Writers: The Twentieth Century. Ed. George Stade. Vol. 11. New York: Charles Scribner's Sons, 1983. Pp. 1885-1914. Babel's extant output: movie scripts, early short Isaac Babel fiction, journalistic sketches, one translation, and a few later stories that remained unpublished in Babel's lifetime (they were considered offensive either to the (1894 – 1940) party line or the censor's sense of public delicacy). His most famous work, the cycle of short stories Gregory Freidin and vignettes, Konarmiia (Red Cavalry), was first published in a separate edition in 1926. It dealt with the experiences of the Russo-Polish War of 1920 as (A version of this essay in Critical Biography was seen through the bespectacled eyes of a Russian published in European Writer of the Twentieth Jewish intellectual working, as Babel himself had Century [NY: Scribners, 1990]) done, for the newspaper of the red Cossack army. This autobiographical aura played a key rôle in the success and popularity of the cycle. The thirty three jewel-like pieces, strung together to form the first Isaac Babel (1894-1940) was, perhaps, the first edition of Red Cavalry, were composed in a short Soviet prose writer to achieve a truly stellar stature in period of time, between the summer of 1923 and the Russia, to enjoy a wide-ranging international beginning of 1925, and together constitute Babel's reputation as a grand master of the short story,1 and lengthiest work of fiction (two more pieces would be to continue to influence—directly through his own added subsequently). They also represent his most work as well as through criticism and scholarship— innovative and daring technical accomplishment. -
Detki V Kletke: the Childlike Aesthetic in Soviet Children's Literature and Unofficial Poetry
Detki v kletke: The Childlike Aesthetic in Soviet Children's Literature and Unofficial Poetry The Harvard community has made this article openly available. Please share how this access benefits you. Your story matters Citation Morse, Ainsley. 2016. Detki v kletke: The Childlike Aesthetic in Soviet Children's Literature and Unofficial Poetry. Doctoral dissertation, Harvard University, Graduate School of Arts & Sciences. Citable link http://nrs.harvard.edu/urn-3:HUL.InstRepos:33493521 Terms of Use This article was downloaded from Harvard University’s DASH repository, and is made available under the terms and conditions applicable to Other Posted Material, as set forth at http:// nrs.harvard.edu/urn-3:HUL.InstRepos:dash.current.terms-of- use#LAA Detki v kletke: The Childlike Aesthetic in Soviet Children’s Literature and Unofficial Poetry A dissertation presented by Ainsley Elizabeth Morse to The Department of Slavic Languages and Literatures in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the subject of Slavic Languages and Literatures Harvard University Cambridge, Massachusetts April 2016 © 2016 – Ainsley Elizabeth Morse. All rights reserved. Dissertation Advisor: Professor Stephanie Sandler Ainsley Elizabeth Morse Detki v kletke: The Childlike Aesthetic in Soviet Children’s Literature and Unofficial Poetry Abstract Since its inception in 1918, Soviet children’s literature was acclaimed as innovative and exciting, often in contrast to other official Soviet literary production. Indeed, avant-garde artists worked in this genre for the entire Soviet period, although they had fallen out of official favor by the 1930s. This dissertation explores the relationship between the childlike aesthetic as expressed in Soviet children’s literature, the early Russian avant-garde and later post-war unofficial poetry. -
2008 OAH Annual Meeting • New York 1
Welcome ear colleagues in history, welcome to the one-hundred-fi rst annual meeting of the Organiza- tion of American Historians in New York. Last year we met in our founding site of Minneap- Dolis-St. Paul, before that in the national capital of Washington, DC. On the present occasion wew meet in the world’s media capital, but in a very special way: this is a bridge-and-tunnel aff air, not limitedli to just the island of Manhattan. Bridges and tunnels connect the island to the larger metropolitan region. For a long time, the peoplep in Manhattan looked down on people from New Jersey and the “outer boroughs”— Brooklyn, theth Bronx, Queens, and Staten Island—who came to the island via those bridges and tunnels. Bridge- and-tunnela people were supposed to lack the sophistication and style of Manhattan people. Bridge- and-tunnela people also did the work: hard work, essential work, beautifully creative work. You will sees this work in sessions and tours extending beyond midtown Manhattan. Be sure not to miss, for example,e “From Mambo to Hip-Hop: Th e South Bronx Latin Music Tour” and the bus tour to my own Photo by Steve Miller Steve by Photo cityc of Newark, New Jersey. Not that this meeting is bridge-and-tunnel only. Th anks to the excellent, hard working program committee, chaired by Debo- rah Gray White, and the local arrangements committee, chaired by Mark Naison and Irma Watkins-Owens, you can chose from an abundance of off erings in and on historic Manhattan: in Harlem, the Cooper Union, Chinatown, the Center for Jewish History, the Brooklyn Historical Society, the New-York Historical Society, the American Folk Art Museum, and many other sites of great interest.